More from Books

Thursday

Andrew Gowers

Lionel Barber leaves the pink ’un in the pink

As Lionel Barber recounts unrolling his pitch to replace me as editor of the Financial Times to the newspaper’s proprietor Marjorie Scardino, he retrospectively makes fun of his presentation: ‘You have to change the editor,’ he recalls telling the Pearson CEO in the summer of 2005. ‘Otherwise this sucker’s going down.’ Then an aside for readers: ‘Maybe she thought I had been watching too many Hollywood movies.’ Well, yes. There are some cinematic touches to Barber’s memoir of his long reign as FT editor from October 2005 to January 2020. This is true of his own self-portrait (gun-slinging journalistic enforcer in the Evans and Bradlee tradition, friend to the powerful, nemesis to the damned).

Marcus Berkmann

Gift books for Christmas — reviewed by Marcus Berkmann

We have a fine crop of Christmas gift books this year, so good that some of them actually qualify as real books. This is a rare and beautiful thing. What Cats Want (Bloomsbury, £12.99) is by Dr Yuki Hattori, billed here as ‘Japan’s leading cat doctor’, as though anyone is going to argue with that. It’s simply a guide to understanding your cat — clear, concise, very pleasingly designed and with some lovely, quintessentially Japanese illustrations, mainly of cats.

Mark Cocker

Where time stands still: a Himalayan pilgrimage

The region of Dolpo in Nepal forms part of a border zone between that country and China in the central Himalayas. It is essentially a high-altitude desert encircled by towering snow-capped peaks and has long been celebrated in the West as a real-life version of Shangri-La. Part of the image flows from the restricted access permitted to outsiders, and also from the lives of its inhabitants, who might belong politically to Nepal but culturally show allegiance to the former theocracy presided over by the Dalai Lama. Dolpo is one of the last places on Earth where a vestige of the traditional Buddhist society of Tibet still survives.

Anne de Courcy

A love story — with clothes as heroes

On the weekly ‘opinions’ afternoons, the public would arrive with carefully wrapped parcels holding items to be identified, writes Claire Wilcox. Sometimes this was a length of Brussels lace, sometimes a gown that could be dated not just to the year but to the season, because the fashion then was known: Once, someone brought a box of medieval leather shoes and everyone was sent home while a specialist in protective clothing and mask was called in, in case they had come from a plague pit. She was talking of the textile department of the Victoria & Albert Museum, where she had been senior curator of fashion since 2004.

Emily Bearn

A literary scoop: the passionate correspondence between R.L. Stevenson and J.M. Barrie

This book has appeared with no fuss or fanfare and yet by any account it is something of a scoop. For here, published for the first time, is the correspondence between J.M. Barrie and Robert Louis Stevenson, revealing one of the most intriguing literary bromances of the 19th century. The existence of the letters is well documented. In the early 1890s, gossip columns were agog with the news that two of the most popular writers of the day were corresponding, with Barrie reported to be writing ‘reams of letters’ to Stevenson. But while Stevenson’s letters to Barrie were published after the former’s death, Barrie’s letters to Stevenson never surfaced.

Kevin Blankinship

A 13th-century guide to fraud and skulduggery

Eight centuries ago in Turkey, at a gathering of intellectuals, a Muslim sultan insisted that one of his courtiers write a book about an unlikely subject: thieves and con artists. The sultan, Rukn al-Din, had secured another such book from Spain, but he wondered: ‘What’s left out of it?’ The set-upon courtier was Jamal al-Din Abd al-Rahim al-Jawbari, and the commissioned Arabic work, Kashf al-asrar (Exposing Secrets), his only surviving text. But why would a powerful ruler such as Rukn al-Din, presumably safe from street-level scammers, order a guidebook about the medieval Islamic underworld?

Isambard Wilkinson

The ruthless politics of Pakistan — and the curse of being a Bhutto

Hours after Benazir Bhutto arrived back in Pakistan on 18 October 2007, two bombs exploded near the bullet-proof truck carrying her as it inched through hundreds of thousands of supporters in Karachi. She had returned after eight years in exile in an attempt to become prime minister for a third time. As with other major incidents in Bhutto’s life, Victoria Schofield, her friend from their time at Oxford, was there. ‘Suddenly, without warning, there was a loud explosion, the impact of which literally blew me out of my chair,’ she writes. More than 140 people died. Bhutto survived. Straight after the blasts Schofield found her at home. ‘She showed me the same affection that she always had: “Come sit,” she said.

Houman Barekat

Short and sweet: Xstabeth, by David Keenan, reviewed

Aneliya, the Russian narrator of David Keenan’s enjoyably weird new novel, is worried about her dad. Tomasz’s modest music career is coming to an end; his wife left him years ago, and he lives in the shadow of his louche and much more successful best friend Jaco. ‘The famouser musician’ pulls some strings to get Tomasz one last gig, as a favour to Aneliya, with whom he is having a secret affair. Tomasz has a stinker in front of 20 people. An audio sample from his performance subsequently turns up on an obscure LP released under the mysterious moniker Xstabeth. The track is hailed in underground circles as a work of avant-garde genius. Duly heartened, father and daughter travel to St Andrews to watch some golf.

Sara Wheeler

Sybille Bedford — a gifted writer but a monstrous snob

Sybille Bedford died in 2006, just short of 95. She left four novels, a travel book, two volumes of legal process and a memoir. Selina Hastings has written a wonderful biography, with lashings of lesbian lovers, which provides a soundtrack to one version of the 20th century. Born German in 1911, Bedford grew up in a schloss in Baden’s Feldkirch, near the French border, her father a Bavarian Catholic baron and old soldier, her mother a beautiful and unstable bolter. ‘Her childhood,’ writes Hastings, whose previous books include lives of Nancy Mitford, Somerset Maugham and Evelyn Waugh, ‘was both intellectually inspirational and... emotionally deprived.’ Both parents were wealthy.

Friday

Francesca Steele

Wistful thinking: Mr Wilder & Me, by Jonathan Coe, reviewed

Mr Wilder & Me is not in any way a state- of-the-nation novel — and thank goodness. Brilliant as Jonathan Coe’s last work, Middle England, was, I’m not sure I could stomach a fictional barometer of pandemic Britain. Coe’s new book is instead a comfortingly nostalgic coming-of-age novel, or rather, a coming-of-old-age novel, probing the twilight years of a Hollywood great. Billy Wilder is predominantly famous for his work in the Golden Age of Hollywood, when post-war studios had plenty of cash to splash on the Oscar-winning comedies and noirs Wilder wrote and directed, including Sunset Boulevard, Some Like it Hot and The Apartment.

Thursday

Julian Glover

London’s 598 railways stations have made the capital what it is

I began this book waiting for a diesel train to Derby, under the windy, boxy, flat-roofed bit which one of Sir Norman Foster’s team added to the back end of St Pancras station. At around 7 p.m. on a weekday only a dozen or so people were travelling. In the arcade below — built by the proud Midland Railway, as Christian Wolmar reminds us, to the dimensions of the Burton beer barrels the space was designed to store — shops are being boarded up. No one buys a new wheelie case or jewellery before catching a Eurostar to Paris anymore. Among the many entertaining facts he has assembled, Wolmar calculates that London has 598 railway stations. There are mornings now when it feels as though that is greater than the number of peak-hour passengers across the city.

Alan Judd

Lambs to the slaughter: the fiasco of the Dieppe Raid, August 1942

In carefree days which now seem so distant we used occasionally to take the Newhaven-Dieppe ferry. Docking after a long lunch, I would try to imagine the port during the infamous Dieppe Raid of August 1942. It is so clearly a natural defensive position that I could never work out how they expected to take it or, more importantly, why. This book sets out to answer both questions and, thanks to the release of previously classified wartime files, largely succeeds. It also throws new light on Ian Fleming, who was there. Dieppe in those days was intensively fortified by the Germans, flanked by heavy guns on the cliffs. Just about every inch of the docks was covered by concealed machine guns and cannon, including a captured French tank.

Christopher Priest

Too much sound and fury in Christopher Nolan’s movies

In 2006 the director Christopher Nolan filmed an adaptation of one of my novels, written a decade and a half earlier. Other than providing the source book, I had no involvement with any part of the filming. Unlike some novelists who have a Hollywood film made, I was not at all disappointed with the result: it struck me as an intelligent, skilful and imaginative adaptation, both similar to but also subtly different from the novel. That it has since become something known as ‘Christopher Nolan’s The Prestige’ seems slightly odd from my point of view, but that’s the name of the game. Another decade and a half further along, The Prestige still looks pretty good to me. Some people describe it as his masterpiece, which is probably debatable but close to what I think.

James Campbell

Kicking up a stink: Dead Fingers Talk, by William S. Burroughs, reviewed

William Burroughs was introduced to a British readership in November 1963, and the welcome he received was ‘UGH...’ The headline stood guard over a review in the Times Literary Supplement of Dead Fingers Talk, the first legally obtainable book by Burroughs to be offered to the public in this country. Included in the round-up was a trilogy of novels issued in previous years by the Olympia Press in Paris: The Naked Lunch (1959), The Soft Machine (1961) and The Ticket That Exploded (1962). The three had been compressed, disassembled and rearranged in selected parts by Burroughs himself to create Dead Fingers Talk.

Rodric Braithwaite

Demystifying the world of espionage

John le Carré once wrote sadly that he felt ‘shifty’ about his contribution to the glamorisation of the spying business. David Omand doesn’t deal in glamour. He was at the top of the Ministry of Defence and the Home Office, director of the code-braking Government Communications Headquarters, chairman of the Joint Intelligence Committee, and responsible for structuring the government’s current anti-terrorist organisation. He thinks and writes deeply about the intellectual and moral problems thrown up by a business that depends on stealing other people’s secrets. He knows what he is talking about. How Spies Think is engagingly readable, even though the arguments are complex.

Wednesday

Claire Lowdon

Aunt Munca’s murky past

Kiss Myself Goodbye. It sounds a bit like a William Boyd novel. It looks likea William Boyd novel, too: the cover shows an old hand-coloured photograph of a fur-stoled woman, determinedly leading a man in morning dress towards the camera. And, indeed, the raw material would likely make a very good William Boyd novel — only Boyd would have to jettison at least half of the breakneck hairpin bends in the mad, mazy plot for the sake of believability. This could be the ultimate case of a tale too strange to be fiction. Ferdinand Mount has crafted the perfect, custom-made receptacle for his extraordinary story. The (anti)-hero is the millionairess Aunt Munca, self-named after the mouse in the Beatrix Potter story. It turns out to be just one of her many names and identities.

Thursday

Anne Sebba

We should never take our daily bread for granted

In the seventh and final chapter of this small but lingeringly powerful book, the author reveals his motivation for writing it. His father, he explains, a Russian-born Yugoslav soldier, had been a prisoner of war of the Germans, part of a group consigned to do forced labour felling trees during the bitterly cold winter of 1942-43. One evening, freezing, starving and looking barely human, the group was stopped on the road back to camp by a stranger, a Protestant pastor who invited them into his house and, risking reprisals, nonetheless gave them a chance to warm up and eat some bread with a glass of wine.

A.S.H. Smyth

The scholars who solved the riddles in the sands

In 1835 the first two Egyptian antiquities were registered in the British Museum: a pair of red granite lions from Nubia. Each bore the name of Tutankhamun — not that anyone had ever heard of him. All serious understanding of the millennia-spanning Nilotic civilisation had disappeared before the last hieroglyph was carved in 394 AD. In the mid-18th century the most advanced ‘scholarship’ on the subject consisted of ‘pinpricks of insight in an enveloping fog of misapprehension’, and by the early 19th century the Egypt of the pharaohs was still largely buried in the sand. The word ‘Egyptology’ did not exist.

Adam Begley

Cyber apocalypse: The Silence, by Don DeLillo, reviewed

Elaborated over a writing career that spans half a century — a career crowned with every honour save the Nobel Prize — Don DeLillo’s great project has been to explore a world where paranoia is not only warranted but healthy, a sane response to imminent threat, man-made or otherwise. He didn’t win the Nobel again this year, and may never, but his literary stature remains colossal. He’s revered as a writer and also as a prophet, a bard who sings our future into being. His very short, bracingly bleak new novel The Silence is DeLillo distilled. Anyone who doesn’t like the taste will find it unendurable; for fans it’s a straight shot of the good stuff.

Leyla Sanai

Looking for love: Ghosts, by Dolly Alderton

Of all the successful modern female writers documenting their search for love, none has been as endearing as Dolly Alderton. Candace Bushnell’s alter ego Carrie Bradshaw in Sex and the City was too brash, perma-groomed and designer-clad. Liz Jones is vulnerable and self-effacingly funny, but her low self esteem and anorexia ring my ‘needs therapy’ alarm, and she too seems bizarrely materialistic. Alderton, though, is the kind of woman every woman wants as a friend. Not only was her first book, the memoir Everything I Know About Love, unfiltered in its honesty about heartache, it was also a warm paean to friendship, with its eternal goldmine of emotional intelligence, conversations about everything, unconditional love and astute advice on tap.