More from Books

When family viewing was full of creeping menace

Strange, really, that the scheduled output of traditional broadcasters became known as ‘terrestrial’ television, given that TV is an etheric medium and nowadays exclusively a digital one. Or perhaps it’s not so strange at all. Television is ‘bonded to the earth’, writes Rob Young, whose roving survey of small and silver screen creativity between the 1950s and 1980s seeks to connect those airborne signals to the soil beneath our shoes. Young’s first book, the excellent Electric Eden, rummaged around the untrimmed hedgerows of the British psyche via the medium of folk-related music. The Magic Box has a similar aim.

A volte face over what caused the pandemic needs explaining

Sir Jeremy Farrar, the head of the Wellcome Trust, writes that ‘the last year has been an eye-opener for me. I thought, probably like most people, that the world works through official or formal channels, but much of it operates through private phone calls or messaging apps’. Hence his book, written with the journalist Anjana Ahuja, is a gossipy, sometimes angry, fast-paced tale, which quotes frequently from his own messages sent to other important people. No holds are barred or formal channels kept to.

How Foucault was shielded from scandal by French reverence for intellectuals

Consider the hare and the hyena. The hare, Clement of Alexandria told readers of his 2nd-century sexual self-help manual Paedagogus, was thought to possess both male and female sexes and swapped their roles from year to year. As for the hyena, it was believed to acquire an extra anus annually and ‘to make the worst use of these added orifices’, as Michel Foucault puts it in the newly translated fourth volume of his History of Sexuality. For early church theologians the moral lesson was clear: we must not emulate gender-bending hares or randy hyenas. Rather, sex should be procreative, not pleasurable; we must go forth and multiply, borne by duty, not ecstasy.

Why do anglers get so hooked?

The other day a friend asked me what a lascar was. Fair enough: it’s not a word you come across in everyday conversation. Perhaps he’d been reading Spike Milligan, where I last met it. A similar question struck me about the ‘unreasonable virtue’ which the American writer Mark Kurlansky sees in fly fishing. I have fished all my life and am no more or less virtuous that the next man. I searched for the answer in this book but failed to find it. It is hard to understand why it was published. True, British writing about fly fishing has become a lackadaisical, threadbare thing.

What is the secret of Duran Duran’s durability?

In my second year at secondary school we were all deeply envious of a girl named Judi Taylor because, obviously, her name was only three letters away from John Taylor, the world’s most beautiful man, which meant she probably had the best chance of marrying him. I was thinking about this the other day just after I’d checked to find out if there were any VIP tickets left to see Duran Duran next year in Hyde Park (there aren’t), when one of my daughter’s friends jumped in the car.‘Hi, ‘she said. ‘I’m Charlotte Derulo. Well, I will be one day.’ Never underestimate the eternal passion of a tween girl.

Prehistoric footprints in Norfolk set us wondering

During the first lockdown last year, taking my lockdown puppy for our Boris-sanctioned daily walks, I discovered a love of prehistoric hill forts. By the third lockdown I, a hardened medievalist, had even progressed to an unexpected admiration for megalithic stone structures. My former indifference was caused by the perceived lack of people within those landscapes. Sure, they are spectacular, but it took a year of walking and a hefty amount of Googling before I appreciated how much we know about the people who shaped and experienced them. The latest book by the archaeologist and Time Team presenter Francis Pryor would have got me there an awful lot quicker.

A death foretold: the last days of Gabriel García Márquez

In March 2014 Gabriel García Márquez went down with a cold. The man who wrote beautifully about ageing was approaching his end. As his wife told their son Rodrigo: ‘I don’t think we’ll get out of this one.’ In A Farewell to Gabo and Mercedes, García, a film director and screenwriter, remembers his father and mother — one of the world’s greatest novelists and his muse. Comprised of short chapters, some of which reflect the journal he wrote while travelling back and forth between his LA cutting room and the family home in Mexico City, the book turns the venerable writer into a lively protagonist. The García Márquez who emerges is a quintessentially García Márquezian character.

The book as narrator: The Pages, by Hugo Hamilton, reviewed

It is a truism that a book needs readers in order to have a meaningful existence. Hugo Hamilton’s The Pages both develops and inverts that relationship. It not only tells a story to its readers; it tells the story of its readers. To paraphrase its own words, it accumulates their inner lives. It becomes the agency that drives them — in one case to his death. The book is Joseph Roth’s 1924 novel Rebellion, which depicts the fate of the disabled soldier Andreas Pum in the chaos of post-war Germany. The copy in question was rescued from Goebbels’s book-burning by a literature student, Dieter Knecht.

How two literary magazines boosted morale during the Blitz

William Loxley’s lively account of ‘Bloomsbury, the Blitz and Horizon magazine’ begins with W.H. Auden and Christopher Isherwood emigrating to the United States in January 1939 and ends with George Orwell dying in University College Hospital in January 1950. Between these two events Loxley explores the often interconnected professional and personal lives of a number of British writers, publishers and editors — principally Orwell, Leonard and Virginia Woolf, Cyril Connolly, Stephen Spender, John Lehmann and Dylan Thomas — during the second world war and its immediate aftermath.

Death and dishonour: The Promise, by Damon Galgut, reviewed

If death is not an event in life, as Wittgenstein observed, it’s a curious way to structure a novel. But since death is certainly an event in other people’s lives, Damon Galgut’s family saga, shrunk to the moments of passing, is ingenious. That the narrative takes great leaps over time yet also gives a firm sense of continuity is impressive. The various deaths in the Swart family take place over decades of political change in South Africa, which they barely register on their remote farm. Theirs is a mostly unexamined life, with white rule a given, practically ordained by God. The first death, that of Rachel, or ‘Ma’, is not unexpected.

They weren’t all that pious in the good old days

You need to be wary of being too flattering about English churches. As John Betjeman said: ‘Be careful before you call Weymouth the Naples of Dorset. How many Italians call Naples the Weymouth of Campania?’ Even so, the rise of the English medieval church was extraordinary. As early as 1200 there were 9,500 churches in England — all built since 597, when St Augustine started his mission to the English at Canterbury. And lots of them are still there. Our Anglo-Saxon, Norman and Gothic churches must be the highlight of our architectural history, just ahead of our country houses. But how did the English use their churches?

Even psychiatrists don’t know how the drugs they prescribe work

What is it like to go mad? Not so much developing depression or having a panic attack — which is wearyingly familiar to many of us — but to go properly mad, the sort of madness that involves delusions and police officers and locked psychiatric wards? Horatio Clare didn’t have to imagine what that was like for his book Heavy Light. It’s a memoir, subtitled ‘A Journey Through Madness, Mania and Healing’, and is an unsparing tale not just of what it was like for him to succumb to a psychotic episode but also of what it did to his family. The book starts with a skiing holiday in Italy with his partner Rebecca and the children.

The least familiar stretches of Nile prove the most interesting

It’s one of the most tantalising travel images in the world — a felucca floating along the Nile at sunset, its lateen sail spread aslant to catch the wind. It takes us back to the beginnings of ancient Egypt, when the need to manage Nilotic flooding and the imperative to trade along the river’s course were the motors of civilisation. Even 2,500 years ago Herodotus was fascinated by the ease with which the Egyptians had learned to cultivate the soil with its waters rather than with laborious ploughs — which, some speculate, had given them the leisure to build pyramids in the down months.

The tragedy of Lebanon — from safe haven to bankruptcy

Mountains are humanity’s most comforting topographical feature. Wherever you find them you will also find those who have flocked to them for refuge. The Kurds, the world’s largest stateless people, span the most mountainous areas of their host states, while ‘Lebanon’ referred originally to the mountains in the eastern Mediterranean that for centuries served as a haven for all the region’s minorities. First came the Christian Maronites, fleeing the persecution of the Orthodox Byzantine Empire in the 7th century; then in the 10th and 11th centuries the Shiite Muslims, persecuted by the Sunni powers; followed by the Druze, persecuted by the Shiites.

What’s a scribbled signature worth?

In 2002 I was living in Berlin. One day my upstairs neighbour Peter told me he had just returned from outside the Hotel Adlon, having seen the self-proclaimed ‘King of Pop’ casually dangling a baby from a third-floor window. Peter was not there among the onlookers as a Michael Jackson fan but rather as a committed autograph collector and dealer, accustomed to haunting stage doors and hotel entrances when celebrities visited the city, tipped off by specialist monthly news-sheets giving the names, dates and locations of likely suspects. He failed to secure a signature that day, but at least witnessed one of the more notorious examples of hands-on parenting of recent decades.

The young bride’s tale: China Room, by Sunjeev Sahota, reviewed

Sunjeev Sahota’s novels present an unvarnished image of British Asian lives. Ours Are the Streets chronicles a suicide bomber’s radicalisation, and its Booker-shortlisted successor, The Year of the Runaways, follows illegal immigrants in Sheffield — where Sahota now lives, having been raised in Derby by Punjabi-born parents. China Room, his most autobiographical work to date, mines his adolescence in deprived 1990s Chesterfield and imagines that of his great-grandmother in rural Punjab. In 1929, a 15-year-old girl is married to one of three brothers. On a remote farm, Mehar shares confined quarters with the best china and two other veiled brides —each competing to conceive a son first.

The great awakening: Henry Shukman becomes a child of the universe

For eight years I rented a small house in Oxford overlooking the canal. The landlord, a poet and novelist younger than myself, had moved with his family to New Mexico. At his desk I managed to write three books, beneath shelves containing editions of his work. I can’t explain why it took me so long to reach up and open those books, but when I finally did, it was extraordinary to discover how similar were our trajectories: same prep school and university; two young sons; novels set in North Africa and Peru; a gap year working on an Argentine estancia. Until that moment, I had cultivated a self-protective disconnect with my landlords, hardly unique, indeed part of a tradition — rather like V.S. Naipaul behaved towards Stephen Tennant when living in Wilsford.

The man who made Manhattan: The Great Mistake, by Jonathan Lee, reviewed

What makes a city? The collective labour of millions packed into its history; the constant forgetting of incomers who arrive to create their own version of a place, their own versions of themselves; the desires of great men, whose improvements are partly intended to secure a better life for their less fortunate fellows, and partly a plea for their own immortality. This is a novel about all three, disguised as one about Andrew Haswell Green. According to one of the few memorials to him still standing, he was the ‘Directing Genius of Central Park in its Formative Period’ and ‘Father of Greater New York’.