Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Interview: Mary Robinson

In 1990 Mary Robinson became Ireland’s first female president. As a progressive liberal, Robinson seemed a very unlikely candidate for the job, in what was then, a deeply conservative country.  Throughout the 70s and 80s, she worked as a human rights lawyer, as well as a Senator, arguing a number of landmark cases that challenged various clauses in the Irish constitution that failed to protect minorities. Robinson fought on behalf of women, who were effectively treated as second-class citizens, homosexuals, who were criminalized for their sexual orientation, and she also campaigned to change the law on the sale of contraceptives, which were illegal in Ireland, without prescription, until 1985. When she became President, Robinson was determined to reinvigorate the role.

The Good Loo Guide

Funny the ways you can learn about a book. Brian Jones of the Rolling Stones alerted me to one recently, 43 years after his death. I was at Somerset House for the exhibition of photos marking the band’s half-century, and one shot saw them leaving Heathrow Airport in 1966, bound for America. Brian, in a blazer whose stripes were quite shockingly vibrant (ten years later it would have felt perfectly at home on Ronnie Barker as he read the news), was carrying a book. A small, slim volume, its title was hidden away in a tiny font, but the photo had been blown up so large you could just make out that title: The Good Loo Guide.

Joseph Anton, a brilliant and important book

I’m halfway through Joseph Anton, Salman Rushdie’s memoir of what it was like to be given a death sentence by medieval religious savages. I’m reviewing the book for next week’s magazine. We were, as a country, rather less than unequivocal in our determination to protect Rushdie for his right to exercising free speech; plenty of people who should have known better gave succour to his persecutors. I don’t know if the oleaginous Labour MP Keith Vaz falls into that category, mind; his support for the howling mob was, I suppose, predictable. It’s a brilliant and important book. And there is a surprising amount of humour in it. So I’ll leave you with a puzzle.

Interview: John R. MacArthur on the US election

When Barack Obama entered the White House in January 2009, millions of citizens across the United States believed it was a new dawn for the American political system. Obama promised a presidency that would tear up the rulebook when it came to party loyalty; campaign fundraising, corruption; and the petty issues of partisan politics. But he would soon learn that attempting to transform the money machine and vested interest groups that run Washington would be near impossible. First released in September 2008, John R. MacArthur’s ‘You Can’t Be President: The Outrageous Barriers To Democracy in America’ is a book that openly criticizes Obama from the liberal left.

Where there’s smoke

Features

Rachel Carson’s Silent Spring, published 50 years ago this month, effectively marked the birth of the modern environmental movement. ‘Silent Spring came as a cry in the wilderness, a deeply felt, thoroughly researched, and brilliantly written argument that changed the course of history,’ wrote Al Gore in his introduction to the 1994 edition. Mr Gore reprised this theme on his website earlier this year, proudly comparing Carson’s call to arms over pesticides to his own campaigning on the issue of climate change. He frequently compares the resistance he meets, and Carson met, to that which impeded the battle to establish the link between cancer and cigarette smoking.

Memories and inspirations

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I had never come across commonplace books until I met up with my school friend Paul Foot in Oxford in 1958. The idea, he explained, was that you kept a notebook in which you transcribed anything interesting you came across in the course of your reading. I started doing it the following year. The first two of the following quotes are from D. H. Lawrence, then my favourite writer: Horace is already a bit of a mellow varsity man who never quite forgot Oxford. No old world tumbles except when a young one shoves it over. And why should one howl when one’s grandfather is pushed over a cliff? Goodbye, grandfather, now it’s my turn. Justice must not only be done, it must be seen to be believed. (Beachcomber) Wherewould we be without a sense of humour? (Very slight pause) Germany!

Flaws in our national treasure

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Charles Dickens remains in his bicentennial year as much a national treasure as Shakespeare, and just as deeply embedded in the English psyche as the Bard, declares Michael Slater, an Emeritus Professor of Victorian Literature at the University of London. Among the innumerable Victorians who sanctified domesticity, sentimentalised hearth and home and idealised family love, Dickens is especially conspicuous. Few people nowadays know Coventry Patmore’s Angel in the House, but many have seen depictions of Bob Cratchit’s humble Christmas dinner in A Christmas Carol.

Variety was the spice of life

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Tough job being a disused prime minister. John Major has resisted the temptation to flounce off in a sulk, or to play the international peacemaker, or (as Harold Macmillan was said to do during the 1970s) to fantasise about a glorious comeback urged on him by a despairing populace eager to rediscover its lost greatness. Instead, Major has become a social historian. After a book on cricket he now offers us a personal history of the music hall. His father, Tom Major (b. 1879), made a living as a comic artiste for over 30 years, and his recollections are the starting-point for Major’s investigations. Music hall grew out of the glee clubs and saloon theatres of the 18th century where ‘catches’ (hummable melodies) were played to boozing crowds by impromptu artistes.

The writing bug

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Authors seem to be more unhealthy than most people. Sometimes the sick room simply offers time to read and a sense of grievance or detachment; but the relationship between health and writing may be more complex. John Ross, a practising physician and assistant professor of medicine at Harvard, has happily violated every rule of patient confidentiality in this gossipy, highly conjectural and entertaining piece of medical bookchat. Some of it is a bit far-fetched. Did Shakespeare have syphilis, and if so did a mercury cure cause tremors and personality changes? Ross thinks Shakespeare may have had an STD, that mercurial rage may have surfaced later, that he may have struggled to complete his last plays and that perhaps a syphilitic chancre increased his sympathy for others.

The bravest of the brave

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I suppose I may be one of the few people still alive to have known Krystyna Skarbek (aka Christine Granville), though, perhaps regrettably, not as well as many others in her brilliant, stormy but eventually tragic life. Today she would have been over 100. Of all the women agents who risked their lives in Nazi-occupied Europe in the second world war, Polish-born Krystyna must surely rate as one of the bravest of the brave. As they used to say in army vernacular, the George Medal (which was about as close to a VC as a foreign national could get), the OBE and the Croix de Guerre did not exactly ‘come up with the rations’. Churchill is alleged to have rated Skarbek his ‘favourite spy’. The reason?

This Kohlian abomination

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In the year when East and West Germany were being reunited Günter Grass felt he must start keeping a diary. He was sure what was taking place was a dreadful mistake: At night I often toss and turn, haunted by images of a Germany that can no longer be mine. This Kohlian abomination: egomaniacal, bombastic, jovial, tough, condescending, domineering, feigning harmlessness. Chancellor Helmut Kohl was a power politician of genius. Although taken by surprise by the fall of the Berlin wall in November 1989, he soon saw how to make himself the architect of reunification. Grass was dismayed to see how easily the Germans were led by this philistine.

Finery down to a fine art

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The Impressionists adored clothes. They delighted in strapontins, polonaises and paletots; fans, hats and umbrellas were an extra treat. They were keen on couture, but they didn’t restrict themselves to painting grand ladies; it was the golden age of flânerie, and Paris had been transformed from a higgledy-piggledy labyrinth into an elegant public space of boulevards and parks. The artists got out of their studios and started studying the people in action. Debra Mancoff looks at their paintings with a dressmaker’s eye. She can tell you not only what the outfits are made of, but also what’s under them, who made them and how they have held their shape despite the heat of an Impressionist picnic.

…to the other

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Here’s the paradox. By any standards, Arthur Conan Doyle was an extraordinary man; a doctor, a politician, a keen sportsman (he once took the wicket of W.G. Grace and he was skiing almost before the word was invented), a social campaigner, a spiritualist and of course a very great writer, not just of detective stories but history, horror and even poetry. And yet the slate of his life was wiped almost entirely clean by his single, greatest creation, Sherlock Holmes. Doyle himself was aware of it. ‘I am in the middle of the last Holmes story,’ he wrote to his mother in 1892. ‘After which the gentleman vanishes, never, never to reappear. I am weary of his name.’ It didn’t work, of course.

From one extreme…

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A century ago, Antarctica was a seriously tough place in which to be a scientist. In February 1912, a German expedition established its research station on an ice-shelf in the Weddell Sea, only for that section of shelf to break loose ‘with an explosive boom’, and drift away — pursued by the German ship. When Apsley Cherry Garrard journeyed to the emperor penguin rookery at Cape Crozier in July 1911, to investigate the embryology of the birds, he and his companions carried reindeer-fur-lined sleeping bags which froze solid during the days, weighed 21 kg at their heaviest, and could take up to 45 minutes of melting and wriggling to enter each night.

The authorised version

Lead book review

The first volume of Peter Ackroyd’s six-volume history of England took us from prehistory to the death of Henry VII. Now the great charabanc rattles on. Here is a fat book of old-fashioned, great-man history taking in the second of the Harries twain, Ned the Lad, Mary and Bessie. Things don’t begin well; the speed at which Ackroyd is producing this material is perhaps starting to show. ‘The land was flowing with milk and honey,’ Ackroyd tells us.

Teju Cole meets V.S. Naipaul

If you have five minutes to spare this evening, read Teju Cole's account of meeting V.S. Naipaul. Writing from the covetable position of a column in the hallowed New Yorker, Cole is man enough to admit feeling awkward when he meets Naipaul, and, worse still, when he is addressed by him as an equal. It’s a winning approach, candid rather than lovey, and both men emerge well from it. Cole’s portrait of Naipaul is intriguing. Cole is not an unthinking admirer: he acknowledges that Naipaul has been ‘so fond of the word “nigger,” so aggressive in his lack of sympathy towards Africa, so brutal in his treatment of women.’ He appears to be honest, touchingly so.

Robert Hughes – The novelty of the shock

The real shock of the new came in 1991. It was sobering, and it was reverent, which aren’t exactly the first words one would associate with The Shock of the New art critic Robert Hughes. No wonder it went largely unacknowledged when he passed away last month. While Hughes’ seminal art history series continues to re-run on BBC4, it’s not without irony that one recalls that in ’91, 11 years after it originally aired, Hughes panned the whole concept of the art documentary. Admittedly, he’d always been slightly sceptical. He opened the first edition of his book (originally a mere spin-off of the series; ultimately, as Hughes himself said, something that far outlived it) with the confession that television can be no substitute for the true experience of art.

The poetic lies against Old Ironsides

‘How the War Began’ by Thomas Jordan, 1663. 'I'll tell you how the war began: The holy ones assembled (For so they called their party then Whose consciences so trembled). They pulled the bishops from their seats, And set up every widgeon; The Scotch were sent for to do feats With oat-cakes and religion. They plucked communion-tables down, And broke our painted glasses; They threw our altars to the ground, And tumbled down the crosses; They set up Cromwell and his heir, The Lord and Lady Claypole; Because they hated Common Prayer, The organ and the maypole.' Three-hundred and fifty years ago, in September 1662, congregations in churches all over England were getting used to hearing services from the new Book of Common Prayer.

Salman Rushdie’s ‘The Satanic Verses’ revisited

The publication of Joseph Anton (tomorrow), Salman Rushdie’s much anticipated memoir, has given newspapers cause to revisit The Satanic Verses. The commentary focuses on the bloodthirsty and backward response that the book continues to provoke. The novel has become a totem in various political and religious ‘debates’ (a word that is hopelessly misplaced in this perverse context of fatwahs and feeling). It is appropriate that Rushdie is celebrated as a champion of liberalism and rationality. There is no doubt that The Satanic Verses is among the most important books ever written. But, is it one of the finest? Despite the reams of brilliant and brave writing on the Rushdie affair, the question is seldom asked.

Review: Zoo Time by Howard Jacobson

Winning the Booker can do strange things. For one, critics tend to become noticeably shyer around authors with some bling in their trophy cabinets, hyperbole blunting their edge. But if ever there was a writer primed to dismantle automatic appreciation it is Howard Jacobson. Zoo Time, his first novel since The Finkler Question won the 2010 Booker Prize, does everything short of physically assaulting the reader to excuse itself from being a bland follow up. In fact, its very obnoxiousness is both its weakness and its strength. I must confess to both liking and loathing it, pushed between extremes depending on the subject matter.

Review – Sebastian Faulks’s A Possible Life

In a promotional video clip, Sebastian Faulks describes his new novel, A Possible Life, as like ‘a symphony in five movements... or an album in which the tracks are separate but the whole thing adds up to more than the sum of its parts.’ The idea of the musical novel – held together by themes, motifs and echoes rather than a linear plot – has been discussed or attempted by authors from Flaubert to Kundera. So what has Faulks, with his bestseller know-how, brought to this fragile form? We are given five separate stories with a large historical and geographical range.

The end of men

More from life

Bad news for those of us with only one X-chromosome: men are on their way out. That’s the view of Hanna Rosin, an enterprising young American journalist who has turned an essay she wrote for The Atlantic two years ago into the most talked-about book of the moment — The End of Men: And the Rise of Women. The central thesis of Rosin’s book — that the balance of power is shifting decisively in favour of women in the developed world — is clearly true, as Liza Mundy demonstrated in last week’s Spectator cover story. Rosin supplies plenty of data to back it up, mainly about the changing composition of the American workforce.

The language of criminals

The English language is, as English would have it, an odd duck.  Its nuances are capricious — to the non-native, maliciously so — but its lyricism widely praised. My preoccupation with language possibly stems from my first profession, that of a stage actress (throughout the course of this esteemed career, I made literally hundreds of dollars). Trained to mimic accents from public school Brit to Dixieland Southern belle, I was continually delighted by regionalisms. When I ceased auditioning and commenced scribbling, my fascination with ripe local slang never left me.

Fights of the feminists

Features

Naomi Wolf’s Vagina is not an organ so significant it needs italics; it is a book, and a catalyst for a swiftly assembled feminist lynch mob. In the New Statesman, Laurie Penny wrote, ‘Naomi Wolf’s Vagina is crassly attention-seeking… It’s upsetting to see a prominent feminist having what can only be described as a dramatic public meltdown.’ She had another go in the Independent: ‘Claims that the vagina is “not only co-extensive with the female brain but also is part of the female soul” are frankly offensive… today’s young women deserve better.’ In the Times Janice Turner complained that Wolf had ‘medically unnecessary major spinal surgery’ to restore her vaginal orgasms.

Our national obsession

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If Britain is serious about this Olympic legacy thing, we should get ‘talking about the weather’ added to the list of official sports. We’d clean up at Rio. Strange, mind you, that we don’t actually know very much about the subject which consumes so much of our conversation. How rainclouds form, why lightning happens, where Britain’s first windmill was — that sort of thing. One man determined to put this right is Charlie Connelly. Bring Me Sunshine (Little, Brown, £12.99) is his anecdotal, layman-friendly exploration of the elements and what they do to us.

A snake in the grass

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‘He walked straight past the wolf and picked up the dead garter snake.’ This is the exemplary sentence that young teacher Connie writes out for a good-looking, baseball-loving pupil three grades behind in his studies. ‘Fifteen years old, and thick as a plank,’ the school Principal, Parley Burns considers him. Connie chooses her words to meet what this boy really cares about. The school is in Jewel, a small town in south-west Saskatchewan, and Michael, always happier out-of-doors, really did bring in a snake, to display its beauty. Finding it, Parley killed it with his blackboard-pointer. Unfortunately the best Michael can do with the sentence is: ‘He wakt past the fol and pickt up the ded grtre snake.