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City of miracles

In the autumn of 1984, after an unexplained fall, I found myself in a hospital in Rome acutely head-injured and disorientated. I had been found sprawled on the floor of my flat on Via Salaria; the police suspected an intruder, yet nothing apparently was stolen. Bloody handprints covered the walls where I had tried to steady myself. I was 23 and newly arrived in Rome to work as a journalist and teach. Later, I regained consciousness outside a latrine on the sixth floor of San Giovanni hospital. A group of nuns with elaborate bird-like coifs swished past, each bearing a carafe of white wine. So I was in paradise — or perhaps a Fellini movie. (The carafes turned out to contain urine samples.) The nuns acted as paramedics, owing to a shortage of trained nurses.

Coolness under fire

The early 19th century was the age of the dandy, and the essence of dandyism was cool self-control. The dandy shunned displays of feeling. There is feeling a-plenty in both these books; yet they may fairly be described as novels which bear the characteristics of dandyism. Though not short of action — something the dandies deprecated — they are cool, elegant and laconic. Stella Tillyard is known as a historian of 18th- and early 19th-century aristocratic and royal life. Tides of War is her first novel, and a very accomplished one. It moves easily between domestic and political scenes in London and Norfolk, and the Peninsula, where Wellington’s army, with the help of Spanish guerrillas, whom Wellington valued little, is gradually winning the war against the French.

Empty lines on a CV

The intern is everywhere, slowly but surely, infiltrating every office on the planet. But while the internship is now ubiquitous, having become the standard first rung on most career ladders and the most frequent stepping stone between education and a career, it remains a largely unexamined and unregulated sector. Somewhere between an apprenticeship and a temp job, the internship resists easy definition and is understood more in terms of social cachet than actual responsibilities. Having had his fair share of directionless and underpaid internships between various degrees at Stanford and Cambridge, Ross Perlin, a researcher in linguistics, decided that the phenomenon deserved closer scrutiny. The result is Intern Nation, an exposé of the murky world of the internship.

Art and the raging bull

In these days of growing concern at the methods of factory farming and the welfare of the animals which are raised and killed for our consumption, it is instructive to compare the life of domestic beef cattle with that of a Spanish fighting bull. The cattle may have less than two years of life in cramped conditions, while the toro bravo roams free and unmolested on pasture for five years. Alexander Fiske- Harrison makes the comparison succinctly: ‘Five years on free-release and then the arena, or 18 months in prison and then the electric chair’. He maintains (there is some evidence for this, to do with beta-endorphins) that the fighting bull’s suffering is reduced because, once in the ring, it feels no fear, only aggressive anger.

Heroic long-suffering

English patriotism was still a force in 1914. On the first day of the war, my mother’s three brothers, and my father and his two brothers, all joined up together, in the Artists’ Rifles. On the first day of the second world war, which I remember well, there were some similarities, but they were superficial. Again, my elder brother joined immediately. But the mood was resignation, not enthusiasm. There was no rejoicing, no talk of a new and better world: just a despairing attempt to preserve what was left of an unsatisfactory old one. The truth is, the Great War knocked the stuffing out of the British. They have never been the same since, collectively. Of the 722,000 killed, the vast majority were volunteers, overwhelmingly young: the eager elite.

When more is less

If you know anything at all about Cynthia Ozick — an officially accredited grande dame in America, less famous in Britain — you won’t be surprised to hear that her new novel is influenced by Henry James. If you know anything at all about Cynthia Ozick — an officially accredited grande dame in America, less famous in Britain — you won’t be surprised to hear that her new novel is influenced by Henry James. Throughout Ozick’s career, James has hovered over her fiction and featured heavily in her essays. Now, in Foreign Bodies, she goes for, among other things, a full-scale recasting of The Ambassadors.

The English El Greco

Talk about ‘enemies of promise’. Talk about ‘enemies of promise’. In the March 1942 number of Horizon magazine there appeared what could be a heartfelt illustration of the whinger’s conceit propagated by Horizon’s editor, Cyril Connolly, to the effect that life stifles artistic ambitions. Plate 2, ‘Dreamer in Landscape’ by John Craxton, is a pen-and-wash drawing of horny plants breathing down the neck of a dozing boy. How very Craxton. Not yet 20 and already well-versed in overgrown styling and poetic self-pity. For decades Craxton lived with the fact that early promise guarantees nothing.

A haze of artifice

Auden said: ‘The ideal audience the poet imagines consists of the beautiful who go to bed with him, the powerful who invite him to dinner and tell him secrets of state, and his fellow-poets. Auden said: ‘The ideal audience the poet imagines consists of the beautiful who go to bed with him, the powerful who invite him to dinner and tell him secrets of state, and his fellow-poets. The actual audience he gets consists of myopic schoolteachers, pimply young men who eat in cafeterias, and his fellow poets. This means, in fact, he writes for his fellow poets.’ Certainly Auden’s The Age of Anxiety, which was first published in 1947, is seldom understood except by other poets.

Bookends: When will there be good news?

I am in love with Jackson Brodie. Does this mean that, in a literary homoerotic twist, I am actually in love with Kate Atkinson, his creator? I think it must. Sometimes I think I am Jackson Brodie. We share many traits: 50-odd, mid-life crisis, a lost (though in my case not murdered) sister. I know that it’s really Kate Atkinson who is Jackson Brodie. She must have a lost or murdered sister, mustn’t she?   I am in love with Jackson Brodie. Does this mean that, in a literary homoerotic twist, I am actually in love with Kate Atkinson, his creator? I think it must. Sometimes I think I am Jackson Brodie. We share many traits: 50-odd, mid-life crisis, a lost (though in my case not murdered) sister. I know that it’s really Kate Atkinson who is Jackson Brodie.

1951 and all that

The author of this book and I both visited the 1951 Festival of Britain on London’s South Bank as schoolboys. The author of this book and I both visited the 1951 Festival of Britain on London’s South Bank as schoolboys. He was 13, I was 11. We were both old enough to remember the war. We were both enduring the post-war austerity. Much was still rationed. Everywhere there were bombsites. From his generally commendable account, I know we both had a similar reaction to the Dome of Discovery, the Skylon and all the other attractions: there was a sense of renewal, lightness, colour, modernity and excess, in contrast to the drabness and penny-pinching we were used to.

Clashing by night

Cables from Kabul is Sir Sherard Cowper-Coles’s valedictory account of his years as ambassador to Kabul (2007-9) and as this country’s Special Representative for Afghanistan and Pakistan (2009-10). Cables from Kabul is Sir Sherard Cowper-Coles’s valedictory account of his years as ambassador to Kabul (2007-9) and as this country’s Special Representative for Afghanistan and Pakistan (2009-10). A long telegram reporting on the ramp ceremony for a fallen soldier, Corporal Damian Stephen Lawrence of the 2nd Battalion, the Yorkshire Regiment, opens the book. It is a beautiful piece, describing the service — ‘in the best traditions of lapidary Anglicanism. Plenty of dignity but not too much religion’ — and the military ritual of the event.

A heart made to be broken

Very useful in modern conversation, Oscar Wilde. Not for the quotable quips — everyone knows those already. His real value comes when you’re trying to guess someone’s sexuality. ‘He can’t be gay,’ someone will say of whoever is under the microscope, ‘he’s married with two kids.’ You hit them with the reply: ‘So was Oscar Wilde.’ It’s hardly surprising that so many people are unaware of Mrs W’s existence, or that those who do tend to forget about her, given her husband’s status as poster boy for the Two Fingers to Convention party. You’d be forgiven for thinking that Oscar was a Victorian Alan Carr, standing in the middle of Piccadilly belting out ‘Sing If You’re Glad To Be Gay’.

Those who die like cattle

An ex-farmer whose brother has died fighting in Iraq is the man at the centre of Graham Swift’s new book, a state-of-the-nation novel on a small canvas. An ex-farmer whose brother has died fighting in Iraq is the man at the centre of Graham Swift’s new book, a state-of-the-nation novel on a small canvas. Jack runs a caravan park on the Isle of Wight, having sold his centuries-old Devon farm to a banker in need of a bolt-hole. His parents are dead, and more than a decade has passed since he’s last been in touch with Tom, nine years his junior. Now Tom’s gone too, blown up by an IED, and Jack’s preparing to return to Devon for the funeral; it’s the first time he’ll have been back since selling up.

Patience v. panache

The square jaw and steely gaze are deceptive. In reality, next to a prima donna on the slide, no one is more vain and temperamental than a general on the climb. So much at least is clear from Peter Caddick-Adams’s intriguing study of generals Bernard Montgomery and Erwin Rommel. Each was assiduous in the celebrity skills of image-making and audience massage, and none more adept at stabbing rivals in the ribs and ascribing good luck to talent. Yet for all the froth, both succeeded in a trade whose yardstick of success, crushing an opponent to death or submission, cannot be faked.

Bookends: Lowe and behold

It is 1979. You are a 15-year-old boy starring in a hit US television show. You’ve seen the crowds of screaming girls outside the gates as you arrive for work, and are therefore very excited to have received your first fan letter. You open it eagerly and begin to read: ‘Dear Mr Rob Lowe, You are a great actor. Can you please send me an autographed photo of yourself? If possible in a bathing suit or in your underwear. Sincerely, Michael LeBron. #4142214 Pelican Bay Prison.’ It is 1979. You are a 15-year-old boy starring in a hit US television show. You’ve seen the crowds of screaming girls outside the gates as you arrive for work, and are therefore very excited to have received your first fan letter.

A nation of meddlers

If you thought that bust of Lenin you had on your desk as a teenager was the ultimate in radical chic, think on. Infatuated with the French Revolution, Lord Stanhope proclaimed his solidarity at a banquet at White’s Club. Announcing that he was thenceforth to be known as Citizen Stanhope, he ordered the coronets to be removed from the iron gates of his estate, Chevening. Despite its title, David Pryce-Jones’s new book isn’t just, or even especially, about traitors. It’s a high-speed survey of prominent British citizens who have taken up foreign causes.

The problems of PR

Two centuries ago, Edmund Burke famously mocked the intellectuals of revolutionary France for trying to devise a perfectly rational constitution for their country. The Abbé Sieyès, he wrote, had whole nests of pigeon-holes full of constitutions, ready made, ticketed, sorted and numbered, suited to every season and every fancy . . . so that no constitution-fancier may go unsuited from his shop. The Abbé Sieyès has had his imitators in England lately. The last government devoted much intellectual energy and parliamentary time to producing a theoretical separation of the judiciary from the legislature and the executive, when a practical separation had existed for years.

Neither Greek nor German

Prince Philip’s childhood was such that he had every right to be emotionally repressed and psychologically disturbed. Prince Philip’s childhood was such that he had every right to be emotionally repressed and psychologically disturbed. Born sixth in line to the Greek throne, at the age of 18 months he was hounded from what, in name at least, was his homeland. His father came within an ace of being executed for high treason. When he was only eight his mother suffered a devastating nervous breakdown; in 1930 she was drugged into placidity, bundled into a car and consigned to a sanatorium-cum-prison. His father shrugged off his responsibilities towards his children, of whom Philip was by far the youngest, and installed himself with his mistress in the south of France.