More from Books

Thursday

Niall Griffiths

The search for meaning

He’s not what you’d call prolific, Bernard MacLaverty. Midwinter Break is his fifth novel in 40 years, and his first in 16. And, in that time, it could be argued that Irish writers have moved away from his bare and declarative style into the wildness of, say, a Barry or a Barrett or a Baume; word-typhoons, of an affinity with the febrile and fervid times. What cannot be doubted, though, is MacLaverty’s awareness of, and wide aliveness to, the world’s flux, its writhings in the decades since his first novel Lamb; in his latest, his deep familiarity with, and angry love for, the workings of the UK, and Europe, and the globe are displayed stark and clear, the stylistic precision of their expression becoming a haven from a hot and hyper-active mediated age.

Anjali Joseph

Change and decay | 17 August 2017

Writing of his grandmother’s cremation, Kushanava Choudhury reflects in The Epic City that, while his expatriate Indian cousins are separated from the occasion, ‘I was sipping tea in Nimtala, present in the moment at the centre of our world’. It’s Choudhury’s longing to be back in this centre, which might have seemed less than obviously central to a metropolitan American, that takes him to Calcutta after he graduates from Princeton. He spends a few years working at the Statesman, Calcutta’s most venerable English newspaper, and later returns to the city, eventually getting married to his girlfriend, who happens also to be an American of Bengali origin.

Dorian Lynskey

A countercultural upheaval

‘New York stories in a way are always real estate stories,’ says the journalist Alan Light in Lizzy Goodman’s bustling oral history of the city’s music scene at the dawn of the century. The same goes for all music scenes. Talent clusters and thrives only where there are cheap places to live, hang out, play shows and, crucially, fail. New York in 2001 was such a location. The Lower East Side was still affordably sketchy and Brooklyn far from hip. When Dave Sitek from TV on the Radio moved to Williamsburg and invited his Manhattan friends to visit, ‘It was like I was asking them to go to China on a single--engine prop plane.’ Now Williamsburg, like Manhattan, belongs to the well-heeled.

Alex Clark

The man who disappeared

Walking out of one’s own life — unpredictably, perhaps even without premeditation and certainly without anything approaching a plan — is a common staple of fantasy, and therefore fiction. But why, when we spend so much of the rest of the time fretting about losing what we have and hatching plans to safeguard it? In this short, powerful novel, the Swiss writer Peter Stamm, suggests some oblique but compelling possibilities. Thomas and Astrid have returned from a holiday with their two children and begun the ordinary business of resettling: unpacking, laundry, a last glass of wine in the garden. As Astrid tends to the house, Thomas walks down the path and, after only a momentary hesitation, through the gate.

Matthew Adams

In Woolf’s clothing

Martin Amis once said that the writer’s life is half ambition and half anxiety. While one part of your brain is jabbering away to the effect that, with proper application, you might be the next Jane Austen, George Eliot, Virginia Woolf, a larger part — almost always more tenacious and assertive — is busy insisting that you don’t have it in you to pick up a pen. In Fiona Melrose’s second novel, which follows the subtle and reflective Midwinter of 2016, this confluence of aspiration and unease can be felt with unusual force. The book takes place over the course of a single day — 6 December 2013 — in Johannesburg, the city in which Melrose was born and in which she still spends much of her time.

Nicholas Lezard

A bad taste in the mouth

Here is the opening sentence of Karl Ove Knausgaard’s meditation on beds.: With its four legs and its flat, soft surface, the bed gently accommodates one of our most basic needs: it is good to lie down in bed, and it is good to sleep in them through the night. Well, you learn something every day. Actually you do, if you are very young, or at least you are meant to. For this is one of Knausgaard’s letters to his unborn daughter, and he’s written one book for each season, 20 letters per month, for her to be able to see the world, or for Knausgaard to see it again, anew. It is a mission freighted with honourable intent.

Robert Carver

The roots of witchcraft

Until the mid-1960s many historians believed witchcraft was a pre-Christian pagan fertility ritual, witches worshipping the Horned God, whose consort was the Triple Goddess. The most notable advocate of this theory was the Egyptologist Margaret Murray. Then came revisionists led by Norman Cohn. Examination of witch trials suggested there had been no witchcraft: it was a ‘social construct’ of the Christian patriarchy persecuting innocent women, as it had innocent Jews indicted for the same satanic practices. Professor Hutton is a follower of Cohn.

Mary Wakefield

The end of brotherly love

You can never completely leave a religious cult, as this strange and touching memoir demonstrates. Patterns of thinking, turns of mind, will linger with and haunt former members long after they escape. Rebecca Stott was born in 1964 into the Brethren, a low-church sect that had broken away from the Anglican church in the early 19th century and then broken away from itself, bifurcating into factions as movements set on purity and unity usually do. Cult is a strong word, but Stott’s branch of the Brethren really earned it. Her great grandfather, a sail-maker, joined the Brethren in Eyemouth, a fishing village not far from where I grew up in Northumberland. Back then the Brethren there was founded on frustration with the tax-collecting Kirk.

Thursday

Kate Webb

The violence of poverty

Neel Mukherjee has had a two-handed literary career, working as a reviewer of other people’s novels and writing his own. In 2014, his second novel, The Lives of Others, was shortlisted for the Man Booker Prize. His latest book is a state-of-the-globalised-nation novel which gives human particularity to those deadened concepts we pass around such as migration, inequality and neoliberalism. A State of Freedom breaks into five chapters, each telling the story of a distinct individual in India, whose connection to the others is only fully revealed in the final pages. Mukherjee has observed wryly that due to stereo-typical ideas about the Indian novel, whatever their formal properties, his fictions tend to be read as family sagas.

Sarah Crompton

Watching from the wings

The story of Sweetpea Slight is a footnote to a footnote in the annals of British theatre. Even her name suggests it — a gentle, fragrant vanishing off the bottom of the page. In fact, it isn’t even her real name (which is Jane), but one given her by her formidable boss, the theatre producer Thelma Holt. She spotted her as a gangly, impressionable 18-year-old on an internship at the Theatre of Comedy in 1984, deflected her from her plan to become an actor and swept her into the role of factotum, where she remained for 20 years. The moniker caused one moment of confusion, when it emerged that Dustin Hoffman, in London to play Shylock in Peter Hall’s production of The Merchant of Venice, produced by Holt, answered to the same.

Nigel Jones

Holidays with Hitler

We don’t usually think of Hitler’s hated henchman Heinrich Himmler, architect of the Holocaust of European Jewry, as a comic turn, but the diary of Admiral Sir Barry Domvile, a former chief of British Naval Intelligence and fanatical admirer of Nazi Germany, proves otherwise. Domvile’s description of his visit to Himmler’s ‘hunting box’ high in the Bavarian Alps in 1935, reproduced in Julia Boyd’s fascinating book, is a treasury of thigh-slapping humour, including hearing Himmler wake him at 3.20 a.m. with his rendition of ‘God Save the King’; complaints about the Reichsführer’s primitive ‘bog’ — a deep hole in the ground; and finishing with a ‘regular Bavarian evening...

Tibor Fischer

Flights of fancy | 10 August 2017

Levitation. We all know what it is: the ‘disregard for gravity’, as Peter Adey puts it in his new book, or as the dust jacket states, ‘the long-standing belief that we could float relatively unaided’. The cover of Levitation has an elegant lady in flowing robes apparently hovering in a bubble over New York. Who could resist a good read about a subject like that? The catch lies in the subtitle: ‘The Science, Myth and Magic of Suspension.’ Suspension: we all know what that is, and it’s not levitation. The excitement of levitation clearly attracted Adey and his editor, but when it came to knocking out the copy, it was evidently impossible to produce an entire book.

Jane Ridley

A feminist trailblazer

On the evening of 28 October 1908, two unremarkable middle-class women wearing heavy overcoats gained admission to the Ladies’ Gallery, high above the chamber in the House of Commons. Suffragettes had previously hit the headlines by chaining themselves to the railings at 10 Downing Street and, emboldened by this success, the leaders of the women’s movement planned an even more outrageous demonstration. The Ladies’ Gallery was surrounded by a metal grille, and this had huge significance for the suffragettes, as it symbolised their exclusion from the patriarchal political system. The plot was for two of them to chain themselves to the hated grille. One of the women chosen for the job was an Australian named Muriel Matters.

Allan Mallinson

The German Lion of Africa

What’s going on with book reviews? Here is the Pulitizer prizewinning (for ‘criticism’) Michael Dirda in the Washington Post, on this book’s cover: Let me say straight out that if all military histories were as thrilling and well written as Robert Gaudi’s African Kaiser, I might give up reading fiction and literary bio-graphy… Gaudi writes with the flair of a latter-day Macaulay. He sets his scenes carefully and describes naval and military action like a novelist. Leaving aside the extraordinary comparison with Macaulay for the moment, most naval and military novels that I’ve read get the historical detail right. Robert Gaudi’s book is so error-strewn that it would fail to qualify even as historical fiction.

Dominic Green

Wool, wheat and wet weather

Englishness is big business in the nation of shopkeepers, and not just in politics and tourism. In literature, the gypsy scholars of Clan Macfarlane range freely across the hills and lexicons in search of old England, the dying and undead. This paperchase confirms that a change in the self-image of the English is afoot too. For centuries, the English poured into their cities. Now, they are trickling back out to the countryside. London excites precisely because it is another country, from a future that at least 54.8 per cent of the English prefer not to live in. But what does the returnee know of England who only London knows? In 1997, Little, Brown published Clive Aslet’s Anyone for England? as ‘A Search for English Identity’.

Brian Martin

A clash of creeds

This is a very modern novel. Terrorist atrocity sits side by side with the familiar and the mundane. Where better for this to happen than in Northern Ireland? At the Day’s End pub ‘two eejits in Halloween masks’ enter the bar; ‘Trick or treat,’ they shout. ‘Fut-fut-fut-fut went the gun.’ A woman screams, ‘then a very fast piece of metal entered the side of her head and she stopped’. Throughout the first half of the book, the horror of the pub massacre alternates with the narration of an ordinary family’s home life.

Thursday

Roland Elliott Brown

Heroines of the Soviet Union

Klara Goncharova, a Soviet anti-aircraft gunner, wondered at the end of the second world war how anyone could stand to give birth after learning about Auschwitz and Dachau. But as it turned out, she was already pregnant. Anastasia Voropaeva, a corporal and searchlight operator, recalled a pretty Russian girl in liberated territory who had been raped and impregnated by her German ‘boss’ and had hanged herself after victory rather than give birth to a ‘little Fritz’. Albina Gantimurova remembered nearly shooting an adolescent member of the German Volkssturm in Berlin before he burst into tears and took her hand. Svetlana Alexievich finished The Unwomanly Face of War, the first of her astonishing oral histories of Soviet life, in 1983.

John Self

The evil that men do | 3 August 2017

The first thing to say about Claudio Magris’s new novel is that it is, in an important sense, unreadable. There is no possibility of turning page after page engaged in finding out what comes next, of being lost in the characters’ stories. The usual pleasures of fiction are so thoroughly absent that the reader emerges at the other end blinking into the light, struggling to remember what all the fuss about books is anyway. This is apt, perhaps, for a novel about historic suffering and man’s inhumanity to man. The conceit is that an unnamed collector has amassed a hangar-sized museum of war, full of weaponry and the historical accoutrements of conflict.

Ian Sansom

A choice of first novels | 3 August 2017

Remember Douglas Coupland? Remember Tama Janowitz? Remember Lisa St Aubin de Terán? Banana Yoshimoto? Françoise Sagan? The voice of your generation? (If you’ve forgotten the voice of your generation, the brilliant Christopher Fowler’s forthcoming The Book of Forgotten Authors will provide you with the necessary reminder. The voice of my generation, as far as I’m able to recall, was a poet called Attila the Stockbroker, who we used to go and see perform in Harlow, and who did an excellent Peel session. Whatever the hell happened to Attila the Stockbroker?) Three new debut novels might all properly be acclaimed as representing the voice of their generation — though who knows, only time will tell.

Helen R Brown

Torn between envy and contempt

Arriving at boarding school with the wrong shoes and a teddy bear in his suitcase, the hero of Elizabeth Day’s fourth novel is the latest in a long literary line of suburban lost boys sucked into the intoxicating orbit of a wealthy friend. F. Scott Fitzgerald, Evelyn Waugh, Patricia Highsmith, Ian McEwan, Alan Hollinghurst and Gillian Flynn have all done it before and we know the story never ends well. Day drops references to them all into her book, like olives into an increasingly dirty martini. We know from the outset that a crime has been committed. We first meet Martin Gilmour in a police interview room, the day after his friend Ben Fitzmaurice’s 40th birthday party in the summer of 2012.