Spectator Life

Recently, Spectator writers shared their all-time favourite summer holiday reads. In response, Spectator readers have been offering their own recommendations for what books to take to the beach… 'You might try Helen Thompson’s Disorder: Hard Times in the 21st Century, a history of oil politics. It starts with the simple fact that in evolving from the steam to petroleum age, the old western powers no longer had direct access to fuel and faced a growing dependency on oil from Russia, initially, and then the Middle East. The US, of course, is an exception as it has domestic resources – but foreign policy errors led to it being the guarantor of petroleum resources to the rest of Nato.

Earlier this year, quite unexpectedly (and for personal reasons too tedious to share), I was forced to be outside the UK for ‘a while’. At the outset, I had no idea how long my exile might be: maybe weeks, maybe months. To add to the ambiguity, I had no particular place to go, except two already arranged travel writing trips of a week each (in the USA and Greece). So I decided: why not make a pleasing virtue of necessity? Why not, at the age of 58, do a geriatric version of a gap year, wandering freely about the globe? And that is exactly what I did. I packed my suitcase, headed out, and let whimsy and the weather dictate where I went next.

Sitting in a posh office overlooking the Royal Academy, the comedian Harry Hill is deploying one of his lesser known modes: introspection. ‘I suppose I’m one of a growing number of celebrities who do art,’ he says, one hand fiddling with his trademark oversized shirt-cuff. His point – which he returns to several times – is one of definition: as much as he enjoys making art, and as much art as he makes, he can never quite see himself as an artist. In his defence, he isn’t alone. After more than a decade as the face of one of the most-loved comedy shows this century, Hill can probably count himself among the ten most recognisable comics in Britain.

The restoration of any run-down English country mansion is likely to involve extensive re-roofing, re-plumbing and re-wiring. Only one, however, is likely to uncover microphone wires hidden deep within walls by MI6, or involve the polishing of a grand, three-storey oak staircase over which Hitler’s top henchman, dressed in full Nazi regalia, tried to throw himself (failing when he got his leg stuck in the balustrade). Mytchett Place, between Ash Vale and Frimley Green in Surrey, is a sprawling 23,000 sq ft Victorian house that has just hit the sales market for £15 million.

My first reaction to anyone buying even a bog standard two-up-two-down terrace in London is a fake congratulations through gritted teeth. So when it was reported last week that the Duchess of York, ex-wife of disgraced Prince Andrew, had bought a £5 million mews house in Mayfair, I was surprised that I didn’t share the outrage of the general public. Sure, she does very little, spending her days lounging around in Royal Lodge, the Grade II-listed Windsor property she shares with her ex. But there’s a part of Sarah Ferguson that is totally relatable, and as she has tried – and often failed – to navigate the inner workings of the royal establishment, I have watched her with admiration.

Chances are you will have heard of Hay-on-Wye. You might even have been. It’s the town on the Anglo-Welsh border where more than 30 years ago a man called Peter Florence began what has become the world’s most famous literary festival. Now some 200,000 people descend on the place each May and June, and for 11 days it feels like the centre of the literary universe, with hordes carrying tote bags traipsing hither and thither and pubs and restaurants overflowing like Venice in high summer. If that’s what floats your boat, then get stuck in. But for my money, Hay is worthy of a visit in its own right – and preferably when all those other visitors (not to mention ex-presidents and Booker prize-winners) aren’t there.

Of all the things in the world of entertainment that might get me excited, 'a new Michael Mann project' tops the list. A film writer and director, Mann not only is a talented storyteller, but has mined the criminal underworld for his subject matter, from his debut feature in 1981, Thief. Since then, he’s rarely veered from criminal elements in his subject matter (Last of the Mohicans and Ali being the two notable exceptions). He is the great auteur of the crime genre; in other words, he makes arthouse films for dads. In 1995 Mann released what many consider to be the greatest crime film ever made.

Every August, thousands of comedians make the pilgrimage to Scotland for the Edinburgh Festival Fringe. By the end of the month, those who manage to stand out in this crowded field (and it is a very crowded field) might have Live at the Apollo or Netflix calling, or maybe even a sitcom commission. But this year, with performers facing hefty registration fees, rent more expensive than a luxury foreign holiday and exorbitant marketing campaigns, all in the midst of a cost of living crisis, more and more are asking: has the Fringe lost its edge? As the festival kicks off for its 75th year, comedian Vittorio Angelone says its culture seems to have changed.

The flights are booked, the passports are dusted down and it’s time to pack. But which books deserve space in your suitcase? Here, Spectator writers share their all-time favourite summer holiday reads… Matthew Parris My all-time favourite re-read at any time of year is Thornton Wilder’s The Bridge of San Luis Rey. A very short novel with the kind of perfection a geometrical proof may command, it starts with the death of a group of travellers crossing a Peruvian rope bridge who are linked only by the fact that they were on the bridge when it snapped, and traces the life of each up until that point. Wilder’s quest is to discover whether there exists any divine plan. Toby Young For pure escapism, I Am Pilgrim by Terry Hayes is hard to beat.