Graham Elliot

An extraordinary omission from Neil MacGregor’s A History of the World in 100 Objects is the lyre, the instrument closest to Homer’s heart. Without it, the evolution of bowed stringed instruments — rebec, lira da braccio, violetta — would not have taken place. Ipso facto, there would be no violin, nor its larger siblings; no chamber music, no orchestra, no Hot Club de France. In such a parallel world, Helena Attlee would be much time-richer, given that she has spent more than four years researching the provenance of a single violin.

Tim Parks is a seasoned, incisive observer of football, the railways, work, domestication and plenty more in his adoptive country of half a lifetime. What is, what ought to be and the machinations in the delta between provide much of his material. In this tale of two countries in one, bright, hard-working Valeria leaves Basilicata in southern Italy to study communications and marketing at a private university in Milan — shiny subjects in a city of business a long way from home (the same distance could take her to Tunis or Belgrade). She arrives laden with bread, pastries, fruit and wine, given to her by three aunts at railway stations on her journey. Her family and her circle of friends are all from the south, but she wants her life to be in the north.