Igor Toronyi-Lalic is arts editor of The Spectator
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I’m bullish about AI. All aesthetic snobs should be. In the war on man-made slop – still the most pressing threat – algorithms are an ally. After all, how much of the output of Netflix, Hollywood or Sony will retain its allure once AI is ventriloquising it to perfection? The qualities that have made popular
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15 min listen
For this week’s Spectator Out Loud, we include a compilation of submissions by our writers for their greatest artwork of the 21st century so far. Following our arts editor Igor Toronyi-Lalic, you can hear from: Graeme Thomson, Lloyd Evans, Slavoj Zizek, Damian Thompson, Richard Bratby, Liz Anderson, Deborah Ross, Calvin Po, Tanjil Rashid, James Walton,
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23 min listen
‘Labour is now the party of welfare, not work’ argues Michael Simmons in the Spectator’s cover article this week. The question ‘why should I bother with work?’ is becoming harder to answer, following last week’s Budget which could come to define this Labour government. A smaller and smaller cohort of people are being asked to shoulder the
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Bruckner at the Wigmore Hall. Yes, you heard right: a Bruckner symphony – his second: usually performed by 80-odd musicians – on a stage scarcely larger than my bedroom. How? Welcome to Anthony Payne’s very smart 2013 chamber arrangement. Bruckner on Ozempic. Composition is an Alice in Wonderland activity. A key duty is mastering how
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36 min listen
Can the BBC be fixed? After revelations of bias from a leaked dossier, subsequent resignations and threats of legal action from the US President, the future of the corporation is the subject of this week’s cover piece. Host William Moore is joined by The Spectator’s commissioning editor, Lara Brown, arts editor, Igor Toronyi-Lalic, and regular
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30 min listen
‘Here be dragons’ declares the Spectator’s cover story this week, as it looks at the continuing fallout over the collapse of the trial of two political aides accused of spying for China in Westminster. Tim Shipman reveals that – under the last Conservative government – a data hub was sold to the Chinese that included
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37 min listen
On this week’s Spectator Out Loud: Svitlana Morenets says that Trump has given Zelensky cause for hope; Michael Simmons looks at how the American healthcare system is keeping the NHS afloat; Ursula Buchan explains how the Spectator shaped John Buchan; Igor Toronyi-Lalic argues that art is no place for moralising, as he reviews Rosanna McLaughlin;
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50 min listen
First: Putin has set a trap for Europe and Ukraine ‘Though you wouldn’t know from the smiles in the White House this week… a trap has been set by Vladimir Putin to split the United States from its European allies,’ warns Owen Matthews. The Russian President wants to make a deal with Donald Trump, but
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Against Morality is not against morality. But it is against moralising. Which is a start. Anti-cancel culture, anti-identity politics, Rosanna McLaughlin’s small book of essays is the first insider-artworld publication to condemn the Savonarolan turn within culture. A cause for celebration, you might think. Her argument is perfectly sound. ‘Morality has become the central pillar,
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No one wrote programme notes quite like the English experimentalist John White. ‘This music is top-quality trash,’ proclaims his 1993 album Fashion Music. ‘We kindly ask the users of this CD to play it at the volume of a suburban Paris soundmachine or a London underground discman earphone as used by the kid next door.’
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On the continent this summer, new operas from two of Britain’s most important composers. Oliver Leith likes guns, animals and dissolving sickly sweet sounds in acid baths of microtonality. In one recent orchestral work, the conductor becomes a pistol-wielding madman; his next, Garland, a vast pageant premiering on 18 September at Bold Tendencies, Peckham, sees
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So, in the end, it was long but not that long. Twelve hours, compared to the 20 hours-plus many of us had been anticipating. The fastest on record? Very possibly. Igor Levit had started Satie’s Vexations just after 10am on Thursday 24 April, and completed repeat number 840 of this niggly little bastard of a
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‘When you’re not offensive in life, you obtain absolutely nothing,’ declares a twinkly-eyed Pierre Boulez in one of the archive films that the Barbican were screening to celebrate the composer’s centenary. What a joy to be reminded of the young Boulez – the unashamed elitist, the unbeatable snob. Not even allies such as Schoenberg (too
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37 min listen
On this week’s Spectator Out Loud: Hugh Schofield asks why there is no campaign to free the novelist Boualem Sansal (1:26); The Spectator’s arts editor, Igor Toronyi-Lalic, reacts to the magazine’s campaign against frivolous funding and, continuing the campaign, Michael Simmons wonders if Britain is funding organisations that wish us harm (8:00); Lisa Haseldine reflects on
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48 min listen
This week: the world needs a realist reset Donald Trump’s presidency is the harbinger of many things, writes The Spectator’s editor Michael Gove, one of which is a return to a more pitiless world landscape. The ideal of a rules-based international order has proved to be a false hope. Britain must accept that if we are
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38 min listen
On this week’s 2024 Out Loud: Cindy Yu examined Chinese work ethic (1:13); Michael Simmons declared his love of the doner kebab (6:28); Angus Colwell reported from Israel in July (9:27); Igor Toronyi-Lalic explained the inspiration behind the cinema of Marguerite Duras (14:41); Mary Wakefield analysed the disturbing truth of the Pelicot case (20:38); Fraser Nelson
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30 min listen
On this week’s Spectator Out Loud: Joan Collins reads an extract from her diary (1:15); Owen Matthews argues that Russia and China’s relationship is just a marriage of convenience (3:19); reviewing The White Ladder: Triumph and Tragedy at the Dawn of Mountaineering by Daniel Light, Sara Wheeler examines the epic history of the sport (13:52); Igor Toronyi-Lalic looks
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The most important thing to know about the filmmaker and writer Marguerite Duras is that she was a total drunk. ‘I became an alcoholic as soon as I started to drink,’ she wrote, proudly. ‘And left everyone else behind.’ It’s not something any of the academics who’d been drafted in to introduce each film in
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Salzburg Festival doesn’t mess about. The offerings this year include an adaptation of Thomas Mann’s Magic Mountain in Lithuanian, a Soviet-era operatic treatment of Dostoevsky’s The Idiot, and Igor Levit tackling one of the Himalayan peaks of the piano rep. Kiddies, meanwhile, could enjoy the children’s opera Die Kluge (brilliantly done), a Nazi-era allegory on
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It’s curious to consider what a venerable old thing noise music is. That this most singularly untameable of musics – the place where melody, harmony and pulse all go to die – is an Edwardian invention. It first arrived in this country 110 years ago when futurists Filippo Marinetti and Luigi Russolo set up camp
