The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
In 1950, Irving Penn, working for Vogue in Paris, set himself up in a glass-roofed attic and, between fashion assignments, began a series of full-length portraits of tradesmen, inspired by the street portraits of Eugène Atget 50 years before. Later that year he continued the project in a painter’s studio in Chelsea. Penn found that
One thing which struck me immediately on surveying the books on offer for children this Christmas is the large number which are really toys, with only a minor bookish element. Walker Books have produced several of these this year. Cars by Robert Crowther (£12.99) boasts moveable pop-ups of cars ancient and modern, with realistic detail
When the Louvre invited me to organise for the whole of November 2009 a series of conferences, exhibitions, public readings, concerts, film projections and the like on the subject of my choice, I did not hesitate for a second and proposed the list. Thus Umberto Eco on the genesis of this book, published simultaneously in
I knew that I was onto a good thing with this book before the page numbers were even out of roman numerals. Describing the wealth of new material that has come to light in the three decades or so since the last biography of Thomas De Quincey, Robert Morrison men- tions the areas in which
Portugal has given the world two distinguished novelists. Eça de Queiros, is the Proust of Portugal. His masterpiece, The Maias, describes the decline of an aristocratic family in the late 19th century. Whereas Eça was a member of the Portuguese intellectual elite, José Saramago was born in a wretched shack in the the rural hamlet
Auction house catalogues are multi-faceted publications. Primarily, of course, they’re sales tools, reassuring buyers that something is what it says it is, that it can legally be bought and where to do just that. Yet, they’re so much more. They can be a simple full stop to one of life’s chapters or, alternatively, a celebratory
No one here (I mean in Britain, not perhaps in the columns of The Spectator) likes to read anything nice about the Germans. So I shall warn you that there will be some praise for Germany in this review, mixed with the usual level of bashing. If the very thought of this shocks or appals
In 1981, two books on Saudi Arabia were published within days of each other: The House of Saud by David Holden and Richard Johns and The Kingdom by Robert Lacey. If the first had the faint air of the Financial Times and the second the hothouse scent of Town & Country, they nevertheless advanced our
Philippa Lewis is a picture researcher, with an eye for uncommon facts and a wry way of presenting them. Her book Everything You Can Do in the Garden Without Actually Gardening (Frances Lincoln, £16.99), is a scholarly and entertaining social history with pictures. Most books of this type recycle old material, but this writer has
Had I not been sent this year’s art books to review, the one I would most have liked to receive as a present would be Horace Walpole’s Strawberry Hill edited by Michael Snodin (Yale, £40). Had I not been sent this year’s art books to review, the one I would most have liked to receive
Thomas Keneally is the Booker-Prize-winning author of Schindler’s Ark and The Chant of Jimmie Blacksmith. Tom Keneally is the author of The Utility Player, a biography of the rugby league player Des Hasler. Naturally Thomas and Tom are the same person. The unashamed idolatry of The Utility Player is difficult to convey here, but can
The Great Depression of the 1930s has passed into myth as essentially American, not global. The Wall Street crash ended the Good Times and led, apparently inevitably, to the crisis of Capitalism. Europe suffered from the effects, but had the glum fun of watching the dollar lose its almightiness. America’s internal response was dramatic and,
I’ve had Wilkie Collins on my To Read list for, well, for years now. Somehow it’s never happened. And with a dozen or so still-not-finished books at the moment it would be foolish to add another to that menacing pile. On the other hand, it’s 150 years since The Woman in White was first published
In what was intended as the opening line of a 1951 catalogue essay to an exhibition by the painter Leonor Fini, Jean Cocteau wrote: ‘There is always, at the margin of work by men, that luminous and capricious shadow of work by women.’ Not surprisingly, Fini excised it. In what was intended as the opening
Twice in the 20th century, men have sought to create a new world order. The League of Nations, conceived with high hopes as a result of the Treaty of Versailles, failed catastrophically. At the outbreak of the second world war, it was to be found solemnly engaged in the task of standardising European railway gauges.
This book is companion to a television series (though the times seem slightly out of joint — on the front cover we are told that it is ‘As seen on the BBC’ while at the back the series is described as ‘first broadcast in 2010’). This book is companion to a television series (though the
In the aftermath of the destruction of New York’s World Trade Center, an elderly Arab from the Gulf told me that he thought it was the work of American agents. In the aftermath of the destruction of New York’s World Trade Center, an elderly Arab from the Gulf told me that he thought it was
Years ago the late ‘Brookie’ Warwick, 8th Earl, asked me to ghost his memoirs. Years ago the late ‘Brookie’ Warwick, 8th Earl, asked me to ghost his memoirs. In conversation he was full of amusing scandal, but the transcript of his dictated reminiscences was painfully discreet. I suggested they might be ‘sexed up’ — a
You may find this book irritating. A complex exposition of 2,000 years of history, it is intended for the general reader, whoever he is (a general reader would surely not attempt it), so its source material is not identified but tidied away into long footnotes, presumably on the principle of pas devant la bonne. Thus
Delia Smith first published her recipe ‘My Classic Christmas Cake’ 40 years ago. Delia Smith first published her recipe ‘My Classic Christmas Cake’ 40 years ago. The cake re-appeared in 1990 in Delia Smith’s Christmas, and now pops up again unchanged in Delia’s Happy Christmas (Ebury, £25). Though some of her newer recipes reflect changes
These long anticipated literary mysteries never end in anything very significant — one thinks of Harold Brodkey’s The Runaway Soul, falling totally flat after decades of sycophantic pre-publicity, or Truman Capote’s Answered Prayers, emerging in fragments in 1975, after 17 years of non-work, to scandal but no acclaim. These long anticipated literary mysteries never end
Fever of the Bone (Little, Brown, £18.99) is the sixth novel in Val McDermid’s Jordan and Hill series. Fever of the Bone (Little, Brown, £18.99) is the sixth novel in Val McDermid’s Jordan and Hill series. Someone is using a networking website to lure young teenagers, both boys and girls, to their deaths. Meanwhile Detective
Just as Alec Guinness resented being seen as Obi-Wan Kenobi for the rest of his life, Ian Richardson might have resented Francis Urquhart, the Machiavelli of Michael Dobbs’ House of Cards trilogy, whose catchphrase gives this book its title. Just as Alec Guinness resented being seen as Obi-Wan Kenobi for the rest of his life,
Mrs Delaney (1700-88) is an inspiring example for old age; also a reproach to those who think ‘upper class’ a term of abuse and that women have only recently had a life. Mrs Delaney (1700-88) is an inspiring example for old age; also a reproach to those who think ‘upper class’ a term of abuse
From a letter written by the American novelist F. Marion Crawford, on August 23, 1896: The old fashioned novel is really dead, and nothing can revive it nor make anybody care for it again. What is to follow it?…A clever German who is here suggested to me last night that the literature of the future
Ferdinand Mount Andrew Brown has spent a lot of his life writing about religion, not least for The Spectator. He has never written anything remotely like Fishing in Utopia (Granta, £8.99), but then nor has anyone else. The book tells the story of how the author fell in love with Sweden and everything Swedish, including
The first world war was the last major conflict to be brought to an end in the traditional fashion, with a formal treaty of peace. Or, rather, several treaties of peace, one for each of the defeated belligerents. They were all negotiated in Paris, but named after the various royal palaces in which the signing
Caroline Wallace, a journalist specialising in book reviews and the occasional travel piece, is asked, or rather told, to go to Dublin to interview Desmond FitzMaurice, a once famous playwright and foreign correspondent, in order to revive interest in his now forgotten work. Fitzmaurice is nearly 90, and so there is no time to be
At first glance, these books have an awful lot in common. Indeed, all three might have been produced by the same self-centred chatterbox, so similar is the slightly manic, self-consciously jokey, self-interrupting, lower-middle class vernacular in which they are all written. Fluent, full of ideas and, above all, conversational. All three authors treat their imaginary