More from Books

Tuesday

Victor Sebestyen

The rewards of being the ‘asylum capital of the world’

They came on a small, crowded, leaky boat from Calais towards Dover in seas that could turn from placid to treacherous in an instant, around 30 people seeking sanctuary from persecution, unsure of the welcome they would receive. ‘We were seized by horrible vomitings and most of the party became so dreadfully ill they thought they were dying,’ one of the group, a young mother accompanied by her two children, wrote later. The year was 1620 and quite possibly among the refugees might have been a forebear of Nigel Farage. This small boat, one of many hundreds that crossed the Channel in the late 16th and early 17th centuries, was full of Huguenot asylum seekers fleeing Catholic France and the Lowlands.

Tuesday

Philip Hensher

The clue to Shakespeare’s sexuality lies in the sonnets

The question ‘Was Shakespeare gay?’ is not very rational. It might be a little like asking ‘Was Shakespeare a Tory?’. Some of his scenarios might coincide with later developments – Jaques trying to pick up Ganymede in As You Like It (gay), or Ulysses’s speech on degree in Troilus and Cressida (Tory). But the historical conditions are not there. No doubt there have been people keen on same-sex relations since the dawn of time. But the possibilities of a social identity embedded in the word ‘gay’ didn’t exist in the 16th century, nor the medical diagnosis from which the word ‘homosexual’ arose. Nor will ‘sodomite’ do. That describes some very different sexual tastes and practices through history.

Genevieve Gaunt

Echoes of Tom Brown’s School Days: Rabbits, by Hugo Rifkind, reviewed

The year is 1993 and 16-year-old Tommo has been moved from a day state school of 2,000 pupils in brown blazers that ‘when it rained… smelled of shit’ to Eskmount, an elite Scottish boarding school, where boys wear kilts and put their ‘cocks on your shoulder’ when you’re working in the library (easier in a kilt) and routinely hang ‘smaller kids in duvets... out the window’. The horseshoe effect in schooling terms: the more expensive, the more savage. Hugo Rifkind’s Rabbits opens with a bang: ‘When the shotgun went off under Johnnie Burchill’s brother’s chin, word had it, the top of his head came off like the top of a turnip lantern.’ It is reminiscent of Donna Tartt’s The Secret History.

Tom Hodgkinson

The important business of idle loafing

In our godless, post-industrial, hyper-competitive world, rest is seen merely as recuperation: it’s when we man-machines ‘recharge our batteries’, as the cliché goes, before dashing back to the factory or work-station. It’s a negative concept. You rest for a reason, which is to avoid burnout. All you should really do to be happy is read light novels or self-help books, advises Montaigne But as this charming and subtle meditation on the subject from a grand French historian shows, rest used to be far more than just taking time off. It is a religious concept. Take the rest enjoyed by Adam and Eve in Milton’s Paradise Lost.

Paul Levy

Nothing rivals a traditional Chinese banquet for opulence

In February 1985 I had the good fortune to be a guest in Hong Kong at the Mandarin hotel’s 21st birthday celebration, a lavish three-day reconstruction of the sort of imperial banquet given during the Qing dynasty by the Kangxi emperor (1654-1722) and his grandson the Qianlong emperor (1711-1799). Kangxi started the custom of banqueting during his tours of southern China – he made six between 1684 and 1707. These provincial feasts were relatively informal affairs, often held in a tent, quite different to the stifling protocol of the imperial court at Beijing, and combined some aspects of the ruling Manchu ‘Man banquet’ with the native Han Chinese ‘Han banquet.’ The full three-day Manchu-Han feast was mostly restricted to Beijing.

Charlotte Hobson

Imprisoned for years on Putin’s whim

Imagine: it’s 16 December 2004 and you are a middle-ranking banker living in Moscow – prosperous but ordinary, a long way below oligarch level. You are looking forward to a New Year’s trip with your family to Prague – the hotel is booked; your young son is excited. Your phone rings while you are at lunch: an investigator whom you’ve never heard of asks you to come and answer a few questions. You ask if tomorrow will do. ‘No, you must come today,’ insists the caller. ‘It’ll take around 20 minutes.’ What do you do? If this were the beginning of a thriller, Vladimir Pereverzin would have instantly made his way to the secret lock-up with the false identity documents and gone on the run.

Felipe Fernández-Armesto

Why would anyone choose to live in Puerto Rico?

From the eastern Atlantic, the US looks boringly uniform. Yet Alaska is almost as different from Alabama as Turku is from Turkey. If you travel the length of the Mississippi, food, laws, customs and lingo change as surprisingly as along the Danube. Particularism is rife. In two counties in Vermont, there are warrants for the arrest of George W. Bush. In some parts of the South, you must step across a county line to evade laws against alcohol. In Indiana, where I live, every county sets its own time zone and you have to keep adjusting your watch on your way to Chicago. In this land of anomalies, nowhere is odder than Puerto Rico. It is an ‘associated’ state, but not a state of the union.

Mark Cocker

The Karakachan sheepdog is a match for any bear – but not for modern society

Kapka Kassabova is celebrated for her poetic accounts of rural communities dwelling at the margins of modernity, but also along a border zone in the southern extremity of her native Bulgaria. In her previous book, Elixir, her chosen people were the Muslim Pomaks of the Rhodope Mountains, with their ancient herbalist traditions. In Anima, she explores the world of transhumance pastoralists, known in Bulgarian as the Karakachan and in Greek as the Sarakatsani. It is not so long ago that the Greek component of this extraordinary sheep-herding tribe acquired cultural cachet in this country. American and English anthropologists hurried off to study and write about them (notably J.K. Campbell in Honour, Family and Patronage, 1964).

Alan Judd

The assassination of Georgi Markov bore all the hallmarks of a Russian wet job

In September 1978 Georgi Markov, a Bulgarian émigré writer, waited at a bus stop on Waterloo Bridge on his way to work at the BBC World Service. Feeling a sting in his right thigh, he looked round to see the man behind him picking up his apparently fallen umbrella. The man apologised in a foreign accent and hastily crossed the road where he hailed a taxi. Markov felt feverish that night, was admitted to hospital and within four days was dead. ‘The bastards poisoned me,’ he told doctors, as they struggled to identify what was wrong with him. ‘The bastards poisoned me,’ Markov told doctors, as they struggled to identify what was wrong with him What was wrong was ricin, a poison with no antidote.

Rachel Seiffert

A tale of impossible love: The End of Drum Time, by Hanna Pylväinen, reviewed

In the arctic borderlands in the 1800s Finns and Swedes have come to live among the Sami. Missionaries and traders, they have brought alcohol and Protestant teaching.  ‘Mad Lasse’ is what the locals call the preacher, and mostly they keep their distance, staying with their reindeer out on the tundra, following their ancient customs.  Some, though, have been awakened.  Hanna Pylvainen’s novel opens with Biettar, a Sami widower, brought to church by an earthquake – by a voice he heard among the tremors. In his fur trousers, stinking of smoke and reindeer, he falls to his knees before Mad Lasse, declaring himself with God. So the preacher exerts his pull, but then so does the trading post next to the church.

Boyd Tonkin

Portrait of an artistic provocateur: Blue Ruin, by Hari Kunzru, reviewed

Whatever happened to the likely lads and lasses of the East London art scene at the high noon of Cool Britannia? Hari Kunzru’s seventh novel, Blue Ruin, loads much else on to its ideas-rich plate – not least a pandemic yarn set in the panic-stricken spring of 2020. At its core, however, his plot traces contrasting afterlives from the Sensation generation. It reconnects three survivors – two male artists and the woman both loved – from a time when making conceptual art could feel like ‘a kind of social repair’, even a ‘utopian laboratory’. In his earlier career, Kunzru himself seemed to belong in a gilded group of younger British authors.

Tuesday

Robert Colvile

Unless the Treasury is tamed, there’s no solution to Britain’s problems

The Tory era is not (quite) over yet, but already the obituaries are in. In particular, two new books from Torsten Bell and Paul Collier seek to bury not just Rishi Sunak and his cabinet but the whole economic approach that the Conservatives have taken since 2010, or perhaps even 1979. Let’s start with Bell – until very recently head of the Resolution Foundation thinktank, and before that the man who, as Ed Miliband’s policy director, gave us the joy of the EdStone. Great Britain? sets out a comprehensive list of the ways in which we have become a ‘stagnation nation’: low investment, high inequality, insufficient house building, stingy benefits, low-paid labour and so on.

Guy Stagg

A brief glimpse of secretive Myanmar

Were trains to blame for the travel writing boom of the 1980s? When Paul Theroux’s The Great Railway Bazaar was published in 1975, it sold 1.5 million copies and launched a publishing phenomenon. At first, long-distance train journeys conjured all the romance of the golden age of travel: leather luggage, first-class compartments and the billowing steam from an antique engine. But with each new imitator, the format became increasingly stale, and now train trips suggest the cushioned charm of Michael Portillo’s never-ending BBC series. Nevertheless, as Clare Hammond shows in On the Shadow Tracks, rail journeys can still take the traveller deep inside a country.

Susie Mesure

A sea of troubles: The Coast Road, by Alan Murrin, reviewed

Contemporary Irish writers have a knack of making their recent past feel very foreign. Clare Keegan’s Small Things Like These is set in 1985, but the horrors she reveals about one of Ireland’s Magdalene laundries seem more like ancient history. Alan Murrin pulls off something similar in The Coast Road, where in late 1994 divorce is still illegal in Ireland, unlike the rest of Europe. Izzy Keaveney, a housewife with two teenage children, ‘has the depression’ and has dragged herself to Sunday morning mass despite a hangover. She spent the previous evening at a dinner-dance, listening to her politician husband James give a talk about the importance of business in the local community. ‘Are you going to spoil another night?

Alexandra Coghlan

Pure Puccini: an opera lover’s melodramatic family history

‘If a horse is born in a stable, does it bark like a dog?’ By the time the Duke of Wellington’s famous question (‘If a man is born in a stable, does that make him a horse?’) made its way down to the young Michael Volpe, growing up in a fractured Italian family on the ‘streets and railway tracks... estates and football terraces’ of 1970s west London, it was mangled almost beyond recognition, bent and twisted into a surreal new shape. But the spirit of Wellington’s question remained, burrowing into a boy with one foot in the stable and one beyond, his very name a contradiction of identity: the blandly Anglicised, Sunday-best ‘Michael’ at odds with the sly, sinuously Italian ‘Volpe’ – fox.

Hannah Walton

Afrikaner angst: Cato Pedder goes in search of her ancestors

‘Let me tell you about Jan Smuts,’ my grandfather, a doctor born not far from Johannesburg, would begin. And we, as children, would mutter and glance sideways and sink into our chairs. The story would go something like this: ‘Smuts was a Boer War leader, later feted by the English political establishment and central to international moves towards a liberal world order, a segregationist back home and reviled by the Afrikaner nationalists, who instituted formal apartheid from 1948. He was many things to many people, and his influence in South Africa and internationally was unparalleled in his time.’ My grandfather’s eyes would mist over and we would grunt responses about problematic legacies and racism.

Lee Langley

Runaway lovers: The Heart in Winter, by Kevin Barry, reviewed

Watching Kevin Barry’s progress over the years has been a pleasure. His first novel, City of Bohane, flamboyant with tribal vernacular and savagery, was followed by Beatlebone, a beguiling surreal odyssey, and then Night Boat to Tangier, where two tired old crims wait and talk their way through the dark hours. Escaping Beckett’s long shadow, the vigil had a hint of redemption. Never has the lawless life been depicted with such wry sweetness.  What Barry celebrates above all is language, swooping from desolation to deadpan mirth in a phrase. Pain that lies too deep for tears can be assuaged by laughter. The award-winning novels were interspersed with collections of short stories, prize-winners resonant with the hidden music of the old country.

Clive Aslet

The atmosphere of a historic country house cannot be bought

The Historic Houses Association can congratulate itself. This pressure group for country houses, founded in 1973, has proved to be one of the most effective lobbying organisations of our time. When it came into being, the future, according to the architectural historian John Cornforth, was ‘full of gloom’ for the country house. The Destruction of the Country House exhibition of 1974 revealed the extent of the crisis, which had set in a century earlier with the agricultural depression of the 1870s. That was when aristocrats who had previously relied on the income from their estates built their hopes on landing a transatlantic beauty with ‘plenty of tin’. The supply of heiresses dried up in about 1912, just before the first world war.

Christopher Shrimpton

No Sir Lancelot: A Good Deliverance, by Toby Clements, reviewed

Sir Thomas Malory is not much of a knight. He lies; he is lecherous; he is bested in tourneys; he misses battles due to a dicky stomach; he inadvertently causes the deaths of his friends. He is no Sir Lancelot. But he has his talents, chief among them being his ability to spin a yarn, and he has won much renown for his retelling of the legend of King Arthur and his Round Table, later to be published as Le Morte d’Arthur. Now he has the chance to set his own story straight. Well, straight-ish. A Good Deliverance is a sly and salty fictional account of the life and deeds of Malory, whose real-life record is shrouded in mystery. The story begins in 1468 with the elderly man’s arrest and imprisonment in Newgate Prison. No charges are forthcoming.

Chris Mullin

One damned thing after another: Britain’s crisis-ridden century so far

Asked about the greatest challenges he faced as prime minister, Harold Macmillan is said to have replied: ‘Events, dear boy, events.’ The first quarter of this century has seen no shortage of events that have blown prime ministers off course. There was Tony Blair by 9/11 and the resulting war in Iraq; Gordon Brown by the financial crisis of 2007-8; David Cameron and Theresa May by Brexit; and Boris Johnson by Covid. With the exception of May, none of these people had any inkling, on taking office, of the bolts from the blue that would ultimately define their premierships.