More from Books

Thursday

Juliet Townsend

Children’s books for Christmas | 29 November 2012

My 20-month-old granddaughter totters into the room. Her eyes are shining with the fervour of St Bernadette. She has caught a glimpse of the divine. Two small stuffed pigs are clasped in her arms. Clearly she has been in heaven. Actually she has just returned from a visit to Peppa Pig World, the most exciting experience of her short life. Anyone who has contact with very small children today will be all too familiar with Peppa, the toddlers’ Harry Potter in her universal appeal. There are two new Peppa books out this Christmas, both published by Ladybird at £4.99. Peppa’s Christmas Wish is a robust board book for the rougher young reader.

Ian Thomson

A heady mix of vice and voodoo

By any standards, Haiti represents a great concentration of misery and dashed hopes. From the air, the Caribbean republic is a sun-scorched clinker; deforestation, caused by a ruinous cutting of timber for charcoal, has destroyed much of the green. Since independence in 1804, moreover, a succession of emperors, kings and presidents-for-life has contrived to instil terror in the people. François ‘Papa Doc’ Duvalier, dictator of Haiti from 1957 to 1971, entertained more than an anthropological interest in Afro-Caribbean sorcery rituals. His wardrobe of black suits and black homburgs lent him the aspect, says Bernard Diederich, of the voodoo divinity Baron Samedi, who haunts the churchyards in a top hat and tails like a ghoulish Groucho Marx.

William Wootten

The Ladies’ Man

The ladies that he spoke to, soft and sure, Believed in dresses longing to be made Of no material but that very shade Of fabric he laid out. So his demure Debs’ fingers would dip gracefully to azure Yards of silk, and his housewives’ eyes, displayed A deep vermillion with a silver braid, Would find themselves seduced by its allure. On flipping round the CLOSED sign for the day, Before easing his scissors on their hook, The pleasant-suited draper paused a while At his tall mirror, practising his smile, Trying to figure quite how he might look Now all his many ladies were away.

Cressida Connolly

The thin end of the wedge

Aunts, generally of an antic or highly unconventional kind, are a literary staple. Anyone wanting to find the best of them would do well to turn to Rupert Christiansen’s excellent companion study of the breed, The Complete Book of Aunts. Literary uncles are rarer, but no less enjoyable to meet. Nancy Mitford’s Uncle Matthew is one of the great comic creations, while Laura Shaine Cunningham’s Sleeping Arrangements is moving and funny by turns. A memoir of the two very peculiar bachelor uncles who brought her up after the early death of her mother, it is one of those yardstick books: you couldn’t really like anyone who didn’t like it. Now Selina Guinness has written a memoir, The Crocodile by the Door, which introduces a memorable new uncle.

David Ekserdjian

A selection of recent art books

With one or two exciting exceptions, almost all art books fall into a very limited number of easily identified categories, such as the monograph and the exhibition catalogue. In some cases, of course, they cunningly manage to be both, not least since the authors of some exhibition catalogues seem to feel that the last thing they want to do is to provide a simple guide to the material for visitors to their show. A case in point is The Early Dürer by Daniel Hess and Thomas Eser (Thames & Hudson, £40), which is brim-full of cutting-edge and often revisionist scholarship, but is written by specialists for specialists.

William Skidelsky

Rich pickings | 29 November 2012

Despite its playfully obfuscating title, the rationale behind this anthology is pretty straightforward. A ‘fake’ is a fictional text that purports to be — or, perhaps more accurately, is presented in the guise of — a non-fictional document. Of course, there’s nothing new about stories of this type: the epistolary novel has been around for centuries. However, as the editors point out in their introduction (itself a kind of fake, being presented as a ‘how to’ guide), ours is an age awash with different types of written communication, from texts, blogs and emails to marketing mailshots, application forms and end-of-year-reports. Any writer inclined to fake it, therefore, has a wide variety of formats to choose from.

Thomas W. Hodgkinson

The gulf of greatness

Ladies and gentlemen,’ Laurence Olivier declared in his clipped, semi-metallic tones to the audience at the Vic as he took his curtain call, ‘tonight a great actress has been born. Laertes has a daughter.’ The man playing Laertes to Olivier’s Hamlet on that evening in January 1937 was Michael Redgrave. The daughter was Vanessa, who would, as Olivier foretold, grow up to be a great actress. This vignette, you might say, contains all the majesty and mawkishness of the theatre. And a touch of its tawdriness, too. For rather than hurry to the bedside of his wife Rachel, Redgrave, it is said, slipped away instead to spend the night with his mistress, the incomparable Edith Evans. Does the possession of genius necessarily bring with it a moral carte blanche?

Wynn Wheldon

Redemption through rock and roll

‘I’m the President, but he’s the Boss’, Barack Obama declared a couple of years ago, and most Spectator readers will know Bruce Springsteen as the President’s celebrity pop star friend. (One of the first of the many pleasures Peter Ames Carlin’s book affords is the story of how Springsteen came byhis nickname: he was a ruthless player of ‘Cut-throat’ Monopoly.) Bruce Springsteen is much more than a celebrity, and Carlin’s book far from a dispiriting celebrity hagiography. Although written with the full co-operation of Springsteen himself, it pulls no punches in describing the singer’s faults and weaknesses, cruelties and mistakes.

Nigel Jones

Two angry old men

Though lasting literary friendships between natural rivals are not rare — Byron and Shelley, Coleridge and Wordsworth and Edward Thomas and Robert Frost spring to mind — few have been as durable as the one that began in the Front Quad of St John’s College, Oxford, one afternoon in May 1941 when a mutual friend introduced what their biographer calls ‘the odd couple’ by pointing his fingers at Kingsley Amis while imitating the sound of a gunshot. On cue, the fair-haired freshman yelled in pain, clutched his chest and staggered back to fall on a convenient pile of laundry sacks.

Thursday

John Gohorry

The effects of rain

Rain keeps us indoors, so we live by constraint and denial. No walk on the beach, no sea-swimming, no bicycle ride, no watching the peep-and-vanish of lizards. Instead, the clock ticks and one page of the book turns to another. Our fingertips now and again touch as if to suggest the inside and outside of love are the same.

Anne Chisholm

Truth and beauty

Almost 20 years ago, Alice Munro, the Canadian genius of the short story, was interviewed by the Paris Review. She recalled a time when she was having trouble with her writing, and found herself looking round the ‘great literature’ on the shelves of the bookshop she was then running with her first husband as if seeking help. All she could think was: ‘You fool. What are you doing here?’ She was admired then, but has gone on to huge acclaim. There was some early rudeness from nervous local newspapers in small- town Ontario, where she grew up and where her fiction is rooted, but nowadays, and for a long time, the waves of praise come steadily and grow with every new book. Awed comparisons with Chekhov are routine.

A.N. Wilson

Such fun!

Nearly all the pages in this book are filled with thank-you letters. As a child, Elizabeth Bowes Lyon was writing to thank for presents of sweets and chocolates. As the Duke of York’s betrothed, she was writing ‘Dear Prince Bertie, Thank you ten million times for sending me all those gramophone records, which arrived in record time (oh! A joke, accident I promise).’ To Queen Mary, as a dutiful Duchess of York, she was writing  ‘Thank you very much for my delightful time at Balmoral’. As a widow, ‘My darling Lilibet, I did so love my week at Windsor, and send millions of thanks for so much sweetness & thought and care for your venerable parent.

Rachel Redford

Length and quality

The final volume of Proust’s Remembrance of Things Past, released at the end of last month, is a landmark in audio publishing. The seven volumes — over twice the length of War and Peace — are narrated unabridged by the actor Neville Jason: at a staggering 150 hours, it is the longest audiobook in existence. Between 1991 and 2000 Jason, who was awarded the Diction Prize at RADA by Sir John Gielgud, and appeared on stage with Olivier and Leigh, not only already narrated an abridged Proust for Naxos but actually abridged it himself. He worked with the translations by C.K. Scott Moncrieff, most of which appeared before Proust died in 1922, but Moncrieff never translated the final volume, Time Regained.

Wynn Wheldon

Little boxes, all the same

This book purports to be a history not of London but of its suburbs. In the end this amounts to much the same thing, because the author is referring not to the present suburbs but to all the suburbs of London that have ever been, from Southwark onwards.  After Boadicea sacked their original wooden settlement, the Romans rebuilt it using stone, putting up walls that lasted for almost 2,000 years. Within these walls was the city, and ‘without’ were the suburbs. This book, then, is a history of London minus the Square Mile (in other words of the 599 other square miles). The epithet ‘suburban’ has tended in latter years to be used snootily by those who regard themselves as fully-detached cosmopolitans.

Bevis Hillier

The ‘ism’ that ruined the West

In 1974, as editor of the Connoisseur magazine, I ran an ‘1874’ issue to mark the centenary of Winston Churchill’s birth, to which John Betjeman, Asa Briggs and Lady Spencer-Churchill all contributed. So I know the virtues of selecting a single year and ‘sinking a shaft into history’. Effective use has often been made of this genre. Robert Lacey and Danny Danziger wrote the bestseller The Year 1000. James Shapiro chronicled a year in Shakespeare’s life, 1599. Thomas Pakenham wrote on 1798: The Year of Liberty (the story of the Irish rebellion). In her nineties, Rebecca West produced a volume on the year 1900, which she had the advantage of remembering as a young Victorian.

Alexander Starritt

Dreams that fade and die

The Dutch writer, Cees Nooteboom, was living in West Berlin in 1989 when the gates opened and the Wall finally came down. At the time he wrote a series of essays about what was happening around him, which were published to great acclaim in Germany and form the first part of Roads to Berlin. He describes a revolution taking place on his doorstep, but there is no shooting in the streets. He goes to the theatre and museums as normal, but his German friends feel at every instant that they are making history, as though all actions and words have become denser and more lasting. It’s an apposite feeling in a city where, as he says, the past feels at home.

Anthony Sattin

A duty to protest

A few years ago, in West Africa, a woman came up to me and said, ‘You know what’s wrong with our men? They go crazy once they get power. Crazy and bad.’ Chinua Achebe’s saving has been the fact that he never sought power, at least not of the kind that leads to conflict and the cutting off of heads. His curse has been to observe things that most of us should be happy never to have seen. Now 82, Achebe has done what many elderly people do when they have seen remarkable things: he has borne witness and set down his version of the rise and fall of the short-lived state of Biafra.

Peter Oborne

Shameful home truths

One of our more cherished national myths is that we British do not torture prisoners of war and criminal suspects. We support decency and fair play. Ian Cobain’s book proves beyond doubt that we do indeed make use of torture, and sometimes with relish. It shows that the British state has long practised a secret torture policy and continues to do so. It is easy to predict the fate of this carefully researched and well-written book. It will be ignored, glossed over and quietly rubbished by a political and Whitehall establishment which has persistently covered up or denied the very troubling state crimes that are documented here. Cobain traces British involvement with torture and prisoner abuse back to the second world war.

Charles Duff

Portrait of the artist as a young man

Had the artist Rex Whistler not been killed in Normandy in 1944 at the age of 39, in what direction would his great talent have gone? It is futile to speculate, write Hugh and Mirabel Cecil, the authors of this sumptuously illustrated new biography. But many did. Cecil Beaton thought he would have become another Turner. My mother Caroline Paget, his greatest love (but who loved him without the intensity that he loved her), thought he would have become one of the greatest portraitists of the 20th century and, relishing new ideas in stage design, also one of the most famous designers of his day. All his friends thought that soldiering had changed both him and his art. His work, so often fanciful, rococo and gorgeous, became increasingly darker and more naturalistic.

Martin Vander Weyer

Business as usual | 22 November 2012

Dear old Pesto, we all make jokes about him but we all secretly admire him. The BBC business editor’s strangulated elocution and stream-of-consciousness style were never going to make him a natural broadcaster — ‘He won’t last six months,’ one of his household-name colleagues whispered to me in the early days.