Culture

Such was Paul Poiret’s influence that he is the only couturier whose clothes are known to have caused several fatal accidents. At a time (1910-11) when fashion was loosening up he persuaded chic women into the hobble skirt, a garment so narrow round the ankles that only tiny, mincing steps were possible, with the result that several tripped over when stepping down from a pavement and one toppled from a bridge into a river where, unable to swim from the constriction around her ankles, she drowned.  In Mary E. Davis’s book, however, this dangerous garment gets only a brief mention.

The Delft painter Johannes Vermeer, now probably the most beloved artist of the Dutch Golden Age, had an unusual career. His reputation in his lifetime was small. For some reason he painted almost exclusively for the van Ruijvens, so only those who knew the family would have been able to view much of the work. One foreign observer who did see a painting owned by a baker (probably handed over in security for a large overdue account) was incredulous at what the owner claimed was the value of a small picture by an unknown artist. After Vermeer’s death, and the sale of the collection for very little on the death of his patrons’ son-in-law, his name disappeared. He is hardly ever mentioned in any of the exhaustive and insightful 18th-century histories of Dutch painting.

December 1917. For years the Ottoman Turks have been trying to spark a jihad of the world’s Sunni Muslims, hoping that Muslim subjects of the British Empire in India will rise in revolt. Now that Tsarist power in Russia has collapsed, the roads through central Asia are open and the war-weary British have virtually no resources left to prevent the Turkish empire from expanding into India.  Edward Noel, an aristocratic Catholic political officer who is supposed to be in Persia, sends a telegram to his betters from the city of Baku, perched on the western shore of the Caspian Sea and the source of half the world’s oil. He wants to plug the strategic gap in central Asia by raising a force of local troops.

Thomas Pynchon is so well known for being out of the public eye that he often seems to be hiding in plain sight, much like Edgar Allan Poe’s ‘purloined letter’. He is famous for avoiding the camera and the few extant photos of him – especially one from his high school yearbook – are paraded at every mention of his name or one of his books, usually accompanied by a rude remark about his ‘rabbity front teeth’. Many of his efforts to escape the limelight, such as sending the rumpled ‘Professor’ Irwin Corey to accept on his behalf the 1974 National Book Award for Gravity’s Rainbow gained him more renown than if he had just shown up and shuffled off with the damn thing himself.

In 2022, at the age of 58, Justin Currie – singer, bass-player and main songwriter with the Scottish rock band Del Amitri – faced what might be mildly termed a series of setbacks. In short order his mother died, his long-term partner suffered a catastrophic stroke, leaving her requiring constant care, and he was diagnosed with Parkinson’s. About the first two there was not much to be done but weep. When it came to the third, Currie decided he would manage the ‘Ghastly Affliction’ (the ‘GA’ as he calls it) as best he could with medication and keep playing music as long as he was able to. The following year his band undertook a mammoth 52-day trek across North America as support act to the 1990s Canadian rockers the Barenaked Ladies.