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How do we get to Denmark?

Francis Fukuyama is rare amongst scholars in being unafraid to ask large questions. He first achieved fame, if not notoriety, by his thesis that, with the collapse of communism, we had reached the ‘end of history’. The rise of terrorism and the return of authoritarianism in parts of the Soviet empire led to this thesis being caricatured as implying the end of all political conflict. What Fukuyama meant, however, was that, for the first time, there were no longer ideological challenges to the dominance of liberal democracy. He reasserts this conclusion in The Origins of Political Order: ‘Liberal democracy as the default form of government has become part of the accepted political landscape at the beginning of the 21st century.

Ransacking the world

Something in the air is arousing an interest in collectors and collections — both private and public — of which the success of The Hare with Amber Eyes and The Children’s Book are perhaps the most visible recent examples. Something in the air is arousing an interest in collectors and collections — both private and public — of which the success of The Hare with Amber Eyes and The Children’s Book are perhaps the most visible recent examples. Jacqueline Yallop’s book is firmly in this vein, deploying an astonishing breadth of research to reveal, in a blend of narrative, contextual history, museology and biography, some of the forgotten stories that lie behind the scenes (literally as well as metaphorically) of many of our greatest museum collections.

The nature of evil

Simon Baron-Cohen has spent 30 years researching the way our brains work. His study of autism led to The Essential Difference, which asked, ‘Are you an empathiser or a systemiser?’ The book was highly influential; its ‘male-brain’ and ‘female-brain’ definitions have entered common parlance. In Zero Degrees of Empathy he aims to move examination of the nature of evil ‘out of the realm of religion and into the realm of science.’ Will this project also prove persuasive? ‘Extremes of evil are typically relegated to the unanalysable,’ he says, but they shouldn’t be. Evil, he believes, is best understood as absence of empathy. We are all situated at some point on a bell-curve of empathy.

Bookends: Unbalanced chorus

Imagine a 77-year-old woman hanging around, say, Leicester bus station, telling people about her life. She confides her belief that she is under surveillance by the military. She maintains that she can ‘see the reality of the web of synchronicity in my life’. Showing off her special jewellery that ‘helps balance the chakras’, she reveals that ‘because I had a high metabolism and moved around a lot, I had no real [weight] problem until I was about 50’. Imagine a 77-year-old woman hanging around, say, Leicester bus station, telling people about her life. She confides her belief that she is under surveillance by the military. She maintains that she can ‘see the reality of the web of synchronicity in my life’.

Redefining the war

There are more than 100,000 American and Allied troops in Afghanistan. That is, there are more than 1,000 troops for every suspected al-Qa’eda ‘operative’. Not for the first time in Afghanistan means, ways and ends appear to be out of kilter. There are more Nato troops than are needed to combat al-Qa’eda but not enough to build a proper, ordinary country. No wonder Afghanistan has become a grimly expensive halfway house — neither wholly occupied, nor treated with a light touch. Tim Bird and Alex Marshall’s brisk, broad survey of the war is drily un- impressed by American strategy.

Wheels of fortune

There are among us a churlish few who consider the term ‘sports personality’ to be an oxymoron. There are among us a churlish few who consider the term ‘sports personality’ to be an oxymoron. John Foot’s sparkling study of Italian cycling is a welcome corrective, alive with terrific characters: Toti, a heroic one-legged cyclist who was killed in the trenches; Coppi, a barrel-chested adulterer who became the nation’s darling; a blind coach who could divine victory or defeat in the feel of a cyclist’s muscles; and, more recently, a champion who died of a cocaine overdose in a seaside hotel. Many of the greats follow a satisfying rags-to-riches trajectory, starting off as impoverished delivery boys from peasant families.

The villain as hero

Juvenilia is an unfortunate word, with its connotations of the derogatory ‘juvenile’. Juvenilia is an unfortunate word, with its connotations of the derogatory ‘juvenile’. When they reach adult estate, most writers prefer their early work to be forgotten. But publishers have long ferreted about to unearth the juvenilia of anyone with half a name.Though the reading public has never been so easily conned, such works are appreciated mainly by scholars of an author’s entire ouevre, wanting to trace early influences. So, if you could buy only one book this week, would it be The Doll, which contains a dozen very early short stories by Daphne du Maurier, and one rather later one (published in 1959)?

Freudian slip

At Last is the fifth — and, it’s pretty safe to say, most eagerly awaited — of Edward St Aubyn’s Patrick Melrose novels. At Last is the fifth — and, it’s pretty safe to say, most eagerly awaited — of Edward St Aubyn’s Patrick Melrose novels. The first three, now called the Some Hope trilogy, took Patrick from an upper-class childhood where he was raped by his father from the age of five, through his understandably drug-addicted youth and on to the nervous beginnings of recovery at 30. Somehow, though, the result was a joy to read: full of dazzling phrase-making, terrific black comedy and stirringly vicious satire on the ghastly inhabitants of Patrick’s privileged world.

Precious little warmth

There’s something wrong with these diaries. There’s something wrong with these diaries. This is not to disparage the scholarly efforts of their editor, Dr Catterall, nor the skill with which he seems to have pruned the original papers (twice the length) into the greatest coherence achievable, nor his helpful contextualisation and calmly rational explanatory notes. Nor is it to question the importance for modern historians of the whole painstaking enterprise, to observe that the general reader will plough onward from summit, to cabinet, to dinner party, to pheasant shoot, to bilateral meeting, with a half-formed question growing in his mind. Who was Harold Macmillan writing all this for? For himself? For friends and family? For history? To answer questions? To settle scores?

The mark of cane

Sugar transformed our world. From its origins in New Guinea, this tall sappy grass initially made slow progress around the globe. It reached India in 500 BC, and then travelled harmlessly to Persia, arriving 1,000 years later. But, in the early 15th century, it reached Europe, and suddenly everything changed. Sugar would become the catalyst for the greatest and most rapacious expansion that humankind has ever seen. Europeans couldn’t get enough of it, and were soon rearranging the world. No longer was foreign adventure a matter of pilfering and persecution; by the early 1600s, the newly emerging seapowers were competing for land.

Imperfect working order

The publication of Pakistan: A Hard Country could not be more timely. International attention has been focused on Pakistan since the Americans killed Osama bin Laden in Abbottabad. Being in the spotlight generally means trouble for this country that has been bedevilled by war and political drama for over three decades. Foreigners announce goodwill and arrive with generous aid, but Pakistanis are frequently left feeling bruised, as the outsiders become ever more bewildered by the workings of this beguiling and maddening place. Anatol Lieven originally planned to call his book ‘How Pakistan Works’. It would have been a good title, since this is exactly what he tries to explain.

Bookends: To a tee

Sporting literature is a strange old business, often underrated by those who don’t like sport and overrated by those who do. In particular, a warm glow hovers over the reputation of golf writing, which has attained an eminence the unsung litterateurs of snooker and darts can only envy. Golf Stories (Everyman’s Library, £10.99), edited by the American journalist Charles McGrath, arrives as a small and beautifully appointed hardback, as certain of itself as any book can be. Primarily aimed at a US readership, it includes many of the usual suspects: Stephen Leacock, with a slightly weary piece of New Yorkerish whimsy; John Updike’s frequently anthologised ‘Farrell’s Caddie’; the famed golfing scene from Goldfinger; and only one P. G.

The choppy sea of family life

This is a lovely book. Judy Golding writes of her father —indeed of both her parents — with candour, humour and great insight and perception This is a lovely book. Judy Golding writes of her father —indeed of both her parents — with candour, humour and great insight and perception. More than that, here is an exemplary memoir of childhood, not remorselessly chronological, but drawing on the jumbled past to give an account of what it was like to be a child in an unusual family. She describes an intense marriage, which was devoted and intermittently stormy. She sees herself and her brother David as always taking second place, especially as far as their mother was concerned.

Doomed to disillusion

The Forgotten Waltz is one of those densely recapitulative novels that seek to interpret emotional crack-up from the angle of its ground-down aftermath. At the same time, it is not really a book about hindsight. Sometimes extending information to the reader and sometimes deliberately covering its tracks, sometimes inviting sympathy for its characters and sometimes implying that sympathy only gets in the way of knowledge, it offers the enticing spectacle of a heroine determined to decode the human acrostics that strew her path while darkly conscious that most of her judgments are either horribly provisional or downright inchoate.

Fear and loathing in the Congo

Jason Stearns is a brave man. He once worked for the UN’s disarmament programme in eastern Congo, a job which required him to probe the forests around the town of Bukavu, seeking out members of the local Mai Mai militia. Jason Stearns is a brave man. He once worked for the UN’s disarmament programme in eastern Congo, a job which required him to probe the forests around the town of Bukavu, seeking out members of the local Mai Mai militia. When the UN peacekeepers made contact — and there was always a risk they would run into Rwandan rebels with very different priorities — his job was to persuade twitchy, traumatised child fighters to down their weapons. Arguably, what he attempts to do in this book is even braver.

The Russian connection

It’s impossible not to warm to the author of this book, a perky Turkish-American woman with a fascination with Russian literature and an irresistible comic touch. It’s impossible not to warm to the author of this book, a perky Turkish-American woman with a fascination with Russian literature and an irresistible comic touch. I began it on the train; barely had I started before my involuntary yelps of hilarity were causing alarm amongst my fellow passengers. An elderly man moved to another seat after I came upon Batuman’s description of the time she found herself judging an adolescent boys’ leg contest in Hungary. Fortunately, perhaps, I arrived at my station before Batuman embarked on an account of an excruciatingly funny literary seminar to rival Lucky Jim.

When wailing is appropriate

This is a strange exercise. It is a commonplace book of quotations from great authors, assembled by the philosopher A. C. Grayling. The extracts from the great books, how- ever, are provided without attribution. Furthermore, they are arranged in numbered ‘verses’, like the divisions of the ‘texts’ in the Bible. The Bible was thus divided for ease of reference when the Rabbis and the Christian Church — in separate exercises, obviously — decided which books should appear in the canon of Scripture. Why Grayling has numbered his collection of quotations is anyone’s guess. The title is slightly cringeworthy.