More from Books

A load of oddballs: the eccentricities of past cricketing heroes

For reasons I can’t seem to remember, I have read an awful lot of cricketing histories. The dullest, by a distance, was Sir John Major’s plodding effort, a labour of love to write, I’m sure, but a real labour to read. One of the most astute was Sir Derek Birley’s magisterial A Social History of English Cricket. It apparently helps to be a knight of the realm if you wish to get your cricketing history into hard covers. Richard H. Thomas isn’t there yet — he’s an associate professor of journalism at Swansea university — but his book is so absorbing and entertaining I would be surprised if the offer of at least a CBE wasn’t already in the post. For Thomas has done something unusual but actually very simple and effective.

Not so dryasdust: how 18th-century antiquarians proved the first ‘modern’ historians

Antiquaries have had a bad press. If mentioned at all today, they are often derided as reclusive pedants poring over details of manuscripts and shards with little relevance to the wider world. As recently as 1990, the respected ancient historian Arnaldo Momigliano skewered their pretensions when he described them as ‘interested in historical facts without being interested in history’. Rosemary Hill, the biographer of Augustus Pugin, the architect of Gothic revivalism, which owed much to antiquarianism, has other ideas.

Leni Riefenstahl is missing: The Dictator’s Muse, by Nigel Farndale, reviewed

Leni Riefenstahl was a film-maker of genius whose name is everlastingly associated with her film about the German chancellor, Triumph of the Will, which won the gold medal at the 1937 Paris World Exhibition. It is an unforgettable piece of cinema, with the lonely hero descending, like one of the immortals, from the clouds. As he enters the podium at Nuremberg, we only see the back of his head as he wows the tens of thousands. In Nigel Farndale’s riveting novel, Riefenstahl remarks to one of the athletes at the 1936 Olympics that the only thing which she really cares about is film. This seems indeed to have been the case. Farndale’s story does not concern Triumph of the Will.

The strangest landscapes are close to home

This pleasant volume, the author announces in the introduction, is ‘not a nature book, or even a travel book, so much as a book of fantasy: four small pilgrimages into imagination’. In its pages Nick Hunt unfurls his sleeping bag under a pink moon, breakfasts on a raw white onion and meditates both on what remains and on what we have lost. Outlandish is divided into four parts, each covering a short walk through a uniquely unusual landscape: Arctic tundra in the Cairngorms; a remnant of primeval forest straddling Poland and Belarus (‘the closest thing that Europe has to a true jungle’); the continent’s ‘only true desert’, in Spain’s south-eastern Andalucía; and the grassland steppes of Hungary. What unites the four?

Sweet and sour: Barcelona Dreaming, by Rupert Thomson, reviewed

I’ve never been to Barcelona, but Rupert Thomson makes it feel like an old friend. The hot, airless nights and the car engines, ‘exhaust fumes mingled with frangipani’ and beneath the smell of jasmine ‘the stale, slightly medieval smell of drains’. Cafés con leche and jugs of caipirinha with wedges of lime and crushed ice. The clutter of pink-and-white buildings and the port, ‘the masts of boats swaying and clicking in the offshore breeze, the sunlight glassy, dazzling’. In places, those buildings give way to dusty wastelands — ‘areas like this were common in Barcelona’.

A tender portrait of Leonora Carrington, painter, writer — and a mother who was not always there

Ever since Leonora Carrington, the last of the Surrealists, died in 2011, having made it to her 94th year with her creativity undimmed — like that other postwar English exile P.G. Wodehouse — her afterlife has reaffirmed the old maxim ‘Now that I’m dead I’m finally making a living’. Her collected short stories (as grotesquely funny and sharp as her paintings and their titles) were published on her centenary in 2017. So, too, was a biography by Joanna Moorhead which to most editors would barely have qualified as a proposal. It ran to just over 200 pages, written by a journalist who is ‘especially interested in relationships and family life’ — but didn’t discover until middle age that her second cousin was a world-famous painter.

The sexploits of Mariella Novotny

Orgies! Gangsters! Drugs! Spies! Scandals! This biography promises much but I’m not sure it actually delivers, or not in any credible way. Searching for facts in the foetid gloop of Pizzichini’s prose feels like bog-snorkelling. The subject, Mariella Novotny, was a ‘party girl’, or prostitute, who turns up like Zelig in many 1960s scandals. She claimed to have had sex with John F. Kennedy and his brother Bobby when she was only 20, and she was on the scene when Christine Keeler was having her affairs with Profumo and the Russian spy Ivanov. She featured in several News of the World exposés, and later contributed an autobiographical serial to the porn magazine Club International. She was born Stella Marie Capes in 1942 in Sheffield.

In search of Great-Aunt Pearl’s will: a black comedy of familial strife

Lendal Press has found a brilliant novelist in Matt Cook: funny, shrewd, satirical, disturbingly and entertainingly analytical in his psychology of character. This debut novel is narrated by a precocious 14-year-old, Benjamin Carter, whose family on his father’s side is having a collective nervous breakdown. Great-Aunt Pearl has died; her derelict house, ‘a riot of mould and malfunction’, must be sold for the benefit of family members, but first, within the chaotic mess, they must find her will. Cook is master of the judicious turn of phrase.

Doctor Butcher: crank, genius or son of Frankenstein?

I hated reading this book. Not only was it objectively upsetting, as any book describing monkey vivisection would be (I put my head in my hands when I realised there were photographs), it was also dispiriting, because it showed up my hypocrisy. Like so many, I would gratefully accept perfusion brain-cooling techniques if they helped me survive surgery, yet I do not wish to read about how these techniques were developed on primates. It would be enough for me just to know that their suffering was minimised. This book asks even more of its reader, by focusing on gruelling experiments that lead nowhere.

Blood on the tracks: the unsolved murder of the Japanese railway chief

‘There is no end to influence,’ says Harold Bloom in his seminal 1973 work, The Anxiety of Influence — and without getting into the detail of his argument, we can say that the impact of having read and admired others is always an issue for all but the most naive writers. And while Bloom’s attempts to ‘de-idealise our accepted accounts of how one poet helps to form another’ may seem a far cry from the workings of the current literary thriller, even a passing consideration of the influence of James Ellroy, master of LA noir, on his admirer David Peace quickly raises some interesting questions on how we perceive authorship, and authority, in contemporary fiction.

Billy Wilder — the making of a great film director

Before Billy Wilder became the celebrated director of films such as Sunset Boulevard, Some Like It Hot and The Apartment he was a busy jobbing screenwriter at UFA Studios in Berlin in the early 1930s, writing or co-writing the scenarios to more than 20 movies. And before that, he was a journalist. Starting in Vienna in the mid-1920s, where his earliest assignments included setting the crossword puzzle (a charming example is included in this volume), he quickly moved on to Berlin and became a prolific writer of occasional pieces for papers such as Der Querschnitt and the Berliner Börsen Courier. Selections of these articles have been published before but are long out of print, and were never translated into English.

Secret treaties and games of cat and mouse: a choice of recent crime fiction

Almost any promising writer of spy fiction can expect at some point to be called the ‘next Le Carré’, an accolade even more promiscuously applied since the death of the master. James Wolff has immediate credentials to jump the queue, since, like Le Carré, he uses a pseudonym and claims to work at the Foreign Office — though his familiarity with surveillance techniques suggests a slightly different employer. How to Betray Your Country (Bitter Lemon Press, £8.99) arrives as the second in a planned trilogy, hard on the heels of Wolff’s striking debut, Beside the Syrian Sea. August Drummond is a former British intelligence officer, cashiered for insubordination after the sudden death of his tricky but entirely beloved wife.

A hymn to the hummingbird — one of the most astonishing organisms on Earth

Along with coral reefs and their fish, tropical butterflies and birds of paradise, hummingbirds must be among the most beautiful organisms on Earth. Yet for anyone who has never seen one in the flesh, it is difficult to convey the psychological effects of a first encounter. For beauty is only half the hummingbird story. Their impact is doubled somehow by the minuscule size of the creatures. How could anything so small, you wonder, embody so much life force? Even in ordinary flight the wings beat at 80 times a second, and in certain display modes this can rise to 200. The old name — ‘humbird’ — better expresses the electric fizz which those limbs create. However this lifestyle comes at a cost.

Snakes alive! Playing cricket in Latin America

Cricket in Latin America sounds like an oxymoron. Yet in almost every country in the region willow was hitting leather before feet were kicking pigs’ bladders. England vs Australia, first played in 1877, may be cricket’s iconic series, but the Ashes cedes ten years of history to the contest between Argentina and Uruguay — the rivalry of the River Plate. In Evita Burned Down Our Pavilion, James Coyne and Timothy Abraham, cricket journalists with a fondness for Latin America, travel from Mexico to Argentina with bat in rucksack and dates with fusty archives. A social history with elements of travelogue, the book tells a story of new horizons and false dawns, as the most English of pastimes tried to drop anchor amid scorpions, populist regimes and general bafflement.

Pure, white and native: the birch as a symbol of Russian nationalism

The image of the birch tree in popular Russian culture is as manifold as the trees themselves, but we could do worse than to begin with the song ‘Why do the birches rustle so loudly in Russia?’ By the patriotic band called Lube — apparently Putin’s favourite — it’s a melancholic guitar ballad that also mentions the soul, accordions, suffering, falling leaves, an old woman waving goodbye, and a beloved woman (rodnaya) ‘my own’, from the same root as rodina, motherland. It also happens to be sung by a handsome young village policeman. Na zdarovya! A shot of birch kitsch at its most potent.

O father, where art thou? Fox Fires, by Wyl Menmuir, reviewed

Wyl Menmuir’s first novel, The Many, was a surprise inclusion on the 2016 Booker Prize longlist. It drew praise for its discomfiting prose, but the fact that it had been written in a VW camper van on the north Cornish coast — where it was set — also drew attention. The village in The Many appeared to be forgotten by the outside world, and the setting for Fox Fires is similarly isolated. Nineteen-year-old Wren Lithgow arrives in a mysterious European city state called O with her concert pianist mother. The peril they are in isn’t laboured, but the reader realises it by degrees — as Wren does.

Why did no one diagnose my sister’s TB?

In 2016, Arifa Akbar’s elder sister, Fauzia, died suddenly in the Royal Free Hospital, London at the age of 45. Until the last hours of her life, the cause of her coughing, chest pain, night sweats and breathlessness had eluded a series of baffled experts. But you do not need a medical degree to hazard a guess at what might have been behind these symptoms. From Keats’s famous death to the consumptive heroines of 19th-century opera, spots of blood on a handkerchief were all that was missing to complete the picture. Only after Fauzia had a catastrophic cerebral haemorrhage, however, did someone think to test a sample of her spinal fluid for tuberculosis. It was positive. Sense came too late. The mycobacteria had disseminated through her organs and were nesting in her brain.