More from Books

Saturday

Susan Hill

Blue Night by Joan Didion

This is a raw, untidy, ragged book. Well, grief is all of those things. On the other hand, Didion wrote about the death of her husband in an iconic memoir, A Year of Magical Thinking, which apart from being raw was none of them. So she knows how it can be done.  That book was about the horribly sudden death of her husband, about shock and pain and then the confusion of bereavement and loss. But it was also a vivid portrait of the man himself. ‘One never knows when the blow may fall’, yet people have been surprisingly surprised that it fell again so quickly on Didion, when her adopted daughter Quintana, also died, a year later. But blows rain down relentlessly, not to say unfairly, on some individuals. Such as Job.

Fay Maschler

A History of English Food by Clarissa Dickson Wright

It is where cookery is involved that tele-vision gives perhaps the greatest succour to the book trade. After Jennifer Paterson’s death in 1999, the remaining ‘Fat Lady’ barrelled into view with Clarissa and the Countryman, Clarissa and the King’s Cookbook, as a gamekeeper in an episode of Absolutely Fabulous and as presenter for a documentary on her soul-mate Hannah Glasse. Such exposure, combined with an unapologetic mien and candour that have attracted the somewhat patronising description ‘national treasure’, could only have helped her autobiography Spilling the Beans scale the heights of the bestseller lists and allowed the next manuscript, a year-long diary and rant called Rifling through My Drawers, to be published.

Anthony Daniels

The Brain is Wider Than the Sky by Bryan Appleyard

With all the advances of science, we may be no nearer to understanding ourselves than before, says Anthony Daniels — but we shouldn’t dismiss the possibility outright Some years ago I had a patient who believed that his neighbours, unskilled workers like himself, had developed an electronic thought-scanner whose antennae they could, and did, direct at him in order to know his thoughts as and when he had them. He heard them laughing and jeering at the banalities with which, inevitably, his mind was filled most of the time. Needless to say, he found this intrusive and oppressive, and it made him murderously angry. As life follows art, science follows delusion.

Saturday

The Spectator

Books of the Year | 5 November 2011

Our regular reviewers were asked to name the books they’d most enjoyed reading this year. More choices next week •  A.N. Wilson Rachel Campbell-Johnson’s Mysterious Wisdom: The Life and Work of Samuel Palmer (Bloomsbury, £25) is one of those rare biographies which is a work of literature: beautifully written, overwhelmingly moving. A great art critic, with an understanding of the human heart has produced this masterpiece. It is one of the best biographies I have ever read of anyone: it captures the tragedy of Palmer’s life, and brings out the shimmering glory, the iridescent secrets of his Shoreham phase.

Andrew Lambirth

Bookends: Spirit of place

A new book by Ronald Blythe is something of an event. In recent years the bard of Akenfield has mostly published collections of articles, which makes At the Yeoman’s House (Enitharmon £15) especially welcome. It’s an autobiographical meditation on an ancient dwelling-house set in flint-strewn fields: Bottengoms Farm on the Essex-Suffolk border, where Blythe lives. He inherited it from the artist John Nash, and now investigates its history in an enjoyably oblique and fragmentary fashion. In Cobbett’s definition a yeoman was above a farmer but lower than a gentleman, and Bottengoms has never been grand. It began when ‘a man roofed in a spring and dwelt beside it’, and in 1944 the stream still ran through the kitchen.

Alexander Chancellor

After America: Get Ready For Armageddon by Mark Steyn

There are people sent to depress us, and prominent among them is Mark Steyn, whose speciality is apocalyptic predictions. Following his bestseller America Alone: The End of the World as We Know It, which was about the collapse of all of the Western world with the exception of the United States, he is now predicting the collapse of the US as well, leaving the entire ‘free world’, as it used to be called, at the mercy of those great enemies of freedom, China and Islam. He writes: There will be no ‘new world order’, only a world without order, in which pipsqueak failed states go nuclear while the planet’s wealthiest nations are unable to defend their borders and are forced to adjust to the post-American era as they can.

Anthony Cummins

The ripple effect

Penelope Lively’s new novel traces the consequences of a London street mugging. As the culprit sprints away with a handbag, the victim, Charlotte, a retired widow, falls and cracks her hip. Her daughter, Rose, personal assistant to the once-eminent historian Lord Peters, is meant to be in Manchester to help her employer give a talk on Walpole. When Rose bails out, Peters turns to his own daughter, Marion, an interior designer in hock to the bank. At the pre-talk lunch, she has the good fortune, so it seems, to meet a venture capitalist, who offers her a gig doing up luxury flats. Less fortunate is her married lover, Jeremy, whose wife kicks him out when she spots a text on his mobile from Marion, cancelling a tryst on account of having to head north.

Melanie McDonagh

The Empire of Death: A Cultural History of Ossuaries and Charnel Houses by Paul Koudounaris

In one Capuchin monastery in Sicily, the so-called Palermo Catacombs, locals used to buy a niche where their mummified corpse would one day stand erect, clothed and on display to visitors, the way we might now buy a burial plot. Would-be purchasers would pay a visit to select their niche and stand in it to make sure it fitted. Indeed, by way of voluntary penance, some would remain there for hours, contemplating their end. At the same time, in the early 17th century, a related order of nuns in Rome, the Sepolta Vive or Buried Alive sisters, would sleep in coffins and hail each other with the observation: ‘Remember sister, we all have to die’.

Ian Sansom

The Marriage Plot by Jeffrey Eugenides

Jonathan Franzen. David Foster Wallace. Jeffrey Eugenides. Giant, slow-moving, serious writers, notching up about a novel per decade, all with their sights set on The Big One, The Beast, The Great American Novel. Wallace pulled it off, undoubtedly, with Infinite Jest in 1996, before ending it all by suicide in 2008 — a tragic loss. Franzen laid claim to fame — and earned himself the cover of Time magazine — with The Corrections (2001) and Freedom (2010). And now Eugenides, after The Virgin Suicides (1993) and Middlesex (2002), makes another attempt at literary immortality with The Marriage Plot. And fair play to him, he throws absolutely everything at it.

Richard Davenporthines

AfterWord edited by Dale Salwak

‘Conjuring the Literary Dead’ is the sub-title of this outlandish, sometimes beguiling book. Its editor, Dale Salwak, coaxed 19 writers — of the status of Margaret Drabble, Francis King, Jay Parini and Alan Sillitoe — to write essays in which they imagine speaking to dead authors who intrigue them. The resulting chapters are often inquisitive, macabre and teasing, but occasionally flat or laborious. ‘Perhaps all writing is motivated, deep down,’ Margaret Attwood suggests in an introductory survey, ‘by a fear of and fascination with mortality — by a desire to make the risky trip to the Underworld, and to bring something or someone back from the dead.

Ian Thomson

Cocktail Hour Under the Tree of Forgetfulness by Alexandra Fuller

There is always a special risk, says Alexandra Fuller, when putting real-life people into books. Not all those who recognised themselves in her terrific memoir of 1960s and 1970s white-ruled Africa, Don’t Let’s Go to the Dogs Tonight, had appreciated their transformation. The author’s own mother, Nicola Fuller, was disquieted to find herself as a character in that ‘awful book’ (as she refers to it today). Was she really that flaky and drunk? Or was that how others perceived her? Most writers make life more interesting than it is; I suspect that Alexandra Fuller is among them. In Cocktail Hour Under the Tree of Forgetfulness she returns to the Africa of her childhood and to her eccentric farmer family.

Cressida Connolly

Why Be Happy When You Could Be Normal? by Jeanette Winterson

In the 26 years since the publication of her highly acclaimed first novel, Oranges are Not the Only Fruit, Jeanette Winterson has proved herself a writer of startling invention, originality and style. Her combination of the magical and the earthy, the rapturous and the matter-of-fact, is unique. It is a strange and felicitous gift, as if the best of Gabriel Garcia Marquez was combined with the best of Alan Bennett. At her finest, (in which category I’d put The Passion, Sexing the Cherry and Lighthousekeeping) there is no one to match her. The title of this memoir comes from the mouth of Mrs Winterson of Accrington, Lancs, the author’s adoptive mother. This is what she replied when her young daughter told her that she was in love with another girl, and happy.

Jane Brown

William Nicholson: Catalogue Raisonné of the Oil Paintings by Patricia Reed

A pleasingly tactile canvas-like cover adorns this heavy book and proclaims its purpose; the boldly brushed illustration is a detail from ‘Mauve Primulas on a Table’ painted in January 1928 when the artist was in his mid-fifties. He wrote of a ‘painting orgy’ and how he suffered ‘tennis-elbow from holding my brush for 8 hours solid’. Patricia Reed’s catalogue note adds, ‘the work is a synthesis of the motifs that interested him at this moment: a tilted picture plane, textured cloth, penumbrated shadows, a cropped bowl and a pair of open scissors’.

Andrew Rosenheim

Steve Jobs: The Exclusive Biography by Walter Isaacson

America has always idolised its entrepreneurs, even when it has proved a thankless task — if you can glamorise Bill Gates, you can glamorise anyone. Especially Steve Jobs, whose death from pancreatic cancer has been greeted as the loss of Mammon’s Messiah. Is any of this justified? Well, yes and no. Jobs did as much as anyone, with the possible exception of Gates, to bring digital change into the mainstream, and this makes his biography as much a history of a digital revolution as a personal story. It’s this fittingly binary quality that makes Walter Isaacson’s biography so worthwhile, since Jobs himself emerges from it as an unattractive, even repellent character. Jobs grew up in the engineering belt just south of San Francisco which became Silicon Valley.

Eric Christiansen

My Dear Hugh: Letters from Richard Cobb to Hugh Trevor-Roper and Others edited by Tim Heald

Richard Cobb had many good friends, among them Hugh Trevor-Roper, who kept letters, and so made this selection possible. There must be many more letters, since the author was an inveterate correspondent at least from the 1930s. The wartime ones would be of greater historical interest than these, which are nearly all post-1967, many of them concerned with the essentially piddling subjects of university politics, pupils and personalities. Of course, these are foie gras and the sound of trumpets to persons connected with such things at Oxford and Cambridge, but the admirable publisher must be aiming at a larger audience than that, ignoring Cobb’s own repeated assertion that ‘nothing ever happens’ in Oxford. He was not your average don.

Sam Leith

Martin Amis: The Biography by Richard Bradford

Where’s Invasion of the Space Invaders? That’s what I want to know. Only by consulting Richard Bradford’s bibliography would you know that in 1982 Martin Amis published a book — subtitled ‘An Addict’s Guide’ — on how to win at Space Invaders, and that he (presumably) hasn’t let it come back into print. An entire book! That seems to me worthy at least of a paragraph in the body of a 400-odd-page writer’s biography. It tells you something, doesn’t it? I mean, apart from the fact that Martin Amis once liked Space Invaders, which is amusing if not crucial. Anything a writer disowns is of interest: particularly if it’s a frivolous thing and particularly if, like Amis, you take seriousness seriously.

Saturday

Marcus Berkmann

Bookends: The showbiz Boris Johnson

Amiability can take you a long way in British public life. James Corden is no fool: he co-wrote and co-starred in three series of Gavin and Stacey, and wowed the National Theatre this summer with a barnstorming performance in One Man, Two Guvnors. But there’s no doubt that his Fat Lad Made Good persona, and his almost puppyish desire to please, have contributed to a popularity that other, more guarded performers can only envy. His memoir, May I Have Your Attention, Please? (Century, £18.99), has barrelled straight into the top ten bestsellers list. It has loads of energy and some good stories. But Corden is only 33. He simply hasn’t lived enough life to fill 300 pages.

Michela Wrong

Who Killed Hammarskjöld? by Susan Williams

When I was a Reuters trainee, long hours were spent in Fleet Street pubs absorbing the folklore of journalism from seasoned veterans. One popular story concerned the hapless correspondent sent to verify that Dag Hammarskjöld, head of the United Nations, had safely landed at Ndola airport in Northern Rhodesia on his way to talks with separatist Congolese leader Moise Tshombe. A plane landed, the police confirmed it was the UN secretary general, the hack duly filed his story. Trouble was, the disembarking white man was someone else. Hammarskjöld was dead, killed as his DC-6 crashed on night-time approach to Ndola. Rival reporters, drinking at a nearby hotel, heard the news and rushed to correct their stories.

Ferdinand Mount

The Letters of Samuel Beckett: Volume II, 1941-56, edited by George Craig, Martha Dow Fehsenfeld, Dan Gunn and Lois More Overbeck

The die was miscast from the start, more’s the pity. As we reach the halfway point in this massy four-volume edition of the letters of Samuel Beckett, I cannot stifle a small sigh or whimper, of the type exhaled by one of those Beckett characters buried up to their necks. And there is no one to blame but the author of the letters. For it was Beckett himself who in his letter of 18 March, 1985, gave his blessing to Martha Fehsenfeld ‘to edit my correspondence in the sense agreed on, i.e. its reduction to those passages only having bearing on my work’. So the tussle began and continued long after the author’s death four years later.  What did ‘only having bearing on my work’ mean exactly?

Ysenda Maxtone Graham

The Golden Hour by William Nicholson

He’s got a winning formula, this writer, and he’s sticking to it. Set the action over seven days, in and around the Sussex town of Lewes, with occasional day trips to London; write about what you know (Sussex, script-writing, being 54, long marriages, worrying about your post-university children as well as your aged parents with Alzheimer’s, career anxiety, dinner-party anxiety); keep the chapters short (never more than ten pages) and avoid slabs of prose, so the pages are broken up into highly readable short paragraphs and dialogue; write in the present tense; and, within each chapter, keep a strict observance of the Unity of Person, so that the reader steps inside the mind of one character and sees the world solely through his or her eyes.