Book review

Thursday

Frances Wilson

Champagne all the way

A more appropriate subtitle to this homage to the queen bees of the interwar years might have been ‘How to Suck Up in Society’, for the servility of these six stately galleons simply beggars belief. Each was a mistress of her art, but the oiliest of the lot has to be Mrs Ronnie Greville, the illegitimate spawn of a Scottish distiller who was described by Harold Nicolson as ‘a great fat slug filled with venom’. By offering to bequeath her house, Polesdon Lacey, to the stammering Prince Albert, Mrs Greville kept the monarchy buzzing around her hive for years to come. Queen Bees is a sticky blend of anecdote and social history, in which Sian Evans makes exaggerated claims for the historical significance of her salonnières.

Sara Wheeler

Alone on a wide, wide sea

Some years ago, when I stepped from an unstable boat onto Juan Fernández island, a friendly man took my bag and introduced himself as Robinson. Ten minutes later, I found a room to rent. The homeowner’s first name was Crusoe. Get the idea? Although Defoe set his story hundreds of miles away, near the mouth of the Orinoco, Juan Fernández was where the real Crusoe, the Scottish sailing master Alexander Selkirk, spent four years and four months in the company only of goats. Andrew Lambert has had the very good idea of writing a kind of historical biography of the 15x5-mile lump of volcanic rock 415 miles off the coast of Chile (he includes the other two smaller islands in the archipelago).

Dominic Green

Towards the best of all possible worlds

The flour is what matters, and not the mill, Georg Christoph Lichtenberg wrote in his notebook in 1799. ‘When we ask what time it is, we don’t want to know how watches are constructed.’ A telling assertion, considering Lichtenberg’s place and time. For nearly two centuries, the ‘mechanical philosophy’ had ground down tradition and metaphysics into reason and material processes. Enlightenment metaphors were mechanical: God as the divine watchmaker; or, in Leibniz’s image, the Cartesian mind and body as two clocks, synchronised but separate. As an experimental physicist, Lichtenberg practised the Enlightenment method, experiment and induction. But his frustration with matter and reason was Romantic.

Mark Mason

Paths to fulfillment

You could say that this book contradicts itself. Robert Moor’s chosen topic is trails — not just walking, where you go for a bit of a stroll and might turn here or might turn there, but specifically trails, where you can only follow one route. He likes them because ‘they are a rigidly bounded experience. Every morning, the hiker’s options are reduced to two: walk or quit.’ And yet the book itself operates by exploring tangents, lots of subjects related to trails but which aren’t themselves trails. Not that the contradiction matters; Moor goes down some pretty interesting tangents.

Andrew Taylor

Where there’s a will…

‘Clonakilty, God help us,’ my Irish mother would say automatically when we drove into the town, in pious remembrance of those who had died there during the famine. Clonakilty acquires another corpse in Closed Casket, Sophie Hannah’s second novel to feature Agatha Christie’s Hercule Poirot, which is set mainly in a country house nearby. The continuing success of the Christie brand is one of the marvels of the modern entertainment industry. Estimates of her global book sales start at two billion. Only last August, the BBC announced that it had commissioned seven new Christie adaptations over the next four years.

Alan Judd

Listening in to the Russians

There are now enough books about Bletchley Park for it to become part of national mythology, along with the Tudors, Trafalgar, Waterloo, the Somme and Winston Churchill. Rather than rehearse the Enigma story, however, Sinclair McKay describes what happened to the organisation that became GCHQ (Government Communications Headquarters) during the immediate postwar years. This was the crucial period when intelligence effort was redirected from fighting a hot war against Germany and Japan to beginning a Cold War against the Soviet Union. It is a neglected period in popular history and McKay does well to bring it to life. When the second world war ended, what we now know as GCHQ was part of MI6, under whose wing it had been since the early 1920s.

Philip Hensher

A life of telling stories

Not all novelists lead a public life. Those who do, however, tend to make a bit of a performance out of it. Beryl Bainbridge’s life, even before she started publishing novels, was an act, and during her period of fame she was famous for presenting herself in a certain way. It was an effective strategy for dealing with life, and because of it Beryl was one of the most widely loved figures of London life. I didn’t know her at all well, but always found her a total delight when she surfaced at literary parties; she had a knack of making you feel that you were going to enjoy looking after her for the next ten minutes.

Lucy Moore

Why the revolution went off the rails

Assignats are the bane of every student of the French revolution without an economics background. They were the bonds issued by the National Assembly from 1789, underwritten by the sale of newly nationalised church property, and all I ever really grasped about them was that they contributed to rampant inflation. In fact, as Ian Davidson shows in his new account of the revolution, their issue and ‘reckless mismanagement’ were as essential to the revolution’s initial success as to its ultimate failure. They may even have been ‘the single most important factor that caused the revolution to go off the rails’. At last someone has not just explained assignats but made them interesting.

Thursday

Duncan Fallowell

A masterpiece of mesmerising beauty

In the beginning was Fellini’s La Dolce Vita, pleached and Proustian, released in February 1960. This was followed soon after, at Cannes in May 1960, by Antonioni’s L’Avventura, which invented slow cinema by taking a Hitchcock premise through a maze with no end. In June the following year, Last Year in Marienbad was released, in which Alain Resnais and Alain Robbe-Grillet entered the very cauldron where time and experience are formed out of stillness and silence. And Fellini’s 8½, appearing in February 1963, deployed all this and decided at the last (he had two endings) to return us to easy affability, albeit in a circus ring (the alternative, unused ending took his actors into death on an eerie Marienbad train).

Jonathan Mcaloon

Murky subjects, misty settings

A short-story renaissance has been promised since 2013. That year Alice Munro won the Nobel, Lydia Davis won the Booker International, and George Saunders’s bestselling collection The Tenth of December won the Folio Prize. The rise of the form was declared, but it is mainly now that we’re reaping the harvest. Established novelists such as Philip Hensher, Mark Haddon and Lucy Caldwell have recently published collections. But perhaps we’d get a better sense of where the form is at present by looking to those who’ve recently announced themselves in it. Twenty-five-year-old Daisy Johnson’s excellent debut is set in the precarious and artificial landscape of the East Anglian fens: marshland that has, against its will, been drained and made hospitable to humans.

Andy Miller

Grubby, funny shaggy dog story

The Mexican author Juan Pablo Villa-lobos’s first short novel, Down the Rabbit Hole (Fiesta en la madriguera), was published in English in 2011. It was narrated by the young son of a drug baron living in a luxurious, if heavily guarded palace, whose everyday familiarity with hitmen, prostitutes and assorted methods of disposing of unwanted corpses was both hilarious and unsettling. The novella was the first work of translated fiction to be shortlisted for the (now sadly defunct) Guardian First Book Award and was described admiringly by the writer Ali Smith as ‘funny, convincing, appalling’. Villalobos’s new novel, his third, has again been translated by Rosalind Harvey, whose work on Down the Rabbit Hole was nominated for the PEN translation prize.

Simon Heffer

Revolution was in the air

The Penguin History of Europe reaches its seventh volume (out of nine) with Richard J. Evans’s thorough and wide-ranging work on the 99 years from 1815 to 1914. It comes between two formidable books by formidable scholars: his fellow Cambridge historian Tim Blanning took the story from the close of the Thirty Years’ War to Waterloo, and the Hitler authority Ian Kershaw covered 1914 to 1949. Each of those volumes is much as one would expect of the author: Blanning’s shows his background as a polymath, and his expertise in the histories of more than one major European power; Kershaw’s puts the rise of the Third Reich and its consequences at the centre of his. But Evans developed under the influence of E.H.

Daniel Swift

Listen with Mother

Ian McEwan’s novels are drawn to enclosed spaces. There is the squash court upon which the surgeon plays a meticulously described game in Saturday, and the honeymoon suite in a little seaside hotel for the awkward newlyweds in On Chesil Beach. In Atonement, the mother is kept in her bedroom by migraines while her daughter (spoiler alert) dies in a bomb-hit Underground station, and in the famous opening to his early novel Enduring Love a child is carried away in the basket of a hot air balloon. ‘Certain artists in print or paint flourish, like babies-to-be, in confined spaces,’ he writes in his new novel Nutshell, which is — oddly but perhaps logically — narrated by a foetus from inside the womb.

Marcus Nevitt

One scorching summer long ago

It was the brightest of futures; it was the End of Days. Three hundred and fifty years before Brexit, England experienced a series of epochal events which forced subjects to rethink their relationships with each other, their political leaders and their European neighbours. In the space of a tumultuous 12 months England endured the devastation of plague, the most humiliating of naval defeats at the hands of the Dutch, and the catastrophe of a Great Fire which transformed its capital city forever.

Lewis Jones

In the gutter, insulting the stars

John McEntee — ‘the Chancer from Cavan’, as he bills himself — has enjoyed a long career as a gossip columnist on various national newspapers. Gossip is thirsty work, and in the anecdotes that comprise the bulk of his memoirs he is almost invariably ‘well-refreshed’. That can also be dangerous. He recalls, for example, attempting to introduce himself to Eve Pollard, who was then editor of the Sunday Mirror, in the bar of the Grand Hotel at the 1989 Labour party conference in Brighton. Pollard was talking at the time to Bruce Anderson, who told him, ‘Fuck off, potato head.’ McEntee responded by whipping off Anderson’s spectacles, and Anderson took a blind swing at him, which landed on Pollard’s bosom.

Ismene Brown

The bitchy world of ballet

Memoirs of old men, baldly, tend to be tricky. Sir Peter Wright, one of the founding pillars of the British ballet establishment, is now 90, and a charmingly chatty man; but I’ve personally never found him reluctant to get to the point when asked. As inaugural director of Birmingham Royal Ballet, director of Sadler’s Wells Ballet and associate director of the Royal Ballet, he has spent more than half a century inside the amazing British ballet story. I had high expectations of these copious memoirs. So it’s a great pity that his amanuensis, Paul Arrowsmith, has essentially switched on the tape recorder and let memories pour, failing to check or marshal the mass of detail into narrative significance and a coherent reading experience.

Charlotte Moore

The don’ts of ‘parenting’

In the American way, the child psychologist Alison Gopnik’s new book has an attractive sound-bitey title dragging a flat-footed subtitle in its wake: ‘What the New Science of Child Development Tells Us about the Relationship Between Parents and Children’.  And what this new(ish) science tells us is that we parents — or at least, our American counterparts — are doing it all wrong. Gopnik’s ‘carpenter’ is the parent who has a preconceived idea of how the child should turn out. A door is made according to a set of rules; if they are followed, it will be fit for purpose. The carpenter parent will raise the child ‘by the book’, ignoring individuality and denying opportunity for experimentation.

Francis Wheen

Gin and boiled cabbage with George Orwell

The Orwellian past is a foreign country; smells are different there. Pipe smoke and carbolic, side notes of horse dung and camphor — and that most inescapable odour, the ‘melancholy smell of boiled cabbage and dishwater’ seeping under a parishioner’s front door in A Clergyman’s Daughter. In Nineteen Eighty-Four, too, the hallway of Victory Mansions ‘smelt of boiled cabbage’. That was the quotidian stench of my childhood; long gone now, both the cabbage and the childhood. When Professor John Sutherland began re-reading Orwell after losing his sense of smell three years ago, the old familiar writings seemed ‘interestingly different’, their olfactory obsessions suddenly more conspicuous.

Andrew Barrow

Thoroughly modern Melanie

This exhilaratingly lowbrow first novel concentrates on money and lust or, to put it more bluntly, sex and the City. Its young heroine or chief victim — or is she actually the villain? — has already joined an investment bank and had her first one-night stand a few minutes before this savage saga begins. Melanie is in her early twenties: a beautiful, sexy, grumpy, materialistic, high-octane whizz-kid who hated Christmas Day even as a child. As we soon learn, she’s far keener on sex than romance and makes no secret of her addiction to alcohol. But that’s only half the picture.

Steven Poole

Tomorrow’s world | 1 September 2016

It may be difficult to believe when you think of Donald Trump, but the age of super-humans is almost upon us. Some people are confident that over the next century genetic engineering, electronic implants, new drugs and the medical defeat of ageing will give rise to a race of beings with capabilities far beyond our own. And what will they do with them? What will clichéd fears about ‘playing God’ mean to our descendants who, by comparison with us, will effectively be gods? Such questions exercise the historian authors of these two books.