More from Books

Thursday

Tom Miller

A separation of powers

In 2014, Beijing and Moscow signed a US$400 billion deal to deliver Russian gas to Chinese consumers. Construction of the Power of Siberia pipeline began last summer on the banks of the Amur river, known in Chinese as the Black Dragon river. It marks a rapprochement between two powers who have warily eyed each other across the frigid water of the Amur, which forms the border, for more than three centuries. According to Beijing’s man in Moscow, ‘China and Russia are together now like lips and teeth.’ In Black Dragon River, Dominic Ziegler attempts to explain how they got there.

Lewis Jones

A posh Del Boy

The Art of Smuggling comes garlanded with fraternal encomia from Howard ‘Mr Nice’ Marks, Phil Sparrowhawk (author of Grass) and Maurice O’Connor (author of The Dealer), but it seems the author was hardly a master of his chosen art. As Eddie the Eagle was to skiing, so was Francis Morland to drug trafficking. Spectacularly unsuccessful but heroically persistent, he was busted six times and spent more than 15 years in jail. A better title might have been How Not to Smuggle. I was more than once reminded of an Only Fools and Horses Christmas special, featuring a tall Del Boy with a posh accent.

Philip Clark

More terrible beauty

At some point during your reading of this book the realisation might dawn, if you didn’t already know about his creative double life, that Richard Skelton demonstrates an unusual sensitivity to sound. Barbed wire unfolds over a dry-stone wall, an image which he reimagines as a mutant stringed instrument. ‘What harmonies would result if all were sounded in unison?’, Skelton asks — a question which he is uniquely placed to answer. Beyond the Fell Wall is a graceful meditation upon the relationship between landscape, language and sound, written by the most strikingly original composer of electronic music currently working in the UK — a man who spends his days exploring and gathering in the sounds of the fell land that borders his Cumbrian home.

Jeff Noon

A choice of crime novels | 7 January 2016

It’s often the case that present-day crimes have their roots in the past. Ian Rankin’s Even Dogs in the Wild (Orion, £19.99, Spectator Bookshop, £16.99) uncovers abuse and ill-treatment in a care home in the 1980s, and the murder of a teenage boy. That terrible act echoes through the years. When three people receive threatening notes, and two of them end up being murdered, the Edinburgh police fear that more will become victims. Enter John Rebus in his 20th outing. Retired now, but as canny as ever, he picks at the connections between the present and the past with a sure, unblinking eye. The search for justice gives him life. Rankin puts his books together in a methodical way; line by line, idea by idea, the story builds up and takes you over.

Christopher Hawtree

The great inscape

‘I am 12 miles from a lemon,’ lamented that bon vivant clergyman Sydney Smith on reaching one country posting. He was related to Gerard Manley Hopkins, a priest who, in the popular imagination, would quite possibly balk at the offer of a lemon. After all, 30 years before Prufrock, Hopkins did not dare to eat a peach, fearful of its delicious savour when offered one by Robert Bridges in a Roehampton garden. Hopkins was a complex man who delighted in simple things. Our sense of his view of the world has been complicated by the circumstances of his publication. Forbidden to publish his great ‘The Wreck of the Deutschland’, he largely squirrelled away, or burnt, his work.

Tibor Fischer

The wandering Jew

It’s been a long time coming for György Spiró. However much Hungarian writers complain about the isolation forced upon them by their non-Indo-European agglutinative language, the big names have always got through, maybe to a global shrug from the reading public, but they have made it out. And in fact, recently, the Magyar dead have done particularly well: Bánffy, Szabó, Szerb, Márai and Karinthy have found many British fans. Though he’s better known as a dramatist in Hungary, Spiró’s massive novel Captivity was published there in 2005 to great acclaim.

Thursday

John Fuller

Misprint

Stealth is its policy. It lies in wait. It is no respecter of age. It turns up late Or far too early, without an invitation. You may not notice this miscalculation By your compositor, this turned letter Or metathesis in the river of text That flows, page after page after page, for better Or worse, unproofed, through your perfect book of health. It is what happens next.

Elisa Segrave

The rarest blend of white and gold

This unusual book is beautifully written, produced and illustrated, but its subject — the small Slender-billed curlew — is strangely absent. In his ‘introduction to a ghost’, Horatio Clare explains that, when he was commissioned to tell the story of the western world’s rarest bird, it did, at least officially, still exist. This grail of the birding world, which he has never seen, he describes as a beautiful creature, a species of curlew plumaged in a blend of whites and golds, with dark spots on the flanks, slim and graceful of form, more refined than the plump common curlew, with a thinner down-curving beak which makes it look as though it is chewing a stem of grass. He tries to trace it in Sicily, Italy, the Peloponnese, the Balkans and Turkey.

Christopher Howse

Agony and ecstasy in the garden

I usually throw away dust jackets but Robin Lane Fox chose his for a reason. He originally encountered Augustine of Hippo in the spring of 1966, after lunch and his first taste of brandy, in frescoes by Benozzo Gozzoli at San Gimigniano. The quattrocento painter showed a figure with an academic air, in a gown and cake-tin-shaped hat, sitting beneath a tall, smooth-barked fig tree in the garden of a villa, his head in one hand and the fingers of the other on some lines of script in an open book on his knee. Beside him stands a man gesturing towards him. This scene is the heart of an intense (if extensive) study by the ancient historian and garden master of New College of a man ‘educated to write like a marvel’.

Alan Judd

A step too far

Captain Robert Nairac was a Grenadier Guards officer serving in Northern Ireland when on 14 May 1977 he was abducted and murdered by the Provisional IRA. Mystery surrounding the circumstances of his abduction and the fact that his body has never been found have provoked a minor literary industry. This must be the most comprehensive account yet. Nairac was serving in South Armagh as a liaison officer between the army, the SAS and police Special Branch. He was not a member of the SAS but had vastly more freedom of action than most soldiers, able to travel where and when he chose in civilian clothes with a pistol under his left armpit.

Samantha Ellis

Telling tales | 31 December 2015

Medea says ‘hiiiiiiii’ on the first page of Mallory Ortberg’s hilarious book, which puts smartphones in the hands of literary heroes, heroines and their writers; ‘it’s Glauce right??’, Medea continues, squealing ‘when is the WEDDING/ I hope you guys have the Argonauts as groomsmen/ and they do the sword thing/ you know where they make the little roof with their swords/ and you run down underneath it’. From this startling opening, Ortberg romps through the canon. Hamlet has teenage tantrums about the sandwiches his mother brings up on a tray. Keats gushes about ‘THIS URN’ and Mrs Danvers upbraids Rebecca for bringing in ‘BAGGED tea?

Honor Clerk

Lost, found and lost again

This is an extraordinary story. In 1845 John Snare, an unremarkable Reading bookseller, goes to an auction in a defunct boarding school where he buys, for £8, a painting catalogued as a half-length portrait of Charles I, ‘supposed’ to be by Van Dyck. In mid-19th century Britain a Van Dyck is a known and immensely desirable object, but from the outset Snare thinks that he has found a painting by Diego Velázquez, whose work is, by comparison, little known at the time here. He thinks he has, in fact, found the ‘lost Velázquez’, painted in Madrid in 1623 when the 22-year-old Prince Charles travelled incognito to Spain to seek a marriage alliance with Philip IV’s younger sister, Maria Anna.

Patrick Skene-Catling

Family divisions

The geological title of this unhappy memoir is an apt metaphor for fissures in the relationships between individuals of David Pryce-Jones’s extended family. Emotionally and financially competitive but interdependent, benefactors and beneficiaries, Jews and gentiles of various sexual proclivities are depicted grinding away against each other like so many incompatible tectonic plates. Pryce-Jones offers a candid expression of filial impiety for which Eton, Oxford and the Brigade of Guards surely cannot be entirely to blame, although it is true that education far from home, from an early age, has been known to piss children off, as they say. Young boys banished to boarding school may feel tormented by Oedipal yearnings and resentment of paternal indifference.

Ben Hamilton

Scratching a living

John Gross’s The Rise and Fall of the Man of Letters: English Literary Life since 1800, a standard text for anyone set on a life of writing about books, was intentionally truncated, ending its chronology before Gross’s own time of eminence. Two decades after the book’s publication in 1969, Gross explained in a new afterword that he had not wanted to comment on his peers and colleagues, for fear of misunderstanding or offence. A perfectly justifiable approach, but it made the book uncomfortably tantalising for those who prefer their gossip to be at the expense of the living. The Prose Factory is dedicated to Gross, and partially overlaps with The Rise and Fall, beginning in 1918.

Thursday

Marek Kukula

Following yonder star

It’s hard to imagine Christmas without stars. They perch at the top of fir trees, glitter from greeting cards and dangle festively over shopping precincts. This year, even the John Lewis advert and Selfridges’ Oxford Street window display — two of the holiest icons of our modern, commercialised Christmas —both have astronomical themes. The origin of this celestial obsession is of course the Star of Bethlehem, whose apparition, according to the Gospel of Matthew, first alerted the Three Wise Men to the birth of Jesus, then guided them across the desert to pay homage to the new-born Messiah.

India Knight

O Rose thou art sick

Choosing to smell of something other than ourselves, and then perhaps in time coming to view that fragrance as ‘our’ smell — essence of us — is an odd business. I can’t wear Mitsouko because it smells of my great-aunt, for instance, which is at least relatively straightforward, but I also can’t wear Angel by Thierry Mugler because it smells of the Nineties and desperation; or L’Eau D’Issey because it smells of makeupless women in oversized clothing, stranded balefully in minimalist interiors; or anything with tuberose, tragically, because it powerfully reminds me of having morning sickness while wearing Fracas (‘my’ scent, until suddenly it became my kryptonite — so disgusting, now).

Ian Thomson

Here’s to Bill

Often, Christmas is a time for moaning after the night before, when the seasonal drinking is remembered (if remembered at all) with bewilderment and a degree of guilt. The illusion of drink-fuelled happiness — what James Joyce called ‘tighteousness’ — is familiar to most of us, even if the hangover seems a cruel price. The most effective remedy for a thumping head is to take a hair of the dog that bit you. Eddie Condon, the jazzman, recommended two quarts of bourbon; Samuel Taylor Coleridge swore by a breakfast of laudanum and fried eggs. By rights, the hangover should curb further drinking. Nobody wants to see their tongue pale and furry again in the bathroom mirror.

Sarah Vine

The Ghost in the machine

One of the great joys of the late Brian Sewell’s style of writing was his almost child-like bluntness. He had a three-year-old’s lack of tact when it came to saying what he thought of things, be it art or food or life in general. The fact that he combined such unflinching honesty with intelligence, insight and erudite delivery was what made him one of the great critics. Always entertaining, occasionally right, cheerfully abusive, he showed us the world through his pince-nez, and it was both terrifying and magnificent. Despite a weakness for baroque vocabulary, he was a master of economy.

Connie Bensley

December

The ferns around the badgers’ sett are dying down, and fine webs fret the brambles. By late afternoon the moon will glint on foxes’ eyes and owls rehearse sepulchral cries, and then the badgers start to rise like shadows from the ground.