Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

My mother — as I remember her best

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Nine cups of milky Nescafé Gold Blend a day; a low-tar cigarette smouldering; a hot-water-bottle always on her lap; the Times crossword almost completed at the Formica table; knitting on the go; and novels — she always read the last page first. She was one of that generation of women who didn’t go to university but were incredibly well-read and knew poems by heart. This was Kathleen, the mother of Nicholas Royle, novelist and professor of English at Sussex University. In a remarkable and moving memoir he has captured and preserved a loving, kind, impatient woman — and perhaps, with her, all of our mothers in the sweet predictability of their sayings and habits.

Where did birds first learn to sing?

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The crisis inflicted by Covid-19 has been a source of anguish for everyone; yet we frequently hear how people are rediscovering solace in nature, especially in their gardens or in the surging renewal of life in the spring. According to Tim Burt and Des Thompson, the editors of a collection of essays about the importance of field research, this fulfilment reveals something much more profound than a distraction from lockdown.They argue that a response to the natural world is hardwired in the human psyche. Out of that fundamental reflex has evolved not just our prowess as hunters, then agriculturalists, but the entire edifice of science, whose assembled vision of the physical universe was described by C.P.

The shock of discovering your ancestors were slave traders

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If I had a slave owner in my family background I’d probably keep quiet about it. Richard Atkinson, in his remarkable first book, has gone to the other extreme. Not only did he seek out as much information as he could about the activities of his Georgian forebear, also called Richard Atkinson, but he’s made them the subject of this history. Actually, he was as shocked by what he discovered as anyone. The quest started with a bundle of letters which he and his sister inherited from the wreck of a family fortune that had dwindled, by the 1970s, to a decrepit country house in Cumbria, where the brackets of orange fungus resembled botanical wallpaper, although it still contained a couple of stuffed crocodiles in the upstairs gallery.

The sorrows of young Hillary: Rodham, by Curtis Sittenfeld, reviewed

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Question: which American president and first lady would you care to imagine having intercourse? If that provokes a shudder, be assured that the sex scenes between Yale law students Hillary Rodham and Bill Clinton in Curtis Sittenfeld’s latest novel are cringe-free — even the one involving manual stimulation that takes place in a moving car. They’re young, they’re in love, it’s adorable. For Hillary, who has ruefully accepted that a fierce intellect is a drawback when it comes to dating, the leonine charmer from Arkansas is a gift dropped from heaven. Until he isn’t. A stumbling first paragraph sounds a warning about the limitations and non-literary quality of Hillary’s first-person narration.

Disrupting the world — from a small bedroom in Hounslow

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On 6 May 2010 the eurozone crisis was tearing through the continent. Greece was bankrupt, and it looked as though Spain or Italy could be next. Markets were on edge, volatility was high — and then something very strange happened. The S&P 500, one of the US’s main stock indexes, began to crash. It went faster and further than it ever had before, losing 5 per cent of its value in four minutes. The shock spread to the Dow Jones, which hurtled downwards. Financial markets across the globe were going haywire. The oil price started to fall. Shares formerly valued at $50 were suddenly trading at 0.0001 cents while others soared. In little more than 20 minutes, trillions of dollars had been wiped off the value of global markets.

The best way to cope with rejection is to write about it

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With more than a dozen acclaimed novels to her name, not to mention short stories, poetry, a memoir and a Booker nomination, you might think that Michèle Roberts could have counted on being published for life. But as so many ‘established’ authors know painfully well, in that ever-hungry-for-the-new world there’s no such thing as tenure. So when her latest novel elicits a lack-lustre response from her agent before being ‘sweetly’ but flatly turned down by her publisher, a stunned Roberts finds herself processing the humiliation in the only way she knows how — by writing about it. ‘My past successes counted for nothing,’ she mournfully observes: ‘There was only this smashed-up present.

France will always have a love-hate relationship with its heroes

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The French have a love-hate relationship with heroes. For the great 19th-century historian Jules Michelet, the French Revolution was supposed to have inaugurated the age of the people: ‘France cured of individuals,’ he wrote in the preface to his history. But that same Revolution created a pantheon for its grands hommes. Anyone who has spent time in France will be familiar with the names of those figures celebrated endlessly in street names: Hugo, Gambetta, Pasteur, Jaurès, Moulin and so on. Many French people might now be hard-pressed if asked who some of these heroes were. But the two names everyone knows — even if neither is actually in the Panthéon — are Napoleon and de Gaulle.

The genuine polymath is still one in a million

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We live at a time of universal polymathy. We don’t know everything, but there’s not much difficulty in being able to discover any given truth. But it’s worth remembering just how hard it used to be to find things out. Thirty years ago if you wanted to research off your own bat it meant a trip to the public library — and perhaps filling out a form for an inter-library loan. Or you could try your luck in a bookshop, new or secondhand. The whole process took a long time, and most people stayed within their professional competence or enthusiasm, frankly admitting to ignorance outside those limits. It was the age of the specialist, memorably captured by Michael Frayn in Donkeys’ Years and the character of Kenneth Snell: Take me, for instance.

Vain, inbred and inept: how could the Habsburgs have survived so long?

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One of the great mysteries of European history is how for the best part of 700 years a family who produced so many complete duffers as the Habsburgs managed to play such a crucial role in world affairs. There was certainly the odd exception to the general rule, and some highly effective women; but it says a lot about a family that once controlled much of the Old and the New Worlds that at the end of this lucid and entertaining history Martyn Rady can offer up Dr Otto von Habsburg, the last ‘pretender’ to the Austrian throne and MEP for the Bavarian conservative CSU party, as the ‘best emperor the Habsburgs never had’. One of the more mundane reasons for their remarkable durability in the early days was their canny gift for outliving their neighbours.

Taxonomy reaches celebrity heights

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Heteropoda davidbowie is a species of huntsman spider. Though rare, it has been found in parts of Malaysia, Singapore, Indonesia and possibly Thailand. (The uncertainty arises because it’s often mistaken for a similar-looking species, the Heteropoda javana.) In 2008 a German collector sent photos of his unusual looking ‘pet’ to Peter Jäger, an arachnologist at the Senckenberg Research Institute in Frankfurt. Consequently, and in common with most other living finds, David Bowie’s spider was discovered twice: once in the field, and once in the collection. Bowie’s spider is famous, but not exceptional.

Homage to Lyra McKee — the journalist I miss most

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In the two generations since Watergate, the image of the journalist has gone from that of plucky truth-seeker to sensationalist and partisan hack. Somewhere along the way the fresh-faced idealists of All the President’s Men gave way to the dissociative anti-hero of Nightcrawler. Corporate-driven news values? Probably. Phone hacking? Definitely. But what grates more is the suspicion that journalism is a clique that protects its own, disdains its audience and passes off its attitudes and preferences as the neutral norm. The perception isn’t entirely wide of the mark. Lyra McKee was a one-woman union for the reputation of journalism. To her it was more than blue-tick-on-blue-tick gossip-shopping and SEO-chasing junk news.

Where are the Henry Kissingers when we need them?

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It was not until I went to Harvard in 1988 to take a year out from the Foreign Office that I came to realise how riven by ideology the world of US foreign policy had become. For 20 years I had been moulded by the resolute pragmatism of British diplomacy. My American sabbatical threw open the door to intellectual conflict in the study and practice of international relations unlike anything I had experienced. Two great warring clans — the realists and the idealists, those who took the world as they found it and those who saw the world as they would like it to be — were at each other’s throats. At the head of the realists towered Henry Kissinger, as he does to this day, aged 96. Kissinger remains a figure of profound and sometimes bitter divisiveness.

A passionate wartime love story is rescued from oblivion

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Once in a while, just at the right moment, a truly gorgeous real-life love story appears out of the blue, or in this case out of a chance purchase on eBay. Thanks to a serendipitous sequence of connections, including a perspicacious dealer and a fast-moving literary agent, the wonderful (and super-latively edited) seat-of-the-pants romance of Eileen Alexander and fellow Cambridge student Gershon Ellenbogen has been saved from oblivion. Having survived a serious car accident on the eve of the second world war with her only-just-platonic friend Gershon at the wheel, Eileen begins writing him some of wartime’s funniest, most unexpected and possibly unintentionally sexiest letters as she reports on her convalescence.

Victorian novels to enjoy in lockdown

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It’s the perfect opportunity to crack open those classics of 19th-century fiction you’ve always been meaning to read, and I am here to offer some recommendations. But there’s an immediate problem. Do I gesture towards the blindingly obvious? Or do I recommend a variety of obscure and arcane titles? The former strategy is liable only to insult your intelligence — of course you already know Jane Austen and Charles Dickens are worth reading — whereas the latter runs the risk of merely putting you off and making me seem pretentious. There is, though, a third way. What did the Victorians themselves reckon were the great authors of their age? The answer, above all others, is Sir Walter Scott. I know nobody now reads him, but in the 19th century everybody did.

From blue to pink: Looking for Eliza, by Leaf Arbuthnot, reviewed

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On the way back from my daily dawn march in the park, I often pass my neighbour, a distinguished gentleman in his late eighties, taking the air on his doorstep. I stand behind the area railings and shout: ‘How are you?’ And he shouts back: ‘Bored!’ At least not lonely. His sixtysomething son is with him. But how solitary these lockdown weeks have been for the widow and the widower, the singleton and the bachelor. Leaf Arbuthnot, a freelance journalist, could not have picked an apter time to publish her first novel Looking for Eliza, a redemptive story about grief, isolation and why everybody needs good neighbours. Its 75-year-old heroine Ada is a poet of the Wendy Cope school.

Did George Formby and Gracie Fields really help Britain out of the Depression?

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Cinema history is a strange thing. A couple of months ago the Guardian began a series in which film critics write about ‘the classic film I’ve never seen’, some admitting to have unaccountably avoided exposure to genuine masterpieces such as Metropolis (1927) or À Bout de Souffle (1960). Others have revealed they have yet to sample undemanding box-office hits such as Top Gun (1986) or Titanic (1997). If the latter are classics, then so is On the Buses, the biggest selling British film of 1971. The showing of motion pictures to paying customers began in the 1890s, and crowds flocked to see brief footage of someone treading on a hosepipe.

Houdini looks bound to captivate us forever

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Give thanks to the person who invented Venetian blinds, they say, or it would be curtains for us all. Curtains is mostly what people got at a Houdini show. He’d come on stage, be locked up or sealed in or tied down, and then the curtains would descend. They could stay drawn for an hour or more. Ostensibly this was to ensure that nobody saw him effect his escape, but in reality it was to heighten the drama. Houdini was usually free within a couple of minutes, but he knew audiences didn’t want things to be too simple for him. As he put it: The easiest way to attract a crowd is to let it be known that at a given time and a given place someone is going to attempt something that in the event of failure will mean sudden death.

The delicate balance between God and Caesar in modern Britain

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At a well-reported political meeting at London’s Queen’s Hall during the first world war the preacher and suffragette Maude Royden used a phrase that would pass into history. ‘The Church shall go forward along the path of progress,’ she argued hopefully, ‘and be no longer satisfied to represent the Conservative party at prayer.’ ‘Conservative’ would soon slip to ‘Tory’, and one of the most popular and potent political epithets of the 20th century was born. There was (and is) much evidence for Royden’s famous phrase. An Anglican-Conservative complex dominated much 19th-century politics when most English — indeed much British — politics could be effectively divided along the lines of church or chapel.

A ‘loneliness pandemic’ could prove as dangerous as coronavirus

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The subjugation of nature has formed a cornerstone of the human agenda. How surprising and humbling, then, to find our way of life so rapidly and unexpectedly undermined by a biological force that transcends identity and culture. Still worse, when we discover that the source of this chaos is a sub-microscopic viral particle whose genetic code — simpler than a bacterium — is barely compatible with a living entity. Yet it has brought global civilisation to a standstill.

Roger Scruton’s swan song: salvation through Parsifal

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This is Roger Scruton’s final book. Parsifal was Wagner’s final opera. Both works are intended to be taken as Last Words: testaments of belief at the end of a long spiritual journey. In the introduction, Scruton identifies the enduring problem in his life, and ours, as: ‘How to live in right relation with others, even if there is no God.’ He gives us his answer: Whether or not there is a God, there is this hallowed path towards a kind of salvation, the path that Wagner described as ‘godliness’, the path taken by Parsifal, and it is a path open to us all. Scruton sees Parsifal as a tale of redemption from the corrupting bondage of erotic love The path of our salvation, then, can be seen in the opera. Parsifal is a retelling of the Grail legend.

Walt Whitman’s poetry can change your life

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To describe a new book as ‘eagerly awaited’ is almost unpardonable. Yet Mark Doty’s What is the Grass: Walt Whitman in My Life is exactly that. It’s not just that Doty is an extraordinarily fine writer whose every word sings on the page. Poetry has a tendency to come into its own at exceptional times such as our own. William Wordsworth’s 250th anniversary has provoked media reflections on his consolatory power; a recently established Poetry Pharmacy is receiving attention; and social media brims with poems and poets attempting to make sense of what’s happening to us. Arguably there couldn’t be a more apt context for Doty’s book about his lifelong exploration of — and through — the great American poet Walt Whitman.

Much-hyped technological innovation isn’t necessarily progress

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Modern advances in communication technology, computer power and medical science can sometimes be so startling as to seem almost like magic. It’s easy to get excited about it all — but what happens if we get too excited? What happens if we lean too heavily on technology, convinced that it can solve all our problems? What happens if we begin to see technology in an unrealistic, hyped-up way? These are the questions at the heart of Gemma Milne’s book. The answer — somewhat unsurprisingly — is that over-excitement is a bad thing. Hype can damage scientific progress and in some cases send it into reverse.

Political biographies to enjoy in lockdown

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Here are ten political biographies, with a leavening of the classics, for those with time to kill in the present house arrest. The danger with such lists is that what has recently entered the memory becomes most prominent; so this one consists entirely of works published in the 20th century. Charles Moore’sThatcher, Leo McKinstry’s Rosebery and Andrew Roberts’s Churchill, all superb works, therefore do not figure; and I have arranged those that do in chronological order of their subjects. John Ehrman started his magnificent three-volume life of William Pitt the Younger in the late 1950s and published the final part in 1996. He was a gentleman-scholar of the old school who undertook pains-taking research but sought to produce a literary work as well as one of history.

Another alien in our midst: Pew, by Catherine Lacey, reviewed

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It needs authorial guts to write a novel in which details are shrouded, meaning is concealed and little is certain. Step up Catherine Lacey, and welcome. Her previous novels specialised in confounding the reader, taking the frames of road trip and science fiction and giving them a good yank. Now she’s gone full religious allegory on us: or has she? ‘Pew’ is the name the villagers in her novel give to a stranger they find sleeping on a pew in the local church. Lacey’s character offers no name, no story, no age or gender (so let’s use the pronoun they; though I admit I kept thinking of Pew as male, but that may just reflect my preconceptions about taciturn weirdos).

William Sitwell’s history of eating out reminds us painfully of what we’re missing

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In the concluding chapter of this book the Daily Telegraph’s restaurant critic and recovering vegan-baiter William Sitwell muses on the collapse of Jamie Oliver’s empire last year: ‘His endeavour, passion and hard work wasn’t enough... it was part of a bursting bubble.’ Since then more mid-range chains have announced their imminent demise. Teetering before lockdown, it’s not just the prospect of months of closure and general uncertainty that’s pushing them over the brink but decades of oversupply and a reliance on a cynical model of successful restaurants selling on and out. This book feels timely: a reminder of what we currently can’t have, and how the sector came to be. Sitwell is upfront about his book.

We don’t talk of a ‘working father’ — so why do we still refer to a ‘working mother’?

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The phrase ‘working mother’ ought to be as redundant sounding as ‘working father’ would be if anyone ever said that: in the UK three-quarters of women with dependent children work. Yet the working mother still feels provisional, something that lockdown has made sharply apparent to many women. Will it be Mum or Dad who claims the spare room, while the loser retreats to the kitchen table? Mum or Dad who does the home-schooling? Who will preserve their professional status, and who will slide into the domestic? The answer is that, in most cases, the woman loses, and her male partner quietly gathers the spoils.