More from Books

Thursday

Laura Beatty

Angel and demon

Read cover to cover, a book of essays gives you the person behind it: their voice, the trend of their thinking, their tastes and the nature of their engagement with the world. So, here are two, one from each end of the human spectrum. Think of Milton’s Archangel Raphael, intellectually wide-ranging, lucid, informative and fair, and you have Francis Spufford. Think of his darkly glittering Satan — vivid, passionate, partisan and fatally persuasive — and you have Martin Amis. Read these books together and you have, in essay terms, a Miltonic whole. These are collections of what might be called ‘pre-loved’ pieces, not originally designed to cohere, so they have been washed and brushed for resale.

Daniel Hahn

The art of deception | 9 November 2017

Enric Marco has had a remarkable life. A prominent Catalan union activist, a brave resistance fighter in the Spanish Civil War, a charismatic Nazi concentration camp survivor, and more. In January 2005 he addressed the Spanish parliament to mark the 70th anniversary of the liberation of Auschwitz. He is, everyone agrees, an extraordinary man. Heroic, almost. The thing is, his extraordinary, heroic biography is at least partly a lie. But which parts? In The Impostor, the novelist Javier Cercas seeks to disentangle Marco’s lies from those small provable truths supporting them.

Stephen Bayley

High wire act

‘Mid-century modern’ is the useful term popularised by Cara Greenberg’s 1984 book of that title. The United States, the civilisation that turned PR and branding into art forms, wanted homegrown creative heroes. In design there were Charles Eames and George Nelson with their homey hopsack suits and wash’n’wear shirts, their sensible Wasp homilies: a counterattack against imported — and often baffling — exotics from the Bauhaus. It was the same in fine art. Jackson Pollock (Jack the Dripper) was a roughneck from cowboy country in Wyoming who became a darling of the media, not least because of his readily reportable deplorable behaviour.

Ian Thomson

Italy’s road to ruin

These days it is fashionable to claim Mussolini as a fundamentally decent fellow led astray by an opportunist alliance with Hitler. Whether this revisionism is the song and dance of a minority, or something more widespread and daft, is hard to say. Italians understandably wish to view themselves as brava gente — good people — so they prefer to blame Hitler for Mussolini’s murderous 1938 racial laws against the Jews. The truth is, Nazi Germany never demanded an anti-Semitic campaign as the price of friendship with Italy. On the contrary, Mussolini resented the imputation that his anti-Jewish legislation was imposed on him from without.

Mary Keen

The future isn’t rosy

Emotional geography is now a recognised academic subject. Is emotional botany heading the same way? This is a year for thoughtful books about plants and the way they affect lives, what they make people feel and how we can respect nature. Many of the year’s works might appeal to non-gardeners. Readers hoping for rose-tinted pages may be disappointed. Allan Jenkins’s Plot 29 (4th Estate, £14.99) is ostensibly a diary of his allotment over a little more than a year. But, he writes: ‘Sometimes, when I think of this book, I am almost bewildered. It has taken such a turn. It was to be about gardening... with personal stuff added in.’ The editor of the Observer food magazine, Jenkins grows exotic vegetables and describes them lusciously.

Claudia Massie

A blunt instrument of war

It takes a bold author to open his book about ‘Guernica’ with a quotation from the Spanish artist Antonio Saura lamenting ‘the number of bad books that have been written and will be written’ about it. Fortunately, James Attlee’s study of Picasso’s superstar work of art is not a bad book and he builds on a solid cultural and historic understanding of the painting to collate 80 years of evolving reaction to it. Attlee begins in May 1937, when, at the height of the Spanish Civil War, the Spanish Republic commissioned Picasso to create a painting for its pavilion at the World’s Fair in Paris. They hoped the famous artist would help secure sympathy, funds and, significantly, political intervention in the Republican cause.

Hugh Thomson

Blowing hot and cold | 9 November 2017

I spent part of the summer sailing around Ithaca and the Ionian Sea. It was a good reminder of how capricious Homeric weather can be. In the space of a few days the wind shifted dramatically to three different points of the compass — and none of them was the gentle westerly Zephyr that brought Odysseus and his men back to almost spitting distance of their homeland. Almost, because just as they approached, the crew became suspicious of the goatskin bag in which Aeolus had helpfully packed away the other hostile winds and let them all loose. Nick Hunt tries to track down a few of Europe’s more errant and potent winds. He starts with the homegrown Helm, which blusters across the Pennines.

Nigel Jones

The revolution devours its children

He stood five feet seven in his boots — the same height as Napoleon and an inch shorter than Hitler. He had webbed toes, a grey face pitted by smallpox, a stunted arm, soft voice, yellowish eyes and an awkward rolling walk. He swore like a trooper, smoked a pipe, drank the sweet wines of his native Georgia, and was an avid reader of history, novels and Marxist-Leninist theory, marking the pages of the 20,000 books in his library with expletives scrawled with the same coloured crayons with which he signed mass death warrants and international treaties: ‘Rubbish!’, ‘Piss off!’, ‘Fool!’, ‘Scumbag!’, ‘Ha-Ha!

Thursday

Ruth Scurr

A vanishing vision

Samuel Taylor Coleridge and Robert Southey were undergraduates when they met in June 1794, Coleridge at Cambridge university and Southey at Oxford. One of their earliest conversations concerned the political implications of the passions. A month later, on 28 July, the French Revolutionary Terror climaxed in the guillotining of the Incorruptible, Maximilien Robespierre. Evidence from across the Channel notwithstanding, Coleridge and Southey were certain that the passions are not vicious — ’tis society makes the indulgence of them so. They resemble an assemblage of waters, destructive if they run wildly over the country, but the source of abundance if properly guided.

William Leith

Sweet dreams are made of this

I’ve read several books​ ​about​ ​sleep recently,​ ​and​ ​their​ ​authors​ ​all​ ​tell​ ​me​ ​the same​ ​three​ ​things.​ ​The​ ​first​ ​is​ ​that,​ ​in​ ​the modern​ ​world,​ ​it’s​ ​hard​ ​to​ ​get​ ​enough sleep.​ ​The​ ​second​ ​is​ ​that​ ​sleep​ ​is​ ​very important.​ ​Every​ ​night,​ ​we​ ​pass​ ​out.

Helen R Brown

A cold coming to Cornwall

In 1939, Barbara Hepworth gathered her children and her chisels and fled Hampstead for Cornwall. She expected war to challenge her passion for abstract form. But her commitment deepened. The solid ovoids she sculpted carried the weight of grief and the hope of eggs. To Hepworth, they became ‘forms to lie down in, or forms to climb through’. They were a means of retaining freedom whilst carrying out what was demanded of me as a human being… a completely logical way of expressing the intrinsic ‘will to live’ as opposed to the extrinsic disaster of the world war.

Richard Emeny

Another country | 2 November 2017

In 1970 I wandered around an unfamiliar part of West Devon. Down a grassy lane I came across a farmyard in which stood three circular hay stacks, each beautifully thatched. It resembled a picture by the 18th-century painter George Morland. There was nobody about and the yard had a haunted air. In a pub a few miles away, I discovered that the settlement was called Riddlecombe. Two years later James Ravilious started work for the Beaford Centre, recording the society of this inaccessible and largely unchanged part of Devon. Seventeen years and 75,000 photographs later the project was closed. Ravilious’s pictures now form the major part of the archive, a unique record of the everyday life of the area.

Roy Foster

Gerry and the peacemakers

When I recently asked a sardonic Northern Irish friend what historical figures Gerry Adams resembled, the tasteless reply came back: ‘A mixture of Jimmy Savile and Oswald Mosley.’ There are elements of both archetypes in this new unauthorised portrait, but it stops short of going the full distance. Perhaps we should not be surprised. The Savile reference is to the grisly theme of child abuse in Adams’s family, leading to his brother’s conviction for offences against his own daughter, and the revelation that Adams père had also sexually abused his children. Though no such accusation attaches to the Sinn Fein leader, these episodes have affected him politically as well as personally.

Thursday

Nicholas Shakespeare

A sensual Greek goddess

Joan Leigh Fermor died in 2003, aged 91, after falling in her bathroom in the house on a rocky headland of the Peloponnese which she had financed by selling her jewellery. Afterwards, whenever Joan’s husband and companion of nearly six decades reclined in her place on the sofa to read, eight of her 73 cats would gather round him in a recumbent group — but after a few minutes slope off. Paddy (who died in 2011) wrote: ‘They had realised they were being fobbed off with a fake.

Jenny Colgan

More secrets and symbols

Being reflexively snotty about Dan Brown’s writing is like slagging off Donald Trump’s spelling: it just entrenches everyone’s position. In a world where a quarter of people read literally no books in any given year, can we give each other a break on this kind of thing? If you found Angels and Demons good fun, thoroughly enjoyed The Da Vinci Code (as I unironically did), but despised Inferno for the worthless piece of rat doodah that it was, then the good news is that Brown is back on form here. Origin is brisk, fun and filled with adorably pointless Wikipedia paragraphs; and what’s at stake is endearingly grandiose. Here, the premise is atheism vs religion.

Graham Robb

The martyrdom of Proust

Why would a writer like Marcel Proust, who quivered and wheezed at the slightest sensation, decide to live surrounded by neighbours in one of the busiest parts of Paris? In 1906, at the age of 35, shortly after the death of his mother, he moved to a first-floor apartment at 102 Boulevard Haussmann. ‘I couldn’t bear to live in a place that maman never knew,’ he explained. For this ghostly comfort, he paid a heavy price. Petrol fumes and tree pollen — to which he was almost fatally allergic — drifted up from the boulevard.

Douglas Murray

Songs of the blood and the sword

Jihadi Culture might sound like a joke title for a book, like ‘Great Belgians’ or ‘Canadian excitements’. But in this well-edited and serious volume Thomas Hegghammer — one of the world’s foremost experts on jihadism — has put together a collection of essays by an impressive group of scholars analysing what culture Islamism’s most adamant adherents might be said to possess. The book is not a long one. Designed for a primarily academic audience, Hegghammer’s introduction carries all of the baggage that such audiences demand. It is not writing so much as a set of pleas and signs sent out to academia’s own hostage-takers, who lurk in universities and colleges reading mainly for the hope of discovering a rival’s error.

Simon Ings

Help over the hump

Losing our way in life’s trackless forest, whither should we turn for solace and advice? Wisdom used to be the special province of our elders, though for no better reason than that old people were less common than they are now. Aristotle had their measure: ‘As they have a lot of experience,’ he wrote, ‘they are sure about nothing, and under-do everything.’ Now the old are as common as grass, and we draw the truth about life experience as much as possible from the source. If you want to know how a child feels, ask a child. If you want a considered opinion about Muslim dress codes, stop opining into a bucket, drunk on your own echo, and ask a Muslim. There’s much virtue in this attitude, but some obvious drawbacks.

Mark Cocker

Animals make us human

There was a time when biologists so scorned the attribution of human qualities to other animals that anthropomorphism was seen as the ultimate scientific sin and suitable only for children’s stories. Not anymore. Today the inner lives of other creatures are widely accepted as a major research frontier, and here are three books that reflect these preoccupations. One of them even defines it as an entirely new discipline: anthrozoology. Peter Wohlleben may be no scientist, but he is a professional German forester and the author of the enormously successful The Hidden Life of Trees. In this new book he sets out to overturn the stock assumption that other creatures are mere automata driven by instinct, drawing particularly on studies that use MRI digital imaging of the human brain.

Ian Sansom

The spirits of the age

Children started knocking on my door last month wearing Donald Trump face masks and asking for money. Indeed, one enterprising group turned up as Trump, Kim Jong-un, a Disney Princess, and — I’ll admit that this had to be explained to me — a zombie Taylor Swift. Truly a quartet of contemporary horrors. Halloween, it is safe to say, is not what it once was: in my day, a gentle bit of apple bobbing, turnip carving and maybe a white sheet with holes for eyes at a fancy-dress disco was about the full extent of it. Ghosts and ghouls, it seems, change their appearance depending on time and place.