Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Caught between conflicting desires – for liberty and belonging

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A friend recently moved back to the UK after living in China for ten years. Being English, he was always going to be an outsider in China, but what surprises him now is how foreign he feels in England too. He asked me whether this feeling ever ended. I told him that I suspect people like us will never fully belong anywhere again. The novelist and filmmaker Xiaolu Guo articulates this sense of alienation exquisitely, knowing exactly what it’s like: ‘Part of me is always in exile.’ She left China in her late twenties when she was already a published author. In Radical, she tries to come to terms with being an outsider, using language as metaphor (she says she’s pursuing ‘an etymology of myself’).

Should we judge a work by the character of its creator?

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‘Most of my heroes are monsters, unfortunately,’ Joni Mitchell once said, ‘and they are men.’ The singer-songwriter was able to detach the maker from the made. Should we do the same? Is it ethical? Even possible? These are the questions Claire Dederer deftly considers in Monsters, which puzzles through the problem of what we ought to do about great art by bad men. Ideally, nothing. Early on in her quest, Dederer longs for someone to invent an online calculator: The user would enter the name of an artist, whereupon the calculator would assess the heinousness of the crime versus the greatness of the art and spit out a verdict: you could or could not consume the work of this artist. Alas, said calculator has yet to be programmed, so it’s down to her to do the maths.

A purring cat is not always contented

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Large cats cannot miaow. (Lions and tigers, I mean, not moggies who have overindulged on Whiskers Meaty Selection in Gravy.) The largest feline ever to have lived was a sabre-toothed cat in South America, which weighed nearly half a tonne. Female house cats can copulate up to 20 times a day when in the mood. Male cats have a bone in their penis. Cats are green-red colour blind. There are probably more than half a billion cats alive in the world at this moment. These are gleanings merely from the footnotes of Jonathan Losos’s The Age of Cats, which is portly with information. The book, surveying cats’ evolutionary history, behavioural habits and potential future, has a lovely cast list of felines wild and domestic, large and small.

Literary charades: The Writing School, by Miranda France, reviewed

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A recent YouGov survey found that 60 per cent of Britons dream of being writers, compared with 31 per cent who dream of being film stars. Although the chances of success, or even subsistence, are equally remote in both professions, aspirant authors flock to the country’s ever-proliferating creative writing courses. Miranda France’s splendid third book, blending fact and fiction, is set on one such course: a week-long residency in a rural retreat house, which bears more than a passing resemblance to the Arvon Foundation at which France has taught. The unnamed narrator, a Spanish translator and travel writer with two novels to her name, leads an eclectic group of 12 students, in tandem with Tom, a poet, who, having been likened to Ted Hughes, is doing his best to act the part.

From she-devil to heroine – Winnie Mandela’s surprising metamorphosis

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Apartheid South Africa created many heroes and villains, and in the heat of battle for the soul of that country it was sometimes difficult to tell which was which. For decades, Nelson Mandela represented righteous liberation for a society enchained by the grim political philosophy of apartheid. Throughout most of this time, his wife Winnie embodied fearless defiance and radical resistance to the system, a charismatic beauty who howled with rage: according to Lord Hain, ‘a quasi-revolutionary to Mandela’s reformism’. A complex Shakespearian tale unfolds of two charismatic figures thrown together by apartheid Today, as South Africa lurches from one crisis to the next, the legacy of the Mandelas is up for grabs.

Andrew Motion pays tribute to his poetic mentors

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Andrew Motion has previously published a memoir of childhood, In the Blood (2006), but this new book focuses on his becoming a poet, his search for mentors and subsequent writing life. Motion, a country boy, has a Words-worthian bent, and talks about the pull of evocative recollections, already hardening when he entered adulthood, as ‘equivalent to the songs of the Sirens’, explicitly ‘spots of time’. He is, as one might expect, good on poetry’s general appeal – ‘ it prizes compression and distillation in a world of deliquescence’ – and perceptive on the root cause of its lure for him.

Why are we so squeamish about describing women’s everyday experiences?

Lead book review

The way that language is shaped by the facts of biological sex is a rich subject. (The way that biological sex is framed, and sometimes refuses to be shaped, by language is perhaps one for another day.) Some languages have evolved forms which are distinctly those of male or female users. Japanese has speech patterns described as male or female, such as (male) the informal use of da instead of desu. There are scripts used exclusively among women, such as the syllabic Nüshu in Hunan, China. Many languages have gendered grammatical forms in ways that are not just metaphorical. Nouns such as ‘boy’ and ‘girl’ are masculine and feminine in French, but ‘girl’ is neuter in German. Some have masculine and feminine forms of adjectives and other parts of speech.

Life’s survivors: The Angel of Rome and Other Stories, by Jess Walter, reviewed

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Anyone who has read Jess Walter’s Beautiful Ruins will want to turn straight to ‘The Angel of Rome’, the title story in this second collection by the versatile American author. Like the novel that elevated Walter from an underrated writer of police procedurals and thrillers to one capable of bestsellers, ‘The Angel of Rome’ is set in Italy and features a filmset and glamorous actors. Both are also partly based on real life. In Beautiful Ruins, Walter plays with what happened during the filming of the 1963 epic Cleopatra. Here he bases the story on an episode in the life of Edoardo Ballerini, an actor who read Beautiful Ruins.

A magpie proves a troublesome pet

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With his swashbuckling gait, ominous associations and garrulous demeanour, the magpie is the dandified razor boy of our avifauna and provokes ambivalent feelings (the ‘pie’ part signifies many a mixture). His pilfering reputation has inspired work from Rossini to the prog-rock band Marillion, and in lab tests he’s one of the few creatures brainy enough to recognise his own image in a mirror – even some Marillion fans can’t do that. But it’s hard to see how this corvid could be truly lovable. The artist and poet Frieda Hughes, however, fell for a little foundling Pica pica back in May 2007 when she was refurbishing her ramshackle new home. He was an unloved, unfledged orphan, and adopting him changed her life. George is a diary-based record of the sprightly saga that ensued.

Britain’s churches need us to survive – but do we still need them?

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In the summer of 1992, Gloria Davey came upon a ruined church near Swaffham in Norfolk. It had no roof, no windows and no door. Satanists were using it for their rites; a grave had been opened, giving up its bones. Gloria’s husband Bob felt obliged to act. He disrupted their rituals, and when they threatened to kill him, he called in the local Territorial Army. They didn’t bother him again. Bob Davey was 73 when Gloria found the late 11th-century church of St Mary, in Houghton on the Hill; he died, aged 91, having visited it every day thereafter. He and a small group of friends built a mile-long access road and made the church watertight – made it good again, you might say. Then a kind of miracle happened.

Friendships and rivalries in the golden age of Oxford philosophy

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Though it is startling to think of it now, analytic philosophy was once considered a promising subject for satire on mainstream television. When Beyond the Fringe was broadcast in 1964, the viewing public could apparently be relied upon to recognise the archetype of the post-Wittgensteinian linguistic philosopher being impersonated by Jonathan Miller and Alan Bennett. The discursive style on display was anguished, effete and reflexively pedantic; the setting, a kind of implied common room (the only atmosphere this particular creature was able to breathe); the repartee hopelessly clogged with qualifications and smug little obiter dicta and minutely alert to exquisite verbal distinctions of doubtful relevance to the point in hand.

The farming year in 18th-century Sussex

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You may (or may not) already know this, but researching the long 18th century in 2023 is rarely a life-affirming, paradigm-shifting conversation over wine with Plato in the groves of academe. It is seldom, even, a couple of tins of warm lager on the train home after guesting on an episode of Start the Week. It is sometimes, though, sitting in an archive transcribing the traces of long-vanished lives, conscious of the passing of time, quietly excited but still wondering if any of this actually matters, whether the partial recovery of someone else’s life really is the fullest way of living your own.

Caught in a web of lies: The Guest, by Emma Cline, reviewed

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This deeply unpleasant novel kept me reading all night. Alex, 22, preys on rich men as an upmarket prostitute, formerly in New York and now in resorts such as the Hamptons. She is a thief and addict, sneaking her boyfriend’s sleeping pills, his valuable watch, a former room-mate’s medication, random jewellery and any available alcohol, while lying to herself and others. Moving among the rich, she pretends to be one of them. Writing about them in their holiday homes, Emma Cline is skilful and observant: The women had a funny, girlish air: their tiny steps, their uncertain smiles, satin bows in their ponytails, though most of them were probably over 60, raised in a time when childishness was a lifetime female affect.

Triumph and disaster in the War of Jenkins’ Ear

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It all began in 1731 when Robert Jenkins, the captain of the Rebecca, had his ear sliced off by Juan de León Fandiño of the Spanish patrol boat La Isabela. Storming the British brig in the Caribbean, Fandiño accused Jenkins of smuggling sugar from Spanish colonies. He would cut King George’s ear off too, Fandiño threatened, were he to be caught stealing from Spain. Testifying before parliament in 1738, Jenkins produced the severed ear (pickled in a jar), which is why the nine years of fighting that followed became known as the War of Jenkins’ Ear.

A born rebel: Lady Caroline Lamb scandalises society

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At the beginning of her biography of the novelist, ‘fairy sprite’ and proto-feminist Lady Caroline Lamb, Lady Antonia Fraser hints that this may be her final book. Not for her a dramatic, Prospero-breaking-his-staff exit; instead, she writes mildly in the prologue that ‘this book... can also be regarded as the culmination of an exciting and fulfilling life spent studying history’. We must hope that Fraser continues to research and publish. Yet if this is to be her swansong, it is characteristically readable, accomplished and in places positively revolutionary.

Jim Ede and the glories of Kettle’s Yard

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Jim Ede started early. At the age of 12 he used £8 of his hard-won savings to buy a Queen Anne desk. No bicycle, air pistol or football for him: this solid piece of old furniture was the thing, the first step in a long life of acquiring objects that lived, breathed and spoke to him. To call him a compulsive collector is to understate the passion that over the years saw the desk followed by an avalanche of stuff, from porcelain and glasses to pebbles and feathers, textiles and above all paintings, drawings and sculpture. Each acquisition admired, loved, cherished and shared for its uniqueness – what Gerard Manley Hopkins would have called its ‘instress’.

The sadness of Britain’s seaside resorts

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Now the exhilaration kicks in, the lightness of heart, a joyfulness surging along the warmed blood vessels and tingling extremities: every cell feels as if charged with new life. There has been a ritual, a sacrifice, an offering to the waves of flesh and pain, and in return, there is restoration, life given back. Thus Madeleine Bunting describes the bliss, not of swimming, but of having just emerged from the icy British sea into which she is addicted to plunging in winter as well as summer. In this fizzing state, having pulled her clothes back on, she goes straight to the nearest steamy café for fish and chips and tea. When package holidays became available, ‘Blackpool moved lock, stock and barrel to Benidorm’  Tempted?

The language of love: Greek Lessons, by Han Kang, reviewed

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In the wake of the death of her mother, divorce from her husband and the loss of custody of her son, a young writer and poet in Seoul turns her attentions to lessons in ancient Greek. She walks miles across the city to the classroom, dressed in a black jacket, black scarf and black shirt – a ‘sombre uniform, which makes it seem as if she’s just come from a funeral’ – and devotes herself to the unfamiliar alphabet, verbs and nouns. This delight in words – ‘the wondrous promise of the phonemes’ – has sustained her since childhood, when she first scratched Hangul, the Korean alphabet, into the dirt. There is only one barrier to her love of language. Not for the first time, she has completely lost the power of speech.

Milan Kundera feels the unbearable weight of disappointment

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If you’re looking for a towering intellect to dispense guidance and illumination on current events, particularly one from Central Europe, the hearth of gravitas, piano sonatas, polyglotism, the reading of Hegel etc, Milan Kundera, in A Kidnapped West, will be a bit of a disappointment. This isn’t Kundera’s fault. The volume contains a short speech from 1967 and an essay from 1983. It’s a pleasure to see a publisher giving oxygen to learned discourse, and while both texts are as urbane and erudite as you would expect, we have moved on a great deal. A Kidnapped West needs to be filed under intellectual history. Not that everything has changed, how-ever.

Bad boy on the run: Shy, by Max Porter, reviewed

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Shy concludes Max Porter’s informal trilogy of short, poetic novels powered by pain and polyphony. First, in 2015, came Grief is the Thing with Feathers, in which a widowed Ted Hughes scholar is both shocked and comforted by the arrival of a croaking, crouching crow. Then, four years later, Lanny, which followed a young boy through village life, with appearances by the ancient spirit of Dead Papa Toothwort, and explored issues of alienation and isolation. Both were works of multiple voices, not always human; and both introduced Porter as a writer meticulously interested in rhythm, compression and the profoundly generative process of conveying the intersection between individual consciousness and collective identity.

Daniel Chandler aims to bring new values to British politics – so how will that work out?

Lead book review

As this country stumbles towards a Labour victory at the next election, the mood on the left remains subdued. The problem is not Keir Starmer’s personal charisma, achingly absent though that may be. No, it lies much deeper than that, in what Tony Benn liked to call the ishoos. The cry goes up from focus groups across the land: what does Labour really stand for? What are its Big Ideas? Does anyone know? Well, perhaps they will quite soon. Step forward Daniel Chandler, a Cambridge-educated policy adviser and think-tanker who is now completing a doctorate at the LSE.

Desperate for love: Very Cold People, by Sarah Manguso, reviewed

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‘My parents were liars,’ the narrator Ruthie says at the beginning of Sarah Manguso’s unsettling debut novel. Looking back on her abusive childhood in a New England town near Boston in the 1980s, she recounts how her father wore a fake Rolex that didn’t work, and her narcissistic mother was obsessed with social climbing, pinning the wedding announcements of local Mayflower descendants on the fridge as if she knew them. Ruthie observes everything in high definition, from her parents’ neglect (‘I have no memories of being held’) to their naked bodies flopping on top of each other while they all share the same bed. In a disturbing scene, her mother, who seems to have been traumatised by her own upbringing, asks her elementary school daughter to spell the f-word.

If the Nazis had occupied Britain, how many of us would have collaborated?

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Those of us who have never endured occupation can find it difficult to judge the behaviour of some who have. The lines between survival, passive cooperation and active collaboration are not always clear. Following the second world war, the myths of resistance, especially in France, were deliberately inflated in order to hide the humiliation and deep wounds occasioned by collaboration, which was far more widespread. Understandably sometimes; you may take risks for yourself, but when it’s your family who may be butchered, decisions are harder. It’s not only the unoccupied who find judgments difficult. As Ian Buruma demonstrates in his informed and perceptive commentary, it can be equally difficult for those who were there.

A tale of greed and catastrophe: An Honourable Exit, by Éric Vuillard, reviewed

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Experts in urban fauna have apparently discovered a ‘sacred triangle’ between the Parc Monceau and Neuilly in the west of Paris. A short distance from the wind-blasted northern arrondissements with their ‘robust but primitive population’, the leafy avenues and eco-landscaped gardens of private mansions on the edge of the Bois de Boulogne have created a special microclimate. Here, a protected human species has found its natural habitat and breeding ground. Avaricious, nepotistic and practically inexterminable, it has caused death and suffering on an unimaginable scale while amassing wealth which far exceeds its natural needs.

The bad boy of German cinema who ‘wanted to be Marilyn Monroe’

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Jane Fonda’s telephone manner was nothing if not imperious. ‘This is Jane Fonda herself,’ she said one spring morning in 1982, in a transatlantic call from Hollywood to Cannes. The German film director Rainer Werner Fassbinder was so tickled that for days afterwards he took to answering every phone call in English with: ‘This is Fassbinder himself.’ ‘Fassbinder wanted to be Marilyn Monroe. He wanted to walk down a staircase wearing feathers and a gown’ It was the meeting of opposites. She was Hollywood royalty, Henry’s daughter, sexy star of Barbarella and double Oscar winner, poised to release the first of her series of workout videos that would in the next 13 years sell 17 million copies. By contrast, Fassbinder probably didn’t even own a pair of leg-warmers.