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Annals of war

‘I was not an enthusiast about getting US forces and going into Iraq,’ Dick Cheney said in 1997, looking back on the First Gulf War. ‘I was not an enthusiast about getting US forces and going into Iraq,’ Dick Cheney said in 1997, looking back on the First Gulf War. ‘I felt there was a real danger that you would get bogged down in a long drawn-out conflict, that this was a dangerous, difficult part of the world.’ How, half a decade later, was that prescience brushed aside by governments on both sides of the Atlantic in the rush for regime change? The Chilcot Inquiry, whose committee of the great and the good has teased out much about the musings of politicians and mandarins in once smoke-filled rooms, may or may not find the answer.

Faith under fire

Giles St Aubyn, in this long, scholarly book, sets out to chronicle the shifts in the Christian churches from the scientific revolution of the 17th century, and the Enlightenment of the 18th, to the apparent triumph of secularism in the 20th. H. H. Asquith, as leader of the Liberal party, was not an enthusiastic Christian. Nor did the Labour Prime Minister Clement Attlee waste much time on religious concerns, which bored him. What mattered was the NHS and the welfare state, which saved men’s bodies rather than their souls. The Reformation had shattered the universal Catholic church of the Middle Ages, leaving in its wake what the Catholic apologist Blaise Pascal called ‘the thousand bizarre sects of Protestantism’.

In the shadow of Mau Mau

When the Kenyan human rights campaigner, Maina Kiai, recently addressed the House of Commons, his list of policy recommendations probably surprised many MPs. Be tough on Kenya’s fractious government, he urged. Crack down on British companies which bribe African politicians. And it was well past time, he added, that Britain made a formal apology for Mau Mau. A chasm yawns between the soft-focus memories of a former colonial master and the less happy recollections of the colonised. Never more so than with Mau Mau, the 1950s uprising against white rule which traumatised the Kikuyu community, the country’s biggest tribe, eventually paving the way for independence.

Pretty boy blue

In his memoir Somebody Down Here Likes Me, Too, the boxer Rocky Graziano, on whom Paul Newman based his performance in Somebody Up There Likes Me (1956), describes the actor in perfect Runyonese: I could see right off there ain’t one thing phony about this guy. Maybe there was. He was too good-looking. In fact, the guy is pretty… He’s got bright blue eyes, but when you look in ’em you see a hard look dancing around inside. Only one other guy I see these same eyes on an’ that was another friend of mine, Frank Sinatra. When their blue eyes spot a wise guy, the eyes say, ‘Don’t fuck with me, man!

A choice of first novels | 27 March 2010

Catharine is a middle-class, married woman in her late thirties living in a genteel village an hour from London with her husband, a successful lawyer, who nicknames her ‘Catch’. Catharine is a middle-class, married woman in her late thirties living in a genteel village an hour from London with her husband, a successful lawyer, who nicknames her ‘Catch’. Though educated and bright, she has no career. She is ‘famous’ for her ‘lack of sense of humour’ and is ‘the most feminine woman’ her husband has ever known.

Becoming a Victorian

Winston Churchill was a racist. He said things like ‘I hate people with slit eyes and pig-tails. I don’t like the look of them or the smell of them’. Winston Churchill was a racist. He said things like ‘I hate people with slit eyes and pig-tails. I don’t like the look of them or the smell of them’. In 1931 he described Gandhi as a seditious Middle Temple lawyer, a half-naked fakir and a ‘malignant subversive fanatic’ and in 1954 he told the white Kenyan settler Michael Blundell that he ‘did not really think that black people were as capable or as efficient as white people’, although he said that ‘if I meet a black man and he’s a civilised educated fellow I have no feelings about him at all’.

Indian snakes and ladders

Award-winning poet Ruth Padel established her prose credentials with her autobiographical travel book, Tigers in Red Weather. Journalist Aatish Taseer trawled his own past and background for his memoir, Stranger to History. Now they have produced first novels connected by both dislocation and location — India, though they deal with very different versions of the subcontinent, viewing it from opposite, culturally shaped perspectives. Padel’s Where the Serpent Lives moves between a tangle of human relationships and an environment under threat. Writing about nature, she brings a poet’s intensity to her prose: objects, plants, and the wildlife that stalk her pages, are all fiercely observed. Her narrative spirals like a tropical plant, luxuriant with metaphor and imagery.

Thorns in Russia’s side

Once known for its honour-loving bandits and rugged scenery, the Caucasus is the narrow wedge of land between Russia and the Middle East. Rippling with wooded gorges, its ethnic and linguistic complexity — 40 languages in Dagestan alone — has long intrigued outsiders. These days the Caucasus is better known for separatism and scenes of bloody violence, which Oliver Bullough puts into vivid historical focus. More crucially, he sheds a telling light on contemporary Russian political thinking. Bullough, a companionable ex-Reuters journalist, bypasses independent Georgia, Armenia and Azerbaijan — which for some collectively define the region — and instead goes in search of three peoples in the North Caucasus: the Circassians, Karachai-Balkars and Chechens.

Exotic Cuban underworld

Before the revolución of 1959, Havana was, effectively, a mafia fleshpot and colony of Las Vegas. Before the revolución of 1959, Havana was, effectively, a mafia fleshpot and colony of Las Vegas. Graham Greene first visited in 1954, when the dancing girls wore spangled headdresses. The Batista regime was then at its height, and tourists flocked to the Cuban capital for its promise of tropical oblivion. George Greene, the ‘GG’ of the title of this novella, is an English holidaymaker on the prowl in pre-communist Havana. Castro’s revolution is less than four years away — it is the summer of 1955 — and George hurls himself promiscuously into Batista’s grimy sex industry.

Beyond pretty

For the last 30 years John Lister-Kaye has lived at Aigas, in the valley of the River Beauly, seven or eight miles from the sea and half an hour west of Inverness. For the last 30 years John Lister-Kaye has lived at Aigas, in the valley of the River Beauly, seven or eight miles from the sea and half an hour west of Inverness. This is not Mongolia or Greenland and the personal quest for wildness which this book records is no tale of courage in the distant wastes. It is written at home, the gleanings from a daily stroll around his own heart-shaped loch, eight acres of water caught in the glen just above his house (and the nature centre he runs there).

Her own best invention

Lesley Blanch, who died in 2007 aged almost 103, did not want this book written. Having spent her whole life spinning a web of romantic tales around herself, the last thing she needed was a patient, dogged writer checking up on her, unpicking the fibs and the fantasies and unlocking the skeletons from their cupboards. Anne Boston, who admires her tricky subject and is well aware that fantasies can be as revealing as facts, nevertheless feels obliged, rightly in my view, to play the detective. It was not until she was 50 that Blanch (born in 1904) published her first and instantly successful book, The Wilder Shores of Love, in which she described the romantic adventures of four European women in North Africa and the Middle East.

Almost all against all

Early one morning in September 1986 three gunmen patrolling Beirut’s scarred Green Line came across what they believed would be easy pickings. Early one morning in September 1986 three gunmen patrolling Beirut’s scarred Green Line came across what they believed would be easy pickings. David Hirst the diminutive, silver-haired and donnish veteran correspondent was stranded by the side of the road in one of the most notorious areas of the city. Scores of Westerners had already been seized by militant groups allied to Iran and Hirst was pushed at gunpoint into the back of a BMW for what should have been the start of several miserable years handcuffed to a radiator in Beirut’s southern suburbs.

A cosmic comedy

Not long ago I had an email from a friend, wondering if I’d yet read the new Ian McEwan. Not long ago I had an email from a friend, wondering if I’d yet read the new Ian McEwan. ‘Talk about a bolt from the blue,’ she said. ‘McEwan does slapstick. I never saw that coming.’ She added (unfairly, I thought) that you might class On Chesil Beach as slapstick of an unintentional sort, but her point holds. Here, in a book around a scientific theme of considerable seriousness — global warming and renewable energy — McEwan has written the closest thing he’s ever done to a farce. Told in three chunks, spaced at intervals between 2000 and 2009, Solar is the story of a Nobel-prize-winning physicist on a slow slide to disaster.

Street eloquence

The title of Jon McGregor’s third novel derives from an anecdote told by one of the many vivid, dispossessed characters whose voices burst from its pages: Steve is a homeless ex-soldier who agrees to help deliver a lorry-load of aid to a Bosnian town, but is turned back on the grounds that ‘even the dogs’ there are dead. The title of Jon McGregor’s third novel derives from an anecdote told by one of the many vivid, dispossessed characters whose voices burst from its pages: Steve is a homeless ex-soldier who agrees to help deliver a lorry-load of aid to a Bosnian town, but is turned back on the grounds that ‘even the dogs’ there are dead.

Not as bad as the French

This is a long book, but its argument can be shortly stated. Anthony Julius believes that anti-Semitism is a persistent and influential theme in English history, which is all the more dangerous for being unacknowledged by most anti-Semites and concealed behind a facade of complex, subtle and hypocritical social convention. He sustains the argument over nearly 600 pages of densely annotated text, in a book which is in equal measure wonderful and infuriating. It is immensely learned. It is thorough. Its patient accumulation of detail challenges conventional English images of their own society. Much of the analysis is observant and shrewd. But much of it is also laboured, sanctimonious and lacking in any real sense of proportion.

Brutal and brutalising

In this book, Jonathan Safran Foer, the American novelist, tries to make us think about eating meat. He ate meat, then became a vegetarian, then ate meat again, then got a dog, then started to worry about eating animals, and didn’t stop worrying. This book is the result of what happens if you start to worry about eating animals, which is what most of us do, but then carry on worrying, which is what most of us don’t do. It’s horrifying. He starts off by thinking about why we don’t eat dogs. Well, we’d hate to do that, wouldn’t we? They’re dogs, for God’s sake. They are ‘companion animals’. We love them, in the same way that the Indians love their cows. But the Indians eat dogs, don’t they? And Koreans eat dogs.

The spaced-out years

Barry Miles came to London in the Sixties to escape the horsey torpor of the Cotswolds in which he grew up. Known at first only as ‘Miles’, he worked at Indica and Better Books and was soon helping to organise the Albert Hall reading of 1965 which is supposed to have changed British poetry for ever, though whether it did, or for the better, is debatable (Alan Ginsberg thought none of the British poets were worthy to read with him). He then moved into journalism on the International Times and wrote biographies of both Beats and Beatles, as well as Zappa and The Clash. He seems to have been present at every ‘underground’ event of the next 20 spaced-out years.