Culture

This year marks the centenary of Britain’s National Pinetum at Bedgebury in Kent, originally founded to rescue the smog-ravaged collection of the Royal Botanic Gardens, Kew, and now part of a global conservation effort: one third of all conifer species are currently threatened with extinction. To celebrate the birthday, we have Bedgebury Florilegium by Christina Harrison and Dan Luscombe (Kew Publishing, £18), featuring 20 botanical paintings by Bedgebury’s Florilegium Society. This is a group of volunteer artists dedicated to documenting the Pinetum’s remarkable collection of more than 12,000 specimen trees. But perhaps the most beautiful book to cross my desk this year is Melbourne Hall Garden by Jodie Jones (Frances Lincoln, £35), hauntingly photographed by Andrea Jones.

Sylvain Tesson’s White unfolds the story of a gruelling ski journey across the Alps during which the author aims to fulfil ‘a long-held dream of transforming travel into prayer’. Born in Paris in 1973, Tesson is a well-known adventure writer whose previous books include The Consolations of the Forest: Alone in a Cabin on the Siberian Taiga, which won awards on both sides of the Channel and was made into a film. As a public figure associated with the far right, Tesson remains divisive in his homeland. His political views do not seem to have dented book sales or literary coverage: one wonders if the same would be true if a travel writer of similar persuasion popped up here.

It’s a good job Anthony Hopkins is only an actor, as think what he’d be like as a dictator or grand inquisitor. ‘I could turn very nasty,’ he tells us in his memoir. Doing National Service: ‘I was beginning to enjoy the fisticuffs in my life.’ Encountering a Scotsman: ‘I felt a surge of hatred and anger. I head-butted him and smashed his nose so hard I heard it crack.’ To a director who’d annoyed him: ‘Learn some manners... or I’ll change the shape of your face.’ Mickey Rourke was told: ‘Touch me like that again and I’ll smash your face right into the back of your head.’ Hopkins is a nasty piece of work, and proud of it. He calls himself ‘a vindictive, cynical, insulting, horrible man’, adding for good measure: ‘I was an egotistical brute.

In 1951, the American author Peter Matthiessen moved to Paris. The scion of a wealthy Wasp family, he had studied at Yale and served in the navy, narrowly missing the second world war. He was then recruited to the CIA by James Jesus Angleton and sent to Paris, where he kept tabs on left-wing French intellectuals and expat Americans. As he later explained in a letter to a friend: When you’re 23, it seems pretty romantic to go to Paris with your beautiful young wife to serve as an intelligence agent and write the Great American Novel into the bargain. Weren’t you ever as young and dumb as that? While in Paris, Matthiessen helped to found the Paris Review with funding from CIA sources.

For a newly independent Georgia, the 1990s were a dark time literally and figuratively, as civil war raged, criminality flourished and the power stayed off. The Lack of Light, Nino Haratischwili’s fourth novel to be translated into English, turns that darkness into a gripping story about the power and pitfalls of female friendship that seeks to unpick the horrors of that decade. The narrative opens, briefly, in Tbilisi in 1987. The four protagonists – Keto, Dina, Nene and Ira – are on a schoolgirl mission to hang out in the Botanical Garden after hours. The escapade introduces the girls, who are all neatly – too neatly – ascribed various characteristics.

By the late 1980s, the war against pornography was lost. Feminists, as well as Christian moralists, mainly in the UK and US, had been raging against the industry since the early 1970s. In 1980, the American feminist author Robin Morgan coined the phrase: ‘Pornography is the theory, rape is the practice.’ In 1983, alongside the legal scholar and feminist author Catherine MacKinnon, Andrea Dworkin came up with the Dworkin-MacKinnon Anti-Pornography Civil Rights Ordinance, which would have granted those directly harmed by pornography a right to civil recourse by enabling victims to sue both the producers and the distributors of porn.