More from Books

A toast to brotherhood: Summer, by Ali Smith, reviewed

The concluding novel of Ali Smith’s seasonal quartet is a family affair. Her intergenerational group of seeming strangers from the past three novels find themselves flung together at the eroding eastern edge of England. Daniel Gluck, our centenarian from Autumn, now 104, has been moved out of his care home (thank God, given that we know what’s coming — this is February 2020) and into Elisabeth’s mother’s house in Suffolk. There are some fresh faces too. Sacha and Robert are two children who tag along with Charlotte and Arthur (whom we came across in Winter) to meet him. The children’s parents voted differently in 2016, so now their dad lives next door with his girlfriend, Ashley.

Part Beat, part hippy, part punk: the gay life of John Giorno

John Giorno, who died last year, was a natural acolyte: he needed a superior being to set him in motion. Part Beat, part hippy, part punk, he was a gay, sexually active poet who tells us that he loved to do it ‘endlessly’. He was therefore very popular among New York’s avant garde, many of whom were gay and passive: ‘I was young and beautiful and that got me what I wanted, and all I wanted was sex. I had all the money I needed; my parents gave me an allowance and paid my bills.’ Such boyish candour sets the tone of this memoir, which is a feast of exuberant emotion and indiscretion.

Madcap escapades: The All True Adventures (and Rare Education) of the Daredevil Daniel Bones, by Owen Booth, reviewed

The narrative of an adolescent travelling by water with an older companion, undergoing trials and ordeals, encountering scoundrels and villains, with glimpses of society from high to low as they drift pass: it doesn’t take long before the flavour of this picaresque novel starts to seem hauntingly familiar. In his mid-teens towards the end of the 19th century, Dan, like Huckleberry Finn, escapes from a drunken father, and, though his journey is down the waterways of Europe rather than the Mississippi, the way he silently registers the corruption he sees all around him is deeply reminiscent of his literary forebear.

Poetic miniatures: A Lover’s Discourse, by Xiaolu Guo, reviewed

The novelist, memoirist and film-maker Xiaolu Guo writes with tremendous delicacy and nuance about migration, language, alienation, and love. A Lover’s Discourse is a series of poetic miniatures, sometimes just a page long, following the unnamed female Chinese narrator, living in London to pursue a PhD, and her relationship with a similarly unnamed German-English architect. Some early humour comes from the mutual misunderstandings of two hugely different cultures, as when she mishears Hanover as hangover and is mystified when he describes himself as a Wasp. But these episodes are less farcical misunderstandings than opportunities to muse on the spaces between us all and how words obscure as much as clarify.

Demystifying freemasonry

The history of rubbish can be scholarship, but the history of scholarship is often rubbish. Hindsight diminishes earlier habits of thought and behaviour, especially when, as with freemasonry, they involve rolled-up trouser legs, coded handshakes and a curious blend of mysticism and matiness. Yet freemasonry was once a radical, even revolutionary, rite — to its adherents a harbinger of egalitarian, middle-class democracy, to its detractors a conspiracy of Jews, satanists and sex addicts. The Craft is a shadow history of modernity. Though more sober than most lodge meetings, it is, like its subject, ingenious and frequently bizarre.

Trump’s autocratic antics risk becoming the new normal

It is easy to forget the abnormality of Donald Trump’s presence in the White House. Before his election it would have seemed unthinkable to have the leader of the free world bragging of being a ‘very stable genius’ on social media, then taunting the despotic ruler of a nuclear-armed nation as ‘Little Rocket Man’ and threatening annihilation of his country. Or for a United States president to lie so frequently and casually that the Washington Post counted more than 10,000 ‘fishy claims’ by the end of last April alone. But we have become inured to Trump’s self-obsessed boasts and infantile tantrums.

A tide of paranoid distrust: The Sunken Land Begins to Rise Again, by M. John Harrison, reviewed

Over the past 50 years, M. John Harrison has produced a remarkably varied body of work: a dozen atmospheric novels and five volumes of finely controlled short stories that have ranged from austere realism to operatic fantasy. He is not easily pigeon-holed — an intentional state of affairs, but one that has denied him a large readership. The worlds of his science fiction are truly strange, yet he conjures them with piercing lucidity. For instance, Light (2002) is largely set 400 years in the future. The cosmos Harrison visualises is a place of splintery disruptions, but it is peopled with cruel and slovenly characters whose minds churn in entirely familiar ways.

‘I was frightened every single day’: the perils of guarding Stalin

In Russian, the proverb ‘Ignorance is bliss’ translates as ‘The less you know, the better you sleep’. For those who experienced the worst of the Soviet Union’s terrors, this is not just a throwaway adage but a strategy for self-preservation. As Alex Halberstadt’s father — the son of one of Stalin’s former bodyguards — attests: ‘There is no more to be gained from sifting through the past than through cigarette ashes.’ Halberstadt, a Soviet-born American writer, doesn’t agree. Aged nine, soon after leaving Moscow with his family and defecting to the West, he began having a recurring nightmare in which he was chased by a ferocious bulldog, a dream that lingered into adulthood.

We all breathe – 25,000 times a day – so why aren’t we better at it?

Covid-19 has been bad news for writers with books coming out — unless the book is about breathing. We’re all now gripped by our airways, by the significance of a runny nose, a sore throat or chest tightness. We know to dread that once obscure symptom, anosmia. We debate the risks of breathing through two-ply cotton. Thousands of ITU patients delegate their respiratory effort to machines that punch at compliant lungs. The world was winded by George Floyd’s last words: ‘I can’t breathe.’ James Nestor’s fascinating new book is playful and optimistic. Everyone breathes — 25,000 times each day — but few of us are good at it.

The dark underbelly of New Orleans revealed by Hurricane Katrina

Home, as James Baldwin wrote, is perhaps ‘not a place but simply an irrevocable condition’. Sarah M. Broom’s National Book Award-winning memoir The Yellow House is a sweeping social history and condition report of the New Orleans neighbourhood in which she grew up. The youngest of 12 children in a blended household, Broom was born in 1979 in New Orleans East, seven miles from the iconic street lamps and streetcars of the French Quarter. Her mother, Ivory Mae, bought a house in 1961 with insurance money from the death of her first husband. Widowed at the age of 19 with two children and one on the way, Ivory Mae attended night school to obtain her diploma and worked as a nurse’s aide to support her family.

Killing time: the poetry of Keith Douglas

Keith Douglas is perhaps the best-known overlooked poet. He died following the D-Day landings in 1944, and his Collected Poems were published in 1951, followed by a Selected Poems in 1964. ‘Now, 20 years after his death,’ wrote Ted Hughes in his slightly puffy introduction to that volume, ‘it is becoming clear that he offers more than just a few poems about the war.’ There was a thorough and clear-sighted biography by Desmond Graham in 1974, followed in turn by further editions: another Collected Poems, prose fragments, a memoir, and his surprisingly boring letters. Yet Douglas continues to be the kind of poet older writers like to present with a flourish as an insider tip: oh, you must read Keith Douglas.

The world’s largest, rarest owl is used for target practice in Siberia

The montane forests of far-eastern Russia have given rise to one of the finest nature books of recent years, The Great Soul of Siberia. In it the Korean cameraman Sooyong Park describes his quest to document the life of the region’s Amur tigers, evoking both his totem beast and its remarkable landscape in loving detail. Jonathan Slaght is an American author, cut from the same cloth in terms of the sheer grit required to cope with the sub-zero temperatures and gloomy, snow-entombed winter woods of Siberia. Nearly 20 years ago he embarked on a similarly arduous mission, not to study the world’s biggest cat, but its largest owl, a ten-pound beast called Blakiston’s fish owl (Bubo blakistoni), named after the English naturalist Thomas Blakiston.

Italy’s Achilles heel: corruption and cronyism

Tim Parks is a seasoned, incisive observer of football, the railways, work, domestication and plenty more in his adoptive country of half a lifetime. What is, what ought to be and the machinations in the delta between provide much of his material. In this tale of two countries in one, bright, hard-working Valeria leaves Basilicata in southern Italy to study communications and marketing at a private university in Milan — shiny subjects in a city of business a long way from home (the same distance could take her to Tunis or Belgrade). She arrives laden with bread, pastries, fruit and wine, given to her by three aunts at railway stations on her journey. Her family and her circle of friends are all from the south, but she wants her life to be in the north.

Stockholm syndrome: The Family Clause, by Jonas Hassen Khemiri, reviewed

Some faint hearts may sink at the idea of a torrid Swedish family drama peopled with nameless figures identified only as ‘a grandfather who is a father’, ‘a sister who is a mother’, and so on. Stick around: this gets better. That grandfather, an immigrant trader who ‘could sell sand to a beach’ or ‘wind to a hurricane’, remembers his first taste of Swedish TV: a child- ren’s programme featured ‘two different coloured socks with sequins for eyes’ discussing ‘how vital class struggle was for a happy society’. Later, after the long-distance skating, came ‘a documentary about Latin American poets or Ukrainian beekeepers’.

Good memoir-writing should also be self-critical

A book about breaking confidences, not to mention friendships, rather begs the same in return. Reading Anne Applebaum’s brief memoir of the world going mad around her sparked a memory of my own. It is a couple of days after the Brexit vote, and several hundred of us have gathered in London for the memorial service of a recently departed friend. The ceremony was hardly over before Applebaum and her husband, the former Polish defence minister Radek Sikorski, started picking political fights with the other guests, including some very old friends. ‘Don’t go near Anne and Radek,’ one mutual friend said to me, signalling to the visibly furious couple: ‘They’re absolutely spitting.

R.B. Haldane: a great public servant, much maligned

This is a strange but valuable book. The author is a private equity magnate, whose fascination for Richard Burdon Haldane dates back to his childhood. In his acknowledgments he admits he lacked the expertise to write a proper book about his hero, and so enlisted the help of a young scholar, Richard McLauchlan, credited on the title page (but not on the front cover) as having written the book in collaboration with him. The research has been done superlatively. The bibliographies for each chapter are extensive, and some interesting archival material is deployed, such as the diary of Haldane’s sister, to whom he was devoted.

Natalie Wood’s death remains a mystery

Are all children of famous parents told they must have a book in them? Since Allegra Huston’s wonderful memoir Love Child in 2009, standards have been slipping. More Than Love is by a minor actress whose only claim to fame is that she is the daughter of Natalie Wood and won’t ever let you forget it. The book begins with Natasha Gregson Wagner waking up on 29 November 1981 and hearing a voice on the radio saying that Natalie Wood’s body had been found in the sea off Catalina Island. Suddenly the house was full of people and there were mobs of cameramen outside. Robert Wagner (who she always calls Daddy, though he was not her father) came home and told her and her half-sister Courtney that their mother had died but that he was there for them always.

Sad and beautiful: The Dear Departed, by Brian Moore, reviewed

Short story writers often find it irksome to be asked when the novel is coming out, as though their work was just rookie preparation for something more substantial. (That said, many do go on to write that novel.) The Dear Departed is, amazingly, the first selection of Brian Moore’s short stories to be published. Written between 1953 and 1961, they prefigure most of Moore’s 20 highly acclaimed novels, three of which were shortlisted for the Booker Prize. One can certainly appreciate how the stories of this collection display the concerns that would preoccupy the Belfast-born Moore throughout his career — those attempts to abandon the values and constraints of the past, to escape conservative, authoritarian homes.