Culture

Screenwriter for The Best Exotic Marigold Hotel and now promoting his latest film Now Is Good starring Dakota Fanning and Olivia Williams, filmmaker Ol Parker tells us which book is the funniest ever written, when he might find himself in bed with Martin Amis and what he does exactly when his wife, Thandie Newton, is asleep. 1). What are you reading at the moment? I tend to have about fourteen books on the go, keeping at least one under my pillow in the hope of absorbing it osmotically. But a current few are the new James Meek, Heart Broke, Jess Walter's Beautiful Ruins, the magnificent 102 Minutes, about the extraordinary feats of heroism in the Twin Towers as they fell, and the genuinely game-changing HHhH. 2). As a child, what did you read under the covers?

Hilary Mantel’s Bring Up the Bodies has won the Booker Prize, which seems right because it is the most accomplished book on the list – challenging but fundamentally readable thanks to the execution and, it must be said, the drama of the history of that period, which Mantel handles with the insight of a historian, though thankfully not a historian's total fidelity. If you don’t believe me, read the Spectator review written by Nicola Shulman, biography of the Henrician poet Thomas Wyatt. Mantel has joined Australian Peter Carey and South African J.M. Coetzee to hold a brace of Bookers. Speculation is already mounting about the 3rd instalment of her trilogy.

‘The Maidenhead’ Have you not in a chimney seen A sullen faggot wet and green, How coyly it receives the heat, And at both ends does fume and sweat? So fares it with the harmless maid When first upon her back she’s laid; But the well-experienced dame, Cracks and rejoices in the flame. Rochester is a favourite of A-level students because he writes about sex and uses rude words. That in itself would not make him an accomplished poet. Sex is not an obscure subject and there are lots of words which rhyme with ‘prick’. But there are good reasons to read Rochester. One is that he had a knack for creating effects which we have come to associate with literary authenticity and originality.

‘People begin to feel that… there are bonds of international duty binding all the nations of the earth together.’ This quotation, which resonates so clearly as yet more blood is shed in Syria, belongs to Guiseppe Mazzini, the 19th century Italian nationalist whose vision of a ‘Holy Alliance of peoples’ underscores much of Professor Mark Mazower’s Governing the World: The History of an Idea. Mazower’s book is an account of the ideas and institutions of international relations from the Concert of Vienna in 1814 to the present day United Nations. It is, then, the story of how Western hegemony has shaped the international sphere; this period of hegemony is soon to end and perhaps Mazzini’s international ambitions will die with it.

James Naughtie explains why he'd give Scoop to a lover, confesses which books by another BBC luminary he does his best to avoid and finally reassures us, in case you were wondering, that he doesn't fantasise about Lolita. He will be appearing at the Wimbledon Bookfest on 14th October to talk about his latest book, The New Elizabethans (published by Collins on 11th October, £25). He tweets @naughtiej   1). What are you reading at the moment? The Passage of Power, the fourth volume of Robert A. Caro’s fabulous biography of Lyndon Johnson; and Robert Macfarlane’s The Old Ways, about our ancient pathways, which is blissful. 2). As a child, what did you read under the covers? Treasure Island, again and again 3). Has a book ever made you cry, and if so which one?

‘Should literature be political?’ Njabulo S Ndebele asked Open Book Cape Town the other day. Ndebele, a renowned academic in South Africa, has written a précis of his speech for the Guardian. He draws a distinction between political novels, which dramatise activism, and other forms of literature that ‘politicise’ by deepening awareness. His point is often sunk by his own loquacity (‘These two books [The African Child and God’s Bits of Wood] reveal the continuations between political literature and literary politics. Both achieve transcendence through art that politicises and depoliticises all at once.

It’s the last day of banned book week but perhaps we should spare a thought for banned editors. An editor at Éditions Gallimard, who worked on Jonathan Littell’s The Kindly Ones, recently published three essays (with another house). The first, an account of his amorous adventures in Amsterdam, and the second, ‘Ghostly Language’, are, according to the author, to be kept in mind when tackling the final essay ‘Antiracism as the Literary Terror’ and the appendage, his pièce de resistance, ‘The Literary Eulogy of Anders Breivik’. That, in sum, is why Richard Millet is – for all the wrong reasons – one of the most famous essayists in France right now.