More from Books

Elder, but no better

William Pitt the Elder, Earl of Chatham was hailed by Victorian schoolboys as the man who made England great. He was the patriot leader, the minister who steered the country through the Seven Years War, climaxing in the Year of Victories of 1759. General Wolfe heroically captured Quebec, British troops helped Frederick the Great of Prussia smash the French at the battle of Minden, and the British navy decisively defeated the French at Quiberon Bay. England emerged as the greatest power not just in Europe but in the world, and Pitt was the hero. In fact, Pitt’s reputation was wildly inflated. The war was fought by soldiers making decisions on the spot — it had to be, as letters took several weeks to reach England. Pitt neither planned nor financed the war.

Not cowardly enough

Nobody who reads Nigel Farndale’s The Blasphemer is likely to complain about being short-changed. Nobody who reads Nigel Farndale’s The Blasphemer is likely to complain about being short-changed. It tackles five generations of the same family, three wars, Mahler’s ninth symphony and contemporary Islamic terrorism. Along the way, it ponders the nature of male courage, the theological implications of Darwinism and, rather more surprisingly, the existence of angels. As a journalist himself, Farndale also seems to have noted the career path of Sebastian Faulks — that great exemplar for all British journos dreaming of literary glory.

What a difference a gay makes

Edmund White is among the most admired of living authors, his oeuvre consisting of 20-odd books of various forms — novels, stories, essays and biographies — though each one is imbued with his preferred subject, homosexuality. Edmund White is among the most admired of living authors, his oeuvre consisting of 20-odd books of various forms — novels, stories, essays and biographies — though each one is imbued with his preferred subject, homosexuality. Now he is most famous for what could be termed his boy-ographies, a regular series of volumes about his passions, practices, predilections and peccadildos, beginning, in 1975, with The Joy of Gay Sex.

Fighting spirit

The metaphors that come to us when we are sick, trapped in the no-man’s land bet- ween consciousness and oblivion, are often the most vivid of which our minds are capable. The metaphors that come to us when we are sick, trapped in the no-man’s land bet- ween consciousness and oblivion, are often the most vivid of which our minds are capable. No wonder, then, once we are recovered, that the memory of them may prove impossible to banish. It is the measure of those that came to Peter Stothard when he was receiving treatement for what at the time appeared terminal cancer that they should have inspired this haunting, erudite and beautifully written book.

Decline in New York

A connection between poetry and blindness is a classical trope. Homer was thought to be blind — if indeed he was one person — and Milton of course suffered torture by going blind. Blindness is also associated with special powers of insight and intuition, very useful attributes for a poet. Blind poets had to develop long memories, too, if they wished to recite their works. The Odyssey is thought to have been the work of Homer’s old age. Homer and Langley is the work of E. L. Doctorow’s old age. There are fewer Homeric references than you might have expected, given that the narrator is called Homer Collyer and is blind, although, like the classical Homer, not born blind.

The Knights of Glin

In this splendid, monumental slab of a book, Desmond Fitzgerald, the 29th Knight of Glin, has made the chronicle of his family epitomise the whole turbulent history of Ireland since the arrival of the Normans. The survey includes chapters by academic genealogists and other historians, with less formal contributions from the Knight himself and his wife, Madam Olda Fitzgerald. The illustrations are comprehensive: ancient maps and land- scapes and portraits ancient and modern. There are a characteristically misty watercolour by Louis le Brocquy and photographs of architectural embellishments, fine furniture and paradisal gardens.

Strictness and susceptibility

William Trevor’s collected short stories were published in 1992 and brought together seven collections. William Trevor’s collected short stories were published in 1992 and brought together seven collections. But since reaching the standard age for retirement, Trevor has produced four further volumes, and now Penguin has brought out a handsome new edition, in two slipcased volumes. The industry is impressive, but not nearly as impressive as the quality. Trevor is routinely described as the world’s greatest living writer of short stories (I suppose the competition is Alice Munro), which makes the reviewer’s task a little tricky. It boils down to this: is he?

A sage on his laurels

Last year, at a gathering in a London bookshop, the Nigerian writer Chinua Achebe read poetry and mused over his long career. The evening was a sell-out, the mood adoring. At the end, a Scandinavian blonde raised a hand to ask whether, if he could do it all again, there was anything about Things Fall Apart he would change. There was patronising laughter from the audience, tinged with disapproval. Didn’t the silly girl know the novel was perfect in every way? Achebe did not engage with the question. ‘No, I wouldn’t change a word.’ I was reminded of the exchange reading this slim book, Achebe’s first for more than 20 years.

Fear hovers in China

It’s lovely to be the child of a Chinese Revolutionary Martyr. It means your parent died especially heroically for the Communist cause. I had a friend who was such a son; his father, a high-ranking Chiang Kaishek army officer, came over to the Maoist cause and died fighting for it against his former comrades. The big thing for the son was that he had access to his dang-an, the official dossier containing the personal and political details of individual Chinese, which is closely guarded by the security apparatus. Few ever see their dang-an — which can make or break your career — but my friend could add favourable facts to his and excise damning ones.

Patterns in the universe

This is John Michell’s last book, completed soon before he died in April last year. He regarded it as his magnum opus, summarising the principles of geometry that had preoccupied him for decades. I knew him for 25 years, but not until I read this book did I realise how coherent his vision had been, linking together archaeology, Platonic philosophy, mythology, art, cosmology and prophecy. Michell’s central theme is the geometrical order underlying the world, but he makes no claim to absolute truth, nor does he expect to find it in science: Michell’s many watercolour diagrams show fundamental geometrical principles, such as the relation of the circle to the square and the golden section.

Tensions in the European Union

Perry Anderson was an editor of the New Left Review in the days when there was a New Left, and a pro-European Marxist at a time when this seemed a contradiction in terms. Since then, the opinions of this characteristically English rebel have been softened by years passed in the sociology departments of American universities. He has learned to love the values of American liberal capitalism, albeit with large qualifications. Disappointed idealism has soured his former adulation of French intellectual elites. But some things have not changed. Anderson’s contempt for the English political and intellectual tradition is as sharp as ever, and peppers the pages of this book.

Another damned thick, square book

William T. Vollmann ruined my Christmas. But he also made my year. Like a fisherman scared by reports of mysterious beasts and monsters — Here be dragons! Gryphon! Basilisk! Unicorn! Serpent! — I’d been put off for a long time by Vollmann’s reputation as the great white whale of American fiction, the New Maximalists’ Maximalist, a kind of vaster, stodgier, blubberier David Foster Wallace. And Vollmann’s much discussed obsessions with prostitution, destitution, degradation — exhaustingly detailed in his many and often mega-books, from You Bright and Risen Angels (1987) right through to the seven-volume Rising Up and Rising Down: Some Thoughts on Violence, Freedom, and Urgent Means (2003) — are not my own. Frankly, I like nice.

Shock and awe | 16 January 2010

Luisa Casati was a virtuosa in the art of making a spectacle of herself. Born in 1881, she inherited an immense fortune and spent it all (she died destitute) on making herself a ‘living work of art’. She had very little conversation. ‘Wisely, she seldom uttered’, noted Harold Acton. Instead she posed, and the pictures assembled in this book demonstrate how well she did it. Orphaned at 13, and married before she was 20 to a Milanese aristocrat from whom she soon separated, Casati was an unconventional beauty, whom Marinetti, the founder of the Futuirist movement, described as having ‘the satisfied air of a panther that has devoured the bars of its cage’. Her heyday spanned the two decades centring on the first world war.

A reader’s writer

Some people say that nothing happens to them, but everything happens to the writer who sees the world around him as material for fiction. Francis King is such a writer, which explains why he has been able to go on writing novels and stories for longer than many of his readers and indeed publishers have been alive. When someone who brought out his first book in 1946 while an Oxford undergraduate publishes a novel as good, fresh, intelligent and moving as Cold Snap more than 60 years later, it is almost inevitable that reviewers should remark on his extraordinary literary longevity and his seemingly inexhaustible vitality. And yet this is, in all ways but one, beside the point. To dwell on his age is invidious and misleading.

One for the road

Have you ever been on holiday and struggled to choose a guidebook? I mean, where does one start? I imagine in a bookshop. But, if anything, that makes the task even harder. The choice is just too wide. Waterstones sell around 12 guidebooks per major city — far more if you want a whole country (there are a staggering 23 on India, for example). So I asked around. Which guidebook, if any (young travellers are increasingly turning to the web and online travel forums for advice whilst others are too mean to buy a guidebook and rely on friends’ recommendations, a hotel map and a good concièrge), did they choose when heading off on a mini-break? Were they faithful to a particular brand or did they judge a book by its cover? ‘I take the Times World Atlas,’ said one.

Addle-pated modernist

In 1564 a book was published calculating that there were 7,409,127 demons at work in the world, under the administrative control of 79 demon-princes. Eight years later, Michel Eyquem de Montaigne began to write his Essays, a book which still seems to speak to us directly with all the force of rational understanding and an identifiable human personality. If Montaigne marks the beginning of modernity, it is because he tells us exactly what he is like; how he sees the world, fallibly and yet honestly; and because there was no book in the world like it before, and we are still writing books rather like it today. Montaigne, in common with all great authors, has continued to be infinitely applicable.

Continuity under threat

This handsome and encouraging book is perhaps unfortunate in its title. The suggestion is that the author has been forced to rummage among the wreckage that is England in order to find something, anything, that is still intact. Its origins and intentions are quite the opposite. As Richard Ingrams explains in his short introduction, when he was editor of Private Eye he published a regular feature called ‘Nooks and Corners of the New Barbarism’, written by John Betjeman — a suitable kind of investigation for a satirical magazine.

Strong family feelings

Mary Kenny’s survey of Ireland’s relations with the British monarchy is characteristically breezy, racy and insightful, with a salty strain of anecdote. Mary Kenny’s survey of Ireland’s relations with the British monarchy is characteristically breezy, racy and insightful, with a salty strain of anecdote. This reflects the secret affection of the Irish bourgeoisie for the royal soap opera, even when this addiction has to be concealed as carefully as a taste for alcohol in a fundamentalist Muslim state. Oddly, her account of secret suburban Catholic covens, communing with royal weddings and jubilees via television, rather trumps my memories of royalist interests among the Protestant (though emphatically not Anglo-Irish) circles of my youth.