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A palace in miniature

There’s nothing like a really good wallow in nostalgia. There’s nothing like a really good wallow in nostalgia. And if it can be arranged so that the nostalgia is for a time that never was, that’s even better. So it is hardly surprising that when, after the horrors of the first world war, Princess Marie Louise, Queen Victoria’s granddaughter, approached Sir Edwin Lutyens to design a dolls’ house for Queen Mary, they settled stylistically on creating a house firmly rooted in that semi- mythical long Edwardian pre-war summer, when God was clearly an Englishman, his home was his (miniature) castle, and his servants were, decently, not only omnipresent but also invisible.

The body in the library

Jacques Bonnet is a distinguished French art historian and novelist who has amassed a private library of 40,000 volumes (around double the number contained in the average Waterstones). Phantoms on the Bookshelves is Bonnet’s meditation on a life lived with so many books. Particularly pressing is the matter of classification. ‘Should I put Norbert Elias’s What is Sociology? next to his more historical works?’ he worries. ‘Should Paul Veyne’s Comment on écrit l’histoire be next to his studies of sexuality and euertegism (gift-giving) in ancient Rome? Does Picasso count as French or Spanish? Modigliani as Italian or French? And what am I to do with Michelangelo?

Labour of love

I visited the Hebridean island of Canna in May 2008 — Canna being John Lorne Campbell’s island, donated by him to the National Trust for Scotland in 1981 — and was immediately struck by three things, all of which presented a considerable contrast to the island of Colonsay, some little way to the south, where I live. I visited the Hebridean island of Canna in May 2008 — Canna being John Lorne Campbell’s island, donated by him to the National Trust for Scotland in 1981 — and was immediately struck by three things, all of which presented a considerable contrast to the island of Colonsay, some little way to the south, where I live.

Books of the Year | 13 November 2010

Blair Worden J.R. Maddicott’s The Origins of the English Parliament 924–1327 (OUP, £30) is not one for the bedside, but its wide and profound scholarship has much to teach us about the roots and functions of an institution now subjected to so much unhistorical criticism. Nicholas Phillipson’s Adam Smith: An Enlightened Life (Allen Lane, £25) is an absorbing and elegant account of Smith’s mind and of the Scottish context, social and intellectual, that produced it. D. R. Thorpe’s Supermac: The Life of Harold Macmillan (Chatto, £25) gives a wonderful sense of Macmillan’s complexity and stature and of the place of personality in the fortunes of power and the making of policy.

BOOKENDS: Inspiration for a cult hero

This is an odd book: the exhaustive biography of a complete nobody. Vivian Mackerrell was the primary inspiration for the cult that is Withnail. In that, at least, he doesn’t disappoint. This is an odd book: the exhaustive biography of a complete nobody. Vivian Mackerrell was the primary inspiration for the cult that is Withnail. In that, at least, he doesn’t disappoint. Mackerrell emerges from Colin Bacon’s eulogy, Vivian and I (Quartet, £12), as a rakish Charles Pooter, sunk by alcoholic degeneracy at the age of 24, though he staggered on gamely for another 30 years. The paucity of Mackerrell’s life leaves Bacon to indulge in bawdy nostalgia about the Sixties.

Far from idealism

If you think the Special Relationship has been looking strained in recent years, consider its condition during the American Civil War(1861-65). In 1863, an anonymous letter was delivered to Charles Francis Adams at the US legation in London: Dam the Federals. Dam the Confederates.Dam you both. Kill you damned selves for the next 10 years if you like; so much the better for the world and for England. Thus thinks every Englishman with any brains. NB PS We’ll cut your throats fast enough afterwards for you if you ain’t tired of blood, you devils. Brevity, they say, is the first grace of style. The feeling that letter encapsulates ran pretty high in England.

The other Prince of Darkness

This is a clever publishing idea, a light academic-historical cloak for another set of political memoirs. Jonathan Powell, chief of staff (the term should not be taken literally) at No. 10 throughout Tony Blair’s premiership, kept a diary. Blair himself couldn’t, Powell explains: ‘There simply isn’t time for a prime minister to set out detailed reflections and lead a country at the same time’. One wonders how Ronald Reagan managed it. Besides, is not reflecting on events, actions and consequences — ‘examining with diligence the past’ — one of Machiavelli’s precepts? Despite its title, however, the book is not a re-casting of the tenets of Machiavellianism.

Vale of tares

‘Feather footed through the plashy fen passes the questing vole.’ Nature writing used to be a subject for ridicule. ‘Feather footed through the plashy fen passes the questing vole.’ Nature writing used to be a subject for ridicule. Evelyn Waugh, the arch sneerer, might have found it harder to parody the modern breed of literary naturalists. Richard Mabey is perhaps the best known English author of recent fashionable books about the natural world. He belongs to a group of new naturalists which includes Robert Macfarlane the Cambridge don, Kathleen Jamie the poet, and the late Roger Deakin. They are all intellectuals, whose pitch is more observant and scientific than romantic.

A case of overexposure

The subtitle of The Box, the oddly compelling novella Günter Grass wrote when he reached 80, is ‘Tales from the Darkroom’. The subtitle of The Box, the oddly compelling novella Günter Grass wrote when he reached 80, is ‘Tales from the Darkroom’. The darkroom, in this circumstance, is both a place where photographs are developed and the habitat of the famous writer’s imagination. The box in question is an Agfa box camera, producing snapshots of a six-by-nine format, which was purchased for a few marks in 1932 and has been in use for decades since. Its sole user is Marie, or Mariechen, the widowed friend of the Grass family in its various manifestations, the novelist’s assistant and at some time (his eight children suppose) his lover.

In deep trouble

Atlantic by Simon Winchester and The Wave by Susan Casey are, at first glance, very different works. Atlantic is a historical-philosophical-fantastical meditation on the Atlantic ocean, from the ‘post-molten Hadean’ through the ‘cool meadows of today’s Holocene’, to the conjectured end-days of the ocean ‘about 170 million years’ from now. The Wave is a pithy account of some years Casey spent following the elite American surfer Laird Hamilton as he travelled from one storm-lashed coast to another in search of waves.

Country matters

Clive Aslet was the long-time editor of Country Life, and now, as its ‘Editor at Large’, is released into the environment. Clive Aslet was the long-time editor of Country Life, and now, as its ‘Editor at Large’, is released into the environment. It obviously suits him. He writes wonderfully in Villages of Britain about building materials such as mud and stud, wattle and daub, and cob, which is where our oldest houses meet African mud huts. Cob is just earth ‘that has been sieved to a fine tilth and laid over straw; water is put on it to make it sticky, and more straw laid on top’, with a seasoning of dung and twigs. Then great lumps of it are piled up into a deep, thick wall.

Anthem for doomed youth

Britain’s greying post-war generation are getting increasingly used to a bad press. Britain’s greying post-war generation are getting increasingly used to a bad press. Once lauded for liberating British society, the teenyboppers of the 1960s are now vilified for squandering a time of plenty, having mortgaged their children’s futures to fund a reckless, debt-fuelled shopping spree. The Baby Boomers’ thirst for property speculation, their younger critics lament, has transformed the UK housing market into a vicious collusion between rack-rent retirees and latte-crazed estate agents. For the young, owning a house has become a distant dream.

Keep on running

Astonishingly, it is nearly ten years since Auberon Waugh died. I never met him — I came about half a glass of wine away from introducing myself at a party, but didn’t quite make it — but like most of his fans, read him avidly and admired him from afar. My girlfriend used to work at the Academy Club and was very fond of him, even though she was a lefty actress who thought he was the most right-wing man who had ever lived. It’s strange the way this reputation clung to him. After he died, Polly Toynbee wrote a quite crazed hatchet-job in the Guardian, describing him as the leader of a clan of writers who were ‘effete, drunken, snobbish, sneering, racist and sexist’.

His own best invention

Just as it will sometimes happen that a critic feels obliged to preface a review with a declaration of interest, so I should now declare a lack of interest. Prior to being commissioned to review David Bellos’s heroically well-researched and hugely entertaining biography, I confess I had never managed to finish one of Romain Gary’s books. When I lived in Paris in the 1970s Gary was in fact my near neighbour.

Bearing the brunt

Ostensibly this small book is a jolly and true story (illustrated with some charming black-and-white snapshots) about the military experiences of Wojtek (pronounced Voycheck), the bear who, bought as a cub by Polish soldiers in Persia, earned name, rank and number as the mascot of the 22nd Company of the Artillery Supply Command, 2nd Polish Corps. But it proves a deeper and, especially for British readers, a much darker tale. Neal Ascherson, in a fine historical essay, explains how Wojtek spread hope and fostered humanity among soldiers, who ‘had lost most of what is supposed to make a war worth fighting and a life worth living’. The men of the 2nd Polish Corps had fought and lost to the Germans and Russians, and survived deportation to the Soviet Union.

BOOKENDS: Wifelet-on-wifelet

Apparently Lord Bath is writing an online autobiography, ‘an oeuvre of some seven million words’. For those without a computer, a broadband connection or any better way of spending a few years, Nesta Wyn Ellis’s The Marquess of Bath: Lord of Love (Dynasty Press, £13.99) will make an adequate substitute. It is a repetitive and incoherent book, not obviously reliable – the author thinks that fellatio is performed on women and that Guy Burgess was heterosexual – or even strictly literate, but oddly appropriate to its subject. Apparently Lord Bath is writing an online autobiography, ‘an oeuvre of some seven million words’.

Objective thoughts

Timothy Clifford enjoys the British Museum director’s tour of human history – but misses the beauty of Kenneth Clark’s ‘Civilisation’ ‘Mission Impossible’ is how Neil MacGregor, in the preface to this book, describes the task set for him by Mark Damazer, controller of BBC Radio 4. MacGregor was to introduce and interpret 100 objects chosen by colleagues from the British Museum and the BBC. They had to range in date from the beginning of human history, around two million years ago, right up to the present day. The objects were intended to cover the whole world equally, as far as it is possible. They would necessarily include the humble things of everyday life as well as great works of art.

Two wars and three Cs

When in 1909 a 50-year-old retired naval officer, Mansfield Cumming, was asked to set up what became today’s Secret Intelligence Service — better known as MI6— the suggestion that there might one day be an official history would have been unthinkable. When in 1909 a 50-year-old retired naval officer, Mansfield Cumming, was asked to set up what became today’s Secret Intelligence Service — better known as MI6— the suggestion that there might one day be an official history would have been unthinkable. Indeed, for the next 85 years, MI6 had no official peacetime existence, let alone any thought of a history. Cumming later remarked that if ever he published an autobiography it would be quarto, bound in vellum and of 400 pages — all blank.

The start of the affair

In this season of Franzen frenzy, spare a thought for André Aciman, an American writer whose name, I think, is so far unmentioned in the daft pursuit of the Great American Novel. In this season of Franzen frenzy, spare a thought for André Aciman, an American writer whose name, I think, is so far unmentioned in the daft pursuit of the Great American Novel. His new novel will achieve only a tiny fraction of Freedom’s sales, but, within its tight parameters, it is perfect. Aciman was not always American. His first book, Out of Egypt (1996), chronicles his extended Jewish family which migrated from Istanbul to Alexandria after the first world war, only to be expelled in the 1960s under Nasser’s regime.