More from Books

Too much time in the library

Donna Leon’s The Jewels of Paradise (Heinemann, £17.99)has a promising premise. A young musicologist, Caterina Pelligroni, returns to Venice to trace a legacy left by the 17th-century composer Agostino Steffani, a slippery customer who mixed libretti with realpolitik in the courts of Europe. The bequest turns out to consist mainly of nasty secrets, which seem strangely important to the attractive yet shady lawyer who has hired Caterina. But despite having all the ingredients of a zippy historical mystery in an intriguing new genre, Jewels doesn’t quite deliver the goods. Caterina spends too much time in libraries, furtively eating energy bars, for the climax to have much more tension than an essay crisis.

About to cop it?

Rebus is back, in a novel long, meaty and persuasive enough to make up for the years of absence. Actually, he is only part-way back — on a civilian attachment to the Edinburgh & Lothian Police, and working on cold cases. However, the retiring age has been raised, and he has applied for re-instatement. He may not succeed; the head of this small department is unlikely to recommend him, and Inspector Fox, the officer in charge of the complaints department, who has been the lead character in Rankin’s last two novels, regards him with suspicion, dislike and contempt. To his mind, Rebus is a type of policeman who should be extinct. He doesn’t play by the book.

Crying and laughing about it all

For many biographers of popular musicians, the obvious problem is that the only interesting bit comes when your subjects are in their brief creative pomp. For Sylvie Simmons, the situation is rather different — and not just because Leonard Cohen has been somewhere near his pomp for nearly 50 years. The real trouble is that every other aspect of his life is fascinating too. To do the man justice, you first need to know about the wealthier parts of Jewish Montreal in the 1930s, where the new-born Cohen arrived home from hospital in a chauffeur-driven car.

Tragically flawed

This is a story of impossible gifts. The Chancellor, George Gideon Oliver Osborne, stands to inherit a 17th-century baronetcy and a large fortune accumulated by his enterprising father. He was also blessed with intelligence, charm, ambition, eloquence and the mysterious ability to seek out power and use it for his own ends. His biographer, Janan Ganesh, has written a pacy, well-researched book whose only fault is its unquestioning fealty to its subject. Osborne excelled at St Paul’s and Oxford and then strolled into Conservative Central Office as a special adviser. No career but politics interested him. At 25, he was holding one-to-one briefings with the prime minister, John Major. In 2001, he became the youngest member of the Commons, after bagging the ultra-safe seat of Tatton.

A ladykiller at large

Ever since Sergeant Cuff appeared in The Moonstone in 1868, we English have loved our detectives. Moody Scandinavian fiction might come and go, but Peter Wimsey, Poirot, Marple and of course Sherlock Holmes continue to delight us. In Simon Serailler, Susan Hill has created a detective that ranks alongside all these greats. Like Cuff, he has his passion (drawing), like Wimsey he has a personal story, which is built up in each successive novel (this is the seventh in the series). A Question of Identity continues the tale of Serailler’s usually doomed love affairs, his ambivalent relationship with his father, his widowed sister’s single motherhood, and his care for her childen.

Exhibitions of narcissism

The summer exhibition at the Royal Academy, with its overstuffed galleries and motley collection of overblown portraits, twee still lifes and garish landscapes has become an event where you go to be seen rather than to see; it’s less about the art than the experience. But the first-ever public show of paintings, sculpture, architectural drawings in London, which opened on 21 April 1760, was a truly artistic sensation. For the first time, it was possible for anyone to see the best of British paintings and sculpture, for the price of a modest entrance fee. Until then, viewing great masters had been strictly limited to those who could afford to travel abroad to the galleries of Florence, Rome, Paris, or who had rich friends with a private collection.

Bionic bore

After wading through 646 pages of narcissistic gush and breathtaking vulgarity in the accents of Dr Kissinger and Dr Strangelove, I am consoled by the thought that the ordeal has not been entirely a waste of effort. Frequently able to put the book down, yet obliged every time but one to lift it up again, I have found the exercise has wonderfully enlarged, defined and beautified my deltoids, trapezii, latissimus dorsi and other muscles too intimate to mention. Now, like Arnold Schwarzenegger, I can gaze into looking glasses with intensified Gemutlichkeit.

Homage to the Goddess Mother

Cometh the hour, cometh the many men (and women). The 2012 centenary of Captain Scott’s death inspired a series of heroic forays into print: glory-hungry (or just plain hungry) authors questing for something new to say about this much-described event. Next year is the 60th anniversary of the first ascent of Everest, and so we might expect more of the same, with an icy blasted peak instead of an icy blasted pole. For those who approach these commemorative sorties with a heavy heart, Mick Conefrey’s Everest 1953 should come as a vertiginous relief.  The book is neither a flimsy reprise, nor a mercenary hatchet job. Instead, Conefrey crafts an exciting, moving account, with a few controversies revisited in an interesting way.

The company of wolves

The 15th century is beginning to supplant the Tudor age in its allure for historians and novelists. It comes replete with regicide, civil war and — what seems a necessity to the modern market — a wealth of strong queens, or ‘she wolves’ behind every ruler. Sarah Gristwood’s sensitive approach marks out Blood Sisters as much more than the narrative of an age, however. It is an exploration of what it meant to be a medieval queen. The author focuses on the interplay and interdependence of seven women.

Slippery slopes | 1 November 2012

Being sent to finishing school in Bavaria in 1936 was a dream for some English girls: there were winter sports and sachertorte, opera and sausages, and troupes of handsome Nazis in shorts. In Rachel Johnson’s new book, Daphne Linden and Betsy Barton-Hill, 18-year-old beauties who’ve never properly met any boys, find themselves at large in Munich. In a museum 70 years later, Daphne’s grand-daughter Francie spots a picture of Hitler with her grandmother. She begins to make enquiries into Daphne’s National Socialist phase. Francie’s life has its own complications (she’s in love with her boss, and wondering whether or not to have children with her husband), and these develop as her investigation progresses.

Nan’s Advice After My Partner’s Breakdown

What did you know of love? You, who slept in a separate bed, separate room, who knew nothing of us. You told me to let him be, let him get on with it, let him alone. You gave me your harshest advice, told me what you’d done after Grandpa was discharged from the Navy; hiding from the merest sound, from you. You made me hear every whistle and blast of your advice. And I never thanked you.

The worldling’s pleasure

Two women are the only heroes of this book. One is Princess Margaret, whom the author points out was far more instrumental in the early years of Colin Tennant’s ramshackle creation of Mustique than merely lending it her unparalleled presence. Quite apart from insisting, after Tennant had fallen out with a slew of architects, that Oliver Messel — now synonymous with the island’s building style — become involved, she advised him on possible investors and operators. She also stuck by him through all his quixotic irascibility. For his part, he flattered, feted, and fawned on this major star of his Caribbean fantasy. The other hero — or heroine —is his wife. ‘How wonderful Anne has been though all this,’ people say.

The darker side of Dawn

I like Dawn French when she is playing a sinister nurse much more than when she’s a jolly vicar. As her new novel, Oh Dear Silvia (Michael Joseph, £18.99) is set in a hospital, her darker side is gloriously indulged. We are at the bedside of the comatose Silvia, who has fallen off a balcony. Or was she pushed? Siblings and offspring trot to the ward; each chapter offers an internal monologue or confession — a gallimaufry of recriminations, alliances and reconciliations. What complex interactions there are with somebody who doesn’t move or say a word! Nevertheless, ‘somewhere deep inside the brain of this paralysed body there is life.’ New Age Jo is my favourite character.

Getting the knives out

It’s odd that this book should be about a cleaner, because it exactly conjures up the emotions I felt when I worked as a cleaning lady many years ago. Contemplating the grease-encrusted kitchen floor I was about to scrub, I’d cry aloud: ‘How long must I perform this thankless, gruelling task? Why me?’ These agonised expressions were wordlessly repeated as I waded through this dismal novel. The main character is a girl called Agnes, and I spent many hours trying to work out whether she had no personality at all or too many personalities. She is wonderfully adept at managing restaurants, looking after babies and engaging in profound philosophical dialogue; yet she remains disturbingly dim. She is illiterate, but works as an accomplished secretary.

Divided loyalties

On his first day at boarding school in Kenya in the early 1950s, Ngugi Wa Thiong’o stood to attention as the Union Jack was raised on the school flagpole. Afterwards the boys sang Psalm 51 which contains the line, ‘Wash me Redeemer and I shall be whiter than snow.’ Then came a tour of the headmaster’s house during which they were invited to gaze in wonder at his electric cooker and his gleaming pots and pans. The weirdness of this was not lost on Thiong’o, especially as his brother, Good Wallace, was fighting for the Mau-Mau guerrillas at the time. At the end of his first term, Thiong’o returned home to find that it no longer existed. His whole village had been razed and his family packed off to a detention camp.

The plight of the Poles

Was a nation ever so beset by calamity as Poland? During the second world war, Polish cities were bombed, fought over hand-to-hand and crushingly shelled. Beyond their ideological differences, Hitler and Stalin were united in a determination to destroy the country. Without the Nazi-Soviet ‘friendship’ treaty of 1939, Hitler would not have been able to implement the mass killings of Jews in Poland, or Stalin been able to deport thousands of Poles as ‘enemies of the people’ to the frozen immensity of Siberia. Through their opportunist alliance, the dictators worked to undermine Polish statehood. At the war’s end, Poles found themselves dispersed in places as far-flung as India and Soviet Kazakhstan. History had blown them to a harsh lee shore.

Disgusting, but not shocking

The joke doing the rounds in Beijing is that the Swedes gave the Nobel Literature prize to the wrong Chinese. It should have gone to the Communist Party’s propaganda department, for writing the enthralling fantasy about the Politburo’s wife who (supposedly) pours cyanide into the mouth of a British businessman (or spy, as most people believe). Then, in a country which happily executes people for stealing bicycles, it lets off Neil Heyward’s murderer, Gu Kailai, with a suspended death sentence. Meanwhile, her husband, Bo Xilai, who (supposedly) siphoned off billions by extorting money from private businessmen, has so far only lost his party card.

Hart-felt praise

‘I don’t profess this tome to be one of deep reflection or profound, serious thinking,’ writes Miranda Hart, which may or may not come as a surprise to her readers. ‘I am nowhere close to one of them French philosophers; I basically lollop through life like an amiable hound.’ If self-knowledge tends to be hard won, Is It Just Me? (Hodder & Stoughton, £20) suggests that Hart has won it mainly by saying the wrong thing and falling over a lot. Whether you like this book, or even open it, probably depends on how much you enjoy her work on TV, although it’s unlikely you will have read even this far if you didn’t.

Little house on the pampas

It’s hard to tell Argentina’s story without moments of despair. Even those who are fond of this country — like me — can struggle to identify the bright spots in its history. It’s been a tale of genocide, shrinking borders, pointless wars, hyper-inflation and vicious dictators. Even the end of the second world war brought little joy, given that Argentines had spent much of it egging on the Nazis. Part of the problem has been one of grandiose expectations. A century ago, Argentina believed itself on the brink of greatness, its fortune built on meat. Immigrants arrived in their millions, and a few — like Aristotle Onassis — became unhealthily rich.