Keith Ridgway’s seventh book is a sultry, steamy shock of a novel, not least because nine years ago, despite the critical success of Hawthorn & Child, he retired from writing, telling his publishers he was done with making up stories. He also stopped reading — although only for a year, lured back by the likes
When she was 22, Olivia Laing had a sensual epiphany in Brighton. She’d been drawn into a herbalist’s massage parlour by the sign outside claiming that headaches, anger, depression and colds — in fact any symptoms at all — were caused by stuck energy from past traumas that body psychotherapy could release. ‘The idea of
Serena Williams is not exactly an elegant tennis player — her game is based overwhelmingly on raw power — but one of her shots is an exception. Her serve is not only one of the most destructive strokes in tennis, it’s also one of the most beguilingly beautiful. Her action begins slowly, even ponderously —
Lisa Taddeo’s debut Three Women was touted as groundbreaking. In reality it was a limp, occasionally overwritten account of the sexual hang-ups of three ordinary women. It took eight years to research and write. It didn’t seem worth it. Luckily, she was also gathering material for a novel, Animal, a book teeming with the rage,
The epic story of the Antarctic voyage of the Belgica (1897-9) has all the ingredients of a truly glorious misadventure: an aristocratic expedition commander who carries the pride of a small nation on his shoulders; an eccentric American surgeon who was to become known as one of the greatest frauds in the history of polar
Even by James Ellroy’s standards, the narrator of his latest novel is not a man much given to the quiet life. Freddy Otash breaks legs for Frank Sinatra. He gets Dean Martin’s pregnant Latina maid deported. He sticks the hand of someone blackmailing Liberace into a deep-fat fryer. He sleeps with the 21-year-old Elizabeth Taylor
True crime is having a moment: every day there’s a new documentary, book, podcast, or blockbuster film announced, detailing the grisliest, most depraved actions imaginable. Once only the domain of fanatics, true crime is now mainstream. At its best, it’s fascinating, shining a light on human behaviour, but at its worst, it can be voyeuristic
For reasons I can’t seem to remember, I have read an awful lot of cricketing histories. The dullest, by a distance, was Sir John Major’s plodding effort, a labour of love to write, I’m sure, but a real labour to read. One of the most astute was Sir Derek Birley’s magisterial A Social History of
Whose were those feet in ancient time that walked upon England’s mountains green? That William Blake assumed his readers were on his same wavelength is one of the things, according to John Higgs, ‘that makes his writing a glorious puzzle’. Equally puzzling, argues Higgs, is that the cockney visionary, unsung in his lifetime and buried
Antiquaries have had a bad press. If mentioned at all today, they are often derided as reclusive pedants poring over details of manuscripts and shards with little relevance to the wider world. As recently as 1990, the respected ancient historian Arnaldo Momigliano skewered their pretensions when he described them as ‘interested in historical facts without
Leni Riefenstahl was a film-maker of genius whose name is everlastingly associated with her film about the German chancellor, Triumph of the Will, which won the gold medal at the 1937 Paris World Exhibition. It is an unforgettable piece of cinema, with the lonely hero descending, like one of the immortals, from the clouds. As
This pleasant volume, the author announces in the introduction, is ‘not a nature book, or even a travel book, so much as a book of fantasy: four small pilgrimages into imagination’. In its pages Nick Hunt unfurls his sleeping bag under a pink moon, breakfasts on a raw white onion and meditates both on what
I’ve never been to Barcelona, but Rupert Thomson makes it feel like an old friend. The hot, airless nights and the car engines, ‘exhaust fumes mingled with frangipani’ and beneath the smell of jasmine ‘the stale, slightly medieval smell of drains’. Cafés con leche and jugs of caipirinha with wedges of lime and crushed ice.
Ever since Leonora Carrington, the last of the Surrealists, died in 2011, having made it to her 94th year with her creativity undimmed — like that other postwar English exile P.G. Wodehouse — her afterlife has reaffirmed the old maxim ‘Now that I’m dead I’m finally making a living’. Her collected short stories (as grotesquely
We are experiencing a boom of popular books on Greek mythology: Stephen Fry’s Mythos; Natalie Haynes’s Pandora’s Jar; Liv Albert’s Greek Mythology: The Gods, Goddesses, and Heroes Handbook, to name a few. Admittedly, Greek mythology has it all: love, sex, murder, incest, cannibalism, magical transformations, pirates, monsters, miracles. Surely some readers, though, will want to
Orgies! Gangsters! Drugs! Spies! Scandals! This biography promises much but I’m not sure it actually delivers, or not in any credible way. Searching for facts in the foetid gloop of Pizzichini’s prose feels like bog-snorkelling. The subject, Mariella Novotny, was a ‘party girl’, or prostitute, who turns up like Zelig in many 1960s scandals. She
Lendal Press has found a brilliant novelist in Matt Cook: funny, shrewd, satirical, disturbingly and entertainingly analytical in his psychology of character. This debut novel is narrated by a precocious 14-year-old, Benjamin Carter, whose family on his father’s side is having a collective nervous breakdown. Great-Aunt Pearl has died; her derelict house, ‘a riot of
I hated reading this book. Not only was it objectively upsetting, as any book describing monkey vivisection would be (I put my head in my hands when I realised there were photographs), it was also dispiriting, because it showed up my hypocrisy. Like so many, I would gratefully accept perfusion brain-cooling techniques if they helped
‘There is no end to influence,’ says Harold Bloom in his seminal 1973 work, The Anxiety of Influence — and without getting into the detail of his argument, we can say that the impact of having read and admired others is always an issue for all but the most naive writers. And while Bloom’s attempts
Before Billy Wilder became the celebrated director of films such as Sunset Boulevard, Some Like It Hot and The Apartment he was a busy jobbing screenwriter at UFA Studios in Berlin in the early 1930s, writing or co-writing the scenarios to more than 20 movies. And before that, he was a journalist. Starting in Vienna
