More from Books

Thursday

Minoo Dinshaw

Crusading passions

In W.B. Yeats’s ‘Meditations in Time of Civil War’, a testing allusion emerges amid a scene of nightmare: Monstrous familiar images swim to the mind’s eye ‘Vengeance upon the murderers,’ the cry goes up ‘Vengeance for Jacques Molay.’ More about de Molay, last master of the Knights Templar, can be found in Dan Jones’s new blockbuster on the crusading order, along with quite a few monstrous familiar images. Jones states from the outset his noble intention: to write ‘a book that will entertain as well as inform’. In this he has hitherto had great success; his two spectacular chronicles, The Plantagenets and The Hollow Crown, traced that dynasty from the White Ship to Bosworth Field, and threw in some Tudors for good measure.

Thursday

Peter Carty

The last great adventure

Towards the end of his life, Robert Louis Stevenson travelled widely in the central and southern Pacific Ocean. As well as the region’s exotic reputation, he was drawn by hopes that its benign climate would alleviate his chronic bronchial problems. In 1889 he arrived in Samoa and decided to settle there. He was a hit with the locals. Unlike so many of his peers, he declined to dismiss them as savages. Certainly, he was scathing about their disregard for property rights, which he labelled communism, and he found some of the women’s dancing obscene. But Joseph Farrell tells us that Stevenson was relaxed about extensive tattoos and scanty attire, and that he was a willing participant in kava drinking (kava is a narcotic plant extract, recently banned in the UK).

Robert Irwin

The art of the arabesque

The title of this book, By the Pen and What They Write, is a quotation from the Qur’an and comes from the opening of the ‘Surah al-Qalam’ (Chapter of the Pen), in which the authority of the cosmic scribes in heaven, whose writing determines the fate of humanity, is invoked in order to authenticate the revelation that follows. According to Islamic tradition, the Prophet Muhammad was illiterate (and so presumably were most of his audience). So it is odd to find writing featuring so prominently in this surah and throughout the Qur’an.

James Mcnamara

A clash of loyalties

If someone was to lob the name Antigone about, many of us would smile and nod while trying to remember if this is the one about the guy who shagged his mum or the parent who offed their kids. (Bit of both.) For those whose Sophocles is hazy, let me summarise. After a civil war in Thebes that sees two brothers, Eteocles and Polyneices, dead, the new king Creon rules that Eteocles is to be buried with honour, while Polyneices will be left outside the city gates to rot. Their sisters, Ismene and Antigone, have different views. Ismene — concerned that their social position is a bit shaky, given a family history of incest and rebellion — obeys Creon.

William Cook

A grand inquisitor

Hidden behind Kensington Palace, in one of London’s smartest streets, there is a grand old house which played a leading role in Britain’s victory over Nazi Germany. Today it’s owned by Roman Abramovich, apparently — it seems he paid £90 million for it. But during the second world war, and for a few years thereafter, 8 Kensington Palace Gardens was a secret interrogation centre known as the London Cage. This is where suspected spies (and, later, suspected war criminals) were broken down. Between 1940 and 1948, thousands of German servicemen passed through here, on their way to POW camps (if they were deemed innocent) or prison (if they were guilty).

Emily Rhodes

Mysticism and metamorphosis

‘I frankly hate Descartes,’ states a character in Nicole Krauss’s new novel, Forest Dark: ‘The more he talks about following a straight line out of the forest, the more appealing it sounds to me to get lost in that forest …’ Like the author, this character is called Nicole, lives in Brooklyn, and is a writer and mother. Struggling with her work and her marriage, life is indeed a ‘forest dark’, and we follow her through the tangle of it.

Leyla Sanai

Stage fright | 31 August 2017

Patrick McGrath is a master of novels about post-traumatic fragmentation and dissolution, set amid gothic gloom. His childhood years spent at Broadmoor, where his father was medical superintendent, have given him a solid grounding in psychiatric illness for these disquieting dramas. His ninth novel is set in London’s theatreland in 1947, and the grey, skeletal remains of the bombed East End. As usual with McGrath, the narrator is far from straightforward; in this case it is the ladies of the local theatre-world chorus, who are omniscient, knowing each character’s thoughts.

Andrew McKie

City of dreadful dusk

Fantastic fiction loves contrasts made explicit: Eloi and Morlocks, orcs and elves, and above all humans battling vampires, Martians or robots. Small wonder that Claude Lévi-Strauss specifically invoked science fiction for his theory of ‘binary opposition’. Sometimes these tensions are in the mise-en-scene — not just Earth vs. outer space, but settings — Lilliput and Brobdingnag, say — which try to make themes concrete. Classics of that sort are Edwin Abbott’s Flatland (set in two dimensions) and Lewis Carroll’s Alice books.

Caroline Moore

Well of sorrows

The Red-haired Woman is shorter than Orhan Pamuk’s best-known novels, and is, in comparison, pared down, written with deliberate simplicity — ostensibly by a narrator who knows that he is not a writer, but only a building contractor. Polyphonic narratives are replaced by a powerful, engaging clarity. This simplicity is the novel’s greatest strength, yet at certain points seems as if it might become a weakness. Part one, which takes up the first half of the book, is superbly concentrated. It describes one summer in 1986 in the life of Cem, a middle-class 16-year-old boy who takes on a summer job 30 miles outside Istanbul to earn money before cramming for university entrance exams.

Robert Douglas-Fairhurst

A flawed and dangerous theory

If there were a prize awarded to the book with the best opening line, A. N. Wilson would be clearing a space on his mantelpiece. ‘Darwin was wrong’, he announces at the start of this hugely enjoyable revisionist biography, which will be read in certain scientific circles to the background noise of teeth being ground and knives being sharpened. A brilliant Victorian naturalist, certainly, and still an inescapable cultural presence — think of Darwin staring out benignly from the £10 note — but according to Wilson, also a passive aggressive racist whose evolutionary theories no longer stand up to scrutiny. If that doesn’t put the felis catus among the columbidae it’s hard to know what will.

Sinclair McKay

Finally tired of London

Iain Sinclair is leaving London — like the croakiest of the ravens taking flight from the Tower. It is a proper blow: across five decades, he has been prowling the streets, part poet, part satirist, part prophet. Very few authors have fashioned a London more real than the one we see: Dickens, Conan Doyle, Patrick Hamilton, Angela Carter. Sinclair is firmly among them. While his contemporary Peter Ackroyd understands London as a city of eternally recurring patterns and echoes, Sinclair sees something more malign and gangrenous: forces that endlessly conspire to bend perception and bleach the streets of their real meaning. Oh: and he is also extremely funny.

Sam Byers

The writer behind the brand

Few publishing phenomena in recent years have been as gratifying as Chris Kraus’s cult 1997 masterpiece I Love Dick becoming a signifier of Twitter and Instagram chic. The ‘lonely girl phenomenology’ it exemplified has now attained cultural status, with first person, inventive writing by women often enjoying centre stage. It’s interesting, then, that just as the wider culture has caught up with her, Kraus has pivoted away, delivering ‘what may or may not be a biography of Kathy Acker’ — the underground punk novelist who is still, even 20 years after her death, awaiting the recognition she deserves.

Alexandra Coghlan

Mozart’s mischievous muse

If you were to compare Mozart to a bird it wouldn’t be the starling. Possibly the wood thrush or nightingale, with their beautiful, haunting songs; or maybe the lyrebird with its astonishing ear for imitation; or perhaps the composer would find his match in the exotic rarity of the ivory-billed woodpecker or giant ibis. But the common starling? More pest than pet in its adoptive North American home, this ‘ubiquitous, non-native, invasive species’ seems an unlikely fit for a singular prodigy. So thought the ecophilosopher and naturalist Lyanda Lynn Haupt, when she started work on this book, exploring the composer’s relationship with the bird he bought after hearing it singing one of his piano concertos, and kept as a pet until its death.

Thursday

David Patrikarakos

Rumbles in the jungle

A CIA agent, a naive young filmmaker, a dilettante heir and a lost Mayan temple form the basis of Ned Beauman’s latest, and arguably most impressive, novel. Two rival expeditions set off from the United States to the jungles of Honduras to find the temple — one with the intention of using it as a location in which to film an absurd comedy, the other determined to disassemble it and take it back to New York. The two sides clash, each refusing to give way. The weeks roll into years; and life around the temple, populated with a disparate and distinct array of characters, steadily deteriorates into greater savagery. Meanwhile, Zonulet, rogue CIA agent (and primary narrator), under internal investigation, needs to unlock the secrets of the temple to prove his innocence.

Boyd Tonkin

Return to the lost city

During a press interview in Bombay about his latest book, the author-narrator of Friend of My Youth feels ‘a surge of bile’ against the novel. That imperialist bully of a genre has ‘squatted on the writer’s life’ and defines his ‘sense of worth or lack of it’. Our narrator, as it happens, is named ‘Amit Chaudhuri’. The circumstances of his return to the Indian city of his youth (but not his birth) match in many respects the author’s biographical data. He’s talking, for a start, about The Immortals, the Bombay-set novel about musicians that Chaudhuri published in 2009.

Kate Chisholm

The pleasures of reading aloud | 24 August 2017

‘I have nothing to doe but work and read my Eyes out,’ complained Anne Vernon in 1734, writing from her country residence in Oxfordshire to a friend in London. She and her circle of correspondents (who included Mary Delany, the artist and bluestocking) swapped rhyming jokes, ‘a Dictionary of hard words’, and notes on what they were currently reading. Their letters are suggestive of the boredom suffered by women of a certain class, constrained by social respectability and suffering the restlessness of busy but unfulfilled minds. But that’s not their interest for Abigail Williams in this fascinating study of habits of reading in the Georgian period.

Maggie Fergusson

Light at the end

It’s an irony of our secular age that the more we fear death, the more enticing we find it. The past few years have seen a slew of bestsellers on the subject — Atul Gawande’s Being Mortal, Julian Barnes’s Nothing to be Frightened Of, Paul Kalanithi’s When Breath Becomes Air, Henry Marsh’s Do No Harm (a title taken from the Hippocratic Oath —an oath no doctor actually swears). To this crowded field Robert McCrum brings a book both intensely personal — he reflects not only on his mortality but on the death of his marriage — and coolly objective. It’s proof, yet again, that death makes for lively reading. Twenty-one years ago, as readers of the memoir My Year Out will know, McCrum suffered a near-fatal stroke.

William Leith

Manning up

Is this the best book I’ve ever read on the subject of masculinity? Maybe it is, I thought, the first time I read it. And then I thought, Tom Wolfe’s A Man in Full is about masculinity. So is Hemingway’s Death in the Afternoon, David Vann’s Goat Mountain and Bret Easton Ellis’s American Psycho. But this book is different. It is really about ​masculinity. The maleness here feels very raw. I say raw for a particular reason. I’ll get to that in a minute. But first let me introduce you to William Giraldi. He was born into an Italian-American family in blue-collar New Jersey. ‘My hometown’s name, Manville, lets you know precisely what you’re getting: pure Jersey,’ he writes.

Ellah Allfrey

Making sense of an unjust world

These three timely works of creative nonfiction explore the question of race: chronicling histories of colonialism and migration; examining the institutionalisation of prejudice; and charting movements of change and the resistance to change. Maxine Beneba Clarke’s memoir, The Hate Race, tempers a tale of schoolyard trauma with gentle humour; Reni Eddo-Lodge’s debut, Why I’m No Longer Talking to White People About Race, is a broadside, a roar of outrage; while Eula Biss’s elegantly structured essays in Notes from No Man’s Land are delivered with a deceptively quiet insistence that nevertheless leaves the reader shaken. They focus, respectively, on Australia, Britain and the United States.

Francis Wheen

Swine fever

‘Rightly is they called pigs,’ says a farmworker in Aldous Huxley’s Crome Yellow as he watches porkers grunt and squelch. Pía Spry-Marqués has no time for such nominative determinism. ‘Pigs,’ she points out, ‘are in fact quite clean animals.’ Wallowing in mud isn’t nostalgie de la boue, merely the only way of keeping cool if no shade or fresh water is available. God disagrees with her. ‘The swine, though he divide the hoof, and be cloven-footed, yet he cheweth not the cud; he is unclean to you,’ he tells Moses and Aaron in Leviticus.