More from Books

Being a printer was what Benjamin Franklin prided himself on most

For some readers this book will have the charm of the Antiques Roadshow. Adam Smyth, professor of English Literature and the History of the Book at Balliol College, Oxford, presents with caressing attention to technical detail an array of illustrious book people. They may be unfamiliar names to those who don’t know a colophon from a cauliflower, but he makes his characters wholly accessible. Smyth evidently chose the Bodley Head as his publisher for its connection with the Bodleian Library, in whose rare-books room he researches. As importantly, the Bodley Head was founded with a dedication to fine antiquarian books. The Book-Makers breathes bibliophilia. It recalls Walter Benjamin’s essay ‘Unpacking My Library’. Like Benjamin, Smyth unpacks his contents lovingly.

Grotesque vignettes: The Body in the Mobile Library and Other Stories, by Peter Bradshaw, reviewed

There’s a face I found myself making again and again when reading Peter Bradshaw’s short stories, and it was not pretty: top half screwed up in incredulity; lower half slack with bovine confusion. What, my expression said, just happened? What indeed? Bradshaw is best known as the Guardian’s chief cinema critic, but this isn’t his first foray into fiction. The collection comes in the wake of three novels; but he’s admitted that ‘the short story form has always obsessed me’. That fascination with the form has given him the confidence to play with it, and us, and my confusion was deftly engineered from the start. In the opening story ‘The Kiss’, boy meets girl in a Hendon pub in 1951. Then what? Nothing really.

Mediterranean Gothic: The Sleepwalkers, by Scarlett Thomas, reviewed

Scarlett Thomas likes islands: either literal sea-girt territories or closed enclaves where this wickedly inventive novelist practises her richly enjoyable experiments in plot and form. If her recent Oligarchy found its sour-sweet spot in a grisly girls’ boarding school, The Sleepwalkers creates another insular possession: the Greek island of ‘Kathos’, which almost resembles Samos. Here, within sight of the Turkish coast, the newlyweds Evelyn and Richard arrive as late-September storms brew to undergo their honeymoon from hell. Ever since novels such as Bright Young Things (also island-set) and PopCo, Thomas has known how to fuse an acidly satirical streak of observation with storytelling artifice that keeps her readers pleasurably unsettled and alert.

What we owe to the self-taught genius Carl Linnaeus

Carl Linnaeus and Georges-Louis Leclerc, Comte de Buffon were both taxonomists, born in the same year (1707), but apart from that they had little in common and never met. Buffon was French, Linnaeus Swedish. Buffon was suave, elegant, tall and handsome (Voltaire said he had ‘the body of an athlete and the soul of a sage’), whereas Linnaeus was a bumptious little man (under 5ft), who was widely regarded as uncouth. Buffon’s funeral was attended by 20,000 mourners but Linnaeus died almost forgotten, after suffering from a brain disease for 15 years. Yet the Linnaean system of taxonomy has survived much better than Buffon’s, which was hardly a system at all.

Scrawled outpourings of love and defiance

To come across dates and names carved into a choirstall or ancient tree is to experience a momentary frisson, a startled connection with the past. Yet this practice of making ‘unauthorised’ personal graphic statements in public spaces is often thought of as antisocial, something to be erased immediately. Unless of course they are by Banksy, whose spray-painted outpourings cost local councils a great deal to clean off before they came to be regarded as valid documents, articulating the thoughts and imaginings of the disaffected. In her ingenious new book Writing on the Wall, the art historian Madeleine Pelling has chosen to use these often transitory pieces of historical evidence as a way of illustrating the huge cultural changes that took place in the 18th century.

Harping on the music of our ancestors

It’s one thing to sit in a comfortable armchair and see the world in a grain of sand. It’s quite another to hear it in a muddy shard of bone, a spool of wire or even an oddly shaped hole in the ground; to go searching for its voice on the sea bed, deep in the ice, beneath deserts, woods and cities. Music archaeology, Graeme Lawson wryly explains, is often the study of ‘small and largely unexceptional fragments’: objects ‘we might easily have kicked out of the way’. And yet the magic, he demonstrates, is all the greater when these fragments begin to connect, slowly coalescing into sounds and stories extending back some four million years, beyond the beginning of civilisation itself.

English civil law has become a luxury good beyond the reach of most of us

In March 2020, Charlotte Leslie, a former Conservative MP, and widely regarded as a thoughtful, friendly woman, had her life turned upside down. The threat of professional and financial ruin hit her, and stayed with her until a few months ago, solely because she had offended a wealthy man. Leslie was the director of the Conservative Middle East Council. Mohamed Amersi, a businessman worth hundreds of millions of pounds, appeared from nowhere and announced that he wanted to become the council’s chairman. Leslie politely showed him the door. The next thing she knew, Amersi had set up a rival Middle East organisation to liaise between the Conservative party and the oil-rich states of the Gulf.

Are we finally beginning to understand gravity?

The question of why things fall has puzzled our species since we crawled out from the darkness of our primitive ignorance. Aristotle was the first to offer a serious theory. He proposed that each of the four elements (earth, air, fire, water) had a natural place to which it innately wanted to return. Fire and air rise because their place is in the heavens, whereas earth and water return to the Earth. Aristotelian philosophy had such a profound impact on human thought that this view prevailed for nearly 2,000 years. Only with the Renaissance and the ideas of Kepler and Galileo was it finally challenged; and only by standing on the shoulders of these giants was Isaac Newton able to make probably the greatest intellectual leap ever.

There’s nothing shameful about hypochondria

The hypochondriac is the butt of jokes. Even his butt is the butt of jokes. A story doing the  rounds in the 16th and 17th centuries concerned a Parisian glassmaker who, believing himself to be also made of glass, fastened a cushion to his buttocks in case they broke when he sat down. His anxiety was mocked by a character in a play called Lingua, Or the Combat of the Tongue: ‘I am a Urinal, I dare not stirre,/ For fear of cracking in the Bottome.’ The aim of A Body Made of Glass is to take hypochondria, or ‘illness anxiety disorder’, seriously. But in a moment of levity, Caroline Crampton compares laughing about hypochondria to laughing about farts being made visible ‘like soap bubbles in the air’.

London’s dark underbelly: Caledonian Road, by Andrew O’Hagan, reviewed

‘The Cally’s named after an orphanage for kids from Scotland or some shit. Didn’t we learn that in school?’ So says Big Pharma (real name Devan Swaby), drill rapper from the Cally Active gang – one of the many characters populating Andrew O’Hagan’s vast and riveting Caledonian Road. The novel opens with a 59-strong cast list, representative of contemporary London society. At the heart of this web, spanning aristocracy, gangs and trafficked migrants via an oligarch and the middle-classes, are the celebrity art historian Campbell Flynn and his student and hacker protégé Milo Mangasha. As with the Cally and its links far beyond the capital, so O’Hagan demonstrates that his characters’ connections reach across the globe.

Adrift on the Canadian frontier: The Voyageur, by Paul Carlucci, reviewed

At the core of Paul Carlucci’s debut novel is a protracted medical experiment conducted by one human on another. Set on the Canadian frontier of the 1830s and inspired by historical record, the book takes the strange case of Dr William Beaumont’s tests on Alexis St Martin’s digestive system and spins a marvellously dark yarn around them, exploring the uses and abuses of an innocent. Alex is the innocent in question – the voyageur of the title. Our journey with him starts in raw boyhood, finding him living at the back of a Quebec harbour storehouse. His mother is dead, his beloved petit frère also. His grief-stricken father has sailed back to France, promising to return with enough earnings to start their dreamed-of peach orchard.

Sir Roger Casement never deserved to hang

Telling the story of Sir Roger Casement’s life is a challenge for any biographer. In the land of his birth, he is remembered as a national hero. His remains lie in the Glasnevin Cemetery in Dublin beside the graves of Daniel O’Connell and Charles Stewart Parnell. He is there because he was hanged in Pentonville Prison in August 1916 as one of the leaders of the Easter Rising. The awkward fact that Casement had become opposed to the Rising and had tried to prevent it does not fit either the heroic Irish narrative of his life or the official English account of the wartime traitor who died on the gallows.

‘Now I have been made whole’: Lucy Sante’s experience of transition

Lucy Sante concludes her thoughtful and occasionally poetic memoir with the words: ‘Now I have been made whole.’ Before transitioning at the age of 66 she had lived her life as a deeply divided man. This is an affecting book that could help move the trans debate forward from its currently undignified state of abuse and polarity. Sante interweaves the story of the first 18 months of her transition with that of the first three decades of her biography. Her parents emigrated to New Jersey from Belgium, initially when she was four (there were subsequent toings and froings). She writes a lot about her identity as a working-class Walloon, an ‘only child of isolated immigrants’, and notably about her relationship with her pious, difficult mother.

The rat as hero

Behold rat. Behold the magnificent, clever creature as it runs from the bin you have just opened or disappears into the nearest bush. Behold rat as it is cut open or drugged or injected to improve your health in the name of science, as many millions of its peers have been. Behold rat – though you may find that tricky, because the old adage that you are never more than six feet away from a rat is comprehensively skewered in this wonderful, charming book. Wonderful? Charming? Rats? Yes. Even Joe Shute, a man scared of the creatures, bravely takes two four-inch baby rats into his house and slowly grows to love them. He acknowledges that his fear is no less powerful for it having been socially instilled in him by a society that, for ignorant reasons, demonises rats.

The desperate desire to belong: England is Mine, by Nicolas Padamsee, reviewed

As Nicolas Padamsee’s thrilling debut novel England is Mine hurtles towards its climax, its principal character, David, readies himself for an important mission. A teenage victim of bullying, he has been slowly drawn into a world of online extremism. After making a purchase through the dark web, he is determined to become a hero in the underground network in which he is now enmeshed. In the same borough of East London, David’s one-time tormentor Hassan is about to leave the house. Having drifted away from his pot-smoking childhood friends, Hassan volunteers at his local mosque and is on the brink of signing an Esports contract that will turn his passion for the Fifa video game franchise into a profession.

My prep school scarred me for life

On one blissful, cloudless day during the summer holidays of 1972, Charles Spencer, who had just turned eight, surveyed the scene in his mother’s garden in Sussex. He’d spent the morning cycling and swimming, and a barbecue was being prepared. He remembers thinking: ‘This is too good to last.’ And he was right. A date he was dreading, 12 September, arrived. His father drove him the 100 miles from his house on the Sandringham estate in Norfolk to Maidwell Hall, the boarding prep school in Northamptonshire where Spencer would be a pupil for the next five years. We all remember that end-of-summer-holidays dread: the savage haircut, the putting on of itchy school uniform after months in cotton. Spencer evokes this brilliantly in his unputdownable memoir A Very Private School.

Turf wars in Las Vegas: City in Ruins, by Don Winslow, reviewed

So you’d like to borrow half-a-billion dollars? It’s a tribute to the epic ambitions of this novel that the reader swallows questions like this without blinking. In a sense that’s fair enough because City in Ruins is the third book of a trilogy loosely modelled on the great poems of the classical world, particularly the Iliad and the Aeneid. Don Winslow is probably best known in this country as the author of the widely praised Cartel trilogy, about the US Drug Enforcement Agency’s ‘War of Drugs’. The Danny Ryan trilogy, by contrast, deals with the life and times of a Rhode Island longshoreman who evolves first into a gangster-with-a-heart and finally into a more or less legitimate businessman with a tendency to backslide. He’s a decent man who sometimes does bad things.

Stories of the Sussex Downs

This amazing book is itself a little like a flint, a misshapen stone egg of the Sussex Downs. It resists the reader at first, coated in the calcite rind of the author’s slow, scholarly journey, missteps and all. But when you persist, breaking the book’s spine or, as it were, knapping the flinty nodule, you find treasure within. Alexandra Harris quotes the painter Paul Nash writing in 1937: ‘If I broke all the shells of all my wild stones, I should find that precious yolk which is like precious stones, the black core of the flint.’ From Nash, it’s a hop and a skip to Henry Vaughan, the metaphysical poet who ‘understood his heart as a cold flint that must be violently struck if it were to kindle into divine light’.