More from Books

Surprising literary ventures | 14 December 2009

Here are two Alternative Reading Christmas gift ideas: books respectively by Gordon Brown and David Cameron. The Gordonian offering is by an ordained minister who wants to help you with your finances. ‘Gordon Brown’s message is very clear,’ the back cover says. The Cameronian offering is by a poet from Brooklyn, whose poems are ‘false translations’ of Baudelaire’s Les Fleurs du Mal. This he achieves by taking the original French verse and then transmuting it into English via a sort of wilful mishearing: ‘Tout Entière’, for example, becomes ‘Two Ton Chair’, and its first line, ‘Le Démon, dans ma chambre haute…’ becomes ‘Lime demons are out dancing.

Jane Austen’s pompous heroes

Jane Austen has become the most revered and probably the most popular of the great English novelists. Not even the vulgarisation of her novels by those who have adapted them for television has impaired the esteem in which she is held. She is not only deemed amusing, which she is, but a wonderfully fair and judicious moralist. Walter Scott praised her ‘exquisite touch, which renders ordinary commonplace  things and characters interesting, from the truth of the description and sentiment’; and this judgment is probably one with which we may all agree. Many of course go further and come close to canonising her.     There have always been a few dissenters, Charlotte Bronte for instance, and J. M.

The optimism of a suicide

A postal strike would have been a disaster for Van Gogh. Letters were his lifeline and consolation. Not only did he receive through the mail his regular allowance from his brother Theo but, in letter after letter in return, he poured out his thoughts and feelings, recorded his work in progress and conveyed his impressions of books, people and places. In his often solitary existence, he was an avid recipient and kept in touch with a variety of correspondents, especially when he was in the South of France during the last two years of his life. The glory must be shared, however, with Theo, in that he kept Vincent’s letters, many of which contained drawings, either appended or on the sheet itself, surrounded by his tumble of words.

Quirky books for Christmas

After the Christmas ‘funny’ books, here’s an even larger pile of Christmas ‘quirky’ books. After the Christmas ‘funny’ books, here’s an even larger pile of Christmas ‘quirky’ books. In practice, quirky books aren’t just for Christmas, they’re for the whole year round. But try telling a publisher that. Thousands of them have been pouring out this autumn, and in the pre-Christmas jungle good books will surely be lost, consumed by larger and nastier predators in a single contemptuous gulp. In Ghoul Britannia (Short Books, £12.99), Andrew Martin muses on ‘a nation primed for ghostliness’.

The unknown and the famous

In 1950, Irving Penn, working for Vogue in Paris, set himself up in a glass-roofed attic and, between fashion assignments, began a series of full-length portraits of tradesmen, inspired by the street portraits of Eugène Atget 50 years before. Later that year he continued the project in a painter’s studio in Chelsea. Penn found that the working people of London responded to his invitation to be photographed differently from those in Paris. ‘In general, the Parisians doubted that we were doing exactly what we said we were doing. They felt there was something fishy going on, but they came to the studio more or less as directed — for the fee involved,’ he remembered. ‘But the Londoners were quite different from the French.

Recent books for children

One thing which struck me immediately on surveying the books on offer for children this Christmas is the large number which are really toys, with only a minor bookish element. Walker Books have produced several of these this year. Cars by Robert Crowther (£12.99) boasts moveable pop-ups of cars ancient and modern, with realistic detail and turning wheels, from the Mini to the Bluebird, culminating in a full fold-out model of a Formula 1 racetrack. There is an informative text, but it is definitely subordinate to the models. The same is true of Gladiators by Toby Forward, illustrated by Steve Noon, (£16.99). This includes a book about the Roman games, but the main attraction is the spectacular pop-up model of the Colosseum.

Repeat that, repeat

When the Louvre invited me to organise for the whole of November 2009 a series of conferences, exhibitions, public readings, concerts, film projections and the like on the subject of my choice, I did not hesitate for a second and proposed the list. Thus Umberto Eco on the genesis of this book, published simultaneously in Italian, French and English. Considering those parallel manifestations of the project, it was perhaps to be expected that this, its sole printed version, would be situated at the more ingratiatingly ludic end of the Eco spectrum. The Infinity of Lists is a work less of theory than of taxonomy.

Debt and addiction

I knew that I was onto a good thing with this book before the page numbers were even out of roman numerals. Describing the wealth of new material that has come to light in the three decades or so since the last biography of Thomas De Quincey, Robert Morrison men- tions the areas in which it has enriched our understanding: . . . his enduring sorrow over the loss of his sister Elizabeth, his masochistic desire for humiliation; his association with prostitutes; his pursuit of, and subsequent alienation from, Wordsworth and Coleridge; his struggle with drugs and alcohol . . . his horrendous battles with debt; his imprisonment in Edinburgh gaols . . . This was a lively life, and this is a lively Life.

Looking back in anger

Portugal has given the world two distinguished novelists. Eça de Queiros, is the Proust of Portugal. His masterpiece, The Maias, describes the decline of an aristocratic family in the late 19th century. Whereas Eça was a member of the Portuguese intellectual elite, José Saramago was born in a wretched shack in the the rural hamlet of Azinhaga. When he was two, his family moved to a series of two-roomed flats in the poorest quarters of Lisbon. I cannot think of any writer of consequence who endured such grinding poverty in his childhood and youth. His grandfather was a foundling and both he and his wife illiterate peasants. In an early essay I compared Saramago to Thomas Hardy, as a village boy who had made a career as a writer. This was a grave mistake.

Novelty value

Auction house catalogues are multi-faceted publications. Primarily, of course, they’re sales tools, reassuring buyers that something is what it says it is, that it can legally be bought and where to do just that. Yet, they’re so much more. They can be a simple full stop to one of life’s chapters or, alternatively, a celebratory exclamation mark. An anonymous 1895 house-contents catalogue (of which there are only four known surviving copies) for a Chelsea abode on Tite Street bears secret testament, through a haphazard compilation of loose-lotting, to the Icarus fall of one Mr Oscar Wilde.

Before and after the Fall

No one here (I mean in Britain, not perhaps in the columns of The Spectator) likes to read anything nice about the Germans. So I shall warn you that there will be some praise for Germany in this review, mixed with the usual level of bashing. If the very thought of this shocks or appals you, I’ll do that rare thing for any journalist and suggest you turn the page and move on to something more comforting. In the last few weeks there has been one principal story told in several new books, most of the press and broadcast coverage, and even the material on the Tweets that have marked the 20th anniversary of the fall of the Berlin Wall. It is that after all the euphoria and the street parties of 9 November 1989, something has gone badly wrong with the re-marriage of the Germanys.

Recent gardening books | 2 December 2009

Philippa Lewis is a picture researcher, with an eye for uncommon facts and a wry way of presenting them. Her book Everything You Can Do in the Garden Without Actually Gardening (Frances Lincoln, £16.99), is a scholarly and entertaining social history with pictures. Most books of this type recycle old material, but this writer has a knack of discovering fresh facts. The Wordsworths papered their cottage with newspaper. Eric Ravilious tried to include a man diving into a swimming pool for his Wedgewood Garden service, but was told that the design would not be accessible to the British public. Princess Charlotte thought skittles were low grade at Claremont, so she turned the ninepin alley into flowerbeds.

A choice of art books | 2 December 2009

Had I not been sent this year’s art books to review, the one I would most have liked to receive as a present would be Horace Walpole’s Strawberry Hill edited by Michael Snodin (Yale, £40). Had I not been sent this year’s art books to review, the one I would most have liked to receive as a present would be Horace Walpole’s Strawberry Hill edited by Michael Snodin (Yale, £40). J. H. Plumb — the historian who achieved the unusual distinction of being shouted out as a wrong answer by a schoolboy in Lindsay Anderson’s 1968 film If.... — dismissed the creator of this delectable Gothick meringue of a house as ‘incurably mannered and irrelevant’.

Nanny knew best

Born in 1908, Nikolay Andreyev came from a middle-class family in provincial Russia. His father and mother were both school teachers. His mother had many jewels but never wore them in public, since she believed a teacher should not show herself to be concerned with such fripperies. His parents’ views were those of the liberal intelligentsia. An uncle was killed by the police during a demonstration in the revolutionary year of 1906. Only his nanny was a monarchist, howling, ‘Woe unto you all, woe’ when she heard of the Tsar’s abdication. Nikolay’s mother banished her instantly to her room for spoiling the family’s celebrations.

Alternative reading | 2 December 2009

Thomas Keneally is the Booker-Prize-winning author of Schindler’s Ark and The Chant of Jimmie Blacksmith. Tom Keneally is the author of The Utility Player, a biography of the rugby league player Des Hasler. Naturally Thomas and Tom are the same person. The unashamed idolatry of The Utility Player is difficult to convey here, but can be glimpsed in the following description: ‘Des is an Australian version of an Arthurian knight. His heart was strong because his soul was rigorously aligned . . . he is the Zen practitioner of rugby league, the code’s monk.’ Keneally is one of those people who see a single sport as a template for the clockwork of the universe, and he is not alone among practitioners of fiction in this.

Thoughts on the Great Depression

The Great Depression of the 1930s has passed into myth as essentially American, not global. The Wall Street crash ended the Good Times and led, apparently inevitably, to the crisis of Capitalism. Europe suffered from the effects, but had the glum fun of watching the dollar lose its almightiness. America’s internal response was dramatic and, literally, moving: the migration of John Steinbeck’s Joad family of ‘Okies’, from the dust bowl towards the golden mirage of California, exemplified a general restlessness.

All Paris at her feet

In what was intended as the opening line of a 1951 catalogue essay to an exhibition by the painter Leonor Fini, Jean Cocteau wrote: ‘There is always, at the margin of work by men, that luminous and capricious shadow of work by women.’ Not surprisingly, Fini excised it. In what was intended as the opening line of a 1951 catalogue essay to an exhibition by the painter Leonor Fini, Jean Cocteau wrote: ‘There is always, at the margin of work by men, that luminous and capricious shadow of work by women.’ Not surprisingly, Fini excised it. But it was an attitude that would plague her, and other female artists in Paris’s Surrealist milieu, for the rest of her life.

Disunited from the start

Twice in the 20th century, men have sought to create a new world order. The League of Nations, conceived with high hopes as a result of the Treaty of Versailles, failed catastrophically. At the outbreak of the second world war, it was to be found solemnly engaged in the task of standardising European railway gauges. The United Nations, by contrast, was born in a mood of profound disillusionment in 1945. It was not, so it seemed, only the League that had failed, but also the conception of man that had been embodied in it, a conception that had been torn apart so savagely by the Nazis. Unlike the League, the United Nations has survived, but its position has all too often been that of the man who passed by on the other side.