More from Books

Melancholy pervades this novel: a sense of glasses considerably more than half empty, with the levels sinking fast. This is largely due to its central character, John Dyer, a former journalist in his late fifties, who has returned from years in South America to live in Oxford and write a book about Portugal’s accidental discovery of Brazil. With him comes his 11-year-old son, who attends the Phoenix, a posh prep school based on Oxford’s real-life Dragon School. Gradually, through a series of leisurely flashbacks, we learn that the love of Dyer’s life has died, his wife has left him, journalism has lost its soul and Brazil is going to pot. (Only at the end did I learn that The Sandpit is a sequel to an earlier novel, The Dancer Upstairs.

Competition is stiff among museums in Iceland. The Phallological Museum in Húsavík, devoted to the penis, stands tall in a crowded field: 265 museums and public collections operate in a country of 330,000 — a population, incidentally, with the highest literacy rate in the world. A. Kendra Greene, an American writer and artist, has worked in a number of museums, and her affection for them is touching. Indeed, it is the blurred edge between a few shelves in a front room and a civic institution that originally drew her to northern latitudes. She writes of Iceland: I have never known a place where the boundaries between private collection and public museum are so profoundly permeable, so permissive, so easily transgressed and so transparent as if almost not to exist.

Greg Woolf didn’t know his book would come out during an urban crisis. Thanks to coronavirus, Venice’s population, for example, is now somewhere between 25,000 and 40,000 — the lowest for centuries. Horrific pandemics were nothing new for ancient cities, which, as this scholarly book shows, have gone through heady rises and catastrophic falls. Rome had a population of nearly a million under the Emperor Augustus. By the sixth century AD it was down to 10,000. Troy, one of the great Bronze Age cities, was buried by the time Byron visited: ‘Where I sought for Ilion’s walls, the quiet sheep feeds and the tortoise crawls.’ Still, plenty of cities have staying power.

From ancient times, empires have risen and fallen, driven by war, territorial acquisition, trade, plunder, religion, ideology, technology, culture and information. In this ambitious book, Samir Puri — formerly at the Foreign Office, now a lecturer on war and international studies — attempts to analyse how all this has affected the world today. Over eight chapters, he recounts the histories of empires around the globe, omitting only South America and Oceania. He looks at how their very different narratives linger in modern geopolitics. If we are living, as he says, through a ‘great imperial hangover’ it must have been one almighty booze-up.