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A choice of first novels | 27 March 2010

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Catharine is a middle-class, married woman in her late thirties living in a genteel village an hour from London with her husband, a successful lawyer, who nicknames her ‘Catch’. Catharine is a middle-class, married woman in her late thirties living in a genteel village an hour from London with her husband, a successful lawyer, who nicknames her ‘Catch’. Though educated and bright, she has no career. She is ‘famous’ for her ‘lack of sense of humour’ and is ‘the most feminine woman’ her husband has ever known.

Truesay! A Motto for Our Times

My friend and colleague Jo Phillips has been roaming the country promoting the must-read book of the forthcoming election. Why Vote? -- which she has co-authored with David Seymour, the former political editor of the Mirror Group, who won't mind me calling him a veteran political commentator. The book is a jaunty affair, designed to appeal to people who have been put off the political process (so just about everybody).  I know she has been struck by the general "what have politicians ever done for anyone?" response as she tours the nation. But when she pointed out to one group of young people the benefits that politicians had brought us (universal health provision and education, for example, and the right to vote itself) they were stopped in their tracks.

Never Trust a Nazi Leprechaun

Like McShandy, I feel I need to track down, purchase and read a copy of this. Who knows what lessons for our time it may contain? (Actually, it doesn't seem to be a rare book but, obviously, it's not the same without the Nazi Leprechauns on the cover.

Becoming a Victorian

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Winston Churchill was a racist. He said things like ‘I hate people with slit eyes and pig-tails. I don’t like the look of them or the smell of them’. Winston Churchill was a racist. He said things like ‘I hate people with slit eyes and pig-tails. I don’t like the look of them or the smell of them’. In 1931 he described Gandhi as a seditious Middle Temple lawyer, a half-naked fakir and a ‘malignant subversive fanatic’ and in 1954 he told the white Kenyan settler Michael Blundell that he ‘did not really think that black people were as capable or as efficient as white people’, although he said that ‘if I meet a black man and he’s a civilised educated fellow I have no feelings about him at all’.

Exotic Cuban underworld

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Before the revolución of 1959, Havana was, effectively, a mafia fleshpot and colony of Las Vegas. Before the revolución of 1959, Havana was, effectively, a mafia fleshpot and colony of Las Vegas. Graham Greene first visited in 1954, when the dancing girls wore spangled headdresses. The Batista regime was then at its height, and tourists flocked to the Cuban capital for its promise of tropical oblivion. George Greene, the ‘GG’ of the title of this novella, is an English holidaymaker on the prowl in pre-communist Havana. Castro’s revolution is less than four years away — it is the summer of 1955 — and George hurls himself promiscuously into Batista’s grimy sex industry.

Dogged by misfortune

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Unusually for a work of fiction, Tim Pears’ new novel opens with a spread of black-and-white photographs, part of an ‘investigator’s report’ into a fatal collision said to have taken place on a Birmingham dual carriageway in the summer of 1996. Unusually for a work of fiction, Tim Pears’ new novel opens with a spread of black-and-white photographs, part of an ‘investigator’s report’ into a fatal collision said to have taken place on a Birmingham dual carriageway in the summer of 1996. The victim is a six year-old girl named, Sara Ithell. Her father, 35 year-old, Owen, loses both his right hand and his livelihood as a jobbing gardener to the local bourgeoisie.

Beyond pretty

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For the last 30 years John Lister-Kaye has lived at Aigas, in the valley of the River Beauly, seven or eight miles from the sea and half an hour west of Inverness. For the last 30 years John Lister-Kaye has lived at Aigas, in the valley of the River Beauly, seven or eight miles from the sea and half an hour west of Inverness. This is not Mongolia or Greenland and the personal quest for wildness which this book records is no tale of courage in the distant wastes. It is written at home, the gleanings from a daily stroll around his own heart-shaped loch, eight acres of water caught in the glen just above his house (and the nature centre he runs there).

Her own best invention

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Lesley Blanch, who died in 2007 aged almost 103, did not want this book written. Having spent her whole life spinning a web of romantic tales around herself, the last thing she needed was a patient, dogged writer checking up on her, unpicking the fibs and the fantasies and unlocking the skeletons from their cupboards. Anne Boston, who admires her tricky subject and is well aware that fantasies can be as revealing as facts, nevertheless feels obliged, rightly in my view, to play the detective. It was not until she was 50 that Blanch (born in 1904) published her first and instantly successful book, The Wilder Shores of Love, in which she described the romantic adventures of four European women in North Africa and the Middle East.

Almost all against all

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Early one morning in September 1986 three gunmen patrolling Beirut’s scarred Green Line came across what they believed would be easy pickings. Early one morning in September 1986 three gunmen patrolling Beirut’s scarred Green Line came across what they believed would be easy pickings. David Hirst the diminutive, silver-haired and donnish veteran correspondent was stranded by the side of the road in one of the most notorious areas of the city. Scores of Westerners had already been seized by militant groups allied to Iran and Hirst was pushed at gunpoint into the back of a BMW for what should have been the start of several miserable years handcuffed to a radiator in Beirut’s southern suburbs.

Problems with the Contemporary Political Novel (& Ian McEwan)

Following these ruminations on Iraq, Shakespeare and the contemporary political novel, I came across this post by Nick Cohen in which he discusses the provenance of some scenes in Ian McEwan's new novel Solar. I've not read the book - which is, at least in part, about global warming - but McEwan's publishers promise "a serious and darkly satirical novel, showing human frailty struggling with the most pressing and complex problem of our time. A story of one man's greed and self-deception, it is a profound and stylish new work from one of the world's great writers." Of course they would say that, wouldn't they?

A cosmic comedy

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Not long ago I had an email from a friend, wondering if I’d yet read the new Ian McEwan. Not long ago I had an email from a friend, wondering if I’d yet read the new Ian McEwan. ‘Talk about a bolt from the blue,’ she said. ‘McEwan does slapstick. I never saw that coming.’ She added (unfairly, I thought) that you might class On Chesil Beach as slapstick of an unintentional sort, but her point holds. Here, in a book around a scientific theme of considerable seriousness — global warming and renewable energy — McEwan has written the closest thing he’s ever done to a farce. Told in three chunks, spaced at intervals between 2000 and 2009, Solar is the story of a Nobel-prize-winning physicist on a slow slide to disaster.

Street eloquence

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The title of Jon McGregor’s third novel derives from an anecdote told by one of the many vivid, dispossessed characters whose voices burst from its pages: Steve is a homeless ex-soldier who agrees to help deliver a lorry-load of aid to a Bosnian town, but is turned back on the grounds that ‘even the dogs’ there are dead. The title of Jon McGregor’s third novel derives from an anecdote told by one of the many vivid, dispossessed characters whose voices burst from its pages: Steve is a homeless ex-soldier who agrees to help deliver a lorry-load of aid to a Bosnian town, but is turned back on the grounds that ‘even the dogs’ there are dead.

Not as bad as the French

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This is a long book, but its argument can be shortly stated. Anthony Julius believes that anti-Semitism is a persistent and influential theme in English history, which is all the more dangerous for being unacknowledged by most anti-Semites and concealed behind a facade of complex, subtle and hypocritical social convention. He sustains the argument over nearly 600 pages of densely annotated text, in a book which is in equal measure wonderful and infuriating. It is immensely learned. It is thorough. Its patient accumulation of detail challenges conventional English images of their own society. Much of the analysis is observant and shrewd. But much of it is also laboured, sanctimonious and lacking in any real sense of proportion.

Brutal and brutalising

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In this book, Jonathan Safran Foer, the American novelist, tries to make us think about eating meat. He ate meat, then became a vegetarian, then ate meat again, then got a dog, then started to worry about eating animals, and didn’t stop worrying. This book is the result of what happens if you start to worry about eating animals, which is what most of us do, but then carry on worrying, which is what most of us don’t do. It’s horrifying. He starts off by thinking about why we don’t eat dogs. Well, we’d hate to do that, wouldn’t we? They’re dogs, for God’s sake. They are ‘companion animals’. We love them, in the same way that the Indians love their cows. But the Indians eat dogs, don’t they? And Koreans eat dogs.

The spaced-out years

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Barry Miles came to London in the Sixties to escape the horsey torpor of the Cotswolds in which he grew up. Known at first only as ‘Miles’, he worked at Indica and Better Books and was soon helping to organise the Albert Hall reading of 1965 which is supposed to have changed British poetry for ever, though whether it did, or for the better, is debatable (Alan Ginsberg thought none of the British poets were worthy to read with him). He then moved into journalism on the International Times and wrote biographies of both Beats and Beatles, as well as Zappa and The Clash. He seems to have been present at every ‘underground’ event of the next 20 spaced-out years.

The reality behind the novels

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‘I never knew peaceful times’, Irène Némirovsky once said, ‘I’ve always lived in anxiety and often in danger’. ‘I never knew peaceful times’, Irène Némirovsky once said, ‘I’ve always lived in anxiety and often in danger’. This comment was made during a radio interview in 1934, when the novelist, who would later write Suite Française, was in fact living through the only peaceful period of her life. She had survived the pogroms of her childhood in Kiev and the dangers of her family’s flight from St Petersburg during the October Revolution. In Paris she had gone through a difficult period of resettlement before achieving her childhood dream of becoming a celebrated French writer.

Karl Rove’s Idea of the Special Relationship

Dave Weigel has an entertaining takedown of Karl Rove's new memoir Courage and Consequence: My Life as a Conservative in the Fight (a title that, oddly, is simultaneously vainglorious and reeking of self-pity). Meanwhile, here's a snippet of the Rovian style, as relayed by Andrew Rawnsley in his new book*. It's December 2000 and George W Bush has just become President: [Sir Christopher] Meyer [then British ambassador to Washington] had done his best to cultivate relationships with the Bush team. Karl Rove, Bush's senior political strategist sent both encouragement and a warning, via Meyer: "You're going to start with a blank sheet of paper. By your works shall ye be known." Blair's critics might contend that he took this warning to heart and held it there too close and for too long.

The frost giant awakes

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For thousands of years, no one knew what lay in the ice around the North Pole. The blanks on the maps fuelled the imaginations of classical writers, who crafted stories of Hyperboreans living in a gaudy paradise, dancing with Apollo and generally misbehaving. As explorers from southern Europe travelled further north — revealing intransigent and not very Hyperborean locals, the Scrithofini, as Procopius called them, who liked to slide through forests with planks of wood stuck to their feet — everything got mixed up: myth and reality, fable and cartography.

What’s in a date?

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Felipe Fernández-Armesto has a grand idea. Felipe Fernández-Armesto has a grand idea. After the formation of separate continents about 150 million years ago, the world’s ‘cultures’ became progressively more ‘sundered’ and its ecosystems more divergent. Then, ‘with extraordinary suddenness’, in 1492 this long-standing pattern ‘went into reverse’: divergence ceased and ‘a new convergent era of the history of the planet began’.

A canker on the rose

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This is a very short book with large type. DeLillo has said that he no longer feels a compulsion to write long, compendious books. In his later years Saul Bellow said something similar. DeLillo, of course, has written very long in the past, notably with the 850-page Underworld (1997), and his story has been America. America is the big subject of the second half of the 20th century, tackled in one form or another by all the great American male writers. You could make a case for saying that it was the only game in town — from Bellow to Roth to Updike to Richard Ford — America was more or less explicitly the leitmotif. But now a canker has fallen on the rose.

Shady people in the sun

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The characters in Rose Tremain’s deft new novel are almost all remarkably unpleasant. The characters in Rose Tremain’s deft new novel are almost all remarkably unpleasant. Not just wicked or selfish, but strangely pathetic, too. In fact, their nastiness is so ingrained and so unignorable that one begins to suspect a degree of authorial malice. Of course, Tremain is too good to present caricatures: her characters are all amply supplied with motives, credible back stories and the appropriate quotient of human quiddity. But from start to finish, an acrid atmosphere hovers over her every description, and it permeates not just the characters but the main actions of the plot.

A race well run

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More than 20 years ago I wrote an admiring article about Dick Francis. I made, if I recall, only one mild criticism: that he sometimes piled a bit too much misfortune on his damaged heroes. There was, for instance, the novel in which the narrator’s wife was in an iron lung and the villains put pressure on him to abandon his investigation by invading her bedroom and threatening to switch off the electric current that kept her alive. This was going a bit far, I suggested. A couple of weeks later I got a charming letter from Francis thanking me for all the nice things I had written, and then saying that as a matter-of-fact his wife Mary had spent some time in an iron lung, and he had found himself wondering ‘what if…?’ ‘What if?

Towards the End of the Night

Isaac Chotiner has a nice piece at TNR on Michael Frayn's classic Fleet Street novel, Towards the End of the Morning. Among his observations: The most astonishing aspect of Frayn’s novel [published in 1967] is that so many of the dilemmas and complaints of the characters are easily recognizable today. “He looked anxiously at the rack of galley proofs behind him. He had only seven ‘The Country Day by Day’ columns in print, and he had sworn never to let the Countries drop below twelve.

Throw it in a stream

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I know a British couple with a Chinese daughter, pretty and fluent in English. Of course the little girl was adopted. It is necessary to steel one’s self against three agonising thoughts: how did such children come to be here, why does one never meet an adopted Chinese boy, and what does one reply when the adopted Chinese child asks, ‘Why did my real mother let me go?’ There is already substantial information on this subject, including television documentaries, none of it mentioned by Xinran.

A narrow escape

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For once, I felt sorry for Bill Clinton. It was January 1998, and the press reported that the President had had an intimate relationship with one Monica Lewinsky. In Independent Counsel Kenneth W. Starr’s office, where I worked, we had evidence that Clinton had sought to hide his dalliance through perjury and obstruction of justice. But that didn’t matter anymore. No president could survive the public revelation of sex (however defined) with a White House intern. Clinton was about to be driven from office over fellatio rather than felonies. I started thinking about a conciliatory statement Starr might release when the President resigned. Our judgment, as Ken Gormley observes in The Death of American Virtue, was sometimes flawed.

Always a murky business

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Lance Price is better placed than most to write about ‘spin’ in politics, having worked as a BBC political reporter and as Alastair Campbell’s deputy in Downing Street. Lance Price is better placed than most to write about ‘spin’ in politics, having worked as a BBC political reporter and as Alastair Campbell’s deputy in Downing Street. In August 1997, Price was on duty for the BBC the weekend that the story of Robin Cook’s affair broke. In Where Power Lies he describes the ‘unusually rich array’ of other stories in the papers to choose from that weekend. A juicy item in the Sunday Times stated that Chris Patten, Governor of Hong Kong, could be prosecuted under the Official Secrets Act.