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A bitter sectarian divide: Young Mungo, by Douglas Stuart, reviewed

Douglas Stuart has a rare gift. The Scottish writer, whose debut novel Shuggie Bain deservedly won the 2020 Booker Prize, creates vivid characters, settings and images without letting his literary skill get in the way of plot. His second novel, Young Mungo, has a similar feel and is in many ways a kind of sequel. The characters are different, as is the Glaswegian housing scheme and the year – we are now in 1993 rather than the 1980s – but the milieu is familiar. The protagonist, Mungo Hamilton, is a frail, fatherless 15-year-old, but appears much younger. His complexion, vocal tic and poor-fitting clothes lead people to think he’s ‘thirteen, tops’.

Snafu at Slough House: Bad Actors, by Mick Herron, reviewed

Reviewers who make fancy claims for genre novels tend to sound like needy show-offs or hard-of-thinking dolts. So be it: here’s mine. Anyone who tries to understand modern Britain through its fiction but overlooks Mick Herron’s satirical thrillers merits a punishment posting to the critics’ version of Slough House. That noxious midden of a building opposite the Barbican, its leprous chambers groaning like ‘the internal organs of some giant, diseased beast’, is a sort of landfill site for failed spies. Herron first opened its flaking doors in 2010 with his novel Slow Horses. Seven books later, his squad of borderline sociopath rejects from polite espionage has risen to the dignity of a luxury cast series on Apple TV+.

A meditation on exile and the meaning of home

What does home mean? Where your dead are buried, as Zulus believe? Or where you left your heart, as a migrant’s saying goes? In these pages William Atkins melds history, biography and travel into a meditation on exile and the meaning of home. It is a volume for our times, as the author seeks to reveal ‘something about the nature of displacement itself’. Part One introduces the three 19th-century political exiles who form the spine of the book. Louise Michel (1830-1905), the illegitimate daughter of a maid in Haute-Marne, became an anarchist and Communard, who murdered policemen with her Remington carbine. Dinuzulu kaCetshwayo (1868-1913), the young king of the Zulu nation, took up arms to resist southern Africa’s colonial overlords.

What the Marxist Tariq Ali gets wrong about Winston Churchill

Tariq Ali, the Marxist writer and activist, believes that a ‘Churchill cult’ is ‘drowning all serious debate’ about the wartime leader, and that ‘an alternative was badly needed’. He has therefore written a book that parrots every earlier revisionist slur about Churchill – war criminal, evil imperialist, mass murderer, pro-fascist – from detractors such as Caroline Elkins, Priya Gopal, Richard Gott, David Irving, Madrushee Mukerji, Clive Ponting, Richard Toye and Geoffrey Wheatcroft. If there were indeed a Churchill cult, it has done a singularly bad job of drowning out criticism of its hero.

Will the bad luck of the Philippines ever turn?

The Philippines is the odd man out in Asia, a predominantly Catholic country colonised first by Spain, then the United States. An archipelago with more than 2,000 inhabited islands on the cusp of the Indian and Pacific oceans, its strategic location is obvious. Yet it receives scant coverage in the British media beyond its natural disasters, the flamboyance of its leaders, whether Imelda Marcos or Rodrigo Duterte, and its long-running Marxist and Muslim insurrections. On a more mundane level, our encounter with its people will most likely be through the care they provide within the NHS. Philip Bowring, a former editor of the Far Eastern Economic Review, for many years the outstanding English-language magazine on Asia, provides a much fuller picture. His book divides into two parts.

Gardening’s bad girl: the genius – and malice – of Ellen Willmott

In October 1897, the grandees of the Royal Horticultural Society gathered to bestow their highest award, the Victoria Medal of Honour, struck to commemorate the Queen’s Diamond Jubilee, to 60 of gardening’s greatest luminaries. For the first time, these included two women. One was Gertrude Jekyll, known by all as the Queen of Spades; the other was the 39-year-old Ellen Willmott. But Willmott did not turn up. This public snub was the beginning of her reputation as ‘gardening’s bad girl’, as Sandra Lawrence puts it, one that increased exponentially until it exploded in stories of daffodils being booby-trapped to deter bulb thieves.

The pacifists of the 1930s deserve greater understanding

As I’ve occasionally come to think is the case with The Spectator, this book is perhaps best begun at the back. Otherwise it might be taken for niche history – applied historical moral philosophy, say, or an aspect of ‘the people’s war’ usually overshadowed by the manifest imperative to defeat the unparalleled evil of Nazism. That evil, concludes Tobias Kelly, professor of political and legal anthropology at Edinburgh, has indeed ‘become the frame through which we seem to assess all evils’; but ‘the spectre of appeasement has also reared its head too often’.

Is Mark Twain’s old age best forgotten?

Mark Twain conquered almost every challenge that came his way except old age. Living well into his seventies, he was a printer, an investigative journalist, a riverboat captain, a government functionary, a bestselling novelist, an imperialism-defying political essayist, a successful playwright and a devoted father and husband. He travelled the world giving lectures that made him many fortunes, which he often used to replenish the fortunes he lost from his madder and most poorly managed investment schemes, such as the Paige Compositor, a self-justifying printing press which worked briefly for a few days in 1894 and then, just as mysteriously, stopped.

Friend of Elizabethan exiles: the colourful life of Jane Dormer

Thomas Cromwell’s biographer Diarmaid MacCulloch once told me that my father’s family, the Dormers, had been servants of the great enforcer of Henry VIII’s Reformation. This may have been a tease. It is a matter of family pride that Jane Dormer’s great- uncle, the Carthusian monk Sebastian Newdigate, was executed for refusing to accept the Royal Supremacy. Jane, Duchess of Feria (1538-1612), was named after his pious sister, her grandmother. Most of Jane Newdigate’s Dormer descendants remained stubbornly Catholic over the centuries of persecution that followed, but they were never aggressive about it.

All talk and no trousers: is Oxford really to blame for Brexit?

Attacks on British elitism usually talk about Oxbridge, but Simon Kuper argues that it is specifically Oxford that is the problem, which has provided 11 (out of 15) prime ministers since the war. So what’s the explanation? Kuper thinks it’s all the fault of the Oxford Union, which fosters chaps who are clever at debating without particularly caring which side they are on. As a result, they acquire enough rhetorical skills to enable them to beat opponents who rely on thoughtful, fact-based arguments. Such arguments are ‘boring’, and being boring in the Oxford Union is the worst crime you can commit. This wouldn’t matter if it were confined to undergraduates but, Kuper argues, the Union is often the rehearsal for, and gateway to, a Westminster career.

The Soviets were imperialists. Stalin’s architecture proves it

The invasion of Ukraine by Russian forces has rendered what might otherwise have seemed a fairly niche study of a Soviet-era architect rather more resonant. Boris Iofan was born to a Russian-speaking Jewish family in Odessa in 1891. After initial studies in his home city and a brief period working with his older brother Dimitri in St Petersburg, he fled the war engulfing Tsarist Russia for Italy, where he trained at the Istituto Superiore di Belle Arti in Rome.

Murder, suicide and apocalypse: Here Goes Nothing, by Steve Toltz, reviewed

Angus Mooney is dead. Freshly murdered, he’s appalled to find himself in an Afterworld, having always rejected the possibility of life after death. Moreover, he can observe his murderer getting on increasingly well with his innocent widow. Mooney’s Afterworld is a deeply unsatisfactory mixture of computerised bureaucracy and urban chaos. In a landscape undreamed of by Dante, his guide is no cicerone but a woman with a welcoming bed and good contacts in Management, who knows her way around the local drinking spots. The Australian novelist Steve Toltz specialises in the blackest of comedy. His first novel, A Fraction of the Whole, was shortlisted for the Booker in 2008. Here Goes Nothing, his third, plays with murder, suicide and apocalypse. Laughter in the dark.

The musical note that can trigger cold sweats and sightings of the dead

Imagine that all the frequencies nature affords were laid out on an extended piano keyboard. Never mind that some waves are mechanical, propagated through air or some other fluid, and other waves are electro-magnetic and can pass through a vacuum. Lay them down together, and what do you get? The startling answer is a surprisingly narrow piano. To play X-rays (whose waves cycle up to 30,000,000,000,000,000,000 times per second), our pianist would have to travel a mere nine metres to the right of middle C. Wandering nine and a half metres in the other direction, our pianist would then be able to sound the super-bass note generated by shockwaves rippling through the hot gas around a supermassive black hole in the Perseus cluster – a wave that cycles just once every 18.

Momentous decisions: Ruth & Pen, by Emilie Pine, reviewed

Emilie Pine writes about the big things and the little things: friendship, love, fertility, grief; waking, showering, catching the bus. She did so in her startling collection of essays Notes to Self, and she does it again in this, her equally startling debut novel Ruth & Pen. As Ruth (‘Counsellor. Patient. Wife. Wife?’) tells herself in the morning: ‘Swing the wardrobe door open, make a choice. To run. Or to stay. Or just which jacket to wear...’ This short novel takes place in Dublin on Monday 7 October 2019. It’s a significant day for our protagonists, two strangers who briefly cross paths. Ruth, 43, is deciding whether to end her marriage to Aidan, which is falling apart in the wake of four failed attempts at IVF.

The effortless magnetism of Marcel Duchamp

One could compile a fat anthology of tributes to Marcel Duchamp’s charm – especially what one friend called the artist’s ‘physical fineness’ – but it would be hard to top Georgia O’Keeffe’s memory of their first meeting: Duchamp was there and there was conversation. I was drinking tea. When I finished he rose from his chair, took my teacup and put it down at the side with a grace that I had never seen in anyone before and have seldom seen since. A tempest stirred by a teacup!

Boy wonder: The Young Pretender, by Michael Arditti, reviewed

During his brief stage career Master Betty, or the Young Roscius, was no stranger to superlatives: genius, unparalleled, superior, Albion’s glory, a Child of Nature, the Wonder of the Age. He was a child prodigy who, in the early 19th century, took British theatre by storm. Aged just 11 William Betty made his debut and was hailed as a second David Garrick. Bettymania ensued: theatres fought for his services and the House of Commons adjourned early to see him tread the boards. But it didn’t last. After two years Betty’s star had faded. In Michael Arditti’s latest novel, The Young Pretender, we follow Betty, now aged 20, as he attempts to stage a comeback. It is soon clear that this may be a mistake.

Michel Houellebecq may be honoured by the French establishment, but he’s no fan of Europe

For many years, Michel Houellebecq was patronised by the French literary establishment as an upstart, what with his background in agronomy rather than literature, his miserable demeanour, his predilection for science fiction and his gift for unyieldingly saying the unsayable, especially about relations between the sexes. That’s all changed now. He won the Prix Goncourt in 2010 for The Map and the Territory and in 2019 was elevated to the Légion d’Honneur. The Nobel cannot be long delayed, the committee after all having honoured the equally ornery V.S. Naipaul and J.M. Coetzee.

Accusations of racism have lost all meaning

The War on the West is Douglas Murray’s latest blast against loony left wokery, chiefly in the areas of race and ‘social justice’. ‘This is not like earlier wars,’ he writes. ‘It is a cultural war, and it is being waged remorselessly against all the roots of the western tradition and against everything good that the western tradition has produced.’ The meticulous, measured way that Murray presents his arguments and evidence suggests a man who knows he’s in for a lot of flak. For instance, he has the audacity to suggest that the death of George Floyd, however brutal and inept the policing, doesn’t actually bear any signs of racism.