More from Books

Saturday

Tanya Gold

How I became Miss World 1970

‘Miss World 1970’ is the rather glorious title that Jennifer Hosten won. That was the year that the contest, then the greatest show on earth, was disrupted by feminist activists, who threw flour bombs at the host, Bob Hope. It is retrospectively called the foundation of the woman’s movement.The immediate trigger was Hope’s gag that he was happy to be in a ‘cattle market’, after which he mooed. The contest, and the protest, now dramatised in the film Misbehaviour, stars Keira Knightley — a world-class beauty — as Sally Alexander, the feminist leading the attack on the objectification of women that Miss World embodies.

Saturday

Jude Cook

The children’s hour: first novels brim with close family observations

Kiley Reid’s Philadelphia-set debut, Such a Fun Age (Bloomsbury, £12.99), is a satire on white saviour syndrome, woke culture and virtue-signalling motherhood. That it manages this balancing act with such political finesse and humour is testament to the powers of its author, who, like her heroine Emira, the 25-year-old black baby-sitter, spent time nannying for white families. When Emira’s boss Alix calls her at a party and asks for some emergency childcare (after Alix’s home is egged, as a result of a racist gaffe made by her TV anchor husband), Emira drops everything. Short of money, about to lose her health insurance, she takes Alix’s daughter Briar to a ‘super-white’ store, where she’s accused of kidnapping the child.

Alex Preston

If you haven’t read Louise Erdrich, now’s the time to start: The Night Watchman reviewed

Louise Erdrich’s grandfather, Patrick Gourneau, was tribal chairman of the Turtle Mountain Band of Chippewa when the US Congress imposed House Concurrent Resolution 108 in 1953. This revoked the federally recognised status of many Native American tribes and withdrew legal protection of their territory, culture and religion. Gourneau was also a night watchman. While Erdrich’s latest book is fiction, it clearly draws deeply on what she describes in a prefatory note as ‘my grandfather’s extraordinary life’. Thomas Wazhashk — the surname means muskrat in Chippewa — is the night watchman at the Turtle Mountain Jewel Bearing Plant, a place where the women of the tribe ‘spent their days leaning into the hard light of their task lamps’.

Ian Garrick-Mason

The Renaissance in 50 shades of grey

The Mediterranean-centred era spanning a century or so either side of 1492 is filled to the brim with stories. There was the discovery of the Americas by a bold Genoese navigator; power struggles between wealthy Italian families, waged through conspiracies, poisonings and stabbings; a radical Dominican monk who managed to impose near-theocratic rule on a republican city before being burned at the stake; the advent of humanism and, subsequently, of a modern, power-focused theory of politics; and the maturing of the visual arts to a new level of sophistication, realism and emotional power. Such stories make up a significant part of the cultural inheritance of the West.

Alex Peake-Tomkinson

Tales from behind the veil: Moroccan women talk about lies and sex

The Moroccan-born Leïla Slimani has made her name writing novels of propulsive intensity. Lullaby, the story of a nanny who kills the two children in her care, was the first to be published in English (it was also the most read book in France in 2016). Adèle, about a sex addict who takes little pleasure from increasingly violent and self-destructive sexual encounters, came next. It was while on a book tour of Morocco discussing Adèle that Slimani hit on the idea for Sex and Lies. Many young women approached her at readings, wanting to tell her about their own sexual experiences, and it is these stories — that ‘shook me, upset me, that angered and sometimes disgusted me’ — that she has collected in this slim volume.

Ian Birrell

A dark journey into a fanatical underworld

Two years ago, the counter-extremist analyst Julia Ebner decided she needed to delve deeper into the extremists trying to disrupt and destabilise our democracies. So the Austrian researcher invented five identities and joined a dozen secretive digital worlds of white nationalists, radical misogynists and jihadi women to explore their networks, their strategies and their recruitment techniques. This sobering book tells the tale of her journeys into a swampy underworld filled with fanatics and fantasists. Many of the people she came across seem like the saddest of losers. She joins a white nationalist dating site — motto ‘Love your race and procreate’ — where people admit they received ‘negative’ feedback on mainstream forums.

Mark Bostridge

The inside story of working for Carmen Callil

Forty-seven years ago, Virago paperbacks, with their stylish green spines and hint-of-the-transgressive colophons of a red apple with a bite out of it, revolutionised British publishing in a way that had not been seen since Allen Lane’s Penguins in the 1930s. It’s no exaggeration to say that the firm permanently altered a nation’s reading habits. Founded in 1973, three years after the Equal Pay Act and with the Sex Discrimination Act just two years away, Virago had a clear feminist objective. It wanted to produce books that gave a voice to the 52 per cent of the population under-represented in a world of mainstream publishing still largely run through the old boys’ network.

Houman Barekat

Adam Mars-Jones’s protagonist has disarmingly low self-esteem: Box Hill reviewed

Short, fat and shy, the protagonist of Adam Mars-Jones’s latest novel doesn’t have much going for him; even his name — Colin — is unprepossessing. He’s just 18 when he meets an older man called Ray, who is the ringleader of a biker gang in deepest Surrey. The year is 1975 and the bikers are part of a burgeoning postwar subculture of overtly butch gay men. Enthralled by Ray’s rugged good looks and easy grace (‘the only person I’ve ever seen who could turn a page wearing leather gloves and not fumble’), Colin becomes his live-in lover and a kind of mascot-cum-communal sex object for his pals, attending their regular poker nights in the capacity of obliging receptacle.

Kathryn Paige Harden

A book that could save lives: Adam Rutherford’s How to Argue with a Racist reviewed

In the award-winning musical Avenue Q, filthy-minded puppets sang about schadenfreude, internet porn, loud sex, the uselessness of an English literature degree — and racism. Or, more specifically, they sang about the ubiquitous human habit of stereotyping people by race: Everyone’s a little bit racist, sometimes.Doesn’t mean we go around committing hate crimes.Look around and you will find,No one’s really colour blind.Maybe it’s a fact we all should face.Everyone makes judgments...Based on race. The puppets were right: everyone makes judgments based on race. Humans are lazy creatures who like mental short cuts. Thinking in shades of grey is more effortful than thinking in black and white.

Oliver Soden

Rescued by the Goldberg Variations

Were this a less good book than it is, it would be called How Bach Can Help You Grieve. As it is, Counterpoint serves very well, describing the American art and architecture critic Philip Kennicott’s intertwined themes: his reaction to the death of his mother, with whom he had a fractious and traumatic relationship, and his attempt to learn Bach’s Goldberg Variations, through which he considers the ability of the greatest music to ease us out of a senseless pit of grief. This is a deeply serious and often affecting book, combining the ‘grief memoir’ with the genre created by Alan Rusbridger in Play It Again, an account of an amateur pianist learning Chopin’s Ballade No. 1.

Rodric Braithwaite

The Big Three who ended the Cold War

Historians argue endlessly and pointlessly about the extent to which the human factor rather than brute circumstance determines the course of events. History, geography and economic reality always constrain personal freedom of action. But within these limitations the individual can make a decisive difference. Britain’s war would have taken a different turn if Halifax rather than Churchill had become prime minister in May 1940. Archie Brown’s thesis is that the Cold War could have ended quite differently— much later and perhaps much more bloodily — had it not been for the fortuitous combination of Ronald Reagan, Margaret Thatcher and Mikhail Gorbachev.

Saturday

Tom Chivers

How close is humanity to destroying itself?

Humanity has come startlingly close to destroying itself in the 75 or so years in which it has had the technological power to do so. Some of the stories are less well known than others. One, buried in Appendix D of Toby Ord’s splendid The Precipice, I had not heard, despite having written a book on a similar topic myself. During the Cuban Missile Crisis, a USAF captain in Okinawa received orders to launch nuclear missiles; he refused to do so, reasoning that the move to DEFCON 1, a war state, would have arrived first. Not only that: he sent two men down the corridor to the next launch control centre with orders to shoot the lieutenant in charge there if he moved to launch without confirmation.

Mia Levitin

Are we still prejudiced against professional women?

In Ladies Can’t Climb Ladders, the social historian Jane Robinson — whose previous books include histories of suffragettes and bluestockings — champions British women who were ‘first-footers’ in the elite fields of academia, architecture, the Church, engineering, law and medicine.One and a half million women joined the workforce during the first world war (at half the pay of their male counterparts). After the war, however, they were expected to cede their jobs to returning servicemen and resume the role of ‘angel in the house’. The 1919 Sex Disqualification (Removal) Act allowed women to qualify for professions, but it was limited in scope.

John Self

The scars of public school: English Monsters, by James Scudamore, reviewed

‘James Scudamore is now a force in the English novel,’ says Hilary Mantel on the cover of English Monsters, which, given that it’s his fourth book, has the whiff of a backhanded compliment (‘Have you lost weight?’). But despite its less exotic setting than his earlier novels, there is a reach and scope here that makes me think Mantel might be right. This is an English public school story (come back!) that gives us four decades in the life of Max Denyer. Max’s jet-setting parents leave him in the care of the sort of sparky grandfather of whom Roald Dahl would approve (gadgets, projects, home-made cider vinegar: ‘Electric jolt. Scalp ripple.

Max Décharné

The good boy of jazz: Dave Brubeck’s time has come round at last

On 8 November 1954, Dave Brubeck’s portrait appeared on the cover of Time magazine, accompanied by the words ‘The Joints are Really Flipping’. Inside, the pianist and leader of his own jazz quartet was variously described as ‘a wigging cat with a far-out wail’ and ‘way out on Cloud 7’, who when at college chatted up his future wife Iola with the immortal philosophical enquiry: ‘Tell me about this Plato cat.’ Yet Brubeck’s life and habits were far from the archetypal drug-fuelled, self-destructive behaviour the public had sometimes been led to expect from best-selling memoirs of that world, such as Mezz Mezzrow’s hugely entertaining sustained exercise in jive-speak, Really the Blues (1946).

Harry Mount

Carve his name with pride: Andrew Ziminsky rebuilds the West Country

Andrew Ziminski is the man who rebuilt the West Country. For 30 years, this skilled stonemason has renovated some of Britain’s greatest buildings. Along the way, he has acquired an unparalleled understanding of this country’s stones. He got hooked as a young man when a mason asked him if he noticed that tea tasted different in different parts of the country. That was because the land’s personality had an effect on its water; and so it is with stones. It’s oolitic limestone that gives Bath its golden tint. It’s granite that gives Aberdeen its mighty, hard-as-rock profile — fizzing, incidentally, with a batsqueak of radiation.

Michael Barany

Let’s leave philosophers to puzzle over the reality of numbers

The reality (or lack thereof) of numbers is the kind of problem some philosophers consider overwhelmingly important, but it’s of no consequence to just about everyone else. It does not make a wink of difference to your life whether the figures in your bank account or the digits on your clock are, in a philosophical sense, really real, so long as they work as expected. The mathematician Paolo Zellini’s book, now translated by Simon Carnell and Erica Segre from the 2016 Italian original, does not exactly elevate the number-reality problem to a matter of concern to non-philosophers, and certainly does not explain the problem in a way that will make it tractable to them.

Saturday

Stephen Daisley

Pure chutzpah: the breathtaking daring of Operation Moses

Menachem Begin was Israel’s most reviled and misunderstood prime minister. Reviled by Britain for his paramilitary activities against the British Army in Palestine, Begin was a keen admirer of the Westminster parliamentary system and English common law. Reviled by Jimmy Carter as a hawk who refused to cede an inch of territory, this ultra-nationalist signed the peace treaty with Egypt that returned the Sinai. Reviled by the left as a racist and fascist, Israel’s first right-wing prime minister summoned the head of the Mossad soon after his victory and instructed him: ‘Bring me the Jews of Ethiopia.

James Walton

Marina Lewycka’s The Good, the Bad and the Little Bit Stupid is completely bonkers

Faced with Marina Lewycka’s new novel, it’s tempting to say that The Good, the Bad and the Little Bit Stupid is also a pretty serviceable description of its contents. Yet, in the end, that feels far too neat a formulation for a book that goes well beyond the uneven into the realms of the completely unhinged. For one thing, its elements — among them suburban social comedy, the horrors of Brexit, money laundering, geriatric sex and the international trade in human organs — seem not so much disparate as random. For another, they’re never remotely blended, but simply allowed to co-exist.

Duncan Fallowell

The wizard that was Warhol

In 1983 I was sent to New York to interview Johnny Rotten and I took the opportunity to call on Andy Warhol. The Factory was in the phonebook; and the receptionist, Brigid Berlin, said that Andy was in Milan but would be back the following afternoon. ‘You better give him half an hour. Why don’t you come over at 2.30 p.m.?’ So I did. I’d never been part of that New York scene, but wanted to meet someone who had helped me develop my own freedoms almost 20 years earlier. According to Blake Gopnik’s book, I should have found a studio that was triple-locked, with an anxious artist hiding inside. But it wasn’t remotely like that.