Culture

There’s no shortage of magical rings in the children’s canon, the sort of things that usefully make you invisible or beautiful. But rings that can turn objects into a pile of excrement are something else. So one warms to Bianca Pitzorno’s Lavinia and the Magic Ring, translated from the Italian by Laura Watkinson (Catnip, £5.99) whose heroine, an orphaned match girl, is given one. Her subsequent adventures have more than a touch of Roald Dahl, being illustrated by Dahl’s co-creator, the ever fabulous Quentin Blake. The sublime Judith Kerr is 95 and razor-sharp with it. Her latest, Mummy Time (HarperCollins, £12.99), is about the wonderful adventures, real and imagined, of a little boy in a park while his mother is on her mobile phone to a friend.

A young girl finds the body of her nanny, brutally murdered, and the barely moving form of her mother, a second victim of the attack. The perpetrator of these deeds is the child’s father, who manages to flee the country and has never been seen since. This is the wound at the heart of Flynn Berry’s A Double Life (Weidenfeld, £14.99). Adulthood has given Claire Spenser no respite from her pain. Haunted by the horror she witnessed as a child, she now obsesses over every scrap of information about her father. She investigates his close friends and family, suspecting them of helping him to escape trial. But this isn’t a quest for revenge, more a personal search for justice, and above all, understanding.

In her 66 years on the throne the Queen has represented Britain on official visits to at least 126 countries or territories, some of them many times. Robert Hardman has had the idea to write about her reign, and about Britain, through these myriad voyages. He is right to call his book Queen of the World. There is no other. He quotes Neil MacGregor, now the director of Berlin’s Humboldt Forum, pointing out that the Queen has officially entered the German language. The correct word for ‘queen’ used to be ‘die Konigin’; but now German grammar lists a new entry ‘die Queen’ and states: ‘There is no plural.

The 20th-century painter Balthus once suggested that the author of a book about him began with the words: ‘Balthus is an artist about whom we know nothing; now let’s look at his works.’Actually, there are many important figures about whom we know nothing, or at least very little. Giovanni Bellini is a case in point. Information we don’t have about him includes when he was born, and even whether he was the younger sibling of Gentile Bellini — as is usually assumed — or in fact his uncle. The discovery a while ago of a Latin poem suggesting that in old age this artist of tranquilly thoughtful saints and Madonnas was in the habit of sleeping with a handsome young man has only complicated matters, though it does enliven his image.

On 26 August 1880 Henry Russell consummated his marriage in an unusual way. He was, to his own mind, married to the Vignemale, the highest French peak in the Pyrenees, and, wishing to spend the night with his beloved, he climbed to the 10,820ft summit and got his servants to dig a trench, bury him under earth and stones, wrapped in his sheepskin sleeping-bag, and leave him to the darkness. He survived and wrote of this night: ‘It seemed as though I had left the earth.’ Russell is one of the oddballs with whom Matthew Carr’s book teems. Another is Sabine Baring-Gould, the author of ‘Onward, Christian soldiers’, who in 1848 visited the Algerian emir Abd-el-Kader, imprisoned by the French in the château at Pau.

In 2016, inspired by reports that Donald Trump’s butler had recommended the assassination of Barack Obama, Ben Schott wrote a scintillating squib, published in these pages, about Trump meeting Bertie Wooster. As he later noted in a diary column, it gave him the idea of writing a new Jeeves and Wooster novel. Predictably, reassuringly, soothingly, Jeeves and the King of Clubs returns us to such idyllic haunts as Bertie’s flat in Berkeley Mansions, the Drones Club and Brinkley Court, Aunt Dahlia’s pile in Worcestershire, and to the company of the furious Sir Watkyn Bassett and his whimsical daughter Madeline, who is yet again engaged to Roderick Spode, 7th Earl of Sidcup. It would appear to be the summer of 1939.