Culture

I probably won’t be the only one to say this of Vincenzo Latronico’s Perfection: it made me feel seen, and not in a good way. The novel takes aim at aspects of modern life, from social media to remote working and interior design trends, that aren’t obvious subjects for serious literary attention. Latronico, a philosopher who writes in Italian (this is his first novel to appear in English), suggests that our online profiles and material possessions have taken the place of integrity and community in society. He makes you question whether there can still be such a thing as an authentic personality. The narrative follows a couple whose existence is, to all appearances, very pleasant.

One of the pleasures of reading, often looked down on in literary circles, is when one warms to an author’s characters. Among the many delights of Mrs Calder and the Hyena, Marjorie Ann Watts’s second collection of short stories, was my feeling that here were people with whom I would get along. Ostensibly, they are undistinguished – from the hinterlands of society, whether by virtue of status, wealth or age; yet they reveal some irrepressible glint of antinomianism, a rejection of conventional judgments and standards, a certain anarchic glee. In the title story, elderly Mrs Calder insists she is being accompanied by a hyena – ‘always a little on the edge of my vision, but definitely getting closer’.

In the early 20th century, the world went ‘raving mad on the subject of radium’, according to George Bernard Shaw. The newly discovered element was considered a miracle cure, used to treat about 150 medical complaints. And it was fashionable: society ladies drank afternoon tea in rooms filled with radium vapours, and cosmetic companies developed hair tonics, face lotions and anti-wrinkle creams, all claiming to contain the element. Doramad toothpaste even boasted: ‘Your teeth will shine with radioactive brilliance.’ Of course, the discovery had its down sides. One American tycoon drank so much of the tonic Radithor that his bones began to disintegrate.

In his closing pages, Chris Evans delivers his verdict on his subject: That’s what Gary Lineker is: human. As his story shows, it’s possible to accomplish seemingly impossible things while staying grounded and true to your roots. I hate to be cruel about a diligently researched book by a freelance journalist. But unthinking writing cannot capture a man who managed to think himself into two great careers, first as a footballer and then as a TV presenter. Lineker was born in Leicester in 1960. His parents were market traders who worked brutal hours, then relaxed over card games that could run all weekend, with participants (including the local crooner Engelbert Humperdinck) taking turns to retire for naps.

What does it take to bury an outdated argument? The thought occurred while reading Motherland, one of a series of recent books seemingly haunted by the ghost of Hugh Trevor-Roper. Back in 1964, Trevor-Roper, an expert on the English Civil War and the Third Reich, made the mistake of opining on African history. There was nothing much to teach, he said, other than the history of Europeans in Africa. ‘The rest is largely darkness... And darkness is not a subject for history.’ He then added insult to injury with a snitty reference to the ‘unrewarding gyrations of barbarous tribes’. These were silly remarks; but Trevor-Roper was the man who later authenticated the Hitler diaries, so not above the odd clanger.

It is rare to read a book about Cicero that likens its hero to a demagogue. Rome’s prosecutor of conspiracy and corruption in the last years of the Republic is seen more commonly as a toga-draped crusader for virtue. Was he also a ranter steeped in violence, crude character-assassination, tendentious storytelling and racial stereotypes? Yes, argues Josiah Osgood, an American historian, whose book persuasively analyses a range of Cicero’s murder, fraud and extortion cases. Other men of the time were often no better, he writes, but, echoing Michelle Obama on Donald Trump: ‘Fortunately for Cicero, if his opponents went low, he knew how to go even lower.

I was on the phone to a friend recently, who asked me what I was reviewing. ‘It’s a book by a lady intellectual,’ I began. ‘Oh my God,’ she said, ‘I hope you don’t put that in your review.’ ‘I’m not that stupid,’ I replied, ‘but it is very important that she’s a woman.’ A self-described radical feminist in the 1960s and 1970s, Vivian Gornick says that that flame has died down a bit now (she was 79 when this book was first published ten years ago). Her perspective in this meandering, delightful memoir-cum-essay is still, obviously, feminine – yet there is a kind of detachment; and from what she says about her past life, and her experiences with men, and with love, there always was, in a way. Hence the ‘odd’ in the title.

Is this what it felt like in the months before August 1914? Or during the years leading up to September 1939? The discussion around artificial intelligence produces a deep foreboding that we are in the grip of forces largely beyond our control. Are we sleepwalking towards disaster? That is the feeling I have after reading Genesis, a collaboration by Eric Schmidt, the former CEO of Google, Craig Mundie, the former chief research and strategy officer at Microsoft, and Henry Kissinger, who died, aged 100, soon after completing this book. They have crafted a holistic analysis of the social, political, psychological and even spiritual impacts that a superior machine intelligence would have for humanity.  We are broadly familiar with AI’s current and future benefits.

This multitudinous chronicle is not the story of the folk music revival. Rather, it’s not only the story of the folk scene in Greenwich Village from the late 1950s through the early 1980s. Ambitiously, sometimes overwhelmingly, but always fascinatingly, David Browne – a senior editor at Rolling Stone – composes his book of interconnected stories stemming from jazz, blues, folk, folk-rock and all the complementing, competing musical genres that could define what’s been played in the basement nightclubs and coffee houses in this small area of New York City since the early 20th century. He takes his title from the talkin’ blues, the direct ancestor of rap, and he is, like the writers of those blues, a born storyteller.