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The ruin of a ruin

In the welter of Syrian bloodshed, why should we remember the death of a single man? Because he was the archaeologist Khaled al-Asaad, tortured and beheaded by Isis two years ago when they destroyed the remains of Palmyra, one of the world’s most important ancient cities. Their victim was its director of antiquities. In an icy fury, Paul Veyne, a French expert on Palmyra, has dedicated this comprehensive, passionate, but concise book to the memory of the murdered Syrian scholar. In it he relates thousands of years of Palmyra’s history, describing those who lived there and pausing only briefly to underline what monsters Isis were to smash the site.

Homer Simpson in a chasuble

This is one of the most remarkable, hilarious, jaw-droppingly candid and affecting memoirs I have read for some time — not since, perhaps, Dave Eggers’s A Heartbreaking Work of Staggering Genius or Rupert Thomson’s This Party’s Got to Stop. Patricia Lockwood is a poet — dubbed ‘The Smutty-Metaphor Queen of Lawrence, Kansas’ — who, after unexpected and costly medical bills, was forced to move, with her husband, back to her parents’ home. Her mother is more than mildly neurotic, fretting over things like children jumping out of windows in imitation of Superman.

Soaring and singing

Whether it’s Coleridge’s nightingale or Petrarch’s, Ted Hughes’s wren or Shelley’s skylark, Helen Macdonald’s hawk or Max Porter’s crow, literature is measured out in warbles and wingbeats — metaphors that have long since broken free of their originals, birds made not of sinew and bone but ‘ink and sentiment’. Richard Smyth’s A Sweet, Wild Note brings these black and white creatures back into colour, gives them science and geography, acoustics and ecology as well as poetry, bringing all these disciplines to bear on one question: what do we really hear when we hear birds sing?

Paradise or prison?

This daintily dress-conscious and rewardingly heavyweight novel is set mainly in a half imaginary stately home in Oxfordshire. The story begins in 1663, jumps forward to modern times and then back to 1665. On all occasions, our attention is less on the actual house, Wychwood, than on the power of nature, whatever’s left of the surrounding primeval forest, ornamental lakes-in-the-making, majestic vistas and, above all, the ‘monstrously expensive’ wall or ‘the great ring of stone’, built, or being built, around its park. Those featured include the original landscape designer Mr Norris, his silk-coated, high-heeled employer Lord Woldingham and later the silk-and-chiffon-clad Rossiters, who rule the roost in the 1960s.

Fallen idols

David Hepworth is such a clever writer — not just clever in the things he writes, but in the way he has conducted his career. A decade older than me, he too started out at the New Musical Express; but he went on to take Smash Hits to glory as editor, to launch Just Seventeen, Empire, Mojo and Heat, and remains the only person to have won both the PPA’s writer of the year and editor of the year awards. His previous book, Never a Dull Moment: 1971, The Year that Rock Exploded, was a great critical and commercial success.

No ordinary judge

Justice McCardie was anything but a conventional High Court judge. He left school at 15 and was called to the bar at 25. After ten years of provincial practice he turned down the offer from Joseph Chamberlain of a safe Conservative seat, although politics was then the conventional highway to the bench (unlike now when it is a cul de sac). He also rejected an offer of silk, after withdrawing an earlier application which he thought the lord chancellor had been too slow to consider, and was, on the initiative of H.H. Asquith, the then liberal prime minister, appointed to the bench at 47 — the youngest of his generation — and the first junior to receive such promotion for over a century.

Not-so-sweet 16

I like novelists who don’t try to do everything in their novels, but just to do something well. This is what Francesca Segal achieves in The Awkward Age, published four years after her book, The Innocents, won the Costa First Novel Award. She takes six characters — widowed, middle-aged Julia, her teenage daughter Gwen, her grandparents-in-law Philip and Iris, her new American boyfriend James, and James’s teenage son Nathan — and plonks them in sturdy houses in Hampstead, sets the clock, and lets the story play out. Gwen and Nathan are now forced to share a dwelling. Like a good piece of Bach, what unfolds has an inevitability to it but manages also to be surprising at every moment.

Escapism for boys

Jack Higgins’s writing routine was said to start with dinner at his favourite Italian restaurant in Jersey, followed by writing through the night until dawn, when he rounded off the working day with a glass of champagne and bacon and eggs. With his estimated lifetime sales of 250 million copies, his routine seemed to work. Len Deighton, on the other hand, takes a more austere view of his craft, arguing that the biggest dangers for a writer are alcohol and praise. He has a weakness for writers’ gadgets, though — in 1968, he leased an IBM Magnetic Tape Selectric Typewriter weighing 200lbs. The front window of his house had be to removed in order to deliver it. That’s true dedication.

Gold and dust

Timbuktu. Can any other three syllables evoke such a thrill? For travellers, explorers and historians of Africa, the ancient desert city, one-time fabulously rich centre of the Saharan caravan trade and bookish haven for bibliophiles, is one of the great destinations — a place that manages to out-Mecca Mecca in its remote attraction. Leave aside the less romantic truth that the city’s a bit of a dump these days and don’t spoil the fun. The legend lives on. And that’s the point really. There are two Timbuktus, as Charlie English explains at the outset of this excellent book. There’s the real city, a scraggy outpost in northern Mali and, if we’re honest, something of a disappointment.

A great awakening

One afternoon in August 1978, Geoffrey Howe and Leon Brittan were flying from Beijing to Shanghai. They were on the last leg of what was for both of them the first of many official visits to China. Soon they would be ministers in Margaret Thatcher’s first government, but at the time they were still in opposition. As first secretary in the British embassy, I was accompanying them, and I told them that I had heard on the grapevine that Holy Trinity’s Anglican cathedral in Shanghai was in the process of being reopened after 12 years in which every place of worship in China had been closed, and every faith persecuted. ‘Roger, that cannot be right,’ Geoffrey Howe declared; ‘this is a communist country.

Pets in the Blitz

War Horse, by way of book and play and film, has brought the role of horses in war into the public consciousness. Even before it, there was the erection of an Animals in War Memorial on Park Lane, paid for by an impressive list of aristocrats under the leadership of commoner Jilly Cooper. But what of pets, or what Professor Hilda Kean prefers to call ‘companion animals’? Not long ago, in Paddington, I was walking my own dog when accosted by an incredibly old man who said that he had lost his dog during the war. ‘Oh,’ said I, with my eyebrows raised. ‘Yes, we lived on the Wirral peninsula, and since we were close to Ireland, which was neutral, there was a fear that the Nazis would invade from there, so the beaches were mined. My dog was blown up by one.

Flee or die

Every nation has the right to control its borders, but we in the West are getting a bit too comfortable dehumanising other humans for failing to fill out forms in triplicate before fleeing the carpet-bombing of their cities. In recent months, Theresa May has rejected Calais’s child refugees; Donald Trump has seemingly tried (unsuccessfully, twice) to ban Muslims; and Australia has gone full ‘Dickensian judge’ and chucked its refugees on a prison island.

Deeply mysterious

The human urge for personal hygiene has had many improbable side-effects, and I can confidently assert that through the ages, sponge-divers have punched consistently above their weight. Bronze-age tools, 10th-century Islamic glassware, a Byzantine ship whose plunge to the bottom was cushioned by the fourth-century Roman wreck it alighted upon, anchors, amphorae, sculpture: if it’s down there, they’ll bring it up. And so, around Easter 1900, there they were, waiting out the bad weather in the shelter of Potamós on Antikythera, a small island northwest of Crete.

Ripping yarns

In the 1860s, when British visitors first began to explore the high altitude pleasures of Kashmir, it was not just the beauties of the valley and the cool, pellucid waters of the Dal Lake which took their breath away. Living there was a legendary relic of an earlier age, who quickly became an object of pilgrimage for the curious sahibs puffing away at their cheroots on the sundecks of the houseboats. Alexander Gardner was, in the words of his latest biographer, John Keay, ‘a beturbaned colonel of uncertain nationality with a chequered past and a hole in the throat’.

Signs and spellsnich

On 25 February 1980, Roland Barthes, the great French intellectual, was run over by a laundry van in Paris. He died from his injuries a month later. This book — Laurent Binet’s second novel — proposes that it was not an accident; that Barthes had just come from lunch with the Socialist candidate for the forthcoming French presidential elections, François Mitterrand, and that he was in possession of an extremely important document, one which gave detailed instructions on the seventh function of language.

In a dark forest

In his mid-forties Will Ashon realised he was adrift and confused, confronted by the situation Dante described in the Divine Comedy: ‘In the middle of our life’s path/ I found myself in a dark forest.’ Ashon’s dark forest was metaphorical to begin with — conscious of ageing, dis-satisfied with his career in the music industry, wondering where to turn — but it became literal as he sought answers by exploring Epping Forest, the vast ‘shadow of London’ near his home in Walthamstow.

Burning issues | 4 May 2017

Set discreetly into a wall in Smithfield, amid the bustle and bars of this rapidly gentrifying part of London, is a memorial raised by the Protestant Alliance in 1870 commemorating the men and women who died agonisingly nearby, roasted alive for refusing to abjure their new-found reformed religion. Nimble intellectual footwork was needed across the 16th century of Tudor rule to keep the fires of Smithfield at bay. In the reign of Henry VIII, orthodox Catholicism was temporarily set aside to allow the monarch a divorce, in order to get his thigh across the reform-minded Anne Boleyn. Henry himself, however, remained resistant to the new faith.

Cinderella in China

She was a foundling in her own family, shunted to adoptive parents for two years, then to the edge of China, to a fishing village on the East China Sea, and to a furious, alcoholic grandfather and a grandmother sold at 12 into marriage for some pottage, and never given a name. Is that colourful enough for you? But there is more: the life story of the young Chinese filmmaker and novelist Xiaolu Guo makes Cinderella’s seem bland. The hovel she lived in until she was seven was on Anti-Pirates Passage. Her grand-father, a failed and bitter fisherman, lost his livelihood in the 1970s, when the Chinese state collectivised fishing and stole everyone’s boats.