Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

His finest years

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Just after 8.50 on Tuesday morning, 26 November 1963, Lyndon Baines Johnson sat down behind the desk in the Oval Office for the first time as President, four days after the assassination of John F. Kennedy.  According to Robert Caro, the new chief executive of the United States, now the most powerful person in the world, did not then make a call to his Soviet counterpart Nikita Khrushchev; nor did he confer with aides, or have his secretary place calls to the leaders of Congress, or issue an executive order. Instead, Johnson’s initial action was to phone, himself, the offices of the US Senate and order the desk he used as Senate Majority Leader to be delivered to the White House to replace the government-issue model installed the night before.

The art of fiction: Jonathan Franzen, essayist

Do great novelists make great essayists? Not in the case of Jonathan Franzen, at least according to Phillip Lopate, who reviewed Franzen’s new essay collection Farther Away for the New York Times. Lopate is a fan of Franzen’s but feels his non-fiction pieces – though entertaining and interesting – are ‘not nearly as strong as his novels’. He sets out some reasons why: ‘While his prose is always cogent, he is not that consistently stylish a sentence writer. Essays put a different kind of pressure on the sentence, calling for more aphoristic compression and wit. His novels work best through patient accumulation of social detail and character development. By contrast, the I-character in his essays is not as strongly developed, nor as vivid.

A conversation across the centuries

E-books are going to win. Anyone who’s seen a bus or a train carriage or a café lately knows that: Kindles everywhere, as though they’re breeding. And that’s as it should be. Stand in the way of convenient technology which people want, and you’re in the same position as every refusenik from the Luddites to the newspaper unions of the 1980s. But before the printed book takes its final bow, and retreats to its status as endearing novelty, let’s take a look at the sort of experience we’re going to miss. A friend recently came across a single volume from an 18th century Spectator series, and knowing of my scribblings for said organ and its website, gave me the book as a present.

Interview: John Irving on writing sexuality

John Irving’s latest novel, In One Person is narrated by a bisexual writer, Billy Abbot, who recalls his high school days from the 1950s, in the small New-England town of First Sister — where the majority of the cross-dressing residents are more likely to celebrate polymorphous perversity than puritanical punishment. Billy takes a fancy to various people, including: his stepfather; his friend’s mother; the captain of the school wrestling team; and the local librarian, Miss Frost — who reveals to Billy a secret regarding her own identity. The mood of the latter half of the book darkens when Billy moves to New York in the 1980s, witnessing the AIDS epidemic. Irving published his debut novel Setting Free the Bears in 1968.

F. Scott Fitzgerald’s other ‘great’ character

It is perhaps fitting — given his lack of fame and success — that many of you will have never heard of Pat Hobby. Hobby was a character who featured in a number of F. Scott Fitzgerald short stories towards the end of the author’s life, when he was working in Hollywood. Hobby is a forty-nine year old scriptwriter whose best days are long behind him. Rather than reaching out for a green light at the end of a dock in Long Island, Pat is forever scrabbling around for his next ten dollars in order to buy another drink or pay off his bookie. Regardless of whether he employs honest means to attain his ends, Pat’s adventures invariably end in failure.

Amis: Porn is an attack on love

Pornography is in the news, and Martin Amis has been thinking about pornography. Those two facts are not related, not necessarily. Tomorrow’s issue of the Spectator contains an interview with Amis, who is on vintage form. Pornography, he says, is an attack on love; it is the repudiation of significance in sex. Pornography has, he says, created a ‘big disconnection for human beings’ between their conceptions of sex and its biological realities. He says, ‘There is no more talk of love in porn than there is about having babies. It’s as if you made babies by some other way, like sneezing.

Dirty secrets

‘Now most lobbyists spend their days clicking through PowerPoint slides about obscure policies while bored junior congressional staff check their BlackBerries under the table. Those guys are the rabble. Comparing them to the folks at the Davies Group is like comparing Zales to Tiffany and Cartier. Davies is among a handful of strategic consulting firms that do very little formal lobbying. These outfits are run by Washington heavies—ex–House Speakers, ex–secretaries of state, ex–national security advisers—and they exert a far more powerful and lucrative influence through the Beltway’s back channels. They’re not registered as lobbyists. They don’t do volume. They don’t advertise. They have relationships. They’re discreet.

Out of the deep

It is a pretty toothy jaw of hell that Philip II of Spain, the Doge of Venice, and the Pope kneel before in prayer in a famous El Greco painting of the late 1570s. Philip and the other rulers of the so-called Holy League might just observe within hell’s mouth the skeletons of those they deemed Infidels — the very Turks, perhaps, their men had recently defeated off the Gulf of Corinth in 1571.  For a struggle so bloody, the Battle of Lepanto that inspired El Greco’s painting makes a relatively cameo appearance in David Abulafia’s masterful human history of the Mediterranean Sea. Even now in paperback, The Great Sea is still a very big book indeed.

Discovering poetry: Thomas Wyatt’s dangerous games

‘They flee from me that sometime did me seek’ They flee from me that sometime did me seek With naked foot stalking in my chamber. I have seen them gentle tame and meek That now are wild, and do not remember That sometime they have put themselves in danger To take bread at my hand; and now they range Busily seeking with a continual change. Thanked be fortune, it hath been otherwise Twenty times better: but once in special In thin array after a pleasant guise When her loose gown from her shoulders did fall, And she me caught in her arms long and small; Therewithal sweetly did me kiss, And softly said ‘dear heart, how like you this?’ It was no dream: I lay broad waking.

Across the literary pages: Amis Asbo special

The promotional tour for Lionel Asbo: State of England has been suspiciously quiet. The fact that Martin Amis hasn't sworn, bitched or nominated the queen as guinea pig for euthanasia booths stirred the press into feverish levels of anticipation. Had the OAP (Old Age Provocateur) finally lost his teeth? Or was he simply biding his time before biting back? A satire on Lionel Asbo - Wayne Rooney look-alike and dedicated chav -  and his lottery win, it seems written to offend ... even without subplots involving teenage pregnancy (she &"was six months gone when she sat her Eleven Plus”), incest with a thirty-something year old granny, pit bulls and acid attacks. As a loyal Amis disciple, Nicola Barker in the Observer.

The art of fiction: Michael Morpurgo

The rallying call to save libraries – about as unifying a topic as the monarchy at the moment – was taken up by Michael Morpurgo in his slot at cultural juggernaut, the Hay Festival, last week when he called the closures a form of child abuse and tantamount to inciting more riots.  During the Hay interview, timed to promote his memoirs and accompanying short story collection, the former children's laureate, in typically self-deprecating style, did not attribute his success to talent so much as to the joy his mother took in reading aloud to him. The reader rather than author is at the heart of Michael Morpurgo's art of fiction, which explains his enduring place on children's bookshelves.

Interview: Evgeny Morozov and the net delusion

You are reading this article thanks to the greatest invention of the last 50 years: the internet. The web is often regarded as a panacea for absolutely everything. It is revolutionising the world’s economy. It is changing leisure and entertainment. And it is also a political tool that can liberate oppressed people. Jared Cohen, a former internet guru at the US State Department, once remarked: ‘Any combination of these [digital] tools [Facebook, Google etc.] allows for a greater chance of civil society organizations coming to fruition regardless of how challenging the environment.’ There is nothing that this incredible device can’t do. It is the greatest ever democratiser. But, a few dissenting voices have risen above the fevered chorus.

Shelf Life: Paul Daniels

Paul Daniels, whose first name is actually Newton, is this week's Shelf Lifer. He tells us what he's reading at the moment and what he thinks about Janet Street Porter. His website is found at pauldaniels.co.uk 1) What are you reading at the moment? Charles Dickens by Michael Slater 2) As a child, what did you read under the covers? The Water Babies by the Reverend Charles Kingsley 3) Has a book ever made you cry, and if so which one? No, never 4) You are about to be put into solitary confinement for a year and allowed to take three books. What would you choose? This is an old survey! I'd take an iPad, a Kindle and a charger.

Fiction by subscription

What if you could pay £20 a year and get two good new books in return, with your name printed in the back of them? It sounds good to me, which is why I’ve just subscribed to And Other Stories, a new independent publisher that operates in this collaborative, subscription-based manner. By essentially paying for your copy of a book before it’s printed, you help to enable the whole process. Brilliant for all involved. This is an interesting model for And Other Stories to have chosen because, while it seems so revolutionary, in actual fact it’s surprisingly similar to publishing’s traditional set-up.

RIP Ray Bradbury, 1920 – 2012

The revered science fiction, horror and mystery writer Ray Bradbury has died aged 91. He was best known for Fahrenheit 451, his blockbuster of 1953. He became known as a curmudgeon, and was something of a Luddite. He was a virulent opponent of the internet, which he viewed as a transient nonsense, doomed to fail. He refused to allow his books to be sold in digital editions, a stance which was curtailed last year when his publishers made it a condition of his contract. His recalcitrance was perhaps borne of his love of the printed book and of old fashioned libraries. He maintained that libraries were one of the few places that children and adults could ‘meet people’ (in the pages of books).

Across the literary pages: Post-Jubilee special

Now we’ve all had our fill of bunting, bladders and BBC-bashing, it’s time to turn our minds to more high-minded pursuits, starting with a long overdue glance at the weekend’s book pages.   And you can’t get higher minded than a Nobel Laureate. 74-year-old Peruvian novelist, and ex-presidential candidate, Mario Vargas Llosa has a new book out. Called The Dream of the Celt, it’s about Sir Roger Casement, the Irish-born diplomat who was executed for treason in 1916.   When the Telegraph’s Nicholas Shakespeare asked Llosa to explain his motive for writing, he replied: ‘In my case, literature is a kind of revenge.

The world in arms

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The long summer that led up to the last days of peace in Europe in 1939 — the vigil of Hitler’s assault on Poland and the subsequent Phoney War — gave little hint of the storm to come. As German troops engulfed Poland, however, Britain at last declared war on Hitler. Infamously, the Nazi science of massacre was put to the test in occupied Poland. Within two months of Hitler’s invasion, over 5,000 Jews were murdered behind the Polish lines. One year into the occupation a ghetto was established in Warsaw as a holding place for Jews prior to their deportation and death. A total of 265,000 of the city’s Jews were gassed over a single summer at Treblinka nearby. It was the largest slaughter of any single community in the second world war.

The courage of countless generations

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The most stirring sermon I ever heard was delivered by a company sergeant-major in the Black Watch to a cadre of young lance-corporals, barely 19 years old, who were about to experience their first deployment to Northern Ireland during the Troubles. Like an old-fashioned Presbyterian minister, he warned them of the dangers of the world, in this case roof-top snipers and stone-throwing rioters, and the temptation these presented to the unwary soul, in this case, as he put it, ‘to run like buggery’. But they would not succumb, he said; indeed, they would lead their sections looking such dangers fearlessly in the face, because they were armed with a greater power — the red hackle, or feather, they wore in their khaki bonnets.

Hero or villein?

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‘Not one word’, exclaimed Turgenev of Tolstoy, ‘not one movement of his is natural! He is eternally posing before us!’ The recurrent underlying theme of A.N. Wilson’s prize-winning biography of Tolstoy, now re-issued after a quarter of a century, is the novelist as grand impersonator. Wilson (a prolific novelist himself) believes that there is a strong impulse in novelists to don masks or test alter egos, and that this impulse rioted in Tolstoy’s character. Throughout his long life Tolstoy switched between playing at sad orphan, landowner, libertine, crazed gambler, spiritual elder, holy fool, paterfamilias, historian, village idiot, cobbler and dissident.

Girls and boys come out to play

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‘You are in the polymorphous-perverse stage,’ the school psychiatrist tells the assembled boys of Favorite River Academy in Vermont in the late 1950s. Just how polymorphously perverse his audience turns out to be would have surprised even Dr Grau, had he not fallen over drunk one evening and frozen to death. It is no accident that the all-male private school in which much of the action of John Irving’s new novel takes place should be in a town with the unusual name of First Sisters. Irving’s narrator is a bisexual novelist called William Abbott, known to friends and family as Billy. ‘Abbott’ is in fact the name of his stepfather, who teaches at the school: Billy’s real father disappeared during the boy’s infancy and is rarely talked about.

The pen was mightier than the brush

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Of the making of books about the Pre-Raphaelites, it appears, there is no end. Like the Bloomsberries, most of the PRB are more interesting to read about than the study of their work would suggest: a few towering talents stalk the mountaintops, while many lesser ones lurk in valleys and foothills. George Boyce was one of those lesser talents — a watercolourist of some small fame among his colleagues (although he was 52 before he was elected to full membership of the Old Water-Colour Society). His friend Henry Tanworth Wells had more worldly recognition, if not the esteem of the avant-garde: as a portraitist he painted the great, the good, the socially eminent or the just plain rich. The two men were also connected through a third painter, Boyce’s sister Joanna.

Rus in urbe

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One of the pleasures of my week is walking across St James’s Square. The slightly furtive sense of trespassing as one opens the ironwork gates; the decision as to whether or not to follow the circuit of gravel paths or go straight across the grass; the equestrian statue of William III and readers from the London Library eating sandwiches. Although the surrounding architecture is an odd mishmash, the shape of the square and its urban form preserves a strong sense of its original 17th-century layout. St James’s Square plays a prominent role in the narrative of Todd Longstaffe-Gowan’s magisterial account of the ups and downs of the London square.

Good queen, bad subject

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There is a paradox at the heart of all books about the Queen. The very thing which makes her such a successful constitutional monarch is what makes her an impossible subject for biography. We do not know anything about her. The only book which brings her to life as a person is Marion Crawford’s The Little Princesses (reprinted by Orion, £8.99), a vivid picture of nursery life when Lilibet and Margaret Rose were growing up at 145 Piccadilly. Crawfie saw it all — the neatness, the horse-obsession, the deference to the rather awful mother, the selfless sense of duty, and the goodness. No wonder this truth-teller had to be banished, punished forever.

Muddling through

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It so happened that in 1961 I was part of a little group — three of us — which welcomed ‘Mr Jazzman’ to London. That was the code name for Rudolf Nureyev, the dancer, who had that day jetéed over the barrier in Paris and defected to London. He had very little English but he was already amused, and giggling, at what he regarded as the quaintness of Englishness. ‘All the same, all the same’, he kept saying, meaning the rows of terraced houses he had glimpsed as he was swept from London airport to the Brompton Road. A year before this I had crossed on the ferry to the Isle of Wight with my mother-in-law, née Lehmann. She looked about her. ‘What an extraordinarily ugly race we are,’ she remarked.

High society

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One evening in 1923, Edward, Prince of Wales, pretty as paint in his white tie and a cutaway-coat, went to the theatre to see a new Gershwin musical. It was called Stop Flirting. Always one to ignore instructions, the Prince returned to enjoy this froth no less than nine times more. Obsessed by anything and eventually, disastrously, anyone American, the heir to the throne was fanatical about the new-fangled craze then being displayed at the Shaftesbury Theatre by a dazzling young brother-and-sister act hot-foot from Broadway: ballroom dancing. Practising the charleston and the black bottom rather than studying charters and red boxes occupied the heir to the throne’s days, to the intense irritation of his father. Edward ‘continues to dance every night.

Love conquers all

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Anyone who has ever written a history book will feel a twinge of envy on reading the preface to Just Send Me Word: We opened up the largest of the trunks. I had never seen anything like it: several thousand letters tightly stacked in bundles tied with string and rubber bands, notebooks, diaries, documents and photographs… It was a unique family archive, the property of Svetlana and Lev Mishchenko, and it contained, among other things, packets of their love letters.   The two had met as university students in Moscow in the 1930s, but their relationship was cut short by the outbreak of war. Lev joined the Red Army in 1940, fought near Moscow but then fell into German captivity.

What did he see in her?

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When King George I came over from Hanover in 1714 to claim the crown he had inherited from his distant cousin Queen Anne, he was accompanied by his mistress of more than 20 years, Melusine von der Schulenberg. George’s wife Sophia Dorothea was left behind in Germany. She had made the mistake of taking a lover of her own not long after George had embarked on his affair with Melusine, forgetting that by the double standard that then prevailed in courts, it was acceptable for a man to have mistresses, ‘but shameful indeed to be a cuckold’. Sophia Dorothea had flaunted her infatuation with the glamorous adventurer, Count Konigsmark, and wildly compromising letters between the pair were intercepted.

Monarchy’s golden future

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In a recent issue of The Spectator Freddy Gray warned that some royal press officers now resemble celebrity publicists, spoon-feeding whole narratives to lapdog hacks, ultimately to the detriment of the monarchy. Gray traced the poisonous origins of the current glossy operation. In the late Nineties senior St James’s Palace courtiers fell for political-style PR (aka spin) as a clever way to transform Prince Charles’s then-mistress into a future queen. Some very unsavoury tactics followed. In one example (not cited by Gray, but proving his thesis) in a bid to discredit William’s newly dead mother, one top adviser lent his personal support to a royal biographer to air a quack ‘diagnosis’ that Diana had been mentally ill.