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The best and bravest

‘The candle is burning out and I must stop. Darling I wish you the best I can ­— that your anxiety will be at an end before you get this — with the best news, which will also be the quickest. It is 50-to-1 against us but we’ll have a whack yet and do ourselves proud. Great love to you. Ever your loving, George. ‘ Thus wrote the magnificent (and in many ways muddle-headed) mountaineer George Mallory on 27 May 1924. It was his last ever letter to his wife Ruth before he disappeared into the blizzard that swirled around the summit of Mt Everest, never to return. Did he reach the top? That is a question that cannot conclusively be answered and Wade Davis doesn’t try to. Instead, in his quite brilliant new book, he applies himself to the question of why.

Fixing malaria

A book about a campaign to rid the world of malaria may not sound like a riveting read and Lifeblood is an unlikely page-turner. But you are soon caught up in the challenges of the campaign and, along the way, you learn a great deal about the labyrinthine world of aid, Africa, business and politics. Alex Perry is the Africa Bureau Chief of Time magazine and has ten years’ experience of Africa, the Middle East and Asia.  He knows what happens on the ground, how small a fraction of charitable donations ever reaches the people it is intended to help; and he is not a fan of aid agencies, characterised here as ‘Western arrogance in a white SUV’. Perry’s hero is a man from New Jersey called Ray Chambers. Never heard of him?

Why didn’t I appreciate it more?

I should hesitate in any circumstances to compare myself with Marcel Proust; but on opening this marvellous book I knew exactly how he felt with that madeleine. My father was appointed Ambassador to France in 1944, moving in a few weeks after the Liberation of Paris; thus it was that from Christmas of that year — when I was 15 — and for the next three years I spent all my holidays at the Embassy. At that time, oddly enough, we had no other home; so it was there more than anywhere else that I felt I belonged.

A lightning tour

In her foreword to this short study of Virginia Woolf,  Alexandra Harris writes that ‘it is meant as a first port of call for those new to Woolf and as an enticement to read more’. There is some justification for such a book — a synthesis giving the outline of Woolf’s life with pertinent interpretative commentary on the novels and other writings. While such an aim is not new, the book will inevitably reflect the concerns of the moment, the stamp of each generation’s particular interest. If this is so, the longer appeal of such a study is not necessarily guaranteed. Harris presents a Woolf for the early 21st century. Over the years, the variety of approaches to Virginia Woolf has been greater, perhaps, than for many another considerable figure.

Fathers and sons

The ghost stalking this selection is Martin Amis’s father, Kingsley, who, Martin tells us in his introduction, ‘loved Philip with a near-physical passion’, and mused: ‘I sometimes wonder if I ever really knew him.’ Ruth Bowman, to whom Philip Larkin was engaged in the late 1940s, remembers that Kingsley was ‘possessive of Philip and tried to keep me separate from him’. Kingsley always remained slightly offended by Larkin’s soft, feminine side, never understanding what the latter called ‘the dear passionately sentimental spinster that lurks within me’, and insisted that his friend be consistently masculine, abrasive, philistine. Martin Amis’s selection reflects his father’s version.

Bookends: Squelch of the bladder-wrack

What’s not to like about Candida Lycett Green’s Seaside Resorts (Oldie Publications, £14.99)? Lovely colour photographs of over 100 of England’s prettiest seaside towns, accompanied by spry, architecturally informed little essays that give the reader the gist of each place: if there’s a better book to give for Christmas published this autumn, I’d like to see it. Lycett Green has written about front gardens and cottages, books full of interesting facts about history and buildings, conveyed in a pleasantly informal, even chatty, style. She also writes a column on unspoiled market towns and villages, which has already spawned one book, Unwrecked England. The present volume is along the same lines.

The Brilliance in the Room

It is difficult to conceive of a writer more passionately loved by his audience than Dickens was. It went on for a very long time, too. We learn from the historian David Kynaston that, immediately after the second world war, Dickens was one of the five most borrowed authors from public libraries. My grandmother was probably a typical reader of Dickens: she left school at 14 before the first world war, yet had a cheap set of Dickens in the house (I think it was a promotional giveaway by the Daily Express at some point in the 1930s.) I have the set — the typeface and the acid paper nearly make your eyes and fingers bleed. And yet she read most of them a lot more than once: the copy of David Copperfield falls apart as you open it.

Work in progress

At long last Johnson Studies is starting to take off. It had always been my hope, after publishing my own slim volume on Boris Johnson, that the baton could be passed to younger and fitter hands who would place the subject on a proper academic footing. Scholars from Balliol to Bangor would churn out papers and hold seminars on the symbolism of the Boris bike, or the duel between Boris and George Osborne for the Tory leadership. Very soon the American and Chinese universities would insist on getting involved, and would buy up some of the best people. A young man from the University of Hull came to interview me for his thesis on the Cult of Boris, his idea being that Boris was developing into a minor divinity, of the kind so often worshipped in the ancient world.

Well-lived

‘Oh no! I’m keeping it for an officer,’ said a girl called Irma when the 17-year-old Alistair Horne made his first determined moves. ‘Oh no! I’m keeping it for an officer,’ said a girl called Irma when the 17-year-old Alistair Horne made his first determined moves. A little later Horne was being trained as a Guards officer at Pirbright camp, under a troop sergeant with terrifying powers of verbal demolition, well on his way into the pants of girls. One of Horne’s fellow cadets —heir to a dukedom — went to an Oxford cinema where he ‘partially lost his virtue’ to the ruthlessly roaming hands of ‘two beefy Land Girls who molested him from either side’ during a showing of Mrs Miniver.

The radical imperialist

In the summer of 1780, at the height of the Gordon Riots, a London mob raised a cry of ‘kill the lawyers’ and headed for the Inns of Court. In the summer of 1780, at the height of the Gordon Riots, a London mob raised a cry of ‘kill the lawyers’ and headed for the Inns of Court. A militia of several hundred barristers, equipped with muskets but doubtful aim, assembled to guard the Middle Temple.  At the 11th hour they were spared by the intervention of the army, whose firing into the crowd quelled the mayhem.

Refreshingly outspoken

She was less bitchy than extremely shrewd and sharp-eyed, and didn’t hesitate to say about people exactly what she felt — though she did, I think, sometimes choose frightful people to munch up. . . She was less bitchy than extremely shrewd and sharp-eyed, and didn’t hesitate to say about people exactly what she felt — though she did, I think, sometimes choose frightful people to munch up. . . This is what Diana Athill has to say about interviews written by Lynn Barber, and it’s a pretty apt description of her own writing. As is well known, Athill was an esteemed publishing editor throughout her working life (John Updike, V.S.

A mystery unsolved

This is a compelling and somewhat disturbing novel, conducted with Susan Hill’s customary fluency. This is a compelling and somewhat disturbing novel, conducted with Susan Hill’s customary fluency. It features Simon Serailler, the author’s usual protagonist, investigating a cold case of a missing teenager who was last seen waiting at a bus stop some 16 years previously, and whose skeleton was found when heavy rain washed down sludge and rubble from a neighbouring hillside. But it also has a secondary theme — rather more serious than its ostensible subject — that of assisted suicide. Hypochondriacs are warned. What is examined, in admirable detail, somewhat overshadows the police procedural which is intricate and convincing.

The play of patterns

Labels mislead. In the taxonomy of literature, both James Sallis and Agatha Christie are often described as crime writers. True, they have in common the fact that their stories tend to include the occasional murder, but there the resemblance ends. Sallis’s outlook is closer to that of Samuel Beckett, whom he cites as one of his influences; and his characters are more Pozzo than Poirot. Sallis’s novels have gradually attracted a cult following on both sides of the Atlantic; No Exit Press, a small British publisher, has resolutely championed his work for the last 15 years. Now there are signs that his books may at last reach the wider audience they so richly deserve.

Bookends: Getting it perfect

There is an old joke which says that if you are lost in the desert, start making a salad dressing as someone will pop out of a sand dune and tell you that you are making it the wrong way. This, in essence, is what Felicity Cloake does in her recipe book Perfect (Fig Tree, £18.99). And the idea is a good one. Cloake has done all the hard work — read all the top cookery writers, tried out their versions, and then picked the best, or ‘Perfect’ one. So you have 68 ‘perfect’ recipes. The title is meant to be comforting, or encouraging, but it could be a little dangerous.

The good war?

Jonathan Sumption admires the sweep and bravura  of Max Hastings’s account without agreeing with every word The second world war is still generally regarded as the ‘good war’. In the moral balance, the cause of the Axis powers was so unspeakably bad that their adversaries have rarely had to justify themselves. But there is, perhaps, more to it than the moral balance. The second war has gained in public esteem by being everything that the first war was not. It was fought for recognisable and, on the whole admirable, objectives. It did not begin, as the first had, among the conspiratorial fumblings of European chanceries. It did not become an object in itself.

Against all odds | 1 October 2011

There is something of Gordon Brown in the older Henry VII: an impression of darkness, of paranoia and barely suppressed rage, not to mention the terrifying tax grabs and tormenting of enemies. But Gordon was never quite as entertaining, or frightening, as Thomas Penn’s Winter King in this brilliant mash-up of gothic horror and political biography. David Starkey once declared Henry VII ‘boring’. But in writing his magnus opus on the supposedly more interesting Henry VIII he got so caught up in the drama of Henry VII’s court that Henry VIII is now largely being relegated to volume two of his own biography.    The first Tudor King had no legitimate English royal blood and no legal right to the throne.

Art of Translation

David Bellos is a professor of comparative literature. He is the main English translator of George Perec and Ismail Kadare, and he has written biographies of Perec, Jacques Tati and the French writer and con man Romain Gary. His most recent book, for which he draws on all his wide range of interests, is a clear and lively survey of the world of interpreting and translating. He covers everything from subtitling films to translating poetry, from the genesis of simultaneous interpreting in the early days of the UN to the advances he predicts — somewhat to my surprise — in computer translation. This book fulfils a real need; there is nothing quite like it. Why Translation Matters, by Edith Grossman, is equally well written, but it is limited to the field of literary translation.

Compelling revelations

Even the cover is a mystery. Julian Assange’s memoir carries a contradictory, if eye-catching, title: the unauthorised autobiography. On his WikiLeaks site the author disclaims authorship altogether. ‘I am not “the writer” of this book. I own the copyright of the manuscript which was written by Andrew O’Hagan.’ He claims that the text was ‘distributed secretly’ in the final week of September. Well I wonder. My copy was delivered by a helmeted courier who handed me the book only after a pre-arranged password had been exchanged between us: my name. This was hardly secret.