It is initially unsettling to read a new novel by an acclaimed author that is not really new at all, merely available in an English translation for the first time. Orhan Pamuk, the Nobel Prize winner, wrote Silent House way back in 1983. It was his second novel, and helped to cement his reputation as
‘What porridge had John Keats?’ Browning offers this as the crass sort of question that stupid people ask. But in fact the first person to answer it would have been John Keats himself. He loved to talk about food, good and bad. He writes to his dying brother Tom from Kirkcudbright that ‘we dined yesterday
Caitlin Moran’s bestselling How to be a Woman careered with reckless frivolity from the personal (eldest of eight, home-schooled in a council house in Wolverhampton) to the political (better pornography, larger pants, more body hair). Her latest effort, Moranthology (Ebury Press, £18.99) casts a retrospective glow of gravity over its predecessor. That was a manifesto
This book isn’t just about prediction, or even the limits of knowledge. It is about the ascent of man. According to Nate Silver, the American electoral analyst, the digital age and its explosion of knowledge constitute a great turning point in human history. Never before have we had so much evidence on which to base
My father, a man not given to hero-worship, once told me that the only actor he really admired was Richard Burton. Some years later, I put the question to Peter O’Toole, who had been reading excerpts from his lushly overwritten memoirs at the Oxford Union. ‘Mr O’Toole,’ I said, ‘I was wondering if…’ A shy
He comes most nights — I hear his car pull up Outside and catch the glancing blur of lights Through curtains. Drinking Nescafe, we watch The Epilogue, laugh at the priest, then think Where to drive that night — we catalogue The usual suggestions and arrive At the same decision as usual. The road lies
T.C. Boyle is not one of those authors who can be accused of writing the same novel again and again. Over the past 30 years, his subject matter has ranged from 18th-century Africa to the California of the future, from Mexican immigration to the sex life of Frank Lloyd Wright. Even so, what has tended
L’Arénas, between Côte d’Azur airport and a dual carriageway patrolled by prostitutes, is a banal stretch of concrete, steel and glass offices, malls and hotels that seems always to be deserted. A few weeks ago, I watched an 18-month-old Korean boy playing on an iPad by a hotel pool there. ‘Ballardian’ was le mot juste.
What must Mao have thought when in 1968 he heard that towering intellectuals like Jean-Paul Sartre were enthusiastically distributing newspapers on the prosperous boulevards of Paris bearing his portrait and eulogising his ideas? By then Mao, along with most Chinese, knew that just six years earlier his attempt to create a Marxist utopia in the
Say ‘Colditz’, and the name immediately triggers an image of prisoners of war digging tunnels, building gliders and in general plotting outrageously to cross the barbed wire into freedom. You could shout ‘Trent Park’ from the rooftops and, until now, no one would have known what you were referring to. But this book should give
We all know Edwina Currie as a shrill, tasteless, attention-seeking Thatcherite nuisance from Liverpool. But the private Edwina — as revealed in her Diaries: Volume II, 1992-97 (Biteback, £20) — is thoughtful, engaging, witty, kind-hearted and, politically, very astute. Has anyone framed a neater analysis of John Major’s idiotic ‘Back to Basics’ drive than this?
One cold evening in the middle of February this year I walked into a smoke-filled room in a town called Saraqib in northern Syria to find Anthony Shadid sitting shoeless on the floor like a Bedouin and conversing in Arabic with a tall, thin school teacher, one of the leaders of the town’s revolution. A
This book is not a history, explains Ruth Winstone, who has edited this collection of excerpts from diaries published between 1921 and 2011. It is, she says, ‘an impressionist view of politically changing times’. It is, indeed, a patchwork quilt of a book, no two pieces precisely meshing with each other yet providing in total
For at least 200 years, men have sought to create a world order that would ensure stability and eliminate threats to peace. But it is only in the 20th century that this ideal has been brought to fruition, first in the ill-fated League of Nations, established in 1919, which expired, almost unnoticed, after the outbreak
When people express nostalgia for the glory days of British television, it doesn’t take long for them to propose the 1966 BBC play Cathy Come Home as among the pinnacles of broadcasting. Not only a fine piece of drama, it also brought the plight of the homeless to the viewing public. And Jeremy Sandford, who
October comes: the year resigns. The currents down life’s widening stream run faster now. Like unpaid fines the leaves pile up. Dark evenings seem drawn out and under-loaded: lines from poems that won’t come right: a dream of emptier nights. Encoded signs for endings rather more extreme.
Dickens, the inspiration and source for this book, was addicted to walking the London streets at night. A man who felt uneasy in the countryside without a pavement beneath his feet, he was said to know the mean streets of London better than any cabbie. His skill was to write about the city in his
Mies Van Der Rohe’s Farnsworth House is widely considered to be a masterpiece of modern architecture, yet the woman for whom it was built complained of the ‘alienation’ she felt in it, and described her architect as ‘simply colder and more cruel than anybody I have ever known’. Though much visited, it is unlived in,
‘As I was writing this book and trying to discover what it was about .…’ With his very first words, David Thomson pulls out the carpet from under himself, drapes it over his head, and runs towards the nearest wall. For what he’s admitting in this opening sentence is that, when he began work on
Like the Dombeys, Pitts, Amises et al, les Dumas are famously père et fils, but there was of course also a grand-père, Thomas-Alexandre, or ‘Alex’ the first, who was a wildly romantic figure, a gallant and tragic hero, and the defining influence on his son’s life and work. In his memoirs, of which he devotes