Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

When it comes to krautrock, it’s impossible not to mention the war

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In recent years, sensitive music critics have attempted to replace krautrock with kosmiche as the consensus term for the wild and wonderful music that exploded out of West Germany during the 1970s: Can, Neu!, Cluster, Faust. A word that literally translates as herb-rock, cooked up by glib Brits who had read too many war comics, lacks a certain gravitas, and nobody would describe Tangerine Dream or Kraftwerk as rock anyway. The Hamburg journalist Christoph Dallach opens his invigorating oral history with a spirited argument about the label, but sticks with it anyway. So krautrock it remains. In this story, it is impossible not to mention the war because no country in the world has been less at ease with its recent past than Germany.

Distrust and resentment have plagued Anglo-Russian relations for centuries

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Has a book ever been more bizarrely mis-titled than this one? The First Cold War: Anglo-Russian Relations in the 19th Century has nothing whatever to do with the actual Cold War, nor is it for the most part concerned with the 19th century. Rather, Barbara Emerson has written a thorough and often diverting diplomatic history of Anglo-Russian relations from the 16th to the early 20th century. This period encompasses at least 14 wars in which British and Russian troops found themselves embroiled, sometimes on the same side, sometimes on opposite sides. None of these wars was remotely ‘cold’. Nor does Emerson attempt to make any argument that the shifting great power politics of the 19th century resembled those of the post-second-world-war nuclear age.

Citizens of nowhere: This Strange Eventful History, by Claire Messud, reviewed

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Any personal history is hard to fictionalise, not least because the story needs to be both universal and unique. Claire Messud manages to find the right balance in her latest novel, reconstructing her family’s past in vivid episodes that open a multitude of windows on to the world. Continents and decades chase one another as the narrative traces the movements of the Cassar family. Hailing from Algeria, for much of the book they are citizens of nowhere. Their tribulations begin in 1940, when Lucienne and her children, François and Denise, flee Greece (where their father, Gaston, has been posted as the French naval attaché) to wait out the war in the relative safety of an Algerian hinterland.

Paris is perhaps the greatest character in Balzac’s Human Comedy

Lead book review

Open one of the major novels by Honoré de Balzac and you are likely to encounter a sentence such as this, from Cousin Bette: ‘Towards the middle of July, in the year 1838, one of those vehicles called milords, then appearing in the Paris squares for the first time, was driving along the rue de l’Université.’ Or this (from César Birroteau): ‘On winter nights there is no more than a momentary lull in the noise of the rue Saint-Honoré.’ It is the same story in Père Goriot (rue Neuve-Sainte-Geneviève), Cousin Pons (Boulevard des Italiens) and others. From the first words of the tale, the reader is cast into the drama of the street. One of the first things to beware of is the mud.

The good old ways: nature’s best chance of recovery

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Britain is one of the most nature-depleted places on Earth. The consequences for human wellbeing and resilience, as well as for non-human life, are grave. Conservationists and others say it doesn’t have to be this way. But when it comes to recovery, what should we aim for? How much can we know about what was once present? How much is it practicable or sensible to restore? What does recovery, let alone ‘rewilding’, really mean in a rapidly heating world? Sophie Yeo does not have the answers to all of these questions. Nobody does. What she does offer in Nature’s Ghosts are insights that could help shape a better informed and more constructive debate.

Disgusted of academia: a university lecturer bewails his lot

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There’s a beautiful moment in I Am the Secret Footballer (2012), a Guardian column turned whistle-blower memoir, when the anonymous author is momentarily freed from an enveloping depression caused by his career as a professional sportsman. He’s at Anfield to play against Liverpool in one of the biggest games of the season when he picks up a pristine, unused football before a warm-up drill and, inexplicably, sniffs it. With that inhalation he’s transported from the corruption, pressure, scandalous abuse and monstrous egos of elite sport and for a few seconds becomes a kid uncontainably excited at the prospect of kicking a new ball around his council estate.

Kapows and wisecracks: Fight Me, by Austin Grossman, reviewed

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Superheroes are the trump card of genres. As a rule of thumb, if a novel has a murder, it’s ‘Crime’; if it has a murder on a space station, it’s ‘Science Fiction’; and if it has a murder on a haunted space station, it’s ‘Horror’. But a novel with crimes, robots, faeries, cavemen, magic, cyborgs and time travel can only be ‘Superhero’. It is rarely successful outside the graphic variety, possibly because such strenuous suspension of disbelief is best managed in comics. Yet it can be done. Michael Chabon’s The Amazing Adventures of Kavalier and Klay is one, while Lavie Tidhar’s Our Violent Century and Nick Harkaway’s Titanium Noir are both clever and witty. Perhaps the most recognisable success was Austin Grossman’s smart 2007 Soon I Will Be Invincible.

At last we see Henry VIII’s wives as individuals

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Divorced. Beheaded. Died. Divorced. Beheaded. Survived. Nearly 500 years after the death of Henry VIII, can there be anything new to say about his queens: Katherine of Aragon, Anne Boleyn, Jane Seymour, Anne of Cleves, Katherine Howard and Katherine Parr? Does the world need another book about this sextet? The answer to both questions, as this elegantly written and sumptuously illustrated volume makes clear, is a resounding yes. Published to coincide with the National Portrait Gallery’s exhibition of the same name (20 June-8 September), Six Lives is a collection of concise, accessible essays written by experts with specialist knowledge of Tudor painting, music, jewellery, manuscript illumination and book binding, among other topics.

Jam-packed with treasures: the eccentric Sir John Soane’s Museum

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Sir John Soane’s Museum is one of London’s most eccentric buildings, containing a riot of classical fragments, paintings, architectural models and plaster casts jammed in to overflowing narrow galleries packed into a Georgian town house in Lincoln’s Inn Fields. Soane viewed it as a reflection of his busy intellect, ‘studies for my own mind’, he said, and Bruce Boucher’s new book reveals how the architect, famous for designing the Bank of England, put together the remarkable collection that visitors can still see today. The author was director of the Soane Museum from 2016 to last year, and his privileged access to its archives ensures we get an insider’s view of the quirky institution and its more than 40,000 eclectic objects.

The sheer drudgery of professional tennis

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Wimbledon’s starched whites, manicured flower beds and hushed silence enable tennis to present itself as a genteel sport. But Wimbledon only represents tennis in the way that an Olympic 100m final represents athletics. It is the best players in the best setting for a brief period. Actual tennis, the day-to-day life of a regular player on the circuit, is very different. It is relentless, stingy and unsentimental. The most surprising thing about The Racket, Conor Niland’s bruising account of his career as a good (but not great) tennis player, is that he emerges with both his sanity and his compassion intact. Tennis is not an easy game to break into.

The costly legacy of Margaret Thatcher’s monetarism

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Post-war British economic history is littered with failed policy panaceas. Keynesian demand management would solve the unemployment problem; the Exchange Rate Mechanism would provide an anchor for stability and end sterling’s perennial weakness; the Barber and Kwarteng budgets – separated by 50 years – would throw off the shackles of Treasury orthodoxy and put the country on a path to higher growth. On the face of it, monetarism – the theory that if you control the money supply, you control inflation – fits squarely into this paradigm. As soon as government sought to control the money supply, the historic relationship between money and inflation broke down.

A long goodbye to Berlin

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Christopher Isherwood pioneered what is now known as ‘autofiction’ long before it acquired that label. His best known work, Goodbye to Berlin (1939), which later inspired the musical Cabaret, was based on the diaries he kept while living in the Weimar Republic in his twenties. He’d already used the material before in Mr Norris Changes Trains (1935), a brilliant black comedy thriller that deserves to be read alongside more supposedly serious works of modernism. Forty years later, he reworked the experiences yet again in Christopher and His Kind (1977), in which he finally made explicit, for the new gay liberation era, what had been suppressed in the earlier works: his homosexuality, which had previously been outlawed.

Those magnificent men and their stargazing machines

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Where is science bred? Is it where the physical circumstances are right – clear skies for astronomy, for example? Where raw materials are abundant – coal for organic chemistry? Where minds freely meet? Where the enlightened patron rules? Violet Moller’s first book, The Map of Knowledge, examined the spread through the centuries of the ideas of Galen, Euclid and Ptolemy by focusing on seven, mainly Mediterranean cities, from Alexandria to Venice, where scientific knowledge was gathered, augmented and promulgated anew, ensuring the survival of classical learning into the modern period. But why these men and these cities? Are people or places the drivers? Is geography a reliable guide, a storytelling device, or an artificial constraint? There are clearly losses in this approach.

The English lieutenant’s Frenchwoman: the tragic story of Adèle Hugo

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In 1882, a sneaky reporter from the Figaro managed to track down Victor Hugo’s only surviving, long-forgotten child to an expensive mental asylum on the edge of Paris. He stalked her as she was being taken for a walk in the local park. She had the ‘profile of a duchess’, ‘staring black eyes’, a perilous hopping gait and odd compulsions. According to the reporter’s inside source, ‘Mme Pinson’ had spent a month removing all the rocks from the asylum’s long driveway and then replaced them one at a time. Thirty-three years later, she could still play the piano and claimed to be writing an opera titled Venus in Exile. She also enjoyed tearing up the pages of books and stuffing the confetti into her bag.

Bayes’s Theorem: the mathematical formula that ‘explains the world’

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Here’s a profound question about beards: is the number of acrobats with beards the same as the number of bearded people who are acrobats? Go with your gut instinct. It’s not a trick question. If you answer ‘yes’, then you’ve understood the central idea behind Bayes’s theorem. If you’re one of those people who likes to titter about how bad you are at mathematics, stop it. Retake your GCSE, learn how to pin this obviousness down in symbols, and you can produce artificial intelligence, forecast stock market collapses and understand this: P(A|B) = (P(B|A)∙P(A))/(P(B)) This is Bayes’s equation, the formula which, as Tom Chivers insists in this remarkable, bold book, ‘explains the world’. Rich mathematics begins by spotting an oddity in the obvious.

Second life: Playboy, by Constance Debré, reviewed

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Playboy is part one of a trilogy that draws on the life of its author, Constance Debré. Part two, Love Me Tender, was published in Britain last year. The trilogy was inspired by Debré’s experience of leaving her husband, abandoning her career as a lawyer, and then losing custody of her child when she re-emerged as a lesbian (and a writer). In Love Me Tender we met a womaniser who referred to girls by numbers rather than their names; in Playboy, via her first female lovers, we witness her transformation into a queer Casanova. The novel is bold and brash and at the same time quietly controlled. Take this line: ‘We’re all selfish, parents, kids, he, I, it’s no big deal, that’s life, it’ll all be fine.

‘A group of deranged idiots’ – how the Soviets saw the Avant-Gardists

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The Avant-Gardists tells the story of the small group of brilliant, punky outsider artists who, after the Bolshevik coup in 1917, to everyone’s amazement suddenly found themselves holding important posts in government (as if Sid Vicious were made minister of education). They were soon demoted, and by the end of the 1920s persecuted or driven abroad. Yet news of their breathtaking originality spread internationally, playing an important role in transforming not only our understanding of art, but the aesthetics of modern life, from buildings to household objects, textiles to the printed word. Sjeng Scheijen has written an exhilarating history of the movement, illuminated by new research and insights, and with many comic moments amid the unfolding tragedy.

A Native American tragedy: Wandering Stars, by Tommy Orange, reviewed

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‘You will ask the librarian what novels are written by Indian people and she will tell you that she doesn’t think there are any,’ reflects Victoria Bear Shield, a Native single mother in Tommy Orange’s polyphonic second novel. It is 1954, in America, and she is working out how to rear her baby daughter so that the child is not puzzled, as she herself was, by being ‘the brownest person in every room’. Seventy years later, one would hope that the librarian’s knowledge of indigenous writers would include at least Orange’s own work and that of Sherman Alexie and Louise Erdrich. Orange is a member of the Cheyenne and Arapaho tribes and his first novel, There There (2018), was one of Barack Obama’s books of the year and a Pulitzer Prize finalist.

The ordeal of sitting for my father Lucian Freud

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The frontispiece of this book is Lucian Freud’s portrait of his daughter Rose naked on a bed. Rose says that when her father asked her to sit, which she had long hoped he would do, she naturally assumed he would want her naked, but asked him not to paint her hairy legs. He, in turn, asked her to remove her mascara, but she refused. When she saw the canvas she was shocked at how much it focused on her vulva, but she did not object. She sat for him at night – he had other sitters during the day – and he sometimes gave her purple hearts to keep awake. When the portrait was finished, she took on the task of cleaning Freud’s studio, which ‘made me feel special, downtrodden, and loved for all the wrong reasons’. Rose was born in 1958, 18 months after her brother, Ali.

Did the Duchess of Windsor fake the theft of her own jewels?

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On 16 October 1946, the Duke of Windsor, the former Edward VIII, and his wife Wallis were visiting England for a short period. They were staying with their friends the Dudleys at Ednam Lodge in Surrey, and felt sufficiently comfortable not to store Wallis’s impressive collection of jewellery in the house’s safe room, but instead kept it – with almost breathtaking carelessness – under the bed. It is unsurprising, then, that an opportunistic thief was able to break into the house while the Duke and Duchess were dining in London, steal the jewels and make good his escape without detection. If this was all there was to the story, it would be diverting but inconsequential.

When Stalin was the lesser of two evils

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‘We are resolved to destroy Hitler and every vestige of the Nazi regime... Any man or state who fights against Nazism will have our aid.’ These words were spoken by Winston Churchill in a BBC radio broadcast to the nation from Chequers on the evening of 22 June 1941. Churchill detested Stalin – but he needed him to destroy Hitler That morning, Operation Barbarossa had begun, with Hitler’s armed forces launching the biggest invasion in modern history into the heart of a country whose very existence Churchill detested: the Soviet Union. This cataclysmic invasion by the Nazi regime, however, created an ally the British leader had never envisioned. For the previous 22 months, Great Britain’s war with Nazi Germany had not gone well.

Haunted by the past: Winterberg’s Last Journey, by Jaroslav Rudis, reviewed

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Jaroslav Rudis’s latest novel follows the 99-year-old Wenzel Winterberg, a Sudetenland German, and his middle-aged Czech carer, Jan Kraus, on what is a quirky European take on the buddy road-trip story. Marx claimed that ‘men make their own history’, but do so under the burden of the past, with the weight of dead generations upon them. The tragedy soon to become a farce begins, according to Winterberg, at the site of the Battle of Königgrätz, with the old man proclaiming: ‘The Battle of Königgrätz runs through my heart.’ He then rambles on about its ‘half a million ghosts’, their roles and where they lie now, before blaming the battle for the loss of his first wife, the madness of his second, and then the death of his third.

The wry humour of Franz Kafka

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How do you see Franz Kafka? That is, how do you picture him in your mind’s eye? If you are Nicolas Mahler, the writer and illustrator of a short but engaging graphic biography of the man, you’d see him as a sort of blob of hair and eyebrows on a stick. The illustrations of Completely Kafka may look rudimentary, but they work. In fact they’re similar in style to the doodles Kafka himself would make in his notebooks. If you were Kafka, you’d see yourself as a spindly man, head on desk, leaning on your hands, arms bent, in a posture of defeat and exhaustion. That image is chosen for the cover of a translation by Mark Harman of Selected Stories.

China’s role in Soviet policy-making

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Why should we want to read yet another thumping great book about the collapse of the Soviet empire? Sergey Radchenko attempts an answer in his well-constructed new work. Based on recently opened Soviet archives and on extensive work in the Chinese archives, it places particular weight on China’s role in Soviet policy-making. The details are colourful. It is fun to know that Mao Tse-Tung sent Stalin a present of spices, and that the mouse on which the Russians tested it promptly died. But the new material forces no major revision of previous interpretations. Perhaps the book is best seen as a meditation on the limitations of political power.

A tragedy waiting to happen: Tiananmen Square, by Lai Wen, reviewed

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Lai Wen’s captivating book about growing up in China and witnessing the horrific massacre in Tiananmen Square reads like a memoir. The protagonist’s name is Lai, and her description of her parents is utterly convincing – the pretty, bitter housewife mother, jealous of the opportunities her daughter has; the father permanently cowed after being briefly interned by the government decades earlier. In a letter at the end, the author explains that her story is faction – embellished fiction. So how much is true? We will never know. I find this slightly irksome. I so admire writers like Henry Marsh, Karl Ove Knausgaard and Rachel Cusk who are prepared to irritate with their honesty.

The lion and the unicorn were fighting for the crown

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Elizabeth I died at Richmond Palace on 24 March 1603 at the age of 69 after a reign of 45 years. Her health had been poor from the early 1590s onwards: arthritis, gastric disorders, chronic insomnia and migraines were just some of the ailments which plagued her. Yet, uniquely among English monarchs, she refused to make provision for the succession. James I made great efforts to ensure that his escape from the Gunpowder Plot would not soon be forgotten From Tudor to Stuart is Susan Doran’s enthralling account of the behind-the-scenes manoeuvres of those who had a viable claim to succeed the Virgin Queen.