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Leave it to the French

Elaine Sciolino was advised to find herself a French lover for research purposes; as far as it’s possible to tell, she didn’t, but this may be the only stone left unturned in this extraordinarily thorough study of French seduction. Elaine Sciolino was advised to find herself a French lover for research purposes; as far as it’s possible to tell, she didn’t, but this may be the only stone left unturned in this extraordinarily thorough study of French seduction. Sciolino, a correspondent and former bureau chief for the New York Times, has managed to turn the mysterious process of seduction into a thesis.

More dark material

If there’s one thing guaranteed to send a reviewer’s spirits plummeting, it’s opening a book and finding that the spellyng is orl rong If there’s one thing guaranteed to send a reviewer’s spirits plummeting, it’s opening a book and finding that the spellyng is orl rong. Bugga thys 4 a larque, hee thynks (awe wurds 2 dat effec). S’enuf 2 mayk mi brayne hert. The True Tale of the Monster Billy Dean is David Almond’s first novel for adults —his children’s books have won two Whitbread Awards. However, it shares plenty of the same preoccupations as his other work: mice, small birds, angels and an air of apocalyptic gloom.

An upside-down world

Last year, with William Ryan’s The Holy Thief, detective-fiction aficionados welcomed the thrillingly horrific first instalment in a new series set in 1930s Moscow. Last year, with William Ryan’s The Holy Thief, detective-fiction aficionados welcomed the thrillingly horrific first instalment in a new series set in 1930s Moscow. In his first outing, Alexei Dmitrievich Korolev, a detective in the Moscow militia, managed to navigate the murky waters following the fall of Yagoda, head of the NKVD, and the onslaught of Stalin’s Great Purge.

Bookends | 10 September 2011

Harry Enfield has said that ‘comedy without Galton and Simpson would be like literature without Dickens,’ and he may be right. Their two most lasting creations, Hancock’s Half Hour (illustrated above) and Steptoe & Son, influenced almost everything of worth that came after, from Fawlty Towers and Porridge to The Office and Gavin and Stacey. Nonetheless, you can’t imagine any show as bleak as Steptoe being commissioned today: two men sitting in a room arguing, forever. For this reason, and maybe others, Ray Galton and Alan Simpson haven’t received their due. The comedy archivist Christ-opher Stevens corrects this with The Masters of Sitcom (Michael O’Mara Books, £20), a lovingly compiled and annotated selection of some of their best scripts.

Day of reckoning | 3 September 2011

No one could say that we didn’t have warning of these events in the most specific terms. A month before 11 September 2001, the President’s daily intelligence brief was headed ‘Bin Laden Determined to Strike in US.’ Other official warnings from this time and earlier were so specific, and so specifically ignored, that a former National Security Adviser at the White House, Sandy Berger, would on four separate occasions in 2002 and 2003 abstract official top secret documents from the National Archives by stuffing them in his socks. (Because of Berger, we now don’t know what these warnings consisted of). There were any number of commentators, too, who saw exactly what was coming.

A dancer’s progress

In 1971, at the height of the Indo-Pakistan war, my parents took me with them to Bombay. I was ten and it was my first trip abroad. My father worked for Brooke Bond, and had ‘tea business’ to attend downtown. First we checked into the Taj Hotel. On the waterfront, beggar children with lurid wounds and deformities were shaking tins at passers-by. The poverty unsettled me. The Taj was swank, I could see that, but outside all was dirt and destitution. (At a cinema nearby, jarringly, Carry on Loving was being advertised as the comedy ‘fillum’ sensation of the year.) Over dinner, my parents explained that Bangladesh, formerly East Pakistan, was under attack. Bombay seemed strange enough to me.

Friendships resurrected

A fact which often surprises those who pick up the Bible in adulthood, having not looked at it for years, is how very short the stories are. Adam and Eve, Noah’s Ark, the Feeding of the Five Thousand — in spite of their familiarity they are raced through in just a few lines. It is, however, perhaps the very terseness of the Bible that has caused at least as much ink as blood to be spilled in its cause; had it spelled the answer out, for instance, medieval scholars could never have whiled away so many jaw-droppingly fatuous hours in wondering how many angels could dance on the head of a pin, and other pressing questions. In his new novel Richard Beard draws attention to this brevity and uses it as a springboard.

Thus do empires end

‘This book is a chronicle of one day in the history of one city.’ As first sentences go, that one is hard to beat — particularly given that the ‘one day’ is the last day of the Soviet Union, the city is Moscow and the author, an Irish journalist, was there and knew most of the principal actors. ‘This book is a chronicle of one day in the history of one city.’ As first sentences go, that one is hard to beat — particularly given that the ‘one day’ is the last day of the Soviet Union, the city is Moscow and the author, an Irish journalist, was there and knew most of the principal actors.

On His Majesty’s Silent Service

Of all the Allied fighting service branches in which you wouldn’t have wanted to spend the second world war, probably the grimmest was submarines. Of all the Allied fighting service branches in which you wouldn’t have wanted to spend the second world war, probably the grimmest was submarines. Sure, their losses weren’t quite as bad as the German U-boat fleet, where your chances of being killed were four in five. But in the course of the war about one third of British submariners lost their lives; and in the earlier years your chances of coming back from a mission alive were no more than 50/50. Bomber crews, of course, had to face similarly grim odds. But at least they got back home to clean sheets, a hot shower, a beer and a fag or two.

Little lists for word lovers

In his Modern English Usage, Henry Fowler used the term Wardour Street for ‘a selection of oddments calculated to establish (in the eyes of some readers) their claim to be persons of taste and writers of beautiful English’. In his Modern English Usage, Henry Fowler used the term Wardour Street for ‘a selection of oddments calculated to establish (in the eyes of some readers) their claim to be persons of taste and writers of beautiful English’. The metaphor was taken from the street in Soho, later occupied by the film industry, once the place for dealers in antique, or imitation-antique furniture. Among Fowler’s examples of Wardour Street English were anent, aplenty, forebears, perchance and well-nigh.

Music, moonlight and dahlias

The words that echoed constantly in the back of my mind as I read this book were from Paul Simon’s song ‘Train in the Distance’: ‘the thought that life could be better is woven indelibly into our hearts and our brains’. The words that echoed constantly in the back of my mind as I read this book were from Paul Simon’s song ‘Train in the Distance’: ‘the thought that life could be better is woven indelibly into our hearts and our brains’. Paul Hollander’s thesis is that modern America’s ultra-individualism has led its citizens to expect perfection in every aspect of life, relationships included. Which means that Uncle Sam and Auntie Samantha are in for a few disappointments.

Bookends | 3 September 2011

Dr Temperance Brenner, like her creator, Kathy Reichs, is a forensic anthropologist. She works in North Carolina, specialising in ‘decomps and floaters’. This ensures that in Flesh and Bones (Heinemann, £18.99) you get plenty of authentic sounding detail with your gore. So when a human hand is found sticking out of a drum full of asphalt at the local speedway track, Reichs carefully includes plenty of stuff about how to extract the body — start with a power saw, then move on to an air hammer — and about the drum itself: ‘the size of the drum suggested a 35-gallon capacity.’ But there’s plenty more to Reichs than just insider info.

In a class of his own | 27 August 2011

Ysenda Maxtone Graham’s Mr Tibbits’s Catholic School captures the hilarity and pathos of an eccentric headmaster and the unusual establishment he founded in Kensington in the Thirties. A.N.Wilson introduces us to his funny, peculiar world There are two sorts of school stories. Much the most popular, of course, are those that observe the drama of school life through the prism of the pupils’ imagination. Malory Towers, the Chalet School adventures, Jennings and Darbishire, Harry Potter, Billy Bunter all belong to this addictive genre.

All in a night’s work

This inter-war story of an Anglo-Irish family in crisis opens with a bang. Caroline Adair, recovering from measles at Butler’s Hill, her aunt and uncle’s lovely house in the South-west, wakes in the night to find  Sinn Feiners surrounding the place. This inter-war story of an Anglo-Irish family in crisis opens with a bang. Caroline Adair, recovering from measles at Butler’s Hill, her aunt and uncle’s lovely house in the South-west, wakes in the night to find  Sinn Feiners surrounding the place. The family are given ten minutes to clear out. ‘Don’t be frightened, darling’, says kind Aunt Moira, ‘they won’t do us any harm, they only want to burn the house.’It’s a big ‘only’.

The call of the wild | 27 August 2011

Christopher Ondaatje is best known as a member of the great and the good and a generous patron of the arts, notably the National Portrait Gallery. The pieces collected in this book give glimpses of another, quite different life as a traveller and writer. Ondaatje’s family were long-established Dutch tea planters in Ceylon. In 1947 Christopher was sent to Blundell’s School in the West Country, a ‘sallow, thin, frightened’ 13-year-old; transplanted from the ‘carefree wilderness life’ of his father’s tea plantation, he was lonely and bullied. He had been banished from the Garden of Eden. Independence for Ceylon came in 1948, and his father’s descent into alcoholism and debt followed soon after. He never saw his father again.

Art for ransom

These two books make mutually illuminating and surprisingly contrasting companions, given the similarity of their subjects. Both are written by those with hands-on experience in the field of art preservation and security. Sandy Nairne was Director of Programmes at the Tate Gallery in 1994 when two important paintings by J.M.W. Turner were stolen while on loan to an exhibition in Frankfurt, and was a key player in their eventual recovery. When Anthony Amore became Security Director at the Isabella Stewart Gardner Museum in Boston in 2005, he immediately picked up the threads of the investigation into the theft of three Rembrandts and other works which had been stolen from the museum 15 years previously.

Tallinn tales

During the Twenties and Thirties, the Estonian capital of Tallinn was known to be a centre for espionage, infiltrated by White Russian intriguers bent on blocking Bolshevik access to north-west Europe. Graham Greene first visited in the spring of 1934  — ‘for no reason’, he writes in his memoir Ways of Escape, ‘except escape to somewhere new’. He spent many happy hours in Tallinn, he records, ‘when I was not vainly seeking a brothel’. (The brothel had been recommended to him by Baroness Budberg, a Russian-Estonian exile living in London and mistress of, among others, H. G.Wells.

In the land of doublespeak

An Oxford don and poet, Patrick McGuinness lived in Bucharest in 1989, and in this fictionalised account of the regime’s death throes he puts his first-hand experience to compelling use. An Oxford don and poet, Patrick McGuinness lived in Bucharest in 1989, and in this fictionalised account of the regime’s death throes he puts his first-hand experience to compelling use. So compelling, in fact, that at times one feels he can’t bear to leave anything out, and the plot is accordingly tweaked. But even if there’s the odd creak, this first and Booker-longlisted novel is a wonderfully good read, giving one a convincing taste of how it might be to live under the most surreal kind of communist rule. Ceausescu’s Romania was the land of doublespeak.