More from Books

Saturday

Patrick Skene-Catling

Beatrix Potter meets the Marquis de Sade

Anthropomorphism and a weird, astringent sense of humour combined to make The Queue, the late Jonathan Barrow’s only novel, a work of genius in the opinion of his brother Andrew. Anthropomorphism and a weird, astringent sense of humour combined to make The Queue, the late Jonathan Barrow’s only novel, a work of genius in the opinion of his brother Andrew. The typescript he inherited, though ‘unedited, repetitious and often excessively scatological’, he writes, ‘appealed to me immediately . . . I found it screamingly funny.’ In this affectionate expression of sibling adulation, he describes Jonathan’s style as ‘part journalese, part satire, part Beatrix Potter, part Marquis de Sade’.

Fay Maschler

Bruising times

In a market town in Kent at the time of Thatcher’s Britain, Charles Pemberton attends the town’s minor public school where his businessman father is a governor. In a market town in Kent at the time of Thatcher’s Britain, Charles Pemberton attends the town’s minor public school where his businessman father is a governor. Back in the 1930s, his grandfather Clarence had had ‘the right idea’, which was to build an eight-foot wall across a residential road in Oxford to separate his family home from newly built council houses. There is no such fortification available against the arrival at the school of Clark Rossiter, ‘a London chuck-out’ from a fringe estate, thanks to his sports scholarship, boxing being just one of his talents.

Sebastian Smee

Cross-cultural exchanges

The 18 stories, each around a dozen pages long, in E.C. Osondu’s Voice of America seem to have poured out of him like water. They have a fluency, an evenness of tone and texture, that creates an illusion of transparency and simplicity. The 18 stories, each around a dozen pages long, in E.C. Osondu’s Voice of America seem to have poured out of him like water. They have a fluency, an evenness of tone and texture, that creates an illusion of transparency and simplicity. There’s great comedy — and also artistry — in this because almost every story actually describes some degree of false consciousness, wrong-headedness or pathetic illusion.

Jonathan Mirsky

Can it be described?

Where was God in the Holocaust? This question confounds even learned rabbis, so let’s not linger there. Where was God in the Holocaust? This question confounds even learned rabbis, so let’s not linger there. Was there a Holocaust? Until I began preparing this notice I had never looked into the claims of Holocaust deniers. What I found was a volume of assertions that the Holocaust never happened that might make Hitler and David Irving blanch. Very difficult in a different way is how to write about one of the greatest crimes ever and still tell the truth. Can an author who witnessed terrible things write about them while adhering to truth or fact? Here’s a tough example.

Saturday

Marcus Berkmann

BOOKENDS: Hang the participle

An awful lot of books are being published these days about the English language. David Crystal has a new one out every few weeks, and John Sutherland probably has half a dozen on the go. The Language Wars: (John Murray, £17.99) is Henry Hitchings’s third and unlikely to be his last. An awful lot of books are being published these days about the English language. David Crystal has a new one out every few weeks, and John Sutherland probably has half a dozen on the go. The Language Wars: (John Murray, £17.99) is Henry Hitchings’s third and unlikely to be his last.

Sam Leith

Names to conjure with

Golly gee. Academic literary critics are going to hate Faulks on Fiction like sin. Here is Sebastian three-for-two Faulks, if you please, clumping onto their turf with a book of reflections on a couple of dozen great novels. And he declares in his introduction, with some pride, that he intends to take ‘an unfashionable approach’ and examine characters in these books ‘as though they were real people’. And he then divides them into four character types — Heroes, Lovers, Snobs and Villains — without so much as footnoting a structuralist ethnographer, instead declaring ex cathedra that these are ‘the four character types that British novelists have returned to most often’. And he blithely describes how ‘we’ react to books.

A.N. Wilson

Perchance to dream

This book reads like an interesting after- dinner conversation between intelligent friends. That said, it is a rambling conversation, and although it is extremely entertaining, it does not add up to much. Its ostensible subjects are two instances of scientific intelligence being brought to bear on the possibility of defying, or surviving, death. In the first case, John Gray investigates those, such as Freddie Myers and Henry Sidgwick, who formed the Society for Psychical Research. In the second instance, Gray tells again the bizarre story of the cult of Lenin, and Leonid Krasin’s belief that, if Lenin’s body could be kept in a state of cryonic suspension, there might dawn a glad day in which Comrade Lenin could return to life.

David Crane

Consummate con artist

‘Taylor, I dreamt of your lecture last night,’ the polar explorer Captain Scott was once heard to exclaim, after sitting through a paper on icebergs by the expedition physiographer, Griffith Taylor, that had reduced even its author to the edge of catalepsy: ‘How could I live so long in the world and not know something of so fascinating a subject!’ The True Story of Titanic Thompson is not going to be everyone’s book, but for those who can get beyond the child-brides and casual killings, Kevin Cook’s biography of a great American hustler might well provoke the same sense of wonderment.

Jervoise Andreyev

Care or cure?

Cancer is usually associated with death. For the cancer specialist, however, cancer is more about life: not just patients’ lives; the cancer itself often lives the life of Riley. If it has a life, then, it is entitled to a biography. Here, Siddhartha Mukherjee, an obviously compassionate oncologist, provides that biography. The basis of any biography is the story.

James Walton

Morphine memories

Chapman’s Odyssey became quite famous before it was published, largely because it nearly wasn’t. Chapman’s Odyssey became quite famous before it was published, largely because it nearly wasn’t. Paul Bailey’s long and distinguished career, complete with two appearances on the Booker shortlist, apparently counted for nothing last year when he was reduced to what he called the ‘sheer hell’ of touting the book unavailingly round town, while living off grants from the Royal Literary Fund. Yet, sad though this undoubtedly was, when Bloomsbury finally rode to his rescue, one heretical thought was hard to suppress.

Lewis Jones

And then there was one . . .

The English fascination with spies is gloriously reflected in our literature, from Kim to A Question of Attribution, and while their Egyptian and Israeli counterparts remain untranslated, and the Americans unreadable, English spy novelists rule. Compromised, divided and alienated, the spy is a model modern hero, and the spy’s world, with its furtive and fetishistic arcana, is an admirable theatre of identity, of English attitudes to sex and class, hypocrisy and betrayal. (The best recent spy novel is John Banville’s The Untouchable, which tells the story of Anthony Blunt more freely than Alan Bennett’s play, nudging the facts into outrageous fiction — casting Graham Greene as the villain, for example.

Byron Rogers

Nowhere becomes somewhere

There have been quite a few anthologies of British eccentricity. Usually they are roll-calls of the lunatic: a sought-after heiress so snobbish she finally gave her hand in marriage to a man who had managed to convince her he was the Emperor of China; a miser so mean he would sit on fish until he considered them cooked; a man so addicted to cobnuts he would, after any long coach journey, be up to his knees in their shells. Men who refused to get into a bath, others who refused to get out of one, or were so quarrelsome they could spot an insult at 100 yards, others who so loved animals they would bath owls (which died), or founded their own religions so they could copulate with the faithful on the high altar (though I gather this was an ambition of the novelist Graham Greene).

Ian Thomson

A war of nutrition

The long summer that led up to the last days of peace in Europe in 1939 — the vigil of the Nazi assault on Poland on 1 September and the ensuing Phoney War — gave little hint of the storm to come. The long summer that led up to the last days of peace in Europe in 1939 — the vigil of the Nazi assault on Poland on 1 September and the ensuing Phoney War — gave little hint of the storm to come. As German troops engulfed Poland, however, the Nazi science of massacre was put to the test. Within two months of Hitler’s invasion, an estimated 5,000 Jews were murdered behind the Polish lines. Millions were subsequently starved to death. Food is the central focus of this grimly absorbing enquiry into the second world war.

Saturday

Peter Hoskin

BOOKENDS: 75 Years of DC Comics: The Art of Modern Myth-Making

Did you know they once burned comic books? And in America, no less. In schoolyards. It was shortly after the end of the second world war, and legislators and parents were all shook up about what these ten-cent publications with their scenes of violence and distress were doing to the minds of their children. So on the concrete they went, in messy piles. A sprinkling of fuel, a lit match, and the fire soon caught hold. Some of the kids even cheered the flames on. Did you know they once burned comic books? And in America, no less. In schoolyards. It was shortly after the end of the second world war, and legislators and parents were all shook up about what these ten-cent publications with their scenes of violence and distress were doing to the minds of their children.

Charles Allen

To the holiest in the height

Colin Thubron’s new book will disappoint those of his readers who admire him for his reserve. He is the last and perhaps the best of the gentleman travellers of the old school, his books distinguished by scholarship, rigour and that extraordinary ability that he has made his own: the capacity to immerse himself in someone else’s culture and yet remain utterly detached. Those same readers may also be disappointed by the slimness of the present volume, which occupies days rather than months and encompasses a mere province rather than the usual continent. But they would be wrong to dismiss To a Mountain in Tibet as lightweight.

Charlotte Moore

The Romanovs afloat

‘I have to do everything myself, I who have all my life been so spoilt.’ So lamented the Dowager Empress Marie Feodorovna, mother of Tsar Nicholas II, in the diary she kept aboard HMS Marlborough, the British warship carrying her and 16 other Romanovs, in April 1919, from Yalta into perpetual exile. ‘I have to do everything myself, I who have all my life been so spoilt.’ So lamented the Dowager Empress Marie Feodorovna, mother of Tsar Nicholas II, in the diary she kept aboard HMS Marlborough, the British warship carrying her and 16 other Romanovs, in April 1919, from Yalta into perpetual exile.

Anthony Cummins

Odd characters

Cedilla picks up where Adam Mars-Jones’s previous novel Pilcrow (2008) left off. Cedilla picks up where Adam Mars-Jones’s previous novel Pilcrow (2008) left off. That book described the early life of John Cromer, a boy whose joints are fused by arthritis. Most of it saw him bed-bound, whether at home in Bucks, at hospital, or boarding at a school for the disabled, where, sizing up the bulges in his classmates’ trousers, he wowed his dormitory with an unrivalled ability to talk filth after dark. The new book gets out more.

Hugh Cecil

Beasts in battle

‘Never such innocence again’ wrote Philip Larkin of an unquestioning British people on the eve of the first world war, and much has been made, not unreasonably, of the trusting frame of mind in which young men of that time accepted the arguments for war in 1914. ‘Never such innocence again’ wrote Philip Larkin of an unquestioning British people on the eve of the first world war, and much has been made, not unreasonably, of the trusting frame of mind in which young men of that time accepted the arguments for war in 1914.

Lloyd Evans

Palace intrigue

Plunging into the second volume of Alastair Campbell’s diaries is like opening a Samuel Richardson novel. Plunging into the second volume of Alastair Campbell’s diaries is like opening a Samuel Richardson novel. The tone is breathless and excitable and the dramatic world of backstabbing, tittle-tattle and palace intrigue is instantly captivating. Historians will scour the book for valuable new information. Practitioners of media management will regard it as a classic. Downing Street rivalries dominate from the start. The impression that ‘the TB-GB riftology’ developed after 1997 is inaccurate.

Cressida Connolly

The real deal

‘“We weren’t phoney,” Stephen said. “Our whole point was to live an authentic life, to challenge the bourgeois conventions of our parents’ generation. We wanted to make it real.”’ Such is the lifelong aspiration of Stephen Newman, the baby boomer hero of Linda Grant’s new novel. ‘“We weren’t phoney,” Stephen said. “Our whole point was to live an authentic life, to challenge the bourgeois conventions of our parents’ generation. We wanted to make it real.”’ Such is the lifelong aspiration of Stephen Newman, the baby boomer hero of Linda Grant’s new novel. As ambitions go, it’s fairly modest.