Culture

‘What is he talking about?’ Marine Baudrillard would sigh whenever she read her husband’s work. Anyone who has studied for an arts or a social-science degree over the past few decades will know what irked her. A sociologist-cum-philosopher’s prose is to thought what mud is to a windscreen. ‘There is no more hope for meaning,’ Jean Baudrillard wrote with unconscious exactitude in Simulacra and Simulation. ‘This is a good thing: meaning is mortal. Appearances, though, are immortal, invulnerable to nihilism. This is where seduction begins.’ In their admirably brief critical biography, Emmanuelle Fantin and Brian Nicol praise Baudrillard’s writing for its ‘enigmatic verve’. One might as well commend Bruckner’s 8th for its enervating brevity.

In 2022, at the age of 58, Justin Currie – singer, bass-player and main songwriter with the Scottish rock band Del Amitri – faced what might be mildly termed a series of setbacks. In short order his mother died, his long-term partner suffered a catastrophic stroke, leaving her requiring constant care, and he was diagnosed with Parkinson’s. About the first two there was not much to be done but weep. When it came to the third, Currie decided he would manage the ‘Ghastly Affliction’ (the ‘GA’ as he calls it) as best he could with medication and keep playing music as long as he was able to. The following year his band undertook a mammoth 52-day trek across North America as support act to the 1990s Canadian rockers the Barenaked Ladies.

World Cup fever is a strange affliction. It’s more contagious and unavoidable than Covid, and more widespread too: each new World Cup, as Simon Kuper writes, ‘becomes the biggest media event in history’, which ‘occupies the thoughts of billions of people’. It also produces a cluster of sometimes contradictory symptoms, physical as well as mental. Kuper quotes a study that found an increase of 25 per cent in hospital admissions for heart attacks in England on 30 June 1998, when England played Argentina (David Beckham, Michael Owen and all that). Later, he describes the moment when the American journalist Grant Wahl died of an aortic aneurysm in the media stand during the Netherlands vs Argentina match at the Qatar World Cup in 2022.

No one who flies into Afghanistan’s capital is left indifferent. In one of the many deftly drawn scenes in The Finest Hotel in Kabul, Lyse Doucet describes a snowy Hindu Kush on the skyline, the packed homes of the poor on the brown hills, a steep corkscrew descent carried out while firing flares, ‘bursting outward with white-hot fire’ to avoid missiles. Once safely on the ground, she decides to make her way to Kabul’s Intercontinental Hotel, drawn by ‘better telephone and telex links, food worth eating and a certain faded splendour’.

Valentine Low is an old-school royal journalist; less muckraking reporter, more Establishment eye (the Times for 15 years) across our nation’s oldest institution. It is his disarming charm (I’ve had the pleasure of televised royal parley with him) that has guaranteed him access to the great and occasionally ghastly in the higher echelons of British society. His previous book, the innocuously titled Courtiers, published just at the point of the Sussexes’ scandal-ridden departure, skipped nimbly over accusations of bullying and impropriety and became a bestseller. Expectations were high for Power and the Palace. The publisher insisted on an NDA. I waded through tranches of 19th-century history in the knowledge that Low’s gilt-edged gossip would not eventually disappoint.

Before the second world war, the Croydon-born cricketer C.B. Fry was offered the throne of Albania. It’s not certain why. Possibly because his splendid party piece involved leaping from a stationary position backwards on to a mantelpiece. Or because, historically, the Balkan nation has been so inexplicably Anglophile as to appreciate the pratfalling funnyman Norman Wisdom. Sadly Fry declined the role and it was later taken by the fabulously named if catastrophic ruler King Zog (real name Ahmed Muhtar Zogolli). Had Fry accepted, history, that capricious monster mixed of chance and fate, would have been very different. In reality, Zog was toppled in 1939 by Mussolini’s invading fascists, who turned Albania into an Italian protectorate before it fell under the Nazi yoke.