Matthew Reisz

Spectator Out Loud: Noa Hoffman, Robert Hardman, Patrick Galbraith & Matthew Reisz

From our UK edition

33 min listen

On this week’s Spectator Out Loud: Noa Hoffman explains why Keir Starmer’s empty seat could become a Green Party battleground; Robert Hardman tells us how the death of Norway’s King Harald could reshape the royal family; Patrick Galbraith says it has been a disastrous year for British farming; and Matthew Reisz explores the unique relationship between artist Paula Rego and her model, Anthony Rudolf. Produced and presented by Abigail Brierley.

Spectator Out Loud: Noa Hoffman, Patrick Galbraith, Robert Hardman & Matthew Reisz

The truth about modelling for a great artist

From our UK edition

Artists’ models seldom get a chance to tell their side of the story. Yet one model, Anthony Rudolf, believes they deserve to be ‘remembered for their work and their devotion’. His dazzling new book, Office Hours in the Studio of Paula Rego, celebrates one of the most remarkable artists of our time from this unique perspective. Rudolf is a poet, literary translator and the founder of the Menard Press. He and Rego were partners for the last 26 years of her life (though she preferred the less business-like French terms compagnon and compagne). About three months in, he ‘realised you could never get near Paula during office hours, which she worked strictly. I tentatively asked if I could become a model and she flung her arms around me, saying “I never dared ask you!

The scourge of the sensitivity reader

From our UK edition

‘Something strange is happening in the world of children’s and YA [young adult] literature,’ writes Adam Szetela, and his horrifyingly compelling book certainly bears that out. It offers a sobering report from the front lines of how identity politics and online pile-ons against anyone who sins against the latest pieties actually play out in the world of American publishing. Such is the atmosphere that many of the interviewees, who include presidents of the Big Five companies, senior agents, directors of public library districts and award-winning writers, are almost paranoid about preserving their anonymity. At the heart of That Book is Dangerous!

The history of Nazism in small objects

From our UK edition

‘I can’t cook,’ writes the historian Karina Urbach, ‘which is probably why it took me so long to realise that we had two cookbooks on our shelf at home with the same title’ – a 1938 edition by her grandmother Alice and one from the following year attributed to Rudolf Rösch. When she did notice, however, it provided a key to unlocking some fascinating family history and a little known strand of Nazi persecution. In 1920 Alice Urbach was living in her native Vienna, ‘a 34-year-old widow with no money’. Her husband had proved a feckless gambler and her father, disappointed by her lack of ambition, had virtually cut her out of his will. Yet she found a way of turning her life round.