Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

E. M. Forster and Frank Kermode

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Any follower of literary blood sports should take a look at a review in the Weekly Standard, a conservative American magazine. You can find it on a site called Arts & Letters, which my son obligingly bookmarked for me. The present edition — at least I suppose it is the present one, not that it matters, since I understand that you can use the internet to summon articles from the vasty deep of time past — features the review, by Joseph Epstein of Sir Frank Kermode’s 2007 Clark Lectures devoted to E. M. Forster. Forster’s own book, Aspects of the Novel, had its origins in the same Cambridge lectures. Epstein has armed himself with a two- barrelled shotgun, one barrel for Kermode, the other for Forster, whom he admits to having admired in his youth.

The people and the place

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Where to begin? Graham Robb, like all dedicated Francophiles, begins early, when his enlightened parents made him a present of a trip to Paris and sent him off with a map and a voucher for a free gift at the Galeries Lafayette. For a week, and then two weeks, and then six months, he did what all visitors do: he walked the length of the city, he bought books, he sat in cafés and listened to the conversations of strangers. This apprenticeship made him the historian and biographer he is today, and this book is a form of homage to Paris and to those who choose to see it as their home. To adapt Simone de Beauvoir’s dictum, one is not born a Parisian, one becomes one.

A certain look

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Just as there are people who are their own worst enemies, so there are books that are their own worst reviews. Mark Griffin’s A Hundred or More Hidden Things, a new biography of the Hollywood film-maker Vincente Minnelli, is one such. No review could possibly be as damning as a verbatim reproduction of its irresistibly putrid pages. Minnelli’s achievement certainly does merit attention. In fact, for the auteurist critics of Cahiers du Cinéma, who argued that a film’s distinction derived primarily, even exclusively, from the degree to which it reflected its director’s own personal visual and thematic preoccupations, his was practically an open-and-shut case.

Survival of the fittest

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When I was at Eton, many years before David Cameron, much of the school was run by a self-elected society known as ‘Pop’. When I was at Eton, many years before David Cameron, much of the school was run by a self-elected society known as ‘Pop’. Some members were elected ex officio; but the majority belonged because they stood well with the Society’s membership. Most members of ‘Pop’ in my day put me in mind of David Cameron now. The principal difference is that he is by a distance cleverer than they were. However, the apparent social self- confidence and the toughness of mind and of spirit seem very familiar. It went with a certain cliquishness and a determination to be in charge.

The role of the state

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Tony Judt is a vivacious and controversial historian. He is Jewish but has turned against Israel. He is a thinker of the Left who has ended up in the USA. And now he has been struck down with a grievous illness, a virulent form of motor neurone disease which has left him paralysed from the neck down. As a result he has composed his latest book in his head and then dictated it to an aide, using the classic memory device of setting the text in different rooms of an elaborate building. This elegant essay is the result. Judt’s illness has left him determined to restate his belief in what he calls social democracy. It is above all aimed at the younger generation. He fears that, because of the dominance of neo-liberalism, they have lost an appreciation of the good that the state can do.

Triumph of the will

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Alistair Urquhart describes himself as ‘a lucky man as well as an angry man’. Alistair Urquhart describes himself as ‘a lucky man as well as an angry man’. No one who reads his remarkable autobiography will doubt either the phenomenal extent of his good fortune or the extraordinary justification for his anger. Yet his story will be remembered for qualities that are universal rather than personal. At the age of 20, with a job as a warehouseman in Aberdeen, he was called up in 1939 for service in the Gordon Highlanders, and sent to Singapore.

Progress at a price

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I was sitting recently with a former US marine by one of the huge open windows on the top floor of the Caravelle Hotel in Saigon. Our drinks were being served on shiny black tables, and at the bar was a group of rather podgy prostitutes. There is something seedy but fun about the hotel, which reeks of new money: not unlike Saigon — as its inhabitants persist in calling Ho Chi Minh City. Saigon, and indeed Vietnam, has been transformed since the early 1990s, when the Soviet Union unravelled and the Hanoi politburo was forced to water down its rigid Marxism. The cycle rickshaws, peddled by thin men who had served in the South Vietnamese army, have gone. The streets now swarm with Hondas, and the children of the politburo mandarins shop in Versace.

For all time

To review some new books about Shakespeare is not to note a revival of interest, but simply to let down a bucket into an undammed river. No one really knows the scale of the secondary bibliography. Published sources on any given topic in Shakespeare studies are innumerable and, as James Shapiro reminds us, so are books devoted to the idea that the works were written by someone else. There are two theories to account for why Shakespeare is still so enormously prevalent in cultural life nearly 400 years after he died. The first is the cynical one, that it suited the British empire, and Anglo-Saxon culture in general, to foist the values and standards of one of its own on the rest of the world.

Pearl of the Orient

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When she was a little girl, playing in the countryside around her missionary parents’ home in China, Pearl Buck used to come across the scattered body parts of babies abandoned for animals to devour. She would bury them, and tell no one. When she was a little girl, playing in the countryside around her missionary parents’ home in China, Pearl Buck used to come across the scattered body parts of babies abandoned for animals to devour. She would bury them, and tell no one. Born in 1892, she buried painful experiences all her life, telling no one, apparently forgetting — but they came out in her stories and novels. Her most famous novel, The Good Earth, has never been out of print and has sold millions of copies in many countries.

Solace in the written word

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Not only Webster but most of us are much possessed by death. Even if we don’t see the skull beneath the skin, we enjoy the thought that it’s there and look forward to the day when it will turn to dust so that we can sing its bygone glories. Notoriously, the ancient Anglo-Saxons allowed their Roman buildings to fall into ruin and then wrote elegies to mourn their passing. The rise of Greek cities left the countryside to languish outside its walls and gave birth to bucolic poetry. Trains and planes proclaimed the end of parochialism and allowed for the rebirth of patriotism. Likewise with new technologies. Photography proclaimed the death of painting, before the birth of Picasso and Jackson Pollock.

The greatest puzzle of all

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Philip Pullman’s trilogy, His Dark Materials, is one the best works written in English in my lifetime. Philip Pullman’s trilogy, His Dark Materials, is one the best works written in English in my lifetime. He is a truly great storyteller, and the details of his myth, as well as the rich gallery of characters, live forever in the reader’s memory. It upset many religious readers, especially in America, because of the fact that the central villainy of the Gobblers, child-stealers controlled by the Magisterium, are a Blake-inspired vision of Church Christians. (And rather a prophetic picture of what is now revealed on a daily basis in the papers about the activities of the Roman Catholic clergy).

Missing link

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In times of anxiety or confusion the most effective palliative is a good detective story. The requirement is that a sense of justice be restored, and, paradoxically, given the fictional events portrayed, a much desired sense of order. The effect is transitory but reliable. It is also necessary that the protagonist be a man of principle. Such a one is the unassailably virtuous Simon Serrailler, Susan Hill’s detective hero, now making his fifth appearance in this agreeable series. He is, of course, no stranger to melancholy, largely in connection with his equally high-minded girlfriend from whom he is momentarily estranged. And he lives in Lafferton, a small fictional town which nevertheless boasts a cathedral, a college of further education and a hospice.

Fine artist, but a dirty old man

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I have always been sceptical of those passages in the ‘Ancestry’ chapters of biographies that run something like this: Through his veins coursed the rebellious blood of the Vavasours, blended with a more temperate strain from the Mudge family of Basingstoke. I have always been sceptical of those passages in the ‘Ancestry’ chapters of biographies that run something like this: Through his veins coursed the rebellious blood of the Vavasours, blended with a more temperate strain from the Mudge family of Basingstoke. Those passages seem to claim too much for heredity, and to bear out A. J. P. Taylor’s dictum that snobbery is the occupational disease of historians.

The Existential Wodehouse

Jenny Haddon has a nice piece on Wodehouse and Hot Water as her contribution to Norm's Writers' Choice series. She argues: In fact, I disagree with the regular characterization of Wodehouse's dramatis personae as amiable eccentrics. (Bertie Wooster is a kind man but his slightest gesture towards eccentricity is squashed by Jeeves - one remembers, with regret, the skirmish over the white mess jacket. Lord Emsworth is only intermittently amiable. With the exception of the occasional chorus girl, all PGW's women are tough cookies who could give today's feminists a correspondence course in man management.) The amiability is the author's and it is the amiability of the measured Augustan, who sees life steadily, sees it whole and gets a jolly good laugh out of it.

The whirlwind and the saint

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Dave Eggers is the very model of the engaged writer. Since publishing his first book, the memoir A Heartbreaking Work of Staggering Genius, he has branched out into all kinds of philanthropic literary activity. His organisation, McSweeney’s, has become a major imprint, championing emerging writers. In San Francisco, he has set up a community writing project, called 826 Valencia, which now has branches in six other cities. In 2004, he created Voice of Witness, ‘a series of books that use oral history to illuminate human rights crises around the world’.

Land of eternal euphemism

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If it wasn’t for the sheer misery of most of its luckless inhabitants, wouldn’t the world be a duller place without North Korea? If it wasn’t for the sheer misery of most of its luckless inhabitants, wouldn’t the world be a duller place without North Korea? There really is no place quite like it, a surreal time capsule largely devoid of mobile phones, cars and electric light; a land presided over by the world’s first hereditary Communist, Dear Leader Kim Jong-Il, whose deceased father remains Eternal President of the place I like to call the ‘Land of Eternal Happiness’.

Faith under fire

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Giles St Aubyn, in this long, scholarly book, sets out to chronicle the shifts in the Christian churches from the scientific revolution of the 17th century, and the Enlightenment of the 18th, to the apparent triumph of secularism in the 20th. H. H. Asquith, as leader of the Liberal party, was not an enthusiastic Christian. Nor did the Labour Prime Minister Clement Attlee waste much time on religious concerns, which bored him. What mattered was the NHS and the welfare state, which saved men’s bodies rather than their souls. The Reformation had shattered the universal Catholic church of the Middle Ages, leaving in its wake what the Catholic apologist Blaise Pascal called ‘the thousand bizarre sects of Protestantism’.

In the shadow of Mau Mau

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When the Kenyan human rights campaigner, Maina Kiai, recently addressed the House of Commons, his list of policy recommendations probably surprised many MPs. Be tough on Kenya’s fractious government, he urged. Crack down on British companies which bribe African politicians. And it was well past time, he added, that Britain made a formal apology for Mau Mau. A chasm yawns between the soft-focus memories of a former colonial master and the less happy recollections of the colonised. Never more so than with Mau Mau, the 1950s uprising against white rule which traumatised the Kikuyu community, the country’s biggest tribe, eventually paving the way for independence.

Pretty boy blue

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In his memoir Somebody Down Here Likes Me, Too, the boxer Rocky Graziano, on whom Paul Newman based his performance in Somebody Up There Likes Me (1956), describes the actor in perfect Runyonese: I could see right off there ain’t one thing phony about this guy. Maybe there was. He was too good-looking. In fact, the guy is pretty… He’s got bright blue eyes, but when you look in ’em you see a hard look dancing around inside. Only one other guy I see these same eyes on an’ that was another friend of mine, Frank Sinatra. When their blue eyes spot a wise guy, the eyes say, ‘Don’t fuck with me, man!

A choice of first novels | 27 March 2010

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Catharine is a middle-class, married woman in her late thirties living in a genteel village an hour from London with her husband, a successful lawyer, who nicknames her ‘Catch’. Catharine is a middle-class, married woman in her late thirties living in a genteel village an hour from London with her husband, a successful lawyer, who nicknames her ‘Catch’. Though educated and bright, she has no career. She is ‘famous’ for her ‘lack of sense of humour’ and is ‘the most feminine woman’ her husband has ever known.

Truesay! A Motto for Our Times

My friend and colleague Jo Phillips has been roaming the country promoting the must-read book of the forthcoming election. Why Vote? -- which she has co-authored with David Seymour, the former political editor of the Mirror Group, who won't mind me calling him a veteran political commentator. The book is a jaunty affair, designed to appeal to people who have been put off the political process (so just about everybody).  I know she has been struck by the general "what have politicians ever done for anyone?" response as she tours the nation. But when she pointed out to one group of young people the benefits that politicians had brought us (universal health provision and education, for example, and the right to vote itself) they were stopped in their tracks.

Never Trust a Nazi Leprechaun

Like McShandy, I feel I need to track down, purchase and read a copy of this. Who knows what lessons for our time it may contain? (Actually, it doesn't seem to be a rare book but, obviously, it's not the same without the Nazi Leprechauns on the cover.

Becoming a Victorian

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Winston Churchill was a racist. He said things like ‘I hate people with slit eyes and pig-tails. I don’t like the look of them or the smell of them’. Winston Churchill was a racist. He said things like ‘I hate people with slit eyes and pig-tails. I don’t like the look of them or the smell of them’. In 1931 he described Gandhi as a seditious Middle Temple lawyer, a half-naked fakir and a ‘malignant subversive fanatic’ and in 1954 he told the white Kenyan settler Michael Blundell that he ‘did not really think that black people were as capable or as efficient as white people’, although he said that ‘if I meet a black man and he’s a civilised educated fellow I have no feelings about him at all’.

Indian snakes and ladders

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Award-winning poet Ruth Padel established her prose credentials with her autobiographical travel book, Tigers in Red Weather. Journalist Aatish Taseer trawled his own past and background for his memoir, Stranger to History. Now they have produced first novels connected by both dislocation and location — India, though they deal with very different versions of the subcontinent, viewing it from opposite, culturally shaped perspectives. Padel’s Where the Serpent Lives moves between a tangle of human relationships and an environment under threat. Writing about nature, she brings a poet’s intensity to her prose: objects, plants, and the wildlife that stalk her pages, are all fiercely observed. Her narrative spirals like a tropical plant, luxuriant with metaphor and imagery.

Exotic Cuban underworld

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Before the revolución of 1959, Havana was, effectively, a mafia fleshpot and colony of Las Vegas. Before the revolución of 1959, Havana was, effectively, a mafia fleshpot and colony of Las Vegas. Graham Greene first visited in 1954, when the dancing girls wore spangled headdresses. The Batista regime was then at its height, and tourists flocked to the Cuban capital for its promise of tropical oblivion. George Greene, the ‘GG’ of the title of this novella, is an English holidaymaker on the prowl in pre-communist Havana. Castro’s revolution is less than four years away — it is the summer of 1955 — and George hurls himself promiscuously into Batista’s grimy sex industry.

Dogged by misfortune

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Unusually for a work of fiction, Tim Pears’ new novel opens with a spread of black-and-white photographs, part of an ‘investigator’s report’ into a fatal collision said to have taken place on a Birmingham dual carriageway in the summer of 1996. Unusually for a work of fiction, Tim Pears’ new novel opens with a spread of black-and-white photographs, part of an ‘investigator’s report’ into a fatal collision said to have taken place on a Birmingham dual carriageway in the summer of 1996. The victim is a six year-old girl named, Sara Ithell. Her father, 35 year-old, Owen, loses both his right hand and his livelihood as a jobbing gardener to the local bourgeoisie.