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T.S. Eliot’s preoccupations in wartime Britain

In her essay ‘A House of One’s Own’, about Vanessa Bell, Janet Malcolm says memorably that Bloomsbury is a fiction, and that compared with letters and first-hand material, biography is like canned vegetables compared with fresh fruit. We read the letters of writers because they are informal, unguarded, unbuttoned, intimate and candid, revealing not only the secrets of composition but, we hope, glimpses of the writer in the flesh, with his trousers down. This is T.S. Eliot, on 26 December 1941, thanking the editor and critic John Hayward for a gift of toilet paper: BROMO is, as you know, and as the manufacturers state, so well known that lengthy description is not necessary...

The first patrons of Modernism deserve much sympathy and respect

If Modernism is a jungle, how do you navigate a path through its thickets? Some explorers — Peter Gay and Christopher Butler among them — have been fool-hardy enough to attempt an overall map, identifying factors common to a half century of music, art and literature. But the borders remain disputed and light cast on one area only leaves another consigned to the shadows. Philip Hook, however, has been less ambitious, confining himself to one patch of special interest: the painting and sculpture of the decade preceding the first world war.

Thoroughly modern Marie: Matrix, by Lauren Groff, reviewed

It is 1158. A 17-year-old girl, born of both rape and royal blood, is cast out of the French court and condemned to spend her days in a threadbare abbey in England. She will go on to become abbess and one of the dominant forces in the land, transforming her abbey from a shack into an institution grown fat on holy power. The girl is Marie de France, loosely based on the 12th-century poet, about whom very little is known. Into history’s silence steps the American novelist Lauren Groff, who imagines a character who seems remarkably familiar. For Marie is a strong, feminist lesbian, who doesn’t fit into her era’s gender roles, considers much religious teaching to be laughable and who worries about global warming.

The secret life of Thomas Mann: The Magician, by Colm Tóibín, reviewed

In a letter to Stephen Spender, W.H. Auden, who had married Thomas Mann’s daughter Erika sight unseen in order to provide her with a British passport, wrote: ‘Who’s the most boring German writer? My father-in-law.’ This is clearly not a sentiment shared by Colm Tóibín, who has brought out a fictionalised biography of the Nobel prize-winning novelist. Unlike The Master, Tóibín’s 2004 novel about Henry James, which confined itself to a four-year period when the protagonist was in his mid-fifties, The Magician covers almost the whole of Mann’s life, from his boyhood in Lübeck, which inspired his first and arguably finest novel, Buddenbrooks, to his death in Zurich at the age of 80.

How China’s economic revolution created billionaires overnight

In the winter of 1992, the retired octogenarian Deng Xiaoping toured China’s southern coasts. From there he gave a spirited warning to his communist successors: ‘Whoever doesn’t reform will have to step down! We must let some people get rich first!’ These words were the starting-gun for the country’s opening, and its intense economic reform. In the decades since, Chinese cities have never stopped hungering for more space, with new suburbs swallowing up old villages and steel skyscrapers growing ever higher. Even taxi drivers lose their way. One sheepishly explained to me: ‘That road never used to be there.

No Samuel Beckett play is set in stone

It must have been shortly after my first performance of Not I in London in 2005 when Matthew Evans, the former chairman of Faber, handed me a volume, published in 1992, of The Theatrical Notebooks of Samuel Beckett. He told me that the series was no longer in print and therefore difficult to get hold of, but he dearly wanted me to have this copy. It was volume 3 — Krapp’s Last Tape, one of the two of the series (the other being Endgame) that Beckett himself had approved and personally overseen the edits for. Doing so had prompted Beckett to make further adjustments to the play text, despite it having been published more than 20 years earlier — such was his own artistic process of obsessively tinkering with and amending his work.

Only Iain Sinclair could glimpse Hackney in the wilds of Peru

It seemed like a preposterous proposition. For decades, Iain Sinclair has been an assiduous psychogeographer of London, an eldritch cartographer mapping ley lines between Hawksmoor churches and Ripper tours, skulking around the torque of the M25 and fulminating about the Millennium Dome and the gentrification (and gerrymandering) around the Olympic Stadium. So when I learned that his new book was about a journey to Peru, I sarcastically imagined he would be attempting to find the grave of Paddington Bear. Not so, and this is vintage Sinclair. His great-grandfather, Arthur, was a botanist and author. After sojourns in Ceylon and Tasmania, he was sent to assess an area by the ‘corporate predators’ of the Peruvian Corporation of London.

The war that changed the world in the early seventh century

It was not a war to end all wars, writes James Howard-Johnston at the start of this illuminating and thought-provoking book about the confrontation between the empires of Rome and Persia that began at the start of the 7th century and lasted the best part of three decades; it was not even a war with ambitious goals. The ‘last great war of antiquity’ started when the Shah of Persia, Khusro II, decided that the assassination of an unpopular emperor in a palace coup in Constantinople gave him the excuse and the window he needed to try to put right a punitive settlement that had been imposed on Persia a decade earlier.

Barça’s golden age and its ruling triumvirate

Even against our better judgment we tend to imbue our sporting heroes with characteristics they may not possess. This can often lead to disappointment. What passes for fluency on the pitch is seldom matched with any articulacy off it. Lionel Messi, arguably the best player of his generation, is no exception. The Argentinian’s inability to communicate verbally has rendered him an enigma. In Simon Kuper’s incisive and fascinating new book — one that charts FC Barcelona’s transformation over the past three decades from provincial club to international brand — Messi cuts as elusive a figure on the page as he is does off it.

Chips Channon’s judgment was abysmal, but the diaries are a great work of literature

It is often said that the best political diaries are written by those who dwell in the foothills of power. Henry Channon’s political career peaked at parliamentary private secretary to the deputy foreign secretary Rab Butler, so he was well-placed to document, and sometimes actively to participate in, the intrigues of those who inhabited the Olympian heights. Channon’s other great advantage was that he entertained — on an awesome scale. Scarcely an evening passed when he was not either hosting or attending a party in one of the capital’s grand salons: ‘All London,’ as he put it — by which he meant the great and the fashionable — flowed through his drawing room.

Irish quartet: Beautiful World, Where Are You?, by Sally Rooney, reviewed

The millennial generation of Irish novelists lays great store by loving relationships. One of the encomia on the cover of Donal Ryan’s Strange Flowers (Irish Book Awards Novel of 2020) declares: ‘You have to truly love people to write like this.’ It’s hard to imagine that being said of Colm Tóibín or Anne Enright (let alone Vladimir Nabokov, Evelyn Waugh or Muriel Spark). But there are new kids on the block, and forensically intense examination of feelings between pairs of friends or lovers have propelled the fictions of Sally Rooney into the stratosphere.

James Bond and the Beatles herald a new Britain

The word ‘magisterial’ consistently attaches itself to the work of David Kynaston. His eye-wateringly exhaustive four-volume history of the Old Lady of Threadneedle Street established him as a historian with a confident command of a huge body of information, as bloodless and dry as the subject was. Embarking on Tales of a New Jerusalem, a history of Britain from 1945 to 1979, he has undertaken another marathon and earned magisterial rank. Yet, from the first, Kynaston has shown that he is prepared to leave the bench to sweep the Ealing and Islington Local History Centres, Wandsworth Library, the East Riding Archives and especially that extraordinary resource, the Mass Observation Archive, kept in The Keep at the University of Sussex.

America sees red: how fury prompted the slide into Trumpism

After leaving college more than two decades ago, Evan Osnos landed a job on the Exponent Telegram, one of two daily papers published for the 16,400 citizens living in the West Virginia town of Clarksburg. Like many local reporters in those far-off days before the internet, he covered pretty much everything in his community, from boxing bouts and house fires to local politics and miners’ strikes. Later, working abroad in China and the Middle East, he would often check the paper’s website to keep up with events, observing from afar the drastic decline of both his own industry and the Appalachian state. West Virginia was a Democratic stronghold when Osnos was driving around its farms, mines and schools.

Ahmad Shah Massoud was Afghanistan’s best hope

Ahmed Shah Massoud was described as ‘the Afghan who won the Cold War’. While famous in France (he was educated at the Kabul lycée, and the French saw him as the ultimate maquisard who drove a super-power out of his country), he is not a familiar figure in Britain. This book, a rich and detailed account of the travails and tragedy of Afghanistan between 1976 and Massoud’s murder in 2001, will correct that. Sandy Gall’s knowledge of the jihad is encyclopaedic. He was the first well-known journalist to make the dangerous journey into occupied Afghanistan and bring the human cost of this terrible war to our TV screens. To produce such a book at the age of 93 deserves admiration. Many warlords are also writers: Babur, T.E.

Lost to addiction: Loved and Missed, by Susie Boyt, reviewed

Ruth, the narrator of Susie Boyt’s seventh novel, is both the child of a single mother and a single mother herself. Intelligent, quirky and despairingly fastidious, she has tried to bring up her adored daughter in loving orderliness, but the results have been disastrous. By 15, the beautiful, gifted Eleanor is a heroin addict, living in filth and chaos. Before long, she is pregnant with Lily; and Ruth, ‘stodgy with intentions and conventions’, decides to make off with Lily in order to save her baby granddaughter’s life. Or perhaps it is Lily who saves Ruth.

The view from the Paris bus — an appreciation of everyday life

Many would say the commute was one thing they didn’t miss in lockdown. But when Lauren Elkin was ‘yanked out of the public sphere and resituated, inescapably, in the private’, she felt nostalgic for the bus’s incidental intimacy. The Franco-American writer and translator revisited notes made on her iPhone between September 2014 and November 2015, after she pledged to ‘observe the world through the screen of my phone, rather than to use my phone to distract myself from the world’. The diary entries record biweekly journeys between her home in Paris’s fifth arrondissement and the university where she taught in the seventh. These private jottings take shape as No.

A race against time: A Calling for Charlie Barnes, by Joshua Ferris, reviewed

What is life if not a quest to find one’s calling while massaging the narrative along the way? This question propels the eponymous protagonist, still struggling to wring meaning from his existence even as it crashes to an end, in A Calling for Charlie Barnes, the fourth novel from Joshua Ferris. ‘It preoccupied him: everyone had a calling. It depressed him: he had not found his. It gave him hope: he might still do so before he died,’ writes the story’s narrator, Jake Barnes, about his father, whose life clock is ticking with a cancer diagnosis. ‘The big kahuna of cancers: pancreatic.

A mighty river with many names: adventures on the Amur

The Amur is the eighth or tenth longest river in the world, depending on whom you believe. The veteran travel writer and novelist Colin Thubron reckons 2,826 miles the best estimate. In these pages he makes an arc-shaped journey from source to mouth: Mongolia to the Pacific via Russia and China. The author travels on horseback, buses, pontoon rafts, boats, trains and in taxis and the vehicles of strangers. Starting in late August, he breaks off in Khabarovsk, the largest city on the Amur (population 500,000), returning home to London when the river freezes. As book and journey progress, the Amur changes its name and gender.