Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Defying the tech giants: The Every, by Dave Eggers, reviewed

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Those for whom Dave Eggers’s name evokes only his much praised memoir A Heartbreaking Work of Staggering Genius (2000) may be surprised at just how much straight fiction he has written. ‘Those for whom’, here, is code for me. I confess it, the pros and cons of transparency being one of the themes of the book under review. In addition to McSweeney’s, his influential literary magazine, and other book-length nonfiction (his 2009 Hurricane Katrina book Zeitoun is exceptional), Eggers has published 13 lengthy novels. Here’s one of them: The Circle (2013), a blockbuster satire on the burgeoning power of internet companies such as Facebook, Amazon, Apple and Google.

Yours disgusted, H.G. Wells: the young writer finds marriage insufferable

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The Young H.G. Wells is a biography that takes biology seriously. This is partly because H.G. Wells was a biologist before he became a writer of science fiction (his first publication was A Text Book on Biology, which he illustrated himself), but also because Claire Tomalin is alert to the life of the body as well as the mind. In her hands, Wells’s youth was less about his rise from the lower classes to become the wealthy socialist who predicted the aeroplane, the tank and the atomic bomb than about the rise of his weight. There is never a point in these pages when we are not told what numbers Wells saw when he stood on the bathroom scales, or reminded of the connection between his physical evolution and his evolution as a writer.

The Great God Pan is all things to all men

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Pan’s name is thought to derive from ‘paean’, the ancient Greek verb meaning ‘to pasture’. His half-man, half-goat form reflected his role in protecting flocks of goats and those who herded them among the wild hills of Arcadia. Panic was his superpower, freaking out mortals in the woods with distorted sounds, even neutralising hostile armies. This might seem like an adequate portfolio of godly aspects, but, as Paul Robichaud demonstrates in Pan: The Great God’s Modern Return, it didn’t take long for things to get more complicated.

Homage to the greatest 18th-century poet you’ve never heard of

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If you were to glance only briefly at the title of the Irish poet Doireann Ní Ghríofa’s prose debut you might be forgiven for assuming that A Ghost in the Throat was a story about demonic possession — and you wouldn’t be entirely wrong. Demonic? No. Possession? Certainly. This spectral, arresting and at times disorientating autofiction is, most simply, the story of an author and her muse. But it isn’t just a story. Its fusion of historical biography, memoir and literary criticism makes it an intoxicating experiment in genre while also a heady and sensitive read. And that seems to be Ní Ghríofa’s modus operandi.

What motivates Peter Thiel apart from the desire for more wealth?

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If you’ve only heard one thing about Peter Thiel (and many have heard nothing at all) it is that he is a believer in the power of young blood. The tech multibillionaire and founding investor of the surveillance company Palantir is a public advocate of parabiosis, an experimental field of biology investigating whether transfusions of blood from young people to older ones can stall or even reverse ageing. Rumours that Thiel himself has received such transfusions have persisted for years. When asked about them directly in a rare interview, he replied simply: ‘I’m not a vampire.’ Max Chafkin’s The Contrarian makes for deeply uncomfortable reading.

Henry VIII’s windfall from the monasteries was shockingly short-term

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In 1536 there were 850 monastic houses in England and Wales; just four years later they were all gone. The romantic remains of many of them still grace our landscape, Shakespeare’s ‘bare ruin’d choirs’ receiving more visitors today than the living communities did half a millennium ago. Now these visitors are primarily tourists and heritage lovers; then they were pilgrims, travellers, businessmen and, of course, those who toiled spiritually as servants of the Church, some more conscientiously than others. Monasteries were huge physically, commercially and spiritually; ‘they were never only scenery,’ declares James Clark in his new book: ‘Their profile defined not only a locality but sometimes a whole region.’ And they were ubiquitous.

Can the fiasco of the Dieppe Raid really be excused?

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In my mother’s final days we had a long conversation about the second world war. I asked if she’d ever thought we might lose. ‘No,’ she snapped. ‘I knew we were too clever for them.’ The chief of the imperial general staff, Sir Alan Brooke, had been less sanguine. On 31 March 1942 he confided to his diary: ‘During the last fortnight I have had, for the first time since the war started, a growing conviction that we are going to lose.’ His concern, besides the army not fighting very well — witness Hong Kong and Singapore — was that Britain’s new allies, the Soviet Union and the United States, were for different reasons clamouring for a second front.

Even the greatest tennis players need to be adored

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Louis MacNeice once wrote that if you want to know what chasing the Grail is like, ask Lancelot not Galahad. Because failure helps you see — the successful types are too busy succeeding. Two recent books on tennis put this theory to the test. The Master, by Christopher Clarey, long-time tennis correspondent for the NY Times, is about Roger Federer’s greatness. Clarey played for Williams College, where he ‘struggled and choked enough to understand just how difficult it can be to hit the shots that virtuosos like Federer make look routine’. Billie Jean King’s most recent autobiography, All In, is the second. She tells the story from Galahad’s point of view. King’s is harder to sum up: part coming-out memoir, part tennis journal and part polemic.

Celebrating Tony Wilson, the founder of Factory Records

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To many people Tony Wilson was a bigmouth Mancunian, brash music impresario and jobbing television presenter. But to the generation that came of age in the late 20th century he was a guide to the future. We have him to thank for ushering in the strangest, most revelatory pop music to the cultural mainstream. Wilson was among the first to spot the significance of catalytic bands such as the Sex Pistols, Joy Division and Happy Mondays and to champion them through his countless media projects. Factory, the scrappy record label he co-founded in 1978, produced some of the biggest-selling records of the 1980s, with a spirit of ‘subversion through inefficiency’. Wilson opened the Hacienda in 1982, the best nightclub in the city.

Love in a cold climate: Snow Country, by Sebastian Faulks, reviewed

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In the months before the outbreak of the first world war, Anton Heideck arrives in Vienna. Family life offered him the prospect of a job in his father’s meat factory, but he goes to the big city to start a career as a writer. What he finds is Delphine. They fall in love, move into a flat, then a house in the countryside outside Vienna; but when war breaks out the fragility of their happiness is brutally exposed. Snow Country moves from this doomed love to post-war Vienna, and to Lena, the daughter of an alcoholic part-time call girl. Lena eventually goes to Vienna, where she comes close to following her mother’s path, before finding work at a sanatorium near to where she grew up.

It’s time female fraudsters received their due

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If you’re after jewel thieves, bank robbers and gold smugglers, look no further than Caitlin Davies’s Queens of the Underworld. It opens in 1960 and tells the tale of Zoe Progl, a professional crook who once stole £250,000-worth of furs in a single heist. Eventually sent to Holloway Prison for 20 years, Progl subsequently pulled off the most successful jailbreak in 75 years when she scaled the 25ft wall to freedom. Davies describes how her interest in this case led her to talk to Progl’s daughter after her mother’s death and, realising there was barely any public knowledge about this notorious, successful and imaginative criminal, thought that Progl was one of many women who deserved her attention.

A wife for King Lear — J.R. Thorp imagines another Lady Macbeth

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Shakespeare wastes no time on Lear’s backstory; we meet the brutal old autocrat as he divides his kingdom between two devoted daughters. Learwife begins where the play ends. The mad, broken old man and three daughters are dead; but why has a messenger brought the word to a remote nunnery where a forgotten woman paces the cloisters? She looks the reader in the eye: I am the queen of two crowns, banished 15 years, the famed and gilded woman, bad-luck baleful girl, mother of three… I am 55 years old. I am Lear’s wife. I am here. Other writers, such Jean Rhys, Margaret Atwood and Pat Barker, have given a voice to marginalised women. J.R.

The revival of the blacksmith’s craft — a new generation goes at it hammer and tongs

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At Intelligent Life, the Economist magazine where I worked for some years, it was easy to feel intellectually challenged. Even the interns all seemed to have Oxbridge Firsts. What a breath of fresh air, then, when the deputy editor’s son decided he didn’t want to go to university, and would instead apprentice as a blacksmith. During the industrial revolution, Alex Pole tells us in this eccentric and enchanting book, there were 25,000 smiths working in the UK. Now, there are fewer than 2,000. As Ronald Blythe noted more than 50 years ago in Akenfield, far more villages have a cottage called The Olde Forge than a blacksmith.

Mass hysteria in Massachusetts: the 17th-century witch crisis in America

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One September day in 1649, in the frontier town of Springfield, Massachusetts, Anthony Dorchester returned from church to the house he and his wife shared with a couple called Hugh and Mary Parsons. He went to check on a cow’s tongue he was boiling for dinner but to his surprise it wasn’t in the pot. He searched high and low but couldn’t find it. Mary told him that her husband had sneaked off mysteriously on the way to the meeting house and was now nowhere to be seen. Given that the two men had argued about possession of the tongue, the obvious conclusion would surely be that Hugh had stolen it. But for Dorchester and his neighbours a more plausible explanation was that Hugh had made it disappear through the ‘juggling’ of witchcraft.

New tactics are needed for the wars of the future

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The strategic bankruptcy of the West has twice so far this century demanded that our brave soldiers risk their bodies and minds to fight unwinnable wars. The lessons to be learnt from Iraq and Afghanistan, and indeed from Libya, Syria and the Sahel, are many; but the original sin was hubris, born of post-Cold War military preponderance and successes in Sierra Leone, Ulster and Kosovo. The consequence of our arrogance, when 9/11 demanded action, was that we failed properly to interrogate, and so to grasp, either the character of the specific conflicts into which we jumped, or the fundamental nature of war itself.

It’s the fisherman who’s truly hooked

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Trying to catch fish with rod and line is a pursuit that, for many, goes far beyond the pleasant passing of a few leisure hours, the diverting indulgence of a hobby. It becomes little short of a reason for existence, an end for which the other bits of life are merely the means. I have never been so afflicted, being a casual sea-angler, but I look upon those who are with profound curiosity. Like deep religious faith, such zeal might sometimes look cranky, but there is much to envy too. ‘Fishing simply sent me out of my mind,’ confessed the Russian writer Sergei Aksakov. In The Lightning Thread, David Profumo traces the course of his own colourful, fish-obsessed years. They begin in Scotland when he’s seven, with a brown trout and a worm.

Andrew Mitchell relives the agony of Plebgate

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Andrew Mitchell, as he readily admits, was born into the British Establishment. Almost from birth, his path was marked out: prep school, public school, Cambridge, the City, parliament, the Cabinet. At every step along the way he acquired the connections that would propel him to the stratosphere. But for one extraordinary event, who knows where he might have ended up? Certainly in one of the top jobs. In other circumstances this might have been a conventional story. Posh boy goes into the City, makes loads of money and then takes time out to come and govern us. In fact this is an unusual memoir — honest, self-deprecating and rich in anecdote. A fundamental streak of decency runs throughout.

Life’s dark side: the catastrophic world of Stephen Crane

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Long before Ernest Hemingway wasted his late career playing the he-man on battlefields and in fishing boats, or Norman Mailer wasted an entire career playing Hemingway, Stephen Crane was the most world-striding combative male intelligence in literature. And while he created the template for every ‘manly’ novelist who came after, from Jack London to Robert Ruark, he never sought attention as a man but only as a writer; and he certainly never issued many advertisements for himself. Instead, he almost surreptitiously explored the world’s most violent places with inexhaustible intrepidity.

Bright, beautiful and deceptively simple: the art of the linocut

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In the 1920s the linocut broke out of the schoolroom and on to gallery walls. Here was a democratic new art form, perfect for the times with its lowly materials — a piece of old linoleum flooring for the block, while the best tools, according to the artist Claude Flight, were an old umbrella spoke for cutting and a toothbrush to rub the back of the paper. The finished prints, Flight hoped, would be cheap enough for working-class pockets. Above all, the bright, dynamic images themselves, often depicting scenes of contemporary life — busy streets, the London Underground, skating, the first motor races — captured the mood of the age.

A master of spy fiction to the end — John Le Carré’s Silverview reviewed

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Literary estates work to preserve a writer’s reputation — and sometimes milk it too. The appearance of this novel by John le Carré less than a year after his death seems almost suspiciously opportune, but whatever the publishing expediency involved, it is a very fine finale. Julian Lawndsley is the 33-year-old owner of a bookshop in an East Anglian seaside town, having fled the City, where he has made both his fortune and his name asa canny trader. Any echoes of The Bookshop by Penelope Fitzgerald soon fade as we discover that Lawndsley knows virtually nothing about books and even less about the customers he sells them to — until Edward Avon, an exotic foreigner, enters his shop one evening.

Has George III been seriously maligned?

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Every British historian has a story about the witlessness of Americans when it comes to our Georgian kings. The fate of Alan Bennett’s play The Madness of George III is notorious — Hollywood turned it into a film entitled The Madness of King George, in part lest American audiences assume it a tertiary sequel to The Madness of George I. A few years ago I encountered a highly educated editor at a reputable American news outlet who was under the impression that George V and George VI were ‘Hanoverian’ sovereigns, for surely they had been the son and grandson of George IV. I have deep sympathy, therefore, with the impulse behind Andrew Roberts’s biography of George III.

Bach’s Cello Suites represent a spiritual meditation — from the Nativity to the Resurrection

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‘One player on four strings, with a bow.’ That’s what Bach’s six Cello Suites boil down to, says Steven Isserlis. It sounds simple enough, until you add more than 100 editions and 200 recordings into the equation, not to mention countless books, chapters and articles all wrestling with a work Isserlis calls ‘a Bible’ for cellists. And this tussle isn’t just a lofty question of meaning or interpretation either: we’re still arguing about the actual notes. Suddenly the numbers no longer add up. The cellist Isserlis released his award-winning account of the Cello Suites in 2007.

God is everywhere, sometimes in strange guises, in Jonathan Franzen’s Crossroads

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Twenty years ago The Corrections alerted a troubled world to the talents of Jonathan Franzen. Though cruel and funny and aggressively clever, the novel did more than display its author’s spiky brilliance. A stubborn moral core, in the person of the ailing patriarch of the Lambert family, and a tangled web of fierce emotion binding him and his wife and three children, gave it powerful resonance. Franzen’s new novel, Crossroads, presents us with another patriarch and another set of dysfunctional family dynamics. What has changed in the past two decades? Now less inclined to show off, Franzen is more assiduous in his excavation of character. We get less dazzle and a deeper dive.

Stylish and useful: why the Anglepoise remains a design classic

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The tide of survival bias has retreated and left the Anglepoise a design classic. Its contemporaries from the mid-1930s, a BSA Scout and de Havilland Dragonfly, for example, have become quaint antiquities. Almost unmodified since 1934, it is that rarest of things: a design beyond fashion. And it has totemic qualities. For my generation, the possession of an Anglepoise as much as a set of David Mellor cutlery or even a chicken brick was a ticket to the modern world where perfect products made you happy. Or so the theory went. To understand that modern world, now deceased, you need to appreciate basic analogue systems such as the rivet and the spring. The rivet is a bonding technique that made petrol tankers and submarines possible.

Another haphazard Booker shortlist lacks literary competence

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The Booker used to be more enthusiastic about the historical novel than it now is. Maggie Shipstead’s Great Circle (Doubleday, £16.99) is about an imagined woman pilot who makes her way in the first years of aviation and is thought to have died in a daring feat of navigation from Pole to Pole in 1950. It’s an enjoy-able example of a genre that was popular in the 1990s: the historical novel interspersed with a present-day story — this one about a film star who has made a PR mess, loses her role in a series of teen movies and tries for redemption through a film about the aviator. The best of those novels tended to show events of the past reaching out and shaping present lives.

From ‘little Cockney’ to playing Queen Mary: the remarkable career of Eileen Atkins

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Eileen Atkins belongs to a singular generation of British actresses, among them Judi Dench, Maggie Smith, Sian Phillips and Vanessa Redgrave, who not only continue to perform on stage and screen in their late eighties but all of whom, apart from Smith, have written their memoirs. Atkins already has a proven literary track record. Having wisely abandoned her first effort, a three-act, 17-minute play, containing ‘murder, incest and sodomy’, written during an early period of unemployment, she went on to co-create the hugely successful TV series Upstairs, Downstairs and The House of Eliott, write the play Vita and Virginia and put together a selection of Ellen Terry’s lectures. Will She Do?