More from Books

Saturday

Jay Elwes

Why were Kraftwerk such a colossal success?

Everything about Kraftwerk was odd. They had no front man, they seemed to play no instruments and their strange, electronic music owed nothing to blues, soul or any of the other forms of music that underpinned 20th-century pop. Instead, a Kraftwerk gig consisted of four rather gauche-looking fellows from Düsseldorf standing in a row, each poking at a synthesiser, as a strange, apparently unconnected series of images appeared on screens behind them. A Kraftwerk album could be just as confounding. The cover of the 1977 album Trans Europe Express featured a portrait of the band. In suits and ties, they looked more like the partners at an accountancy firm than an electronica band.

Conrad Black

Metternich gets a makeover

This is a giant Teutonic forest of a book, to be progressed through with determination as if by seasoned infantry; it is as far as biography can get from a Viennese waltz. But it has its rewards. It is a very extensive and well-researched chronicle of the subject’s monumental career — 39 years as foreign minister of the Austrian Empire, the last 27 of them also as the state chancellor, and an extensive diplomatic career prior to all that. Wolfram Siemann presents and argues for a new and rather liberal interpretation of ‘the Metternich system’ in place of the normal view of Metternich’s influence as rigid and reactionary.

Tuesday

Tom Lathan

‘This pain, of all pains, cannot be palliated’: a doctor cares for her dying father

Dear Life arrives at a time when the public appetite for the personal accounts of medical insiders shows no sign of abating, with scores of such books having been published in recent years. Their enduring popularity is often — and, arguably, best — characterised as a kind of literary fallout from a decade of austerity and the very public ire this has drawn from health professionals. Rachel Clarke’s 2017 debut, Your Life in My Hands: A Junior Doctor’s Story, was written partly as a response to the 2015 dispute between NHS junior doctors and the then health secretary Jeremy Hunt, as well as the general impact of austerity measures on the NHS.

Adam Begley

The blistering experience of writing about Samuel Beckett

For those of us with nagging doubts about the value of literary biography, books that show the biographer at work — a genre with a solid pedigree — exert a peculiar and not entirely healthy fascination. We traipse through the sausage factory feeling sick to our stomachs yet weirdly hankering for a bite of the finished product. Some eminent biographers — Hermione Lee, for instance, in Body Parts (2008) — have exposed the tricks of the trade with clinical detachment, scarcely mentioning their own practice; others, such as Michael Holroyd in Works on Paper (2002), Richard Holmes in This Long Pursuit (2016) and the late James Atlas in The Shadow in the Garden (2017), mix in a generous measure of self-scrutiny.

Alan Judd

it’s easy to forget how many respectable people embraced eugenics

Between 1923 and 1931 the publisher Routledge produced ‘Today and Tomorrow’, a series of 110 short books by intellectual luminaries of the time who were asked to imagine the future 50 to 100 years hence. The writers included Bertrand Russell, his wife Dora, J.B.S. Haldane, C.E.M. Joad, Sylvia Pankhurst, Robert Graves, Winifred Holtby, Basil Liddell Hart and Vera Brittain. The titles ranged between Science and the Future, An Anatomy of Clothes, The Conquest of Cancer, Women and Knowledge, The Future of War, The Future of the Jews, The Future of Humour, The World, the Flesh and the Devil, The Problem of Race and The Price of Justice. Those announced but never published included The Future of Sex by Rebecca West and The Future of Traffic in Women by H. Wilson Harris.

Emily Rhodes

Hell and high water: eco-anxiety dominates Jenny Offill’s latest novel

Lizzie, the narrator of Jenny Offill’s impressive third novel Weather, is ‘enmeshed’ with her brother, according to her psychologist-cum-meditation teacher. The word ‘mesh’ returns a few pages later, in a podcast, referring to the interconnectedness of different species: ‘a better term than “web”, they think’. With its paradoxical meaning of both containing spaces and joining things together, ‘mesh’ could be used to describe the unusual form of this novel, which is written in short paragraphs, separated widely on the page, yielding a patchwork of Lizzie’s fragmentary thoughts and observations about life in contemporary New York, and the people caught up in it.

Saturday

Stuart Kelly

Philip Hensher’s latest novel is a State of the Soul book

This is a very nuanced and subtle novel by Philip Hensher, which manages the highwire act of treating its characters with affection and anger at one and the same time. Politically, ethically and emotionally it places the reader in a kind of vertigo by addressing a singular moral question: is it better to be steadfast to your principles or to change tack as history twists? The narrator is ‘Spike’, whom we first meet when he is 16 at the school assembly — featuring a recruiting officer who is blind-sided by one of the pupils. Spike is invited into a group of idealistic and pretentious people. Whether their politics are classical Marxist, anarcho-syndicalist, Trotskyite or some mishmash of all three is probably even a mystery to themselves.

Keiron Pim

It’s not the dark hours the insomniac dreads but the clear light of day

The insomniac may come to dread the night’s solitude, but the next day poses the greater challenge. That’s when you are obliged to walk among the rested population and pass for one of them, when in truth most interactions are conducted in a state of self-doubting confusion; when harnessing one’s thoughts is like grabbing at shadows; the right words, if found, won’t cohere into fluent sentences; and dark intrusions from the subconscious flicker up and distract from whichever simple task you’re attempting to complete. The novelist Samantha Harvey’s first memoir examines a year spent in this condition.

Hugh Thomson

Lake Ohrid: an oasis of peace in the war-torn Balkans

Kapka Kassabova’s previous travel book, Border, was rightly acclaimed and won several prizes. The author travelled to the edge of Europe, between Greece, Bulgaria and Turkey, and teased out ‘where something like Europe begins and something else ends, which isn’t quite Asia’. This is a sequel of sorts. She now travels to another border, that between Macedonia, Albania and Greece, where the vast and beautiful Lake Ohrid remains one of the Balkans’ surviving religious melting pots, despite considerable nationalist pressure. It is where her mother was originally from, so her journey is partly a rediscovery of her own roots.

Honor Clerk

How long is long enough to look at a work of art?

There is a vogue at the moment for books which use art as a vehicle for examining the writer’s wider life and interests. Toby Ferris will certainly not have seen this as in any way an autobiography, but what it essentially does is use a quest for the 42 surviving paintings by Pieter Bruegel the Elder as a starting point for an exploration of anything and everything, from the death of a friend to art history, family history, philosophy, anthropology, mathematics, music and paragliding. The result of this — what Ferris calls his Bruegel Project — is an intricately plotted book that is by turns stimulating, moving and sometimes mildly pretentious.

Anne Sebba

Hiding from the Gestapo in plain sight in Berlin

Of the many bleak moments that have lodged in my mind since reading this extraordinary book the most unshakeable is the image of the once dignified Otto Neumann, walking to his death in torrential rain, with black shoe polish running down his face and into his eyes. Thus was his fate sealed as the silver hair revealed beneath ensured he was deemed too old to be selected for work. He was despatched instead to the gas chambers of Auschwitz. But if this downpour, in a hideously crazy world, can be considered bad luck — after all, Otto and his wife Ella had by then managed against the odds to survive in the hell that was Terezin for two years — Hans, their young son then in hiding, was to have moments of astonishing good luck, which ensured his survival.

Ruth Scurr

A dark emerald set in the Irish laureate’s fictional tiara: Actress, by Anne Enright, reviewed

Actress is the novel Anne Enright has been rehearsing since her first collection of stories, The Portable Virgin (1991). It is a perfect jewel of a book, a dark emerald set in the Irish laureate’s fictional tiara, alongside her Man Booker Prize winner The Gathering (2007) and The Green Road (2015). Its brilliance is complex and multifaceted, but completely lucid. Like its predecessors, it is a portrait of a matriarch. Norah, the novelist daughter of an invented Irish theatre legend, Katherine O’Dell, sets out to tell the story of her mother’s life as she approaches her own 59th birthday. She is acutely aware that she is about to have one birthday more than the actress managed: ‘I would spin beyond her, out into unchartered space.

Stephen Bayley

There’s something hot about a hat

When an American describes a woman as wearing a ‘Park Avenue Helmet’ you know exactly what is meant. This is a hairdo so precise and sculpted that it trembles, category-wise, between coiffure and armour. Both natural and artificial, it also accurately signals social status. The link between hats, hair and caste was first made by James Laver in his 1937 classic Taste and Fashion, a book not yet bettered in its field. Oddly, it does not appear in the bibliography of Drake Stutesman’s new cultural history of headwear.

Lucy Lethbridge

The stomach for the fight: cooking for Churchill during the war

Georgina Landemare cooked for the Churchill family in all their kitchens, during the 1930s and 1940s. She got as close to the inner workings of the prime ministerial stomach as it was possible to get for a non-family member. At Admiralty House, Chartwell, Chequers, Downing Street and even in the hastily put-up fitted kitchen in the Cabinet War Rooms, she eked out the rations into seven-course meals and accommodated both Churchill’s gluttony and his fussiness. There seem to have been plovers’ eggs in abundance. The food historian Annie Gray’s previous books include an examination of the life of Queen Victoria through that monarch’s enormous, indiscriminate appetite for eating.

Andrew Lycett

Death in the Cape – the lonely fate of Mary Kingsley

What compelled three well-known British writers to leave their homes and travel 6,000 miles to participate in a nasty late-19th-century conflict in the far-off South African veldt? This question lies at the heart of Sarah Lefanu’s excellent analysis of how Rudyard Kipling, Arthur Conan Doyle and Mary Kingsley found themselves following the flag in Britain’s last great imperial war. Her book starts with concise biographical introductions to these protagonists, up to the start of what is still widely known as the Boer War in 1899. We get the familiar Kipling odyssey from Bombay, through fostering in the ‘House of Desolation’ in Southsea to journalism in Lahore. Marriage took him to Vermont, where he started a family and fine-tuned his thinking on Britain and empire.

Saturday

A.S.H. Smyth

Maaza Mengiste’s The Shadow King is certainly no Abyssinian Andy McNab

In 1935 the troops of Benito Mussolini’s sinister-clownish Roman Empire II invaded Ethiopia, in large part out of spite for Italy’s embarrassing defeat there 40 years earlier. Initially largely uncontested — thanks both to Emperor Haile Selassie’s desperate faith in international brotherhood and to a hearty dose of Quislingism from his leading nobles — when ‘war’ eventually did break out it was so one-sided that Ethiopian women were gathering spent bullet casings for reuse while Italian planes (the older Ethiopians believing these were dragons) dropped poison gas on them. Selassie, meanwhile, fled to England.

Nicola Barker

The downside of mindfulness

Way back in 1996 Norman E. Sjoman published a book called The Yoga Tradition of the Mysore Palace, in which he contested that much of what we now (in the West) consider to be yoga — a practice apparently steeped in millennia of ancient Indian tradition — is actually a veritable hotchpotch of disparate influences, some of which are surprisingly modern. In 2010 Mark Singleton’s controversial Yoga Body: The Origins of Modern Posture Practice consolidated Sjoman’s argument, and Yoga International (through somewhat gritted teeth, no doubt) claimed it represented ‘a watershed moment in the history of global asana culture’.

Paul Kildea

A grand romance: Sophy Roberts goes in search of lost Bechsteins in Siberia

In the world of classic cars, barn-finds sometimes do occur. An old Mercedes Gullwing might be discovered under tarps and hay on a farm somewhere in Florida, say, or an E-type Jag exhumed from out-buildings in Norfolk. Such discoveries are relatively rare, yet news of them reaches far beyond specialist magazines and websites for one simple reason: people love classic cars. We all invent stories about their history and fate based on the model, where it was found and who found it. Musical instruments have nowhere near the same traction in our imagination. For a barn-find fiddle to garner international attention it would have to be a valuable violin, or its provenance would need to be mired in the murk and criminality of Nazi Germany.

Mika Ross-Southall

An unsentimental Hungarian education: Abigail, by Magda Szabó, reviewed

Although widely read in her native Hungary, Magda Szabó, who died in 2007, did not gain international acclaim until the mid-1990s with the translations of her novels The Door and Katalin Street. Abigail, which was originally published in 1970 and is her best-known book, now appears in English for the first time in a superb translation by Len Rix. Set over six months, from September 1943 to March 1944 when Germany occupies Hungary, Abigail follows the 14-year-old Gina Vitay, who is ‘plucked away as if by a bird’ from her privileged life in Budapest and sent to a remote fortress-like Protestant boarding school for girls by her father, a general in the Hungarian army.

Max Décharné

Chinatown – that late masterpiece of film noir – could never be made now

In one of the most frequently quoted lines of post-war European cinema, a character in the 1976 Wim Wenders film Kings of the Road remarks that ‘the Yanks have colonised our subconscious’ (‘Die Amis haben unser Unterbewusstsein kolonialisiert’). The Hollywood film, a powerful weapon broadcasting this almost mythological vision of American culture around the world, had already begun its long retreat from complex adult themes, after untold millions were made from the colossal success of pictures by George Lucas and Steven Spielberg such as Jaws (1975), Star Wars (1977) and Raiders of the Lost Ark (1981), all of which became franchises.