More from Books

Way out west | 15 August 2019

Téa Obreht’s second novel is an expansive and ambitious subversion of Western tropes, set in fin de siècle America. We have the outlaw, the detached hero, the fainting woman. Yet our outlaw is a camel-rider, our desperado a mother defending her homestead. Everything save the relentlessly harsh Arizona desert — a ‘godforsaken place’ of ‘baking summer hillsides’ — is unreliable: memory, relationships, even the finality of death. Both our narrators are preoccupied with the dead. Lurie, ‘a small, hirsute Levantine’ and former grave-robber wanted for murder, is haunted by the ‘wants’ of dead orphans. Alive, they set him on the road to banditry, but once deceased they urge him to seek out comradeship.

An over-flogged horse

On paper, Candace Bushnell and the medieval warlord El Cid don’t have a lot in common. The first made a fortune from persuading a generation of women that brunch with a bunch of broads was something to aspire to. The second scrapped his way through Spain, eventually establishing an independent principality. But the thing film fans recall about the latter is that immediately after his death he was propped up on his noble mount one more time to inspire his weary troops into battle. The story may be apocryphal, but while reading Is There Still Sex in the City? I couldn’t get the image out of my head. It isn’t salubrious to see a fine writer strapped to the same old over-flogged horse and sent out once again as the standard-bearer for sexy sexagenarians.

All skin and bones

Nobody warns you when you start medical school that your career decisions have only just begun. Up to a decade of recruitment pitches follow: have you thought about becoming a haematologist? Leave the ward for the drama of theatre! If you don’t like patients, try radiology. A recent flush of popular medical non-fiction lets the public sample this professional pressure. From the heart to the gut, each author claims his or her chosen organ has been unfairly overlooked. The genre’s most recent additions are about skin and bone. Dermatologists and orthopods are often sidelined as medicine’s aestheticians and carpenters, responsible for the paintwork and scaffolding that encase and buttress the vital organs.

Dot your commas

Now, how shall I start this review? I loved this book. I really did. (Too abrupt.) I loved this book, I really did. (Too rushed.) I loved this book: I really did. (Too planned.) I loved this book — I really did. (Too afterthoughty.) I loved this book... I really did. (Too uncertain.) I loved this book; I really did. Ah, that’s more like it. The semicolon gives me the best of both worlds. It helps me pause, and have a think, and yet pushes me forward to what I want to say next. It separates and unites simultaneously. It does a job that no other punctuation mark does. And the way to see this is to develop a sense of the contrast. What happens if we punctuate a sentence differently?

Eternal truths

It lives in me still, the intense thrill when, as a child, I would listen to the Irish people around me converse. Some would express themselves in a personal language of grunts and clicks; others would be monosyllabically gnomic; and others would make of English new and magical shapes. They’d enrapture the language (especially in oath and insult) and draw out its transformative potential. I relive that thrill whenever I come across a new book by Kevin Barry. His words address the reward centre in the brain, the neural pathways that are enlivened by nicotine, alcohol or opioids. Reading him, I am given the feeling that I’ve achieved something, done something good and am being justly remunerated. The brain lights up and grins.

Sex and the married woman

The epigraph of Three Women comes from Baudelaire’s ‘Windows’: ‘What one can see out in the sunlight is always less interesting than what goes on behind a windowpane.’ Inspired by Gay Talese’s 1980 reportage on the sexual revolution, Thy Neighbour’s Wife, Lisa Taddeo, a journalist and Pushcart prize-winning short story writer, peered into the windows of three ‘ordinary’ American women to illustrate their ‘erotic lives and longings’.

Out of sight, out of mind | 8 August 2019

Yoko Ogawa’s new novel takes us to a Japanese island where things keep disappearing: ribbons, birds, musical instruments, fruit. People, too, are at the mercy of the Memory Police, an efficient lot hunting for those who can’t shake off their memories. Each disappearance involves not just getting rid of the physical object, but also of every trace of it in everyone’s mind. The unnamed narrator’s mother is among the disappeared, but things she collected remain in the house where the daughter still lives, writing novels about people losing something. ‘Everyone likes that sort of thing,’ she says of her books, as if to imply that every island has the writers it deserves.

Glorious mud

Francis Pryor claims he would be a rich man if every person who told him that the Fens were ‘flat and boring’ had given him five quid. Yet these million acres of water-logged land making their way from Lincolnshire through Norfolk and towards Cambridge have one quality that makes them irresistible to archaeologists like him. The peat preserves wood perfectly for thousands of years in a way that happens almost nowhere else in the country. As a result, and although few of us are aware of it, ‘some of the most imaginative and technically advanced excavations in the world are taking place in the Fens at the moment’.

Crime of passion

No matter how exquisitely English —gobbets of blood amid the fireplace ornaments — murder annihilates meaning. Even when the motive is clear and strong, even when the progression to the fatal blow can be analysed step by step, all that is left amid the eviscerated lives of loved ones is an emptiness around the violence itself. In fiction, this void is filled: Agatha Christie understood very well about hatred, and her stories seethe with it. In 1935, as millions of her readers were devouring Murder on the Orient Express — a novel constructed around a biblical act of molten vengeance — the nation was suddenly mesmerised by a real-life shocker: a weird and savage killing in the genteel south-coast resort of Bournemouth.

The rabbit who came to stay

Is there a more perfect children’s writer for this generation than Judith Kerr? She started with a tiger — The Tiger Who Came to Tea, published in 1968 — and ended with a bunny, The Curse of the School Rabbit, before she died three months ago. Both books are pitch-perfect little masterpieces of their kind. The tiger was fantastical but also down-to-earth. The bunny is an entirely plausible creature: a school rabbit, Snowflake, kept by Miss Bennet. She uses him to teach children English (they write about Snowflake); maths (they measure Snowflake in inches and centimetres); and art (they draw Snowflake).

Haunted by the ghosts of Ramallah

On a rainy day in 1955, four-year-old Raja Shehadeh left school without putting his coat on. ‘I will soon be home, I thought, trailing the coat as it became heavy with rain.’ The walk was longer than he expected, or the rain heavier. He arrived back soaked through and fell ill with pneumonia. The journey home, without protection from the weather, could have killed him. Throughout his life in Palestine, Shehadeh has been buffeted by events that have seemed as uncontrollable as the weather. He was a very young child when his family were forced out of Jaffa by Israeli soldiers and moved to Ramallah, and 16 during the Israeli invasion of the city.

Back to basics | 1 August 2019

Anyone picking up a book by Wendell Berry, whether it be fiction, essays or a collection of his lucid and engaged poetry, will quickly find themselves in the company of one who is unafraid to tackle the larger subjects (time, place, environment, community) in terms familiar to Virginia Woolf’s ‘common reader’, a creature who seems scarcer by the year, but is not yet wholly extinct. Stand by Me is no exception and, by the time we reach the second of these 18 linked stories, we know just where we are, if not where we are going, as Berry sets out a history of everyday life in a small Kentucky town over 100 years of growth, loss and relentless change.

A far cry from Chekhov

It would be hard to have better travel-writer credentials than Sara Wheeler. Here the author of The Magnetic North and Terra Incognita, a specialist in Arctic and Antarctic adventure, turns her attentions to the land mass that sprawls across eight time zones, where any traveller is guaranteed to receive an ostentatiously frosty reception — initially, at least. Wheeler’s task has been to capture Russia through a bifocal lens: first through the eyes of the classic Russian authors she loves, and second through the lives of contemporary Russians we rarely hear about, outside of the Moscow–St Petersburg axis. ‘I was searching for a Russia not in the news — a Russia of common humanity and daily struggles — and my guides were writers of the Golden Age.

The experience of a lifetime

Robert Caro, at the age of 83, continues to work full-time on his grand inquiry into the nature of political power. He has studied two figures in particular: Robert Moses and Lyndon B. Johnson. Moses — the subject of Caro’s first book The Power Broker — was the man who, over several decades, built the transportation system of the greater New York City urban area. Johnson was a Texan politician who grew up in a very different world and became president of the United States. Working offers a reflection on the biographical craft that has engaged Caro for most of his life. His technique is to discover the motives, the strengths and weaknesses of those who enter political office.

Closure at last | 1 August 2019

This is horrible. But it’s a book by Mark Bowden, who wrote Black Hawk Down and Killing Pablo, so it’s compelling: an almost perfect true crime story. Two sisters, aged ten and 12, disappeared from a shopping mall in 1975 and were never seen again. What happened to them was a mystery for 40 years. In The Last Stone, Bowden tells you about two things. He tells you how the mystery was solved, and he tells you what happened to the girls. The first thing is compelling. The second will make you sick. The girls, Kate and Sheila Lyon, went to the Wheaton Plaza shopping mall in Montgomery County, Maryland on 29 March. They were supposed to be home by 4 p.m. They weren’t. They vanished. The police interviewed lots of people. They searched the surrounding area.

Light and dark | 1 August 2019

Few biographies are quite as impressive as Yukio Mishima’s. One of Japan’s most famous authors, he wrote 80 plays and 25 novels, starred in movies, directed theatre and produced his own film. He was nominated three times for the Nobel Prize in Literature. He founded a right-wing militia to defend the emperor from Marxists and, in 1970, committed ritual suicide, aged 45, after the failure of his coup to overturn the constitution. Life for Sale is one of his lesser-known achievements. Though it’s littered with corpses, it seems almost humdrum when compared with its creator’s CV. Originally written for Japanese Playboy and published in 1968, this is, I think, the first time it has appeared in English. Hanio is young, solvent and single.

Cautionary tales

It is bad enough when we learn that Santa Claus doesn’t exist. But later in life there comes another trauma, deeper still: when we discover that the beloved books of our childhood were in fact thinly veiled political theses, laden with economic metaphors and turgid intellectual ideas. My youngest child is not yet two. How long will it be until some clever clogs blunders into the nursery and tells her that The Wonderful Wizard of Oz must be read as an allegorical representation of the debate surrounding late 19th-century US monetary policy — or that The Very Hungry Caterpillar is an ode to Karl Marx? Fierce Bad Rabbits sells itself as ‘an eye-opening journey through our best-loved picture books’ — a prospect some readers might, like me, resist.

Thrills and trills

In a sense, the song of the bird in the title of this short, hugely thoughtful and fascinating book is a measure of the gap between nature and human culture. On the one hand stands the most mythologised, celebrated and interrogated maker of natural sound on earth: the nightingale. On the other, the most densely populated metropolitan area in western Europe: Berlin. One might expect our light-winged dryad, in honour of its place in poetry, art, folktale and fiction, to sing in a sylvan glade by a brook full of beaded bubbles. Not a bit of it. It’s by traffic lights in a Berlin park. The bird itself is quite indifferent to the three millennia of cultural churn it has inspired. It is drawn to the German capital by insect biomass and the right vegetation density.