More from Books

Saturday

Alexander Larman

The other man’s grass . . .

Hundreds of thousands of hardy souls are preparing for a few nights under canvas this summer, often facing sunburn or trench foot while giddily jumping up and down in a muddy field as bands maul their better-known hits. And yet, for most of these people, camping is something that they wouldn’t dream of doing except at music festivals, despite its convenience, lack of cost, green credentials and genuine sense of excitement and adventure. This dichotomy, among many others, is explored with intelligence and wit in Matthew de Abaitua’s treatise on the values and social impact of camping.

Saturday

Fay Maschler

Bookends: Not just for Christmas

Sticky at Christmas, packed in serried rows around a plastic twig in an oval-ended paper-wrapped box with a picture of a camel train; dates in childhood were exotic. The mystery words Deglet Noor were as sweet to roll around the mouth as the fibrous fruit. But we learn from Dates – A Global History by Nawal Nasrallah (Reaktion Books, £9.99) that they are a staple food, comparable to wheat, potatoes and rice. The Edible Series focuses on one foodstuff per book. The result can be like an answer in a Chinese exam where everything known is written down, here in a prose style reminiscent of Wikipedia.

Sam Leith

Golden lads and girls | 2 July 2011

Sam Leith tracks the careers of Alan Hollinghurst’s captivating new characters through youthful exuberance to old age, dust and a literary afterlife It’s quite hard to know where to begin, reviewing The Stranger’s Child. As I finished it, and was heard making bloody-hell-this-is-good noises, two people asked me: ‘What’s it about?’ That, as it turns out, is a very good question. Ostensibly, it’s about a fictional poet called Cecil Valance, a diffusion-line Rupert Brooke described years after his death in the first world war as ‘a first-rate example of the second-rate poet who enters into common consciousness more deeply than many greater masters’.

Byron Rogers

Scenes from the Mad Hatter’s tea party

I only ever heard my mother admit twice to fancying other men. One, remarkably, was Saddam Hussein, the other was Richard Burton, and of each she said, ‘He’s a good-looking old man.’ She said this the way only a Welsh Baptist matron could: grimly, and because she was secure in the knowledge that she was not likely to meet either in chapel or on the streets of Carmarthen. Richard Burton, once of Port Talbot, later of the Dorchester Hotel, was cat-nip to women. He had a face ravaged by acne and his feet smelt, but he managed to sleep with the most beautiful leading ladies of his time, something his latest biographer quotes Stanley Baker, his fellow thespian and Welshman, as saying was ‘absolutely essential’ for an actor. Sadly, Baker did not say this.

Andrew Rosenheim

A far cry from Dr Finlay

If he is remembered at all, A.J. Cronin is known now for Dr Finlay’s Casebook, which ran for many years on both BBC television and radio, and today resonates with the glow of a gentler past — when a GP happily made house calls, delivered babies, and served as shaman, shrink and confessor to his rural community. If he is remembered at all, A.J. Cronin is known now for Dr Finlay’s Casebook, which ran for many years on both BBC television and radio, and today resonates with the glow of a gentler past — when a GP happily made house calls, delivered babies, and served as shaman, shrink and confessor to his rural community. Cronin’s association with these programmes was actually relatively loose.

Cressida Connolly

The worst crime was to be a bore

Gully Wells is a spirited and amusing writer, the daughter of the American journalist Dee Wells and the stepdaughter of the famous philosopher Freddie Ayer. While an undergraduate at Oxford she had an affair with Martin Amis and travelled to Italy with him, a trip fictionalised in his recent novel, The Pregnant Widow (conveniently out in paperback at just the same moment as this memoir appears, for ease of cross-referencing). Wells worked for the publisher George Weidenfeld before marrying and moving to New York, where today she’s the features editor of a travel magazine. Christopher Hitchens and Anna Wintour are among her pals. Her parents divorced when Gully was tiny.

James Grande

Chinese whispers

River of Smoke begins with the storm that struck the convict ship the Ibis at the end of Amitav Ghosh’s 2008 Man Booker-shortlisted Sea of Poppies. River of Smoke begins with the storm that struck the convict ship the Ibis at the end of Amitav Ghosh’s 2008 Man Booker-shortlisted Sea of Poppies. Redruth, the vessel of a Cornish plant-hunter, Frederick ‘Fitcher’ Penrose, sails in to Port Louis, Mauritius, two days after the Ibis, while the Anahita, belonging to Bahram Modi, a Bombay opium merchant, encounters the same storm on the other side of the Indian Ocean. Counting the cost of their voyages, characters from all three ships make their way to the Chinese port of Canton.

Brendan O’Neill

Damned either way

As someone who was born ‘the other side of the tracks’, I really wanted to like Owen Jones’s book, which sets out to expose how in recent years the working classes have become ‘objects of fear and ridicule’. It’s true; they have. The problem is, however, that he implores us to pity them rather than fear them. And as the proverb goes: ‘Friends help; others pity.’ Jones catalogues media and political assaults on ‘chavs’ — those fake-Burberry-clad no-marks covered in bling, who hang around street corners with scary-looking dogs and bottles of alcopops. They are now wearily familiar symbols in the Daily Mail and on Channel 4 of all that is decadent about modern England.

Dan Jones

Sad, not mad

The Catholic Monarchs — Ferdinand II of Aragon and Isabella I of Castile — had five children together. The Catholic Monarchs — Ferdinand II of Aragon and Isabella I of Castile — had five children together. Each child was married off to a promising European neighbour, thereby acting as a diplomatic tool in the Monarchs’ reassertion of royal authority over Spain. Two of those children remain famous today, chiefly for their reputation as the 16th century’s most wretched doormats. Katherine of Aragon was the youngest child. As we know, her first marriage was to Henry VII of England’s eldest son, Prince Arthur. When he died, her second marriage was to the man who would become Henry VIII. The rest barely needs rehearsing.

Simon Heffer

The biography of a nobody

A biography of Ed Miliband has to try hard not to be the sort of thing one buys as a present for someone one avidly dislikes. This effort, the first in what its authors seem (perhaps optimistically) to imagine may be a long series of accounts of their subject’s life, does not try hard enough. It has detail — Messrs Hasan and Macintyre boast of a million words of interview transcripts — but in the end it is, plainly and simply, stultifyingly boring. I am not sure this is entirely the writers’ faults. Before reading their book, I thought Mr Miliband was simply oversold, a man born to disappoint. Now I realise that he, and therefore an account of his life, is boring too.

Saturday

Lewis Jones

Bookends: Venice improper

Books about Venice are almost as numerous as gondolas on the Grand Canal, but Robin Saikia is the first to write one about the Lido. The subject might be thought too insubstantial for a book of its own, and so it proves: excluding its index and appendices, The Venice Lido (Somerset Books, £6.95) runs to a modest 132 pages of generously sized print. But what this monograph lacks in volume it makes up for in warmth, charm and eccentric scholarship. Books about Venice are almost as numerous as gondolas on the Grand Canal, but Robin Saikia is the first to write one about the Lido. The subject might be thought too insubstantial for a book of its own, and so it proves: excluding its index and appendices, The Venice Lido (Somerset Books, £6.

Interconnect

Correction | 25 June 2011

The title of John Mole’s poem, printed in last week’s issue, should have been ‘The Whole Thing’, and the lines ‘But it was after dinner/ So I let it go’ should have been italicised (being an alleged quotation from Winston Churchill). We apologise for these errors. The title of John Mole’s poem, printed in last week’s issue, should have been ‘The Whole Thing’, and the lines ‘But it was after dinner/ So I let it go’ should have been italicised (being an alleged quotation from Winston Churchill). We apologise for these errors.

Ian Thomson

City of miracles

In the autumn of 1984, after an unexplained fall, I found myself in a hospital in Rome acutely head-injured and disorientated. I had been found sprawled on the floor of my flat on Via Salaria; the police suspected an intruder, yet nothing apparently was stolen. Bloody handprints covered the walls where I had tried to steady myself. I was 23 and newly arrived in Rome to work as a journalist and teach. Later, I regained consciousness outside a latrine on the sixth floor of San Giovanni hospital. A group of nuns with elaborate bird-like coifs swished past, each bearing a carafe of white wine. So I was in paradise — or perhaps a Fellini movie. (The carafes turned out to contain urine samples.) The nuns acted as paramedics, owing to a shortage of trained nurses.

Allan Massie

Coolness under fire

The early 19th century was the age of the dandy, and the essence of dandyism was cool self-control. The dandy shunned displays of feeling. There is feeling a-plenty in both these books; yet they may fairly be described as novels which bear the characteristics of dandyism. Though not short of action — something the dandies deprecated — they are cool, elegant and laconic. Stella Tillyard is known as a historian of 18th- and early 19th-century aristocratic and royal life. Tides of War is her first novel, and a very accomplished one. It moves easily between domestic and political scenes in London and Norfolk, and the Peninsula, where Wellington’s army, with the help of Spanish guerrillas, whom Wellington valued little, is gradually winning the war against the French.

Edward King

Empty lines on a CV

The intern is everywhere, slowly but surely, infiltrating every office on the planet. But while the internship is now ubiquitous, having become the standard first rung on most career ladders and the most frequent stepping stone between education and a career, it remains a largely unexamined and unregulated sector. Somewhere between an apprenticeship and a temp job, the internship resists easy definition and is understood more in terms of social cachet than actual responsibilities. Having had his fair share of directionless and underpaid internships between various degrees at Stanford and Cambridge, Ross Perlin, a researcher in linguistics, decided that the phenomenon deserved closer scrutiny. The result is Intern Nation, an exposé of the murky world of the internship.

Simon Courtauld

Art and the raging bull

In these days of growing concern at the methods of factory farming and the welfare of the animals which are raised and killed for our consumption, it is instructive to compare the life of domestic beef cattle with that of a Spanish fighting bull. The cattle may have less than two years of life in cramped conditions, while the toro bravo roams free and unmolested on pasture for five years. Alexander Fiske- Harrison makes the comparison succinctly: ‘Five years on free-release and then the arena, or 18 months in prison and then the electric chair’. He maintains (there is some evidence for this, to do with beta-endorphins) that the fighting bull’s suffering is reduced because, once in the ring, it feels no fear, only aggressive anger.

Justin Cartwright

Mumbai and Mammon

This is a state of the nation novel or more accurately a state of Mumbai novel. Behind the tale of a struggle by a developer to acquire, for flashy redevelopment,  the three towers of the lower-middle-class, crumbling Vishram Co-operative Housing Society, lies a colourful and ambitious novel about the changing standards and habits of the citizens of Mumbai, poisoned as much by the rocketing wealth all around, as by the foul air and excrement-laden byways. (Adiga mentions shit and its stench time and again.) On the one side of the divide is a group of friends and neighbours who live in Tower A of the Society. The most respected of them is Masterji — Yogesh A. Murthy — a retired and recently widowed schoolmaster.

Paul Johnson

Heroic long-suffering

English patriotism was still a force in 1914. On the first day of the war, my mother’s three brothers, and my father and his two brothers, all joined up together, in the Artists’ Rifles. On the first day of the second world war, which I remember well, there were some similarities, but they were superficial. Again, my elder brother joined immediately. But the mood was resignation, not enthusiasm. There was no rejoicing, no talk of a new and better world: just a despairing attempt to preserve what was left of an unsatisfactory old one. The truth is, the Great War knocked the stuffing out of the British. They have never been the same since, collectively. Of the 722,000 killed, the vast majority were volunteers, overwhelmingly young: the eager elite.

James Walton

When more is less

If you know anything at all about Cynthia Ozick — an officially accredited grande dame in America, less famous in Britain — you won’t be surprised to hear that her new novel is influenced by Henry James. If you know anything at all about Cynthia Ozick — an officially accredited grande dame in America, less famous in Britain — you won’t be surprised to hear that her new novel is influenced by Henry James. Throughout Ozick’s career, James has hovered over her fiction and featured heavily in her essays. Now, in Foreign Bodies, she goes for, among other things, a full-scale recasting of The Ambassadors.

William Feaver

The English El Greco

Talk about ‘enemies of promise’. Talk about ‘enemies of promise’. In the March 1942 number of Horizon magazine there appeared what could be a heartfelt illustration of the whinger’s conceit propagated by Horizon’s editor, Cyril Connolly, to the effect that life stifles artistic ambitions. Plate 2, ‘Dreamer in Landscape’ by John Craxton, is a pen-and-wash drawing of horny plants breathing down the neck of a dozing boy. How very Craxton. Not yet 20 and already well-versed in overgrown styling and poetic self-pity. For decades Craxton lived with the fact that early promise guarantees nothing.