More from Books

Thursday

Jonathan Sumption

Sylvie Bermann personifies French fury over Brexit

Sylvie Bermann was the French ambassador in London between 2014 and 2017. Her stint here was a notable success. She is a highly intelligent, articulate woman, excellent company, an astute observer of the British scene and a notable anglophile, who generated much goodwill for herself and her country. She has taken the opportunity of her retirement from the French diplomatic service to write a highly undiplomatic account of her time in London which will lose her a fair amount of that goodwill. Goodbye Britannia is a witty, waspish and angry account of the Brexit referendum and the political crisis which followed it. It is agreeably rude about British politicians, especially the current Prime Minister, whom she describes as a lying mountebank.

Anne de Courcy

Malice and back-stabbing behind Vogue’s glossy exterior

‘What job do you want here?’ asked the editor of Vogue, interviewing a young hopeful. From behind her black sunglasses the 24-year-old replied coolly:‘Yours.’ It took time, but she got it. The girl was, of course, Anna Wintour. Now she is the global Vogue supremo and queen of fashion, before whose lightest frown the whole industry quakes, and the magazine is acknowledged to be the top glossy. Its beginnings were small. It was launched on 17 December 1892, at a cost of ten cents an issue, and its dedicated founder struggled to keep it going. Its first editor was passionate about animals and its second was a female golfer with no previous publishing experience.

Thursday

Anne Margaret Daniel

The odd couple: John Keats and F. Scott Fitzgerald

On a shard of paper, some time in the bleak mid-1930s, F. Scott Fitzgerald incorporated a favourite line from one of his favourite poets, John Keats, in a short verse of his own: Don’t you worry I surrenderDays are long and life’s a benderStill I know thatTender is the Night Keats was a Romantic, perhaps the Romantic, with his lyric gift and tragically brief life. Fitzgerald loved the Romantic poets, and romance in the lower case, but was at the heart’s core a modernist, far more egoist than romantic, and quite hard-boiled. The little quatrain above is rather like T.S. Eliot’s ‘jug jug’ in The Waste Land — homage of a sort, but also showing ironic distance, and no intention of writing like Keats.

James Ball

Cashing in on Covid: the traders who thrive on a crisis

When we think of those lurching moments last spring when it became clear that much of the world, not just one or two regions, would grind to a halt, for most of us it is anything but a fond memory. But the traders of Glencore probably remember the time differently: they saw it as an unprecedented opportunity to cash in. Anticipating a global slowdown, they bought up all the space they could to store oil, including tankers capable of holding 3.2 million barrels. When the markets caught up with the scale of the pandemic, the price of oil dropped to zero and below, and in they swooped. They took the oil for free, stored it at sea, and sold it a few months later. While we worried about our livelihoods, Glencore’s traders made $1.3 bn trading energy.

Lee Langley

Two for the road: We Are Not in the World, by Conor O’Callaghan, reviewed

A father and his estranged 20-year-old daughter set off across France, sharing the driver’s cabin of a long-haul truck. This is a road trip like no other: Paddy, deracinated, footloose, divorced, taking on a temporary job for reasons that become clear later; and daughter Kitty, spiky, provocative, shaved head, grubby jeans and sweater, wrapped in an old mink coat she’s pinched from her grandmother. Occasionally she rewards her father with an ambiguous affectionate response as their edgy banter veers in and out of dangerous territory: the minefield of parenthood. The narrative is fractured; nothing told chronologically, the surface deliberately throw-away — skewed punctuation, sentences left hanging.

Alex Preston

Bright and beautiful: Double Blind, by Edward St Aubyn, reviewed

Edward St Aubyn’s ‘Patrick Melrose’ novels were loosely autobiographical renderings of the author’s harrowing, rarefied, drug-sozzled existence. Despite their subject matter, they managed to be uplifting through the beauty in which they expressed their melancholy sentiments. After At Last, the final novel of the pentalogy, St Aubyn published Lost for Words, a prickly satire on the literary prize culture that seemed narrowly parochial for such a classy novelist. Now we have Double Blind, his tenth novel, which has what is typically referred to as a rich cast of characters. We open with Francis, a kind of St Aubyn avatar, working at Howarth, a rewilded Sussex estate clearly based on Isabella Tree’s project at Knepp.

Fuchsia Dunlop

One great Chinese puzzle remains its cuisine

A truth that ought to be universally acknowledged is that Chinese food, while much loved, is underappreciated. China certainly has one of the world’s most sophisticated cuisines, yet while there’s a Chinese restaurant in almost every town, there’s little dependable information about it in English aimed at the general reader. Jonathan Clements addresses this in The Emperor’s Feast, a galloping journey through thousands of years of Chinese culinary history, from origin myths through numerous dynasties, the Opium Wars and the Cultural Revolution, right up to the present day.

Alex Peake-Tomkinson

Women of the streets: Hot Stew, by Fiona Mozley, reviewed

For a novel set partly in a Soho brothel, Hot Stew is an oddly bloodless affair. Tawdry characters drift in and out of each other’s lives but rarely seem to capture the author’s full imagination. Fiona Mozley’s first novel, Elmet, concerned a self-sufficient family living in Yorkshire and occupying ‘a strange, sylvan otherworld’, and was shortlisted for the Booker Prize in 2017. This second book is a decided change of tack. The prose sometimes has an appealing vagueness: After the war, the concrete came, and parallel lines, and precise angles that connected earth to sky. Houses were rebuilt, shops were rebuilt, and new paving stones were laid. The dead were buried. The past was buried. There were new kinds of men and new kinds of women.

Hugh Thomson

Peru’s beauty has been a real curse

As the planet gets more and more ravaged, the mind can begin to glaze over at the cumulative general statistics — so much rainforest lost, so many glaciers melted, so much less oil left. Joseph Zárate’s masterly new book reminds us that when it comes to fighting on the front line of the environmental wars, it’s all in the detail, and that nothing is quite as simple as might at first appear. Some years ago I went to a remote area on the border between Peru and Bolivia where a meteorite had landed on a small village and caused mass poisoning. The hospitals had filled up both with the locals and with the police who had been sent to investigate. Given that meteorites are not known to contain toxic materials, this seemed curious to say the least.

Mark Cocker

Bird migration is no longer a mystery — but it will always seem a miracle

Bird migration was once one of those unassailable mysteries that had baffled humankind since Aristotle. A strange hypothesis, genuinely advanced in the early modern period, was that birds flew to the Moon for winter, and barely more credible was a notion, which haunted the patron saint of British naturalists Gilbert White, that swallows buried themselves in mud. A modern understanding really began in the 20th century, when ornithologists started to place numbered metal rings on birds’ legs. Scott Weidensaul is one of many researchers worldwide who have helped to map this avian story. He then captured the findings in his Pulitzer-nominated Living on the Wind (2003). Yet he was also aware that these research methods had limitations.

Thursday

David Patrikarakos

Walls went up after the Berlin Wall came down

In her 2017 travelogue Border: A Journey to the Edge of Europe, the writer and poet Kapka Kassabova meets Emel, a loquacious Turkish civil servant who tells her that ‘the only good thing about a border is that you can cross it’. These words speak to an inherent contradiction. Borders stand as overt manifestations of national power. They represent what seems most fixed and immutable about the state. But in reality, what they do more than anything else is invite transgression. This idea that borders are not quite what we perceive them to be is the thematic ballast for Klaus Dodds’s impressive and timely Border Wars. And it is a point worth making today, when a global pandemic has made borders a staple of both political rhetoric and the popular imagination.

Andrew Lycett

‘Britain’s Dreyfus Affair’: a very nasty village scandal

It has been described as Britain’s Dreyfus Affair — the wrongful imprisonment in 1903 of a half-Indian solicitor George Edalji in the Midlands and the refusal of the authorities to pay him compensation, even though he was later pardoned. In a case tainted by racism, class prejudice and plain stupidity, Edalji was accused of mutilating horses, sheep and cattle, and then forging letters to implicate others, thus creating mayhem in the village of Great Wyrley where he lived, in a mining district in Staffordshire. His cause was taken up by a home-grown Zola in the form of Sir Arthur Conan Doyle who was happy to replicate the investigatory skills of his famous fictional detective, Sherlock Holmes.

Caspar Henderson

Why the first self-help book is still worth reading: The Anatomy of Melancholy anatomised

Footling around on the internet recently, I stumbled on a clip of a young woman singing Leonard Cohen’s ‘Hallelujah’ to a full-grown cow. As she sat cross-legged, strumming away not very well on a guitar, the cow lay down beside her and gently nudged her with its huge head as adoringly as any puppy. The sight brought to mind a passage in Robert Burton’s The Anatomy of Melancholy in which he reflects on music as a remedy: Harts, hinds, horses, dogs, bears are exceedingly delighted with it; elephants, Agrippa adds; and in Lydia in the midst of a lake there be certain floating islands (if ye will believe it), that after music will dance.

Andrew Lambirth

Ghosts in a landscape: farming life through the eyes of Thomas Hennell

Thomas Hennell is one of that generation of painters born in 1903 whose collective achievements are such an adornment of modern British art. Among his contemporaries are Edward Bawden, Richard Eurich, John Piper, Eric Ravilious and Graham Sutherland. Some of these have been over-praised (Sutherland’s reputation was unhelpfully inflated for many years, then suffered a crash), others underrated, such as Eurich. In the current mood of reassessment, careers and deeds are being looked at again, and Hennell has benefited accordingly. Jessica Kilburn’s hefty book is very tangible evidence of this.

D.J. Taylor

My father, the tyrant: Robert Edric describes a brutal upbringing

In a career stretching back to the mid-1980s, Robert Edric has so far managed a grand total of 28 novels, plus a couple of early efforts under his birth name, G.E. Armitage. I must have read two thirds of this shelf-distending oeuvre, but in none of them have I ever detected the faintest whiff of disguised autobiography. Whether writing about early-Victorian Lakeland, in the 2006 Booker-longlisted Casting the Waters, or reanimating the career of P.T. Barnum (In the Days of the American Museum, 1990), Edric has always worn his detachment, his absolute reluctance to say anything about the person he is, or was, like a rosette. All this makes My Own Worst Enemy, an account of his immensely tough upbringing in the shadow of the Sheffield steel factories, rather a departure.

Sameer Rahim

The robot as carer: Klara and the Sun, by Kazuo Ishiguro, reviewed

The world of Kazuo Ishiguro’s new novel — let’s call it Ishville — is instantly recognisable. Our narrator, Klara, is arranging traumatic memories into comprehensible order. She is a robot, an Artificial Friend or AF, purchased as a companion for an ill teenager named Josie. Klara’s speaking voice, in a C3PO-ish way, is endearingly off-kilter: ‘I was instructed to ensure against hanky-panky.’ ‘I’m sorry. It’s my error. I don’t understand yet the rules about forgiveness.’ There is no backstory explaining when the robots were invented, and no metaphors except the one shining in the title. When Klara has been bought, she wonders what emotions she might experience if she ever meets an old AF companion again.

Rodric Braithwaite

Why autocracy in Russia always fails in the end

Churchill was wrong: Russia is neither a riddle nor an enigma. Russians themselves concoct endless stories to glorify their country’s achievements and minimise its disasters and crimes. But the rest of us do much the same, as we try to explain Britain’s imperial history or the impact slavery still has on America’s revolutionary ideals. Russia is little harder to understand than anywhere else. But you need to separate the facts from the myths, as Mark Galeotti does in A Short History of Russia, an informative, perceptive and exhilarating canter through 1,000 tumultuous years. He starts with two founding events, each a mixture of fact and myth.

Thursday

Sarah Ditum

Joan Didion’s needle-sharp eye never fails

Most collections of journalism are bad. There are two reasons for this: one is that they are usually incoherent and the other is that they are, perversely, far too coherent. The pieces are pulled from their original contexts — newspapers, magazines — and thrown together with others they have no relation to beyond a common author. But (the too-coherent problem) most authors only have one or maybe two ideas to work through, so you end up doing the intellectual equivalent of walking a dozen rounds of the garden when you had hoped to be hiking off into a grand new landscape. I don’t know what Joan Didion’s one or maybe two ideas are, and I’m not sure she could even be boiled down to anything like that.

Craig Brown

Hellcat on the loose: Samantha Markle rants about Meghan

A while ago, Samantha Markle declared that her forthcoming book would be about ‘the beautiful nuances of our lives’. Was it a misprint for beautiful nuisances? Or did she have a change of heart? Either way, there isn’t a beautiful nuance in sight. Instead, it is like a blunt object found at the scene of a crime. As royal memoirs go, it is by far the most macabre, and perhaps even loopier than the Duchess of York’s Finding Sarah: A Duchess’s Journey to Find Herself. By the third page Samantha already has her knives out. The first person to get it in the back is her mother, a forgotten figure who met Thomas Markle on a blind date.

Boyd Tonkin

Algeria’s War of Independence still leaves festering wounds, two new novels reveal

In France, even the car horns yelled about Algeria. A five-beat klaxon blast — three short, two long — signalled Al-gé-rie Fran-çaise. In the early 1990s, I slunk into a rally held by Jean-Marie Le Pen in Nice to find that for the ranks of cropped, thickset pieds noirs in leather jackets, the bloodbaths and betrayals three decades back in Oran, Constantine or Algiers drove what they thought and how they voted. A generation later, Algerian migrants or returnees — Arab, Kabyle, European — now have second- and third-generation families. But the atrocity-littered independence war of 1954-62, and its gruesome aftermath, remain festering wounds.