More from Books

Thursday

Anthony Cummins

Highly charged territory

I first heard of this tragicomic spy romp around Israel and Palestine when Julian Barnes sang its praises in the Guardian a few months ago, having been ‘lucky to see an advance proof’. Lucky? Well, he and Nathan Englander do share an agent, who perhaps noticed that Dinner at the Centre of the Earth just happens to take its epigraph from a novel by, er, Julian Barnes. That’s showbiz, I guess; and in any case, a spot of sly boosterism rather suits this mixed-up tale of cloaked allegiances, which never quite supplies the facts you need to grasp what’s going on — at least not during the globe-trotting, time-toggling fug of the novel’s opening half.

Steven Poole

Princess Uppity

Princess Margaret was everywhere on the bohemian scene of the 1960s and 1970s. She hung out with all the famous rock stars, actors and other arty types of the day. Marlon Brando was struck dumb; Picasso wanted to marry her. As Craig Brown puts it artfully: ‘Everyone seems to have met her at least once or twice, even those who did their best to avoid her.’ And so, having noticed her ubiquity in the indices of other books, the satirist has written a hugely entertaining sort-of-biography. Why would anyone do their best to avoid the princess? Well, she had a Prince Philip-ish way with the rude put down. (On being presented with a dish of Coronation Chicken: ‘This looks like sick.

Alex Clark

On the waterfront | 12 October 2017

Much has been made of the American novelist Jennifer Egan’s mutation, in her latest novel, from purveyor of metafiction and fragmentary, experimental narratives to creator of a solid piece of traditional realism. Manhattan Beach tells the story of a father and daughter in New York in the years in and around the second world war: Eddie is a mobster’s bagman, who disappears without apparent trace early on; Anna is left distraught, but is also a resilient striver, growing up to become the only female diver in Brooklyn’s Navy Yard. Betwixt and between them stands Dexter Styles, a nightclub owner and instrument of the mafia, swishing between cold malfeasance and a yearning for a life less compromised.

Thursday

Peter Stanford

A poet in prose

Literary reputation can be a fickle old business. Those garlanded during their lifetimes are often quickly forgotten once dead. Yet there is a daily procession of visitors to Keats’s grave in the English cemetery in Rome, where the headstone reads, ‘Here Lies One Whose Name Was Writ in Water’, so sure was the poet that the neglect he had suffered up to his death would continue ever after. By any standards, C. Day-Lewis — he disliked Cecil, the name given to him by his Church of Ireland vicar father — was among the most glittering figures on the 20th-century British literary scene, celebrated, well-connected, a bestseller and Poet Laureate for the four years up to his death in 1972.

Mike Cormack

The keys to Chinese

The history of industry is the story of the reduction of complexity to easily manageable, replicable components or actions. But what if some things appear to remain irreducible, complex and laborious? The Chinese writing system is one such case. For early information technologists, it presented what appeared like insoluble problems. Unlike an alphabet of 26 (English) or even 84 (Siamese) letters, the huge number of Chinese ideographic characters could not easily be reduced to a typeable common corpus. (Three 20th-century compilations totalled between nearly 50,000 and over 80,000 separate characters).

Hugh Thomson

Our islands’ story

Britain has 6,000 islands. Not as many as Sweden’s 30,000 but quite enough to be going on with. Only 132 of ours are populated, on a scale that slides from the 85,000 people on the Isle of Man to tiny St Kilda, with its summertime population of just 15. Patrick Barkham is a skilled compiler of lists. His charming and successful first book, The Butterfly Isles, chronicled the sighting of every one of Britain’s 59 butterflies within a single summer. It is high up on my own list of ‘I wish I’d thought of that’ ideas.

Mark Mason

Tales out of school | 5 October 2017

In 1952, the five-year-old Michael Rosen and his brother were taken on holiday along the Thames by their communist parents. The coronation was approaching, and the trip was an effort to ‘ignore it away’. All went well until they reached Wallingford, where Rosen’s father and a friend visited a pub, not knowing it had a TV set. They entered ‘at the very moment the Archbishop was putting the crown on the Queen’s head. The whole purpose of the punting holiday was ruined.’ His family’s political convictions are a recurring theme in Rosen’s account of his childhood and university years.

Sarah Ditum

Who is Sylvia – what is she?

In May 1956, three months after meeting Ted Hughes, one before they will marry, Sylvia Plath writes to her mother Aurelia about the talented man she has fallen in love with: ‘He will start some portraits of me! A combination of both witch and ghost, perhaps.’ Because of Hughes’s editing and writing of her work, a combination of witch and ghost is precisely how we know her, and he strongly encouraged the idea that the version of Plath he offered was the ‘real one’, a core of personality born in an inevitably fatal struggle narrated through the Ariel poems. Ariel, in his view, was her only true work.

Christopher Bray

Band of bickering brothers

There aren’t many downsides to being a film critic, but one of them is being asked to name your favourite movie. You bluster and bluff, and then cop out by saying the answer changes from year to year and sometimes from day to day. Then you read David Thomson’s new book and realise that from now on you’re going to say that while you’ll probably never have a definitive favourite film, you do have a favourite film factory. Any movie that starts with kettledrums and a blare of brass, and a black and white escutcheon (in later years, gold and blue) emblazoned with the initials WB is likely to be a cut above: intelligent, liberal and seriously amusing.

Hugh Pearman

Lost in the metropolis

Richard Rogers is to architecture what Jamie Oliver is to cookery. It is not enough for either of them just to be very good at what they do and to bank the proceeds: they want so much more. They want to use their skills and money to improve society more broadly. They are old-school campaigning idealists (and Oliver trained in the kitchen at the River Café, run by Rogers’s equally committed wife, Ruthie). The downside of being a do-gooder in the UK, of course, is that people can find you irritating.

Horatio Clare

The worst things happen at sea

This horrifying and engrossing book could scarcely be improved upon. In this age of HRHs Harry, William and Kate-led openness about our mental health, I declare an interest: diagnosed as cyclothymic, and having known more than two attacks of depression and hypomania in the past 30 years, I would have been disqualified from passage as an emigrant to New York by the 1907 US Immigration Act, which prohibited ‘All idiots, imbeciles, feeble-minded persons, epileptics, insane persons and persons who have been insane within five years previous....

Lee Langley

Octopus beaks and snake soup

Driving across Japan’s Shikuko island, the food and travel writer Michael Booth pulls into a filling station to find, alongside the fizzy drinks and chewing gum, ‘vacuum-packed octopus beaks’. Who could resist? Not Booth. ‘Very crunchy,’ he reports. ‘And not in a good way.’ Booth is drawn to the offbeat, and The Meaning of Rice gives us a banquet of the unfamiliar: seaweed caviar, live squid sashimi, sea-urchin tongues, snake soup, bonito guts, silkworm pupae, and more, with all their smells, flavours and textures. I recall my disconcerting first meal in a traditional ryokan: pink wafers of raw horsemeat, boiled firefly squid and dark, gleaming eel. It was delicious; Booth would have approved.

Honor Clerk

August Auguste

In 1959 the formidable interviewer John Freeman took the Face to Face crew to the 81-year-old Augustus John’s studio. The beetling brow, piercing eye and a succession of roll-ups stuck to his lower lip offer almost a caricature of the undimmed rascality of the old devil. Like all the films in that remarkable series, it offers a glimpse into a world that we thought television was invented too late to record. But how much more extraordinary it is to watch, in a three-minute film made in 1915, another elderly artist — the 74-year-old Pierre-Auguste Renoir, crippled with arthritis, working at his easel.

A.N. Wilson

That’s no lady

Did I enjoy this novel? Yes! Nevertheless, it dismayed me. How could John Banville, whom I’ve admired so much ever since he published his first short stories, whose great novel The Sea deservedly won the Booker and whose thrillers, written under the pseudonym Benjamin Black, so hauntingly evoke 1950s Dublin, have wasted however long it took to write it? The answer, perhaps, was given some years ago, in an interview with a journalist, when he confessed: ‘The guiding light has always been Henry James.’ Probably all serious novelists in our language revere James beyond idolatry. He calls us to raise the craft of fiction to the level of art. And the trouble is that anyone with an ear soaked in the Jamesian music falls into the danger of parody.

Thursday

Alex Peake-Tomkinson

Brotherly love | 28 September 2017

Jane Harris’s novels often focus on the disenfranchised: a maid in The Observations, a woman reduced by spinsterhood in the Victorian era in Gillespie and I, and now, a young slave in this third novel. Disenfranchised they may be, but her protagonists don’t lack agency. The narrator of Sugar Money is Lucien, a slave who is barely in his teens and whose voice is startlingly optimistic. In Martinique in 1765, Lucien and his older brother, Emile, are tasked by their French master with returning to Grenada — where they once lived — and smuggling back 42 slaves who are living under the rule of English invaders at a hospital plantation in Fort Royal. Emile is realistic about the scale of the challenge, but Lucien views it as a great adventure.

Victoria Schofield

Portraits of Pakistan

By his own admission, Isambard Wilkinson’s memoir of his experiences in Pakistan a decade ago as a foreign correspondent has taken ‘criminally’ long to write. A litany of thanks to assorted individuals in his acknowledgements is testimony to the book’s painful gestation. Perhaps the most surprising is to his brother, Chev, ‘who is missing a vital organ on my account’. Reading Wilkinson’s narrative, which is both humorous and poig-nant, the reason is clear. From an early age he suffered kidney failure requiring a kidney transplant; but dire predictions of the disease, which might leave him bound for life to a dialysis machine, did not prevent him from being ‘internationally curious’.

Paul Levy

Alice’s restaurant

Though Alice Waters is not a household name here, that is precisely what she is in America — the best-known celebrity cook, the person who inspired the planting of Michelle Obama’s White House vegetable garden, the recipient of the National Humanities Medal, the Légion d’Honneur, vice-president of Slow Food International, the founding figure of California cuisine. She is the mentor of Sally Clarke and, claims Wikipedia, of René Redzepi and Yotam Ottolenghi. It all began in 1971 with a simple French restaurant in Berkeley, California, which she called Chez Panisse in homage to the films of Marcel Pagnol. It served a no-choice menu, costing $3.95, consisting of the traditional dishes she’d tasted during her year abroad in France.

Andy Miller

Having your cake

For those in the know, Jimmy Webb is one of the great pop songwriters of the 1960s and 70s, up there with Lennon and McCartney, Brian Wilson, Goffin and King, Holland, Dozier and Holland, and Bacharach and David. The hits he wrote for Glen Campbell alone earned him his place in the Songwriter’s Hall of Fame: ‘By the Time I Get to Phoenix’, ‘Galveston’ and of course ‘Wichita Lineman’, the dying fall of which — ‘And I need you more than want you/ And I want you for all time’ — is so perfect that I am fighting back tears even as I type it. The song was written in an afternoon at the request of Campbell who, after the success of ‘Phoenix’ was looking for ‘something about a town’.

A.N. Wilson

Trials and Trinitarians

John Calvin believed that human nature was a ‘permanent factory of idols’; the mind conceived them, and the hand gave them birth. Isaac Newton acquired a copy of Calvin’s Institutes when he went up to Trinity College, Cambridge in 1661 as a teenager. By the time he was a mature man, however, Newton’s determined effort to strip the mind of superstitious superfluities had far outstripped the austere predestinarian of Geneva. As a Fellow of Trinity, and Lucasian Professor of Mathematics from 1669 onwards, Newton was obliged to subscribe to the Thirty-nine Articles of the Church of England. It was noted that, most unusually for a Cambridge academic at this period, he refused to take Holy Orders.

Katrina Gulliver

Ratings war

Planning for the ‘war of the future’ is something generals and politicians have been doing for the past 150 years. The first and second world wars were the most anticipated conflicts in history. Military strategists and popular novelists all published the wars they envisioned in the decades before. Whether in the spycraft of Erskine Childers or the science-fiction of H.G. Wells, the reading public was warned of the carnage to come in many imaginative forms. But all that anticipation did little to avert the bloodbaths. In this book, Lawrence Freedman offers a detailed analysis of how we have planned (or failed to plan) for conflict. Into the 20th century, military planning suffered from still focusing on the model of the Napoleonic wars, with the notion of the decisive battle.