Juliet Townsend

One thing which struck me immediately on surveying the books on offer for children this Christmas is the large number which are really toys, with only a minor bookish element. Walker Books have produced several of these this year. Cars by Robert Crowther (£12.99) boasts moveable pop-ups of cars ancient and modern, with realistic detail and turning wheels, from the Mini to the Bluebird, culminating in a full fold-out model of a Formula 1 racetrack. There is an informative text, but it is definitely subordinate to the models. The same is true of Gladiators by Toby Forward, illustrated by Steve Noon, (£16.99). This includes a book about the Roman games, but the main attraction is the spectacular pop-up model of the Colosseum.

In the 1950s, when I was 14, I spent a winter fortnight with my parents at the Villa Mauresque, which Somerset Maugham had lent to them to entertain the recently widowed Rab Butler and his daughter, Sarah. It was an uneasy holiday setting for two teenage girls. As I wrote a little apprehensively in my diary, ‘this house is lovely, but rather fragile,’ a concern which was borne out the next day when, during a pillow fight, I knocked over a full jug of orange juice with disastrous results for the immaculate upholstery. Never was a house more thoroughly permeated by the spirit of its absent owner, who looked down on us in melancholy reproach from the famous Graham Sutherland portrait on the wall. The regime ran with clockwork regularity.

In these hard times it is gratifying to find one Christmas present which has remained virtually unchanged in price for the last seven or eight years — the children’s book. Most of the illustrated books for the very young and the increasingly elaborate pop-ups and stories incorporating various pockets, inserts and DVDs are produced in the Far East. They are well made and extremely good value. Christmas represents the last stand for the hardback, with the opportunity for children to enjoy a book as an object, not just for its contents. There are two new titles in Sarah Garland’s series for pre-school children, Going Shopping and Doing Christmas, both £6.99 from Frances Lincoln.

Magic Moments: The Books the Boy Loved and Much Else Besides, by John Sutherland Curiosities of Literature: A Book-lover’s Anthology of Literary Erudition, by John Sutherland John Sutherland’s life has been devoted to the enjoyment of books and the passing on of that enjoyment to others, whether through his columns in the Guardian and Financial Times or through his teaching to the literature students at UCL, or the rather less bookish science buffs at the California Institute of Technology. It is hard to imagine anyone better suited to bringing the pleasures of reading to those for whom it has never been an important part of life.

One of the glories of British public life is the way in which ancient institutions, if left unmolested by officious politicians, can evolve over centuries to become something quite different from their original function, but just as valid. This is certainly the case with the office of Lord Lieutenant. Originally created in Tudor times to take on the military duties of the over-powerful High Sheriffs, the County Lieutenancy was first and foremost responsible for the defence of the realm at a time when the country had no standing army. Over the centuries, from the threat of the Armada to the Battle of Britain, the Lieutenants struggled with a succession of militias and volunteers which were often reluctant, ill-equipped and untrained.

Part of the charm of giving books to children at Christmas is that they are so easy to wrap. After an evening spent wrestling with a variety of soft toys with elongated limbs and tails, a large combine harvester, an assortment of weapons and a pogo stick, it is a relief to settle down to all those nice regular rectangles. Christmas is also the only time that many children get given hardbacks, and the opportunity to enjoy a book as an object, not simply for its contents. One agreeable object is the latest edition of Clement Moore’s well known poem The Night Before Christmas, with beautiful black- and-white cut-paper illustrations by Niroot Puttapipat (Walker Books, £12.99.

It was a perpetual source of regret to me at the age of ten that my parents were so boringly agreeable. My attempts to persuade my friends that my father, in reality the mildest of men, was a violent sadist, who regularly whipped me with his cane while uttering the sinister words, ‘I’ve got Tickler here!’ (cribbed by me from the children’s version of Great Expectations) met with a fascinated half belief, but what I really wanted was a Worldly Mother. Children in the Victorian stories to which I was much addicted often boasted one of these. They were generally only seen on their way out to a society dinner ‘in a soft satin dress and pearls, tall and stately but somewhat cold in expression’.

The Great Big Glorious Book for Girls by Rosemary Davidson and Sarah Vine One of the publishing triumphs of last year, The Dangerous Book for Boys, with immaculate timing tapped into a rich vein that combined nostalgia with exasperation at the seemingly unstoppable advance of Nanny State, with her stifling regime of risk assessment and avoidance. It followed a long line of similar books stretching back over 200 years. In fact its objectives were identical to those of the authors of The Boy’s Own Book of Sports and Pastimes (c.

E. Nesbit once pointed out that, in order to write good books for the young, it is not necessary to enjoy a close relationship with children in adult life. The essential thing is to retain a true and vivid memory of one’s own childhood; not only of events and people, but of feelings and emotions, sounds and smells and all the minutiae of day-to-day life. Jacqueline Wilson, the enormously popular writer and most borrowed author from British libraries, is certainly a case in point. Her childhood covered much the same period as mine, and this account, written for her younger readers, brings back a host of memories. Many of the best descriptions of childhood are written by people whose own experience of it was miserable: Dickens and Kipling are obvious examples.

The bookshop shelves are stacked with the usual bewildering array of children’s books this Christmas, and the first striking fact is what good value they have become, largely because, like almost everything else, most of them are now produced in the Far East, from Thailand to Cochin. The average price of a lavishly illustrated book for young children, £10.99, has remained the same for several years, and even elaborate pop-ups, like Francesca Crespi’s The Nativity, published by Frances Lincoln and printed in China, only costs £12.99. It was good to see a version of one of Arthur Ransome’s Old Peter’s Russian Tales being reprinted in a lively version for young children.